This was a fun two afternoon painting. Below are the steps in the work in progress and photo of the setup. This was painted about a year after my mother passed away. It’s poignant to be painting some of her special glassware.
Continuing on with my big May catch-up on posting work from the past few months. It was a gloomy winter day but one of the volunteer calla lilies was blooming and I had to paint it. This was a one-session alla prima oil painting.
There was something regal about these two, hence the name, despite the queen sitting in a soap dish, not a throne. I started out thinking “values and planes” and then, as usual, got seduced by color and detail. I did manage to keep some of the planes I saw in this pomegranate (which was becoming more faceted as it became more elderly, having been painted a few times over the past couple weeks). However, I’m not sure the painting actually benefitted from leaving the planes (or so many of them) visible.
Below is a photo of the set up and below that the two previous pom/persimmon paintings that were a nice warmup and introduction to the subject, though perhaps not terribly successful in terms of paint application, composition and/or drawing.
My grandmother ironed everything including underwear and sheets! Doing laundry was a major project. My mother bought her a dryer but she refused to use it, preferring to hang everything out to dry on the backyard clothesline. She dragged her wheeled canvas laundry cart with a big pocket for wooden clothespins (see sketch below) down the stairs and then pinned everything up to dry in the sun.
Before she ironed she sprinkled the stiff, dry laundry with water, using her special sprinkler cork (in painting above) stuffed in a bottle. Steam irons made laundry sprinklers obsolete but I wanted to honor this artifact of my grandma’s life in a painting. A few years ago I also made this sketch of her hanging laundry (below). I always loved playing with the clothespins and hanging out with my sweet grandma on laundry day.
Here is a photo of the setup (which I painted from life, not from the photo).
Finally I’m back in my studio and painting again after a two-month reconstruction of my backyard that made it impossible to get in there. These sturdy plums waited for me in the studio fridge all that time, then sat on a table by the easel for nearly two weeks during a heat wave. Some days it was just too hot to paint–well over 90 degrees. I was afraid they would have exploded, fermented, or worse. But nope, due to the magic of non-organic, supermarket fruit, they were still holding their own (unlike the beautiful, expensive, organic fruit from my natural grocery that goes squishy and grows fur if not eaten in a day or two) and I could finish the painting.
Below is the value study I did in Procreate on the iPad before starting the painting, my sketch on canvas and a photo of the setup, which I painted from life.
I’ve spent the past few months studying Munsell color notation and color mixing with Paul Foxton. My goal was to learn to discern value and color more accurately and to be able to efficiently mix those colors in paint. I’ve posted some of my course studies below. The above painting was done outside of the course, and doesn’t represent what is taught in the course. It is just a fun little alla prima still life, done before taking down my shadow box and lighting set up used in the course. I learned so many important things in the class. I think the number one thing I learned is how much lower chroma (aka less saturation/vibrant) most things are. Most things, including people, are much less colorful than I thought. Also, regardless of race, we humans are all low chroma orange (or as Munsell would have it, Yellow-Red). Read More