Categories
Art Oil Painting Painting Still Life

Silver Teapot and Happy Apple

"Silver Teapot and Happy Apple" Oil on oil-primed linen panel, 10x10”
“Silver Teapot and Happy Apple” Oil on oil-primed linen panel, 10×10”

This was my favorite oil painting experience ever. It was one of those paintings where everything just came together. Yay!

I painted it from life in two afternoons. I think what led to my success was that first I got the drawing right and then I just put the paint down and left it, doing very little touching up and/or correcting (aka overworking).

Below are a few photos of the setup and the beginnings of the work in progress.


Categories
Digital art Glass Oil Painting Painting Still Life

Grandma’s Laundry Sprinkler and Apples

Grandma’s Laundry Sprinkler and Apples, oil on canvas, 9x12 inches
Grandma’s Laundry Sprinkler and Apples, oil on canvas, 9×12 inches. Click Image for Purchase Info

My grandmother ironed everything including underwear and sheets! Doing laundry was a major project. My mother bought her a dryer but she refused to use it, preferring to hang everything out to dry on the backyard clothesline. She dragged her wheeled canvas laundry cart with a big pocket for wooden clothespins (see sketch below) down the stairs and then pinned everything up to dry in the sun.

Before she ironed she sprinkled the stiff, dry laundry with water, using her special sprinkler cork (in painting above) stuffed in a bottle. Steam irons made laundry sprinklers obsolete but I wanted to honor this artifact of my grandma’s life in a painting. A few years ago I also made this sketch of her hanging laundry (below). I always loved playing with the clothespins and hanging out with my sweet grandma on laundry day.

Grandma hanging laundry with her laundry cart, Digital sketch.
Grandma hanging laundry with her laundry cart, Digital sketch.

Here is a photo of the setup (which I painted from life, not from the photo).

Photo of still life set up

Categories
Art theory Oil Painting Painting Still Life

Two Apples and a Pear (Moving on from Munsell)

I’ve spent the past few months studying Munsell color notation and color mixing with Paul Foxton. My goal was to learn to discern value and color more accurately and to be able to efficiently mix those colors in paint. I’ve posted some of my course studies below. The above painting was done outside of the course, and doesn’t represent what is taught in the course. It is just a fun little alla prima still life, done before taking down my shadow box and lighting set up used in the course. I learned so many important things in the class. I think the number one thing I learned is how much lower chroma (aka less saturation/vibrant) most things are. Most things, including people, are much less colorful than I thought. Also, regardless of race, we humans are all low chroma orange (or as Munsell would have it, Yellow-Red).