View from inside looking out to the deck
Hi! Come on in and let me show you around my new studio. The concept for the studio began in 2000 when I bought my cottage, a 1940s duplex. I planned to use the front unit as my home and the rear unit as my studio while still working at my “day job.” When the time came that I could leave to paint full time, I planned to rent out the back apartment for extra income and convert the 400 square foot garage to my studio.
The rear unit studio was wonderful and I spent many happy hours painting and teaching there. But the new studio is even better! Even though it’s near my house, it’s completely separate so the distractions of laundry, dishes and computer; the nagging of cats for dinner; email and phone calls disappear and painting time flows uninterrupted.
Before the tour, here are “before” pictures of its former life as a grease-monkey garage where my son worked on cars.
The garage before it was transformed and the 1970 Firebird Cody was (still is) restoring
The bare garage walls had 40 years of grease and grime and Bondo dust and the concrete floor was badly stained and cracked. The only electricity came in from an extension cord.
Huge engine under construction
Backyard before door and deck
The only entrance was the heavy and awkward sliding barn doors on the driveway side of the garage. Now I’ve transformed the old garage from a place for pursuing a passion for pistons to a passion for paint.
Deck and door to studio
I added the doors and deck (though the contractor’s mistakes led to it not being a two-steps up raised deck as planned–but it is level unlike how it seems in the photo). The high-maintenance funky grass is gone, replaced by gold fines which makes it feel like a beach. Now it’s a great place to set up a still life and paint outdoors and I love eating lunch and reading out here too.
Here is a 6 minute video tour, and below that, pictures with more detail.
In the video and photos below, you can see that I love good art tools. I have collected this studio equipment and supplies over many years of painting. Much of it I bought secondhand or long ago. Read More