Continuing on with my big May catch-up on posting work from the past few months. It was a gloomy winter day but one of the volunteer calla lilies was blooming and I had to paint it. This was a one-session alla prima oil painting.
I painted these from life, but first did a value sketch in Procreate to help me stay within the range of values I chose for the painting. That’s a concept I’ve been pondering: that you can design whatever value range you want for a painting, from mostly light to mostly dark, and then mix the paint colors accordingly. I printed out the Procreate value sketch and put it on my easel for reference as you can see in the work in progress photos below.
I’ve been working on doing Alla Prima (all at once) paintings in order to become more decisive about the paint I put down instead of noodling around. It requires getting the drawing right, understanding what I’m seeing and if it fails, starting again instead of trying to keep fixing, which usually goes badly. This was the third attempt at painting a rose in my mom’s yellow glass bowl. The previous attempts and photos of the set up (as the rose opened) are below.
This was a quick little painting from life that happened spontaneously one afternoon when my tenant came out to my studio and presented me with some freesias in a vitamin bottle.
It might have been a more interesting painting if I’d a) included the lettering on the bottle and b) taken time to do a preliminary thumbnail sketch so that the flowers weren’t almost touching the top of the panel. I was interested in looking at white in shadow and gray in light and shadow and the colors found in both from the warmish light and flower reflections.
It was time to face something more cheerful than my own face in the studio. This pretty pot of begonias was just what I needed. I worked on them a bit at a time, between visits to my mother in hospice. My mom passed away very peacefully last week, in no pain and with family at her side. She taught me many things in life; her final and maybe most important lesson was how to let go and fearlessly accept this final passage with grace (and the help of amazing hospice nurses).
This painting is sold. Below are the steps in the progress of the painting.
When I received an email from a woman in Switzerland, asking if I’d be interested in a commission to paint the site of her wedding (the Brazilian Room in Tilden Park) as a 10-year anniversary gift for her husband I said an enthusiastic, “Yes!” We agreed I would have the painting completed when she visited the Bay Area a couple of months later so that she could hand carry it back to Switzerland.
I visited the site, took photos and we agreed I would use the one above as reference for the painting. Since I shot the photo in late spring it wouldn’t really match the colors and light of her August wedding so I also used my imagination and memory of the park in summer to capture the warmth and strong light of August in the Bay Area. Below are some of the steps in the painting process. Read More