Plums on a White Plate

Plums on a White Plate, oil on canvas, 9x12"

Plums on a White Plate, oil on canvas, 9×12″

Finally I’m back in my studio and painting again after a two-month reconstruction of my backyard that made it impossible to get in there. These sturdy plums waited for me in the studio fridge all that time, then sat on a table by the easel for nearly two weeks during a heat wave. Some days it was just too hot to paint–well over 90 degrees. I was afraid they would have exploded, fermented, or worse. But nope, due to the magic of non-organic, supermarket fruit, they were still holding their own (unlike the beautiful, expensive, organic fruit from my natural grocery that goes squishy and grows fur if not eaten in a day or two) and I could finish the painting.

Below is the value study I did in Procreate on the iPad before starting the painting, my sketch on canvas and a photo of the setup, which I painted from life.

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From Veggie Porn to Bad Begonias

Veggie Porn, oil on Gessobord panel, 8x8"

Veggie Porn, oil on Gessobord panel, 8×8″

I’ve developed the goofy habit of storing my leftover cucumber in the bell pepper half when I prepare a salad. It always makes me laugh so I decided to paint it. My sister called it veggie porn. I hope it makes you chuckle too.

I’m trying out a new format for my blog posts, a simple list with images of what I’ve been working on, successes, challenges and what else is going on in the studio and my life. Theoretically it will mean less writing and more frequent posting. So here goes…let me know what you think.

CHALLENGES: I’ve been struggling with composition, discovering half way through a painting that the composition sucks and the painting will never be an enjoyable thing to look at.

SUCCESSES: I finally got the willingness to begin all paintings with some thumbnail sketches. I realized that COMPOSITION is simply the structure that directs the eye around the painting, creates a feeling of action or stillness and (if done well) delights the eye. Two of my favorite painters, Susan Jane Walp and Giorgio Morandi use composition in unexpected ways, and both delight the eye (or at least my eyes) whether they are following or breaking the “rules” of composition or making their own.

LETTING GO OF A BAD PAINTING: This one started off really happily but ended up in the trash, after scraping and redoing it over and over until I killed it so dead it couldn’t be revived. I just felt there was too much red, that it was too “hot” somehow. A friend suggested adding black. That was the final nail in the coffin. I’m not sure why I’m even sharing it at all.

FAIL: Bad Begonias, oil on panel, 10x8"

FAIL: Bad Begonias, oil on panel, 10×8″

SKETCHES: I try to do a sketch from the SKTCHY App at least weekly. Here is a recent one.

Isabel T, from Sktchy photo reference, graphite, 12x9"

Isabel T, from Sktchy photo reference, graphite, 12×9″

WHAT I’M READING: “Irresistible: The Rise of Addictive Technology and the Business of Keeping Us Hooked.” Great book about how our devices and apps are designed to keep us using them. I waste way too much time web-surfing on my phone. This book gave me some tools for changing my habits along with a good talking to! I think it’s a must-read for parents especially.

WHAT I’M LISTENING TO: Ed Sheeran and Alicia Keys on Amazon music, which I like much better than Apple music. (If you’re interested, here’s a link to  Amazon Music Unlimited 30-Day Free Trial)

Figs on a Grey Plate

Figs on a Grey Plate, oil on Arches Oil Paper, 9x11"

Figs on a Grey Plate, oil on Arches Oil Paper, 9×11″

My fig tree is supplying me with figs that are delicious to look at and to eat. I’m working on simplifying my paintings, aiming from strong values and composition, and trying to stop at “good enough for jazz.” This is so much more fun than trying for perfection and ending up with overworked instead. This painting is available on DailyPaintworks here.

Below are the steps in the progress of this painting and below that some bonus fig Read More

Sliced Granny Smith Apples

Granny Smith Sliced, oil on Arches Oil Paper, 11x9 inches

Granny Smith Sliced, oil on Arches Oil Paper, 11×9 inches

I was struck by the beautiful cream color of the apple when I cut it open and then all the subtle pastel colors I could see in the flesh because of the light shining through and reflecting off of the apple skin and the turquoise plate. Below are photos in the process of painting the apples from life, with a snapshot of the set up. This painting isavailable here: (Click here for purchase info) Read More

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