Spring Rose Series #6

“Spring Rose Series #6”, oil on Yupo, 12x9”.
“Spring Rose Series #6”, oil on Yupo, 12×9”.

I was careful to get these roses painted in one afternoon, after spending a couple hours arranging the still life and getting the drawing down because I knew the flowers would keep changing. On the second afternoon I worked on the leaves and background. I saved the vase for last, thinking it wouldn’t change. But of course it did, as the flowers slumped and the water level dropped. I wanted to paint it from life, but had trouble making sense of what I was seeing and ended up wiping it off. 

By the next day I had to toss the flowers so I used a photo reference on my iPad of the vase. Two more days of fails and wipe-offs followed. Finally I got to a point where I was willing to declare it done. You can see some of the steps in the process below.

Photo reference and initial block in stages
Photo reference and initial block in stages. Worked on flowers first.
Worked on leaves and background. Tried and failed repeatedly with vase.
Worked on leaves and background. Tried and failed repeatedly with vase.

Spring Rose Series #5 (and #2-#4)

“Spring Rose Series #5” Oil on Yupo, 12x9”
“Spring Rose Series #5” Oil on Yupo, 12×9”

I was happy with this painting of my roses, done from life in 2 1/2 afternoons, especially after having tried and failed several times to paint my neighbor’s pink roses. (See below for photos of the process).

I’d read that oil painting on Yupo paper worked well and was archival so decided to give it a try with a pad of Yupo I’d bought long ago for watercolor. It hadn’t fit my watercolor style then, but I found it very fun to paint on with oils and also easy to wipe off. It’s similar to painting on DuraLar except it’s not transparent.

Photo of setup and steps in the process
Photo of setup and steps in the process of painting above

Every time I tried to paint my neighbor’s roses, I’d get the drawing and block in started, run out of time and the next morning the flowers had slumped or collapsed to the point I’d have to give up, wipe off and start over.

 Roses painting attempt 3 and 4
Roses painting attempt 3 and 4

I finally decided the square oil primed linen panel was jinxed and abandoned it. (Or maybe it was karma? The first bunch I’d taken without permission but even after I’d gotten permission his roses just wouldn’t hold up.)

Rose painting attempt #2
Rose painting attempt #2
Dead Flowers Again!
Dead Flowers Again!

Spring Rose Series #1

“Spring Rose Series #1”, Oil on Linen Panel, 10x8”
“Spring Rose Series #1”, Oil on Linen Panel, 10×8”

My roses have started their spring parade of long stem blooms and I can’t resist painting them even though I’m allergic to their scent. This painting started a whole series that went from OK (this one) to 5 total fails (each painted on top of the previously scraped one), to one I declared successful, which I’ll post next time.

See photos of the setup and work in progress below. 

Roses in Mom’s Antique Yellow Glass Bowl

Rose in Mom's Antique Yellow Glass Bowl, 8x8" Oil on Panel

Rose in Mom’s Antique Yellow Glass Bowl, 8×8″ Oil on Panel

I’ve been working on doing Alla Prima (all at once) paintings in order to become more decisive about the paint I put down instead of noodling around. It requires getting the drawing right, understanding what I’m seeing and if it fails, starting again instead of trying to keep fixing, which usually goes badly. This was the third attempt at painting a rose in my mom’s yellow glass bowl. The previous attempts and photos of the set up (as the rose opened) are below.

Wedding Bouquet (FIXED!)

Wedding Bouquet (Fixed), oil on panel, 10x8"

Wedding Bouquet (Fixed), oil on panel, 10×8″

Thank you to everyone who responded to my previous post and offered feedback about whether to try to fix the right-hand rose that was bugging me. I figured if everyone said leave it I would, but if others saw the problem too, I’d try again to fix it. They did, so I did, and now I can look at it without feeling frustrated.

To solve the problems with the rose, I turned the photo and the painting upside down and could immediately see I had the shape wrong. Then I converted the photo to gray-scale to check values. I reshaped and repainted the rose using grayed-down, paler colors. I touched up a few other spots in the painting (back top right flowers, some leaves and small changes to both left roses). I added a black border to simulate how it will be framed.

Now I think the focal point (the middle rose) stands out, and the minor right rose recedes. FYI, the reason these roses don’t look that rose-like is because although I started working from life, I could quickly see that the flowers were about to completely fall apart (it was several days after the wedding) so I took a photo of the almost over roses.

Below Left (AFTER): fixed final painting; Below Right (BEFORE): before adjustments and fixes.

Wedding Bouquet (Finished or Fix?)

Wedding Bouquet, oil on linen panel, 10x8"

Wedding Bouquet, oil on linen panel, 10×8″

I started this painting of my daughter-in-law’s wedding flowers soon after the wedding in January 2014 but wasn’t thrilled with the way it turned out so set it aside. I began reworking it again recently, and after several times reaching a point of saying, “Finished” and then working on it some more, I remembered the saying, “Art is never finished, only abandoned” and decided it was simply time to stop.

But there’s still one thing that bugs me in this painting: the pink rose on the right just feels too Barbie pink to me. Every time I look at the painting it irks me. But I’ve repainted it 5 times and perhaps because the photo I’m working from isn’t very good, especially of that rose, it keeps turning out the same. I may try one more time. What do you think? Leave it or try again? Or maybe find another photo of the set up with a different view of that rose and try again from that photo?

My challenge in painting is always how to maintain the freshness of my original inspiration, color choices and brush strokes while holding back my inner perfectionist who wants to keep noodling around forever. Another challenge with returning to an older painting is that the fresh flowers are long gone and only a so-so photo remains to work from. Likewise all my new fresh ideas about painting have to be set aside to work on something from the point of view of a year ago.

Stolen Roses, oil painting on panel, 8x8"

Stealing Roses Again

Stolen Roses, oil painting on panel, 8x8"

Stolen Roses, oil painting on panel, 8×8″

There’s a mysterious house on my block that has been empty but well maintained for several years. The mailman delivers mail and the gardening service keeps things nice and neat but I never see anyone go in or out.

Their roses and fruit trees are blooming but there’s nobody home to enjoy them. So I stopped by with my scissors to give the roses a little respect by painting them, even if it means stealing them (as I’ve done before). These were yummy fun to paint!

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