I love listening to podcasts with interviews of artists, especially painters, who talk about their process and practice, their lives, studios, challenges and successes. In the list below I share with you the ones I’ve discovered and what I like about them. Let me know which ones you like and if you know of any I’ve missed, please leave a comment and I’ll add it to the list.
I found this wonderful old crock set out on the curb, adorned with a “Free” sign so I carried it home for my “Found Stuff” painting series. One handle had broken off but the owner had thoughtfully placed the pieces inside and I glued it back together. I love the way the flowers are reflected and shadowed on the crock. The painting is available here. Below are photos of the work in progress.
It takes two to paint. One to paint, the other to stand by with an axe to kill him before he spoils it. William Merrit Chase
My biggest painting goal is to stop what I call “unauthorized painting” — I finish part of a painting, like it and write my plan for that area: “Don’t touch it!” Later I decide to just do a little “touching up” and the next thing I know I am wishing for a “REWIND” button as I try to wipe off the “unauthorized” paint. Where’s the guy with the axe when I need him? I need to draw him, axe and all, and stick it on my easel!
If you’d like more details about each session’s goals, my thoughts, missteps and corrections, click Autumn Sunflowers and Found Crock (PDF) to open the chart. As promised in my last post, here is a Session Template (click to DOWNLOAD Word file), for anyone who would like to use or modify it to track their own work. I’ll also post it on my Resources Page.
I am happy to say that the excellent new book Urban Sketching: The Complete Guide to Techniques by Thomas Thorspecken, includes this “Urban Animals” page (above) featuring my sketches of cats. When the publisher contacted me to request the use of the images, I was delighted. I was even happier when they sent my complimentary copies of the book and I saw all the really useful information and wonderful sketches it contains.
Field Guide to San Francisco
Then I got an email from an art director from the San Francisco office of the national advertising agency, Ogilvy. They were moving and she was designing a “Field Guide” to the new SF neighborhood for their employees. When searching for sketches of the area she found mine, and as she looked through my blog she found sketches to illustrate most of the pages in the guide.
(This would be a good time to point out to fellow art bloggers how important it is to tag or attach categories to your images and your posts. WordPress makes it easy; the feature is a little hidden in Blogger but it really helps to find posts or images with specific content.)
In the end, they licensed 18 of my sketches for use in the printed field guide. Above are a few of the pages, brilliantly composed by the art director.
What I’m working on now
I am honored to be working on a commissioned large watercolor painting for a couple who live in Europe now, but were married in a lovely building in a Bay Area park. The wife wants to give her husband the painting for their anniversary. I visited the venue and took photos and we agreed on a composition. The painting is underway and so far is going well, but because it is large and has many details, it is keeping me very busy (and happy) in the studio.
(I’m leaving out any identifying details about the locations to make sure there’s no way her husband will find out. I know that seems unlikely, but when working on a previous commissioned painting of a house for a surprise anniversary present for the husband, their daughter found the work-in-progress painting I’d posted of her parents’ house when she Googled “Oakland Federal Building,” landed on my sketch of the building, scrolled down and the next post was her home. She was so surprised to see it she called her parents!)