On the next test run of my new Schmincke palette that Roz introduced here, I painted some roses on a tablecloth in the sun on the deck. While the Schmincke pan paint is lovely to use, and the palette a good size and design, the colors frustrated me. Their version of rose called Permanent Carmine (PV19) is much redder than the Winsor Newton (PV19) Permanent Rose I rely on for pinks and several other colors didn’t appeal to me.
In the color chart below, the top and bottom rows are the original Schmincke colors that came with the set. I added the colors in the center row by filling empty half-pans from tube paint in the space designed for adding extra pans.
Schmincke palette original colors plus added middle row
Lightbulb, ink & watercolor, in 7x7" Stonehenge Wirebound Journal
I was trying to find a way to make this old blue photography light bulb (purchased back in the days of film) stand up so I could sketch it. I tried using tape rolled into a double-sided ball and sticking it to the table but it fell over. Then I found this little glass yogurt container about the size of a baby food jar that I’d bought primarily for the jar. Perfect. (Sketched for Every Day in May, EDM #108).
Stonehenge Wirebound Journal Mini-Review
The short version: Nope.
I loved the idea of a 7″ square journal and the paper seemed like it would be nice for pen and watercolor. The description on JerrysArtarama included this bullet point:
Excellent surface for graphite, colored pencil, printmaking, pen and ink, pastel, silverpoint, watercolor and more! [italic/bold added]
But it’s a no-go for watercolor. I couldn’t get a rich smooth wash anywhere on the page. When I tried to add a darker glaze over the first wash for the shadow on the table, no matter how light a touch I had, my brush picked up the first layer of paint instead. On the underside of the bulb I had a similar problem. And then there’s the mystery line across the top of the bulb. Something embossed the page in the brand new book and the color sank into it. Perhaps the edge of the ruler I used to pencil in a border before drawing in ink left an imprint, but I’ve never had that happen before.
When I ordered the sketchbook I thought I remembered Roz writing a couple of positive reviews of the paper but when I checked again, I saw that her third and final review came to much the same conclusion for watercolor.
Rose Reverence, oil on Gessobord panel, 10x10" - SOLD
My riotously rampant roses were bursting forth from their bushes so I had to put other plans aside and paint them. Their fruity scent was as intoxicating as their vibrant colors. These were two different kinds of roses, both of which change colors and shape as they open so I had to work quickly to complete this painting in one session.
I left the still life set up just in case I needed to fix anything the next morning. But of course by then they were completely different roses. And the painting was complete.
Ginger Ale and Saltines Namiki Falcon pen, Carbon Platinum Ink, and watercolor
Today was a bad news, good news day. It started with a migraine that eventually passed enough to work most of the day (despite the internet going down, fixing that and then a little later the electricity went out long enough to shut down the computer with several projects in progress). The migraine left behind a tummy ache. I couldn’t deal with the supermarket so went to the little health food store and bought some natural Ginger Ale, organic saltines and candied ginger (all supposed to be good for tummy aches).
Candied Ginger in an Egg Cup
The good news is that this morning my reliable but grumpy mailman delivered my new Namiki Falcon fine point fountain pen and this evening I felt well enough to fill it with ink and give it a spin. I LOVE IT! The nib floats like a dream over the page with control and flexibility and a really nice fine line. It’s the best pen I’ve ever used. UPDATE June 2011: After using the pen for a few weeks I discovered that I didn’t really like it that much and sold it. I felt I had too little control of the ink flow, which went to fast for me, even with the extra fine nib. I’ve gone back to my Lamy Safari extra fine point which I LOVE!
The other good news is that with these sketches I finally finished filling the Moleskine watercolor sketch book that I’ve so detested using during the interim between binding sketchbooks. Tomorrow I get to start using the one I bound a couple of weeks ago. Yay!
Jerusalem Lemonade and Lentil Soup, ink & watercolor
Last Tuesday night we met at Zaki’s Kabob House in Albany for some delicious Mediterranean food and sketching. It was a cold rainy night but the restaurant was busy. Sonia had called ahead to confirm it would be OK for us to spend the evening there sketching. We were further encouraged by the bumper sticker on the door that said “Make Art Not War.”
Condiments & Empty Bread Basket
If you wonder why this sketch has a note saying “Paste Menu Here,” it’s because when I said I’d ruined the composition (pre-watercolor) by adding that glass on the right, Cathy said, “Just paste a piece of the menu over that spot.” I solved the problem by just not painting the glass and leaving the note instead.
Sonia and I painted at the table but Cathy didn’t like the dim restaurant lighting for painting so made many more sketches instead. I was happy that my colors turned out well despite not quite being able to see them while working.
Diners at Zakis
Usually when we’re sketching in cafes we are unable to avoid eavesdropping on nearby conversations, always a source of amusement or amazement at what people say in public. But shortly after we sat down, Ellen, a member of our plein air painting group, arrived to join her realtor for dinner at the next table. After some introductions, and passing around of sketchbooks (including an invitation by the realtor to show them in their office “gallery” which we declined), we returned to sketching while they dined and chatted.
It was odd eavesdropping on someone we knew. Cathy appreciated it though, since they were talking about sofabed shopping, and Cathy is in the market for one too.
I was surprised to find a variety of colorful teensy flowers growing along the sidewalks on my walk this afternoon in the cool misty weather. It felt so great to be out walking without the icy cold and then pouring rain of the past week and the bright colors were a great bonus.
I felt a little sheepish about picking flowers that didn’t belong to me, but the they were so tiny and since I only took a sprig or two a few inches in length I didn’t think anyone would mind. Some might even have been volunteers (aka weeds?).
When I got home I stuck them in this little glass container some pricey French yogurt had come in (that I bought for the container). Then I got back to working on my website. When I’d finished it was bedtime but I knew these flowers probably wouldn’t last until tomorrow. And I really needed a little fun so I put on a CD and so enjoyed drawing them and painting them.
If you’d like to take a look at my rebuilt website, I’d love your feedback. Although it’s now cleaner and easier to update, I’m disappointed in a couple of features that really bug me. I’ll either get over my perfectionism or sometime later I’ll rebuild it again.
The problem with technology is that by the time you’ve researched the best gizmo, bought it and learned to use it, it’s already obsolete. Aren’t you glad that not everything in life is like that?
This afternoon I went for a hike with Jessica and Mariah in perfect autumn weather and then J made tacos for dinner. After dinner Mariah (age 10) plopped her sketchbook, watercolor pencils, and Niji waterbrush on the table, pulled the bowl of fruit over in front of us and said “Let’s sketch.” How could I resist!
Mariah’s sketchbooks are such treasures. When we first started sketching together a couple years ago she preferred drawing from her imagination but now avidly draws what she sees too. Watching her abilities and understanding of what she sees grow is such a pleasure. Especially since she’s around the age when many girls stop drawing when they realize they can’t do it perfectly.
I also really admire how she has many pages of “just practicing” as she called them in her sketchbook (pages someone else might tear out thinking they were “failed” drawings). She doesn’t fear leaving them there or “wasting” the page. They’re just practice. Sometimes there are three pages in a row like that. No big deal. Such wisdom. I wanted to post her fruit sketch too but she turned the page while it was wet and it got all blurry. She just couldn’t wait to start the next sketch: the box of taco shells she said she really wanted to draw but didn’t know why.
I’ve managed to squeeze in a few other nothing-special sketches in the middle of a two-week, too-busy period (work, family, life!) and here they are:
Subway Ladies, ink and watercolor
Friday night my watercolor group came over and we painted together. I did a couple quick sketches of them while we sat around the table. Judith had a new shorter haircut.
Judith, ink in Niji waterbrush
Sharon worked in water-soluble oils instead of watercolor and somehow got yellow paint on the wall that wouldn’t come off until I tried my Magic Eraser and it came right off.
Sharon, ink in Niji waterbrush
We were all so tired after a long week but it was great to get together and paint. By request, I demonstrated how to get a good “bead” of juicy paint when making a flat wash and everyone took turns doing a few rows of the wash down the page. Together we created a really nice even page of purple.
A few more days of craziness and things start settling down again. Can’t wait!
Sunday I got into one of those funks where no matter what I was doing I felt like I should be doing something else. It was a beautiful day: I should be out painting plein air. But there were paintings in progress in the studio that were calling to me. And then there were shoulds about the medium to use: I should be painting in oil, no acrylic, no watercolor…I was driving myself nuts!
So I sat myself down at the drawing table and just started writing in my sketchbook journal all the shoulds I was hearing in my mind (but who was saying them–aren’t I the only one in there?). When all else fails I default to flowers. I picked a hibiscus, stuck it in a little bottle and started sketching. I got it wrong. I drew with a pen dipped in ink, I added wax crayon, watercolor crayon, rubbed it with a paper towel, rubber stamps, more ink, more crayon, and just kept angrily abusing the page, trying to dump the shoulds.
Attack of the Shoulds #2, Ink and watercolor
I wrote on the page: “Accept that it is all impossible.It will be wrong. It will be bad. It is pointless. And do it anyway. Because you can. And doing it badly is better than not doing it. Break the cycle. Stop the nonsense!” When there was nothing more to do the first page spread I started on the next, feeling freer. I tackled the hibiscus again, and did #2 above.
Attack of the Shoulds #3, watercolor and ink
For #3 above, I sketched with pencil, added watercolor and then outlined everything afterwards with a Pitt Sepia F pen.
Attack of the Shoulds #4, ink & watercolor
It was almost time to go to a dinner party but I squeezed in one more, which I mucked up a bit with too heavy outlining so added some fun scribbly white pen. The good news is that I did break the cycle, got over the shoulds and got back to having fun in the studio today.
Inspired by Casey’s success with the Carder Method and frustrated with my own slow progress at oil painting, I bought the Carder Method video and Color Checker tool. Below are step by step photos of my using the method to paint this still life, a brief review of the Carder Method and photos of my studio set up for working with it.
The Carder Method is designed to eliminate many of the problems that can make painting difficult. By creating an carefully lit, controlled environment, a painter can focus on learning to clearly see color and value differences while eliminating problems caused by variables such as changing light.
Click “Continue Reading” to see photos and read more….
I spent hours and hours standing at the easel this weekend, determined to once again try to paint a portrait of a little boy whose photograph I took a couple years ago at the San Francisco Museum of Art. After many hours and sore feet, below is how the painting turned out:
Canvas painted over with white paint
It had a few promising phases but I just couldn’t “execute” any of them to completion. At the end of the day I gave up and saved the lovely linen canvas to reuse by painting it over with white paint.
Tonight I decided to do something in watercolor just to try to have a little fun. When I went looking for a subject to paint everything seemed tired and insipid. I think I’ve seen one too many meaningless little still lifes with a clove of garlic, a lemon slice, or an apple. I started wondering, “What’s the point?” so the pointy juicer seemed a perfect subject.
I wasn’t happy with the first (overworked) version below, so I tried it again and the second version is at the top of the post. I didn’t have an orange to juice so I made pretend orange juice with watercolor paint.
What's the Point? watercolor on hotpress paper, 6x4"
Since I’ve been in a stuck place for a couple weeks I’ve been trying to figure out what kind of artwork would bring back my creative juices. Just making pretty pictures, developing good enough technique to be able to make classical still lifes or impressionist landscapes or traditional portraits isn’t it. So I made a list of what I do enjoy:
going out sketching with ink, watercolor and sketchbook
painting subjects with emotional content (like the two autobiographical series I’m planning)
painting large, getting lost in the painting, having unexpected things appear and running with them
drawing complicated subjects or painting details in watercolor
painting my crazy dreams
creative thinking to come up with concepts and images based on one-word challenges like Illustration Friday offers
painting without a lot of planning, just jumping in and seeing what happen
I was stuck on #2 because I was envisioning working with large canvases (30×40″) but thinking about the cost of the canvases and the paint to cover them, and where I’d hang them or store them if I actually made as many in the series as I intend…. and then as I was writing about this in my journal I realized the solution:
Just start! Go for it! Go wild! Play! Forget about the product and enjoy the process. So I’m going to START with the bigger of the canvases I have on hand and just keep going from there. And I’m going to get out and sketch more.
Jana Bouc, Artist 