Categories
Watercolor People Faces Sktchy Art

Emily in Watercolor with Odd 3-Pigment Palette

Emily Christen from Sktchy, Watercolor, 10×6”

I watched the interesting class taught by Kirsten Britt on Sktchy and then, as usual, I painted the subject completely differently than was instructed. Kirsten’s work is beautiful but is all about splotches (here’s her version on IG).

3-Pigment Triad, Limited Palette

I used an odd limited palette for this one which made it a little challenging. The pigments are DS Perylene Scarlet, DS Cobalt Teal and WN Raw Sienna. It wasn’t possible to get any real darks so I stuck with a high key painting.

Original sketch, graphite on paper, 10×6”
My check of the sketch in Procreate

I got very close with my sketch, even with the camera distortion; I only needed a few small adjustments.

Work in Progress – First passes of color
Photo reference
Categories
Art Drawing Faces Portrait Sktchy Watercolor

Watercolor Portrait of Ms. Cherry

Watercolor portrait of Tori Cherry
Ms. Tori Cherry, watercolor, 9×7”

I signed up for a Sktchy Watercolor class to see what I could learn from their teachers. I planned to make myself try the teachers’ different approaches and I did attempt the super loose, wet in wet approach Dritan Duro, the teacher for this class demonstrated, but tossed the crappy results and started over, doing things my way.

Color wheel: WN Raw Sienna, WN Perm. Alizarin, Winsor Blue Green Shade

Interestingly, the 3-color limited palette I used for this painting was the same as the one I used for my painting of Dorothy, even though the two women look nothing alike. It’s a fun challenge to work with only a 3-color limited palette. (WN Raw Sienna, WN Perm. Alizarin, Winsor Blue Green Shade).

Freehand sketch, 9×7”

Above is my final sketch and below is my preliminary sketch, scanned into Procreate, with a tracing of the photo over it. I used it to check my drawing and then made the corrections to the final sketch above.

Corrections marked from tracing photo in Procreate over sketch
Tori Cherry, reference photo from Sktchy.
Categories
Art Drawing Faces Painting People Watercolor

Dorothy of Oz: All Grown Up?

Watercolor painting of Dorothy from the Wizard Oz, as an adult, from a photo of a woman at a county fair
Dorothy of Oz, Watercolor on paper, 9”x6.5”

My first thought was, “Dorothy from the Wizard of Oz, all grown up,” and, as the saying goes, “rode hard and put away wet” when I saw the photo (below) on photographer Earthsworld’s Instagram.

Photo reference by Earthsworld, posted with permission

My second thought was “I must paint her!” I contacted Earth (his real name) and he gave me permission to paint from and share his photo. Then, while the painting was in progress I came across the cartoon below on Instagram by artist WadeHate.

Cartoon of Dorothy from the Wizard of Oz as a grown up, smoking a cigarette
Cartoon by WadeHate, posted with permission

It was too perfect, another image of Dorothy all grown up. He was kind enough to give me permission to share this artwork.

Experiments with background color in Procreate.
Bottom left was original before painting background.

The original photograph had a background I didn’t want so I experimented in Procreate with different backgrounds. I probably should have just left the background white (below).

Finished painting except for background.
Also, the limited palette of W&N watercolors notated:
Raw Sienna, Permanent Alizarin, Winsor Blue Green Shade

The deep orange I chose didn’t please me so I tried washing it off. That left an “interesting” peachy color and a paper surface that was not going to respond well to more paint layers. So, peachy pink is how it shall remain.

Painting in Progress, Final Sketch, Sketch check for accuracy in Procreate

When I checked my initial sketch I was delighted to see how close I got on my first try, and how few corrections were needed (above). It’s so nice to see progress, whether it’s in drawing or painting or both. This painting also went really well (except the background).

Categories
Art Oil Painting Painting People Portrait Watercolor

Sadie and the Swim Trophy

Sadie and the swim trophy, watercolor
Sadie and the 2021 Swim Trophy, watercolor, 10”x7.5”

My granddaughter Sadie loves to swim (and play soccer, basketball and read books, too). At the end of the season, after winning many races and awards, to fundraise for her team she swims lap after lap and people pledge $ per lap.

Reference photo

Trying to paint Sadie from this photo led to me giving up on oils and going back to watercolor. As was my way with oils, I tried repeatedly, persistently (obsessively?) but couldn’t make it work. This watercolor isn’t perfect, but it captures the joy of the moment and that makes me happy.

Failed oil paintings
Abandoned Oil Paintings, 9×12”
L-R: Start of painting #2; unfinished painting #2; unfinished painting #1

With watercolor I’m able to paint to a certain point and then happily call it done. Watercolor doesn’t allow you to keep fiddling forever like oil does.

Final drawing for the portrait painting
Final drawing for the painting (after many corrections)

I again used a limited palette because it’s fun to see what I can do with only 3 colors. This time it was DS Hansa Yellow Medium, WN Permanent Alizarin and WN Cobalt Blue.

Limited palette color wheel of primary triad
Test of Limited Palette Primary Triad using DS Hansa Yellow Medium, WN Cobalt Blue and Alizarin Permanent

I used to think it was really weird that artists limited their palettes. I thought one needed every possible color in order to capture color exactly. But now I prefer the harmony a limited palette provides and don’t really care about capturing exactly the colors in real life. I’m not trying to be a photocopier.

Categories
Art Drawing Faces Painting People Portrait Watercolor

Terrible Watercolor Triad, Mean Model

Mean Model, Watercolor portrait of woman, 8.5”x7”
Mean Model, Watercolor, 8.5”x7”

I recently spent a couple weeks working through a Proportions and Rhythms of the Head portrait drawing class created by Bradwynn Jones. I watched him do the demo drawings (mostly while working out on my rower) and then sketched them myself. When I finished all the drawings I transferred them to watercolor paper and started painting them. This is the first one I painted.

Reference Photo of Mean Model

I took an immediate dislike to this model. She was pretty but mean-girl looking to me. I decided to experiment with a triad of colors on her that turned out to be equally unpleasant.

Final Sketch for the painting

Cobalt Violet has very low tinting strength and just sits on top of the paper, so it came right off if I tried to glaze over it. It is both opaque and granulating, causing an unpleasant texture for skin.

Color wheel test of triad limited palette

The QOR Nickle Azo Yellow also had low tinting strength and when mixed with the violet made a yucky brownish color for shadows. The QOR Paynes Grey combined with the yellow made a gross greenish-gold of her hair.

I didn’t really care because, like I said, take that, mean girl!

Also, Payne’s Grey; I’ve never understood why people use it. Most brands make it from black and ultramarine blue and sometimes a bit of violet. I guess it’s a convenience color, but one that would be so easy to make, though I prefer not to use black paint in watercolor.

Do you use Payne’s Grey? If you do please tell me why and which brand you like.

Initial sketch with needed corrections superimposed in Procreate