This commissioned portrait of a darling little girl was really fun to paint but had some challenges, like trying to invent the pajamas hidden by the highchair straps. It took several drawings (including one of a baby skull I found on Google) before I was ready to move ahead with the painting as you can see in the process steps below.
Emi’s face was actually easier to paint than the pajamas, and I was tempted to keep working on them, probably forever, but the friend who commissioned the painting was happy with it as is, so I am too.
Below is some of the work in progress steps. Please note that the lighting changed the colors in some of the photos.
I’ve had so much fun painting and sketching the lovely Dayris from Sktchy in oil (above), and before that, in pencil and then doing a digital sketch in Procreate (below). Also below you’ll find a slide show of the work in progress. Doing the two initial drawings really helped me quickly get a pretty accurate drawing for the oil painting. You can see her reference photo on Sktchy here.
Below are the steps in the process of making the portrait.
After working on this portrait for two months, trying over and over to capture this lovely woman in paint, I have to admit I never truly succeeded. I learned from all the struggles and attempts but it’s about to be a new year and time to start something new so I’m moving on. You can see her reference photo on Sktchy by clicking on the image of my painting here.
Below are two digital sketches in Procreate from Sktchy, done this month while waiting for the paint to dry on the portrait to try once again on a new layer of oil paint to get it right.
You can see the reference photo for the sketch above here and the one below here on Sktchy. Just click my drawing there to see the reference photo beneath it.
Learning to paint (well) for me means a constant but gradual process of 1) learning from my mistakes and 2) having “layers of the onion” lifted from my eyes until I at last can see something that was previously mysteriously hidden from me. (You can see the reference photo for this painting on Sketchy here.)
This painting taught me once again how much harder painting can be when you don’t start with an accurate drawing, going directly to drawing with paint and then correcting, correcting, correcting.
Getting the drawing right and capturing a likeness can be as “simple” as recognizing the big shapes, contours, divisions of space and observing where things line up with each other. Getting the values right can be as “simple” as observing where the light comes from, how it lands on the large and small planes of the face or any object, and asking myself where the darkest and lightest areas are and how this plane compares. Getting good color “just” means accurately observing the overall and predominant range of colors (saturated or grayed, warm or cool) and then asking is this the spot “warmer or cooler, more or less saturated, lighter or darker.”
I can ask myself these questions over and over, but until yet another layer of the onion is lifted, I just can’t see the answer. When that happens my brain tells me it’s too hard and just jumps ahead with a lazy guess, which then sets off another round or layer of correction, correction, correction. But I do learn from my mistakes and each next painting is an opportunity to put what I learned from them into practice and hopefully remove one more layer until at last I will be able to truly see!
I’m returning to using Sktchy for my reference photos of people for portrait practice since there is such a wide range to choose from. I’m not abandoning my series of “people Facebook thinks I should know,” but those are less useful for portrait practice, which I’m wanting to do right now.
Can you tell those splotches on his face are light coming in from a window through maybe lace curtains? I can’t post the original Sktchy reference photo off that site, but you can see it by clicking or swiping on my Sktchy painting on Sktchy here if you’re interested.
One thing I love about gouache is that it limits me to working on a painting for only one or two sessions. Unlike oils that can go on being repainted forever, gouache fairly quickly says, “Sorry, no more paint, no more layers, you’re done.” It teaches me to get the drawing down, go for the values and then lay down brush strokes of color and let them be.