I took a class on Schoolism.com with Jason Seiler about drawing realistic portraits that was very helpful. This was part of the homework for the class, drawing lots of eyes. Above is one from Sktchy app and below are from photos from that class, the web and people I know. The next one below is my son Robin. All are done on the iPad in Procreate.
While my backyard and the entrance to my studio were inaccessible due to construction I did more drawing and painting on my iPad than on canvas. The 12.9″ iPad is just the right size for me and the Apple Pencil makes it just like drawing with a great pencil or pen except so much easier to erase or start over without fear of “wasting” paper. Here are a few of those sketches from TV and photos.
Thanks to Kaelin on Sktchy app for the twinkle in her eyes that inspired me to sketch her on my ancient Winnie the Pooh book’s last page map of Pooh Corners. Digital ink in Procreate.
Kaelin, digital ink in Procreate on iPad.
Here is the photo reference from Sktchy.
I really enjoyed making this painting of my friend’s grandson Toa. The biggest challenge was working from a cellphone photo taken in a carseat in the dark where his skin looked dark and bright orange. Fortunately I was able to see some other snapshots with better skin color.
I’ve been taking a new approach to painting; focusing on the joy of creating and letting go of the internal “committee” that demands perfection. I have accepted that my work will never be perfect and that perfect art bores me anyway. A bit of wonkiness, even in a portrait, is ok with me, if I feel I have captured the spark of the subject. I’m painting for myself; if it pleases someone else too that’s a bonus, but not at all a requirement. Giving myself this freedom has completely changed my life.
Below are my initial sketches, a picture of the setup with the photo, and an early stage in the painting.
Painting quick self-portraits seemed like a good way to work through my feelings while supporting my elderly mother in hospice, especially with my limited studio time and energy. The most recent, #6 above, is my favorite so far because I focused on finding light, beauty and strength rather than darkness (and because I omitted my frown lines). I used a limited palette of titanium white, yellow ochre, venetian red, cobalt blue and a little Gamblin Asphaltum and a cool white light bulb.
Here’s my funky set up with the big mirror propped up on a dresser drawer. In all six of these self-portraits (above and below) I focused on capturing something of what I was feeling in a short session (3- to 4-hour studies) without worrying too much about getting a true likeness. Read More