Stolen Roses, oil painting on panel, 8x8"

Stealing Roses Again

Stolen Roses, oil painting on panel, 8x8"

Stolen Roses, oil painting on panel, 8×8″

There’s a mysterious house on my block that has been empty but well maintained for several years. The mailman delivers mail and the gardening service keeps things nice and neat but I never see anyone go in or out.

Their roses and fruit trees are blooming but there’s nobody home to enjoy them. So I stopped by with my scissors to give the roses a little respect by painting them, even if it means stealing them (as I’ve done before). These were yummy fun to paint!

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Persimmon & Silly Pseudo Summer Rose

Persimmon-Rose Sketchbook spread, ink & watercolor

Persimmon-Rose Sketchbook spread, ink & watercolor

If we don’t get a real fall or winter this year, maybe I can just draw fall and winter colors in my sketchbook? I got inspired by Apple-Pine’s persimmon sketching obsession to sketch (and eat) some persimmons of my own.

Number One Persimmon, ink & watercolor, 7x5"

Number One Persimmon, ink & watercolor, 7x5"

I really like the way this page turned out with the gold pen over the purple paint on the bottom that I originally added to correct a drawing/design problem, and the way the shadow (from something else on the table) kind of looks like a big number one.

Silly Pseudo Summer Rose, ink & watercolor, 7x5"

Silly Pseudo Summer Rose, ink & watercolor, 7x5"

It was over 70 degrees F today and my roses are so confused. Earlier this week we had a brief shower and a bit of cold but otherwise, it’s still not winter. I know: be careful what you wish for!

Will You Accept This Rose? Yes, Finally. Watercolor, 7x5"

Will You Accept This Rose? (War of the Roses Part II)

Will You Accept This Rose? Yes, Finally. Watercolor, 7x5"

Will You Accept This Rose? Yes, Finally. Watercolor, 7x5"

After all the struggles of the previous day, I was determined to succeed in painting a rose and decided to give myself a break. First I rearranged the colors in the palette, putting them in my prefered, mostly color-wheel order instead of helter skelter as they were, and replaced several colors (see below for color chart).

Revised Schmincke Palette chart

Revised Schmincke Palette chart

(WN=Winsor Newton, S=Schmincke, DS= Daniel Smith, H=Holbein):

Top Row: WN Transparent Yellow, S Cadmium Yellow Light, DS New Gamboge, S Cadmium Red Light, WN Permanent Alizarin, WN Permanent Rose.

Middle Row: WN Violet, S Ultramarine, WN Cobalt Blue, H Cerulean Blue, WN Winsor Blue, DS Indanthrone Blue.

Bottom Row: S Thalo Green, WN Sap Green, S Yellow Ochre, WN Burnt Sienna, DS Indigo, S Titanium White (the latter will probably be removed since I’ve never successfully been able to incorporate white into watercolors).

Second to Last Rose Test, ink & watercolor

Second to Last Rose Test, ink & watercolor

The other thing I did to give myself a break was that after I made the second to last rose sketch above from life, I decided to work from a photo of the rose. Read More

War of the Roses, Part I: Schmincke Watercolor Review

Schmincke Rose Saga #1, ink & watercolor

Schmincke Rose Saga #1, ink & watercolor

On the next test run of my new Schmincke palette that Roz introduced here, I painted some roses on a tablecloth in the sun on the deck. While the Schmincke pan paint is lovely to use, and the palette a good size and design, the colors frustrated me. Their version of rose called Permanent Carmine (PV19) is much redder than the Winsor Newton (PV19) Permanent Rose I rely on for pinks and several other colors didn’t appeal to me.

In the color chart below, the top and bottom rows are the original Schmincke colors that came with the set. I added the colors in the center row by filling empty half-pans from tube paint in the space designed for adding extra pans.

Schmincke palette original colors plus added middle row

Schmincke palette original colors plus added middle row

The colors (abbreviated above) are: Read More

Blowsy Rosies

Blowsie Roses, oil on Gesobord panel, 6x6"

Blowsy Roses, oil on Gessobord panel, 6x6"

Blowsy. [Adjective: (of a woman) Coarse, untidy, and red-faced.] That’s just what these roses were when I picked them from my poor neglected rose bush: brightly colored but messy and past their prime; yet they were just fine as my model.

It seems like once I gave myself permission to work on a painting as long as I wanted to, I’ve started being able to finish them more quickly. And it’s not just the small size;  I’ve spent hours and days on other 6×6″ paintings in the past.

It could have gone even more quickly than the three hours I spent on it, had I left some of my earliest brushstrokes alone. I just find it hard to believe they were right the first time, even though that was my goal with this painting: to put down the right strokes with the right color, temperature and value and then leave them alone. (Or scrape off the stroke immediately if it’s wrong and replace it with the “right” one, rather than adding more and more paint, which eventually leads to making mud.)

I also tried to focus on using warm and cool colors to shape the form, along with the dark and light values. I’d also like to cite my inspiration for this painting, Kathryn Townsend, whose flower paintings mesmerize me.

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