In April my sketch group decided to sketch things starting with “A” but I kept going with it. I had a lot of fun finding things about the people I sketched that started with A. Click on any of the pictures to see them larger with my notes in slide show format. As you’ll see from the times in the notes, I was working some long hours the past couple months which is why I’m so behind on posting. When time is limited I always choose painting over posting.
I’ve gotten so used to sketching people in public that sometimes I forget to be subtle. Then I get glares or confused looks from people who can’t figure out why I keep looking at them. One day a guy down the train was holding up a camera and continuously filming everyone which I found annoying. Filming seems more intrusive since my drawings rarely capture a close-enough likeness for anyone to worry about.
Here are some random people sketches, mostly from my 13 minute subway ride to work. They are displayed first in a slide show (with arrows to click through) and at the bottom in “gallery” format. In gallery format you can click to enlarge a picture.
Please take the poll in between the two so I can learn which type of display for multiple pictures you prefer. THANKS!
It’s appropriate to be posting sketches of heads since mine feels like it might explode if I have to make one more decision! There is so much going on in my little life right now, and so many important and non-important choices to make that my brain wants to go on strike.
Some of the decisions have to do with traveling with oil paints for the first time to the Rose Frantzen 5-day workshop in Arizona in early February (ship supplies by UPS or USPS? risk checking paints in my suitcase? how to get wet paintings home? live-in or drop-by cat sitter while I’m gone? plus all the travel worries a homebody like me can drum up).
The guy on the left above was actually standing right above me on the subway and interested in what I had been drawing, posed for me. He was nice enough to say he liked it. I wanted to tell him I’d fallen in love with his chin, but figured that would be stupid.
Other decisions I’m dealing with have to do with some remodeling of my duplex to prepare the back unit (currently my studio) as a rental unit, replacing both kitchen/pantry/laundry room floors, moving my studio out to the new former-garage studio (easier now thanks to space planning help from my sister the amazing interior designer), and lots of sorting and getting rid of stuff to prepare for the moves.
And all the above lead to leaving my half-time day job and getting to paint full-time. But of course there are decisions related to that too, like when to take the leap, currently planned for about a year from now.
I’m grateful these decisions are all about happy, exciting, positive changes. But even happy things can be stressful. There’s even a word for that: eustress.
eustress: noun. Stress that is deemed healthful or giving one the feeling of fulfillment. From Greek: eu ‘well, good’ + stress, modeled on distress
The trick for me is to just make each decision once and not rethink it. Decide. Done. Next. I’m getting there.
I breezed through this little pamphlet-bound potato chip box journal in a few weeks. Since Roz Stendahl just posted about her problems binding this paper, I thought I’d share my results with binding and sketching on this paper.
Since my sketchbook was small, pamphlet-bound (stitched down the middle only) with just 3 holes, I didn’t have trouble with the pages cracking like she did in her case-bound journal. I found the paper too rough for drawing with a fine point or fountain pen and settled on a Faber-Castell Pitt Medium pen. I also experimented unsuccessfully on one sketch with a white gel pen.
I do like the paper for quick sketching and I’m going to continue experimenting with it. Roz says it’s good for gouache. I’d like to try it using black line and wash with white gouache for highlights. I used it for oil pastel and wasn’t happy with the results.
It’s funny how a small apple on a small panel can look so big! In the lunch room at the office where I work, people bring in boxed lunches from a nearby cafe. The boxes always include a petite Delicious apple but nobody eats them, preferring the sandwich on homemade bread, chips, and giant cookie.
So the apples are abandoned on the lunchroom table and I take them home to use as still-life objects. I have about a dozen of them now (they seem to last forever) and like setting them up to interact with each other like actors on a stage.
This painting is available on my DailyPaintworks gallery.