I painted this a couple of months ago and I’m finally getting around to posting it. I was focusing on composition and just having some fun with color. and shapes. The gray/black stair-step shape in the back is styrofoam packing material. Below are the steps in the process of the painting.
This was a quick little painting from life that happened spontaneously one afternoon when my tenant came out to my studio and presented me with some freesias in a vitamin bottle.
It might have been a more interesting painting if I’d a) included the lettering on the bottle and b) taken time to do a preliminary thumbnail sketch so that the flowers weren’t almost touching the top of the panel. I was interested in looking at white in shadow and gray in light and shadow and the colors found in both from the warmish light and flower reflections.
I’ve developed the goofy habit of storing my leftover cucumber in the bell pepper half when I prepare a salad. It always makes me laugh so I decided to paint it. My sister called it veggie porn. I hope it makes you chuckle too.
I’m trying out a new format for my blog posts, a simple list with images of what I’ve been working on, successes, challenges and what else is going on in the studio and my life. Theoretically it will mean less writing and more frequent posting. So here goes…let me know what you think.
CHALLENGES: I’ve been struggling with composition, discovering half way through a painting that the composition sucks and the painting will never be an enjoyable thing to look at.
SUCCESSES: I finally got the willingness to begin all paintings with some thumbnail sketches. I realized that COMPOSITION is simply the structure that directs the eye around the painting, creates a feeling of action or stillness and (if done well) delights the eye. Two of my favorite painters, Susan Jane Walp and Giorgio Morandi use composition in unexpected ways, and both delight the eye (or at least my eyes) whether they are following or breaking the “rules” of composition or making their own.
LETTING GO OF A BAD PAINTING: This one started off really happily but ended up in the trash, after scraping and redoing it over and over until I killed it so dead it couldn’t be revived. I just felt there was too much red, that it was too “hot” somehow. A friend suggested adding black. That was the final nail in the coffin. I’m not sure why I’m even sharing it at all.
SKETCHES: I try to do a sketch from the SKTCHY App at least weekly. Here is a recent one.
WHAT I’M READING: “Irresistible: The Rise of Addictive Technology and the Business of Keeping Us Hooked.” Great book about how our devices and apps are designed to keep us using them. I waste way too much time web-surfing on my phone. This book gave me some tools for changing my habits along with a good talking to! I think it’s a must-read for parents especially.
WHAT I’M LISTENING TO: Ed Sheeran and Alicia Keys on Amazon music, which I like much better than Apple music. (If you’re interested, here’s a link to Amazon Music Unlimited 30-Day Free Trial)
It was time to face something more cheerful than my own face in the studio. This pretty pot of begonias was just what I needed. I worked on them a bit at a time, between visits to my mother in hospice. My mom passed away very peacefully last week, in no pain and with family at her side. She taught me many things in life; her final and maybe most important lesson was how to let go and fearlessly accept this final passage with grace (and the help of amazing hospice nurses).
This painting is available on DailyPaintworks. Below are the steps in the progress of the painting.
Painting quick self-portraits seemed like a good way to work through my feelings while supporting my elderly mother in hospice, especially with my limited studio time and energy. The most recent, #6 above, is my favorite so far because I focused on finding light, beauty and strength rather than darkness (and because I omitted my frown lines). I used a limited palette of titanium white, yellow ochre, venetian red, cobalt blue and a little Gamblin Asphaltum and a cool white light bulb.
Here’s my funky set up with the big mirror propped up on a dresser drawer. In all six of these self-portraits (above and below) I focused on capturing something of what I was feeling in a short session (3- to 4-hour studies) without worrying too much about getting a true likeness. Read More