Categories
Food sketch Ink and watercolor wash People Sketchbook Pages

Pork Bung Gut (?) at 99 Ranch Market

Mackerel and Tea Lady, ink & watercolor, 5x8"
Mackerel and Tea Lady, ink & watercolor, 5×8″

We made our annual pre-Chinese New Year sketching visit to 99 Ranch Market and the Pacific East Mall (an Asian marketplace) with some new sketchers who joined us for our  monthly Urban Sketchers First Tuesdays sketch night.

I headed first to the fish department and we ended the evening at the Ten Ren Tea Shop (sketches above) where there were so many interesting and colorful items to draw but for some reason I chose instead to sketch the very nice shop girl.

Poultry and Pork on the Hook at 99 Ranch Market, ink & watercolor, 5x8"
Poultry and Pork on the Hook at 99 Ranch Market, ink & watercolor, 5×8″

After the fish, I went where the Peking Ducks hang and was surprised to see a small pork carcass hanging there too (on the right above). I drew it first, and then found myself in a race with a woman taking down the ducks to clean up for the night. She won the race and I ran out of ducks so I copied the menu instead.

Could that carcass be Pork Bung Gut? Or is it what it sounds like (ew) and just wasn’t on display?

It’s interesting how different cultures are squeamish about different parts of the animal. I grew up loving my grandma’s roasted beef tongue, the chicken feet in her chicken soup, and my dad’s gribenes (pronounced “gribnis”)—like pork rinds except made from chicken skin. After removing the delicious crispy skins from the hot chicken fat that he’d rendered from them, he put the fat in the fridge to harden and then spread that “schmaltz” on his rye bread instead of butter.

None of those foods sound gross to me, nor does caviar, raw oysters (yum!), or rump roast, but please don’t offer me brains or intestines, thank you very much.

You can see my friends’ great sketches from the evening on our Urban Sketchers blog here: Susan’sMicaela’s, Cathy’s, and Ceiny’s, and my sketches from previous visits to 99 Ranch in 20012 and 2010, 2010, 2007.

Categories
Drawing Life in general People Sketchbook Pages Urban Sketchers

Waiting and Watching (and Sketching)

Waiting and Watching at Peets, ink, 5x8"
Waiting and Watching at Peets, ink, 5×8″

I love the way the big guy seems to be looking at the pretty girl’s butt in her shiny black tights. In reality they got in line at different times, but my drawing took on a life of its own.

One of the things I love about living in the Bay area is the wide variety of people you see, dressed however they please, with either no concern about fashion or a style all their own. I fit right in!

Categories
Berkeley Ink and watercolor wash Interiors People Sketchbook Pages Urban Sketchers

Brennan’s Bar Backsides and Balding

Brennan's Bar Backsides, ink & watercolor, 6x8"
Brennan’s Bar Backsides, ink & watercolor, 6×8″

The nice thing about sketching in bars, especially one that is also a cafeteria a frequented by an older crowd on a quiet Tuesday night, is that people tend to sit still long enough to draw them.

Balding at Brennan's Bar: trying and trying to capture him. Ink, 6x8
Balding at Brennan’s Bar: trying and trying to capture him. Ink, 6×8

I kept trying to capture this guy who sat a few tables away eating his dinner and reading but never really got him. My sketch buddy Micaela perfectly captured him, which you can see on our Urban Sketchers blog here.

I’m still playing catch up: these are from November. But now that things have settled down in my world, I intend to be caught up by the end of the month, including my 2012 year-end review and a whole week of sunflower paintings.

Categories
Animals Art business Drawing Oil Painting Painting Portrait Sketchbook Pages

Puck: A Dog Portrait in Oils (delivered with tears and hugs)

Puck, a dog portrait in oil on linen panel, 8x10"
Puck, a dog portrait in oil on linen panel, 8×10″

This was a first: when I delivered the painting it made its owner cry! And hug me. And make me cry!  I know how much Puck, who is getting there up in dog years, means to his owner so I really wanted the painting to turn out well. And I got lucky; this one just seemed to paint itself. Of course I know that saying, “The more I practice, the luckier I get” which I think was true in this case. I put thought into the painting before I put any paint on the canvas and have certainly been putting in lots of practice time in the studio.

Puck, a warm up sketch, ink & watercolor, 6x8"
Puck, a warm-up sketch, ink & watercolor, 6×8″

I always start my paintings with at least one preliminary sketch to get to know the subject. I don’t try to do a perfect rendering, just a visual exploration and attempt to understand what I see.

Today was a big day for delivering commissioned and gift paintings. I delivered five: two watercolors (a large painting of a corporate headquarters commissioned for a gift to a retiring CEO, and a double portrait of two little sisters) and three oils (this and another dog portrait and a portrait of a woman as a gift for her husband).

I can’t post the others until they’ve been gifted. And I have two more dog portraits in progress. I love it!

Categories
Berkeley Building Drawing Ink and watercolor wash Interiors Painting People Places Sketchbook Pages Urban Sketchers

PiQ Cafe Sketches

PiQ Cafe Counter, ink & watercolor, 6x8"
PiQ Cafe Counter, ink & watercolor, 6×8″

PiQ Cafe (Pane Italiano Qualita) serves espresso and bakes pizza and Italian pastries near U. C. Berkeley. It’s a busy place in the evening with lots of sketching opportunities. I got a fabulous Decaf Americano coffee and drew the pastries instead of eating them.

Half Price Books from Inside PiQ Cafe, ink, 8x6"
Half Price Books from Inside PiQ Cafe, ink, 8×6″

My sketch buddies sat at the outdoor sidewalk tables and drew the bookstore across the street but it was too cold and dark out there for me (Cathy’s sketch and Cristina’s sketch). I drew the bookstore too, but from inside the café.

PiQ has a unique restroom arrangement: you carry a metal pitcher attached to a key card into their elevator, take it down to the basement and follow signs around a corridor to the bathroom and then repeat the trip.

Categories
Drawing Oil Painting Painting People People at Work photoshop Portrait Series

Brown Delivers…in the Dark (portrait in oil with steps in the process)

UPS Delivers at Night, Oil on Canvas, 20×16

(Update: This painting won second place for Portrait of the Year on Making a Mark in 2012.)

One night last winter two UPS guys arrived in the dark to deliver a dozen boxes of the flooring materials for my studio. I had started a series of paintings of people at work (still in progress) and asked if I could take their photo to use for a painting. They agreed and were great models!

A couple of months ago he called, asking about the painting, inspiring me to finally finish it. There were some magic moments along the way (see process photos below), such as the one where I did a quick first pass on his hand and then stepped back and said “Wow! That works and I’m not touching it again.”

Since I took the photos at night without flash outside lit only by the fluorescent lights from inside the studio, the photo was dark and the colors were, well, mostly brown. But the UPS slogan is right, BROWN really does deliver! Who knew there were so many shades of brown? I must have mixed a hundred different browns.

Below are photos showing the process of drawing and painting this portrait.

Categories
Drawing Faces People Sketchbook Pages

The Voice: Top Ten Finalists Sketched

The Voice: Sylvia, Terry & Melanie, drawn in ink from TV on pause, 5x8"
The Voice: Sylvia Yacoub, Terry McDermott & Melanie Martinez, drawn from TV, in Moleskine watercolor notebook, 5×8″

Faced with a Tuesday night at home instead of out with the Urban Sketchers (nobody could go) I turned on the TV. Boring. But wait, those performers on The Voice (a singing competition show) are all so interesting looking. Why not sketch them?

The Voice: Cody, Bryan & Amanda
The Voice: Cody Balew, Bryan Keith & Amanda Brown

Each of the performers has been crafted into a carefully defined “package,” with extensive costuming to further exaggerate their type. If you click the images to make them bigger you can read my snarky comments. Some of the finalists are incredibly talented with beautiful voices (e.g. Amanda Brown is fantastic).

The Voice: Nicholas, Trevin & Cassadee
The Voice: Nicholas David, Trevin Hunte & Cassadee Pope

It amazed me how different each of their features were, especially noses. As I was drawing, using a Lamy Safari fountain pen with the nib upside down to get a finer ink line, I was getting nervous because they were turning out well and I wanted to do all 10 in a row with no do-overs.

The Voice: Casadee (again) and Dez
The Voice: Casadee (again) and Dez

I finally did mess up the last one, Dez (above, his mouth got too inky and it’s not a good likeness). I could have redone him but he doesn’t interest me much (I think he’s supposed to be the “teen idol”) and I was tired. He was on his own page but I let him hang out with his neighbor across the spread here so I don’t end the post with the one funky drawing.

It took about 2 1/2 hours for the project: to find a spot in the program to pause and then to draw each of them. It was really fun! It’s amazing how much more you see when you’re really looking, even when drawing from TV.

Categories
Drawing Ink and watercolor wash Life in general Mexico Painting People Photos Sketchbook Pages

Dia de los Muertos Celebration (Day of the Dead) Oakland

Aztec Dancer wearing animal head, fur and feathers
Aztec Dancer waiting; wearing animal head (coyote? wolf?),  fur and feathers, ink & watercolor, 8×5″ (drawn from Micaela’s photo, not on site)

LOUD DRUMMING! Brilliant Colors! Aztec Dancers! Smoke from sage (and other “herbs”) and grilling meat! LOUD Bands! Dancers! LOUD Spanish radio stations broadcasting live! Sugar skulls! Costumes and painted faces! Marigolds everywhere!

I followed the man in the sketch above after he finished dancing, trying to get a photo or a sketch of him and failed, meanwhile losing my fellow sketchers in the crowd. Micaela managed to get a photo which she let me use for this sketch.

Blessing with sage smoke and feathers, ink & watercolor, 8x5"
People of all descriptions lined up to be blessed with sage smoke and feathers, (drawn from my photo, not onsite) ink & watercolor, 8×5″

It was the Dia de Los Muertos celebration in East Oakland and I felt like I was in Mexico. Spanish was the  language heard everywhere. Families came to celebrate and honor their loved ones who had passed on with beautiful altars filled with marigolds, fruit, religious imagery and mementos of loved ones.

1948 Chevy Decoto Fleetline,  ink & watercolor, 5x8" (drawn on site, painted at home)
1948 Chevy Fleetline, drawn in ink on site, painted at home (5×8″)

I was finding it difficult to sketch at the festival since it was so LOUD my ears hurt and so crowded we kept losing each other. Being tall, I didn’t want to stand in front of someone’s booth or altar and block the view. Then I found the wonderful old low rider car show at the edge of the event which was much quieter and less crowded. I set up my stool and started sketching directly with a Micron Pigma pen.

People stood behind me and watched me draw. They said nice things about my sketch, including the owners of the car, Jose and Denise, even though my sketch turned their meticulously restored, beautiful work of art into a jalopy.

My first car when I was in high school was a ’49 Plymouth (it was already an antique) and looked a lot like this sketch. To get to school in the morning my sister would have to push it until I could “pop the clutch” to start it. Then she’d run after me and hop in. I was afraid to tell my dad that it wouldn’t start on its own—I thought I’d broken something but it just needed a new battery. I was sad when the motor died.

Boy who likes to draw cartoons watched me sketch
Boy who likes to draw cartoons watched me (in blue hat) sketch

This young man stood behind me and watched me draw so I offered him a notebook to try his hand at sketching the car but he declined. He said he didn’t know how to draw cars but liked to draw cartoons. I said I didn’t know how to draw cars either, but just did it anyway.

There were booths selling decorated skulls made of sugar, beautiful little skeletons in fancy dress, paper cut-outs, hats, jewelry and even paintings on black velvet of Marilyn Monroe and Elvis as skeletons.

Aztec Dancers, brush pen ink
Aztec Dancers, brush pen ink
Sugar skulls, little skeleton ladies and a view looking down from BART tracks when we were departing
Sugar skulls, little skeleton ladies and a view looking down from BART tracks when we were departing
Painted faces everywhere
Painted faces everywhere
Sugar candy skulls
Sugar candy skulls; they added your name on top for free
Pretty skeleton dolls
Pretty skeleton dolls
Aztec Dancer
Aztec Dancer
One of the amazing altars at the festival
One of the many amazing altars at the festival
Categories
Drawing People Self Portrait Sketchbook Pages

End of Journal Self-Portrait

End of Journal Watercolor Self Portrait of Jana Bouc, Artist, graphite and watercolor, 7.5x5"
End of Journal Self Portrait, graphite and watercolor, 7.5×5″

Just like my life, my blog and journal posts are all mixed up. I always save the last page in each journal for a self-portrait and this was in the Moleskine watercolor notebook that I finished last month.

I did the sketch standing at the big mirror in my studio which I just knew would be great for self portraits. The unlovely, but much-loved apparel in the sketch are a T-shirt my son made for me back when he was a teenage graffiti artist, and my favorite, funky, old grey sweatshirt that I wear all the time at home/in the studio.

The past month has been a bit of a wild ride, with a major transition in progress, which I’ll write about and celebrate here once it’s complete. In the meantime, I’ll see if I can catch up with more posting, painting and drawing!

Categories
Art theory Oil Painting Painting Portrait

Frankie Flathead Finally Painted (Planes of the Head Grisaille Study)

Frankie Flathead Planes of the Head Study, oil on canvas panel, 11x14"
Planes of the Head, Grisaille study, oil on canvas panel, 11×14″

When I bought a “Planes of the Head” life-sized plaster cast two years ago I wanted to learn more about portrait painting. I put it on display in the studio and studied it. I knew I should be drawing and painting from the cast, but hoped learning would happen by osmosis since it didn’t really inspire me as a painting subject.

Planes of the Head Plaster Cast
Planes of the Head Plaster Cast

Then I got curious about grisaille techniques after seeing beautiful paintings that began with that approach. I watched the excellent video “How to Paint: The Grisaille Method” by Jon deMartin (in which he paints from a cast of Julius Caeser) and decided to try grisaille using homely Frankie Flathead, my Planes of the Head cast, as my model. See bottom of post for a clip of the deMartin video.

Planes of the Head Open Grisaille
Open Grisaille in which Frankie resembles a demented old perv

I was going to display all my steps along the way, but my photos weren’t good enough. Above is the first stage, the “open” grisaille, which means it’s painted thinly, using only transparent washes of grey (or in this case, burnt umber) and wiping paint off to achieve the lighter values. At the top of the post is the “closed” grisaille, made by mixing and applying a range of values opaquely, using white and the same burnt umber on top of the original “open” grisaille.

One of the most powerful things I discovered in the video is the way light changes across planes.

Gray scale and strip painted 50% gray
9-step Value Scale (white to black) on left and strip painted Value 4 Gray on right (screenshot from video)
Same Value 5 gray strip curved to show the range of values as it turns from light
Same Value as image to the left but the Value 4 Gray strip is curved to show the range of values as it turns away from light (screenshot from video)

When bent so planes are at different angles to the light, the gray strip on the right seems to have all the values in the 9-step value strip on the left. Isn’t this a powerful demonstration of the effects of light and shadow?

My first attempt at grisaille was  interesting. I made many mistakes and got lots of good practice.

My finished painting isn’t great, but doing the study helped prepare me for the next lesson I gave myself (and that I enjoyed more and will post soon): starting with a grisaille to set the value structure in a still life and then adding the color in the same values.

Below is a clip from the video. I was very curious about how grisaille works so it was worth the $35 to download the three-hour program, also available here to watch online and DVD.

(Disclaimer: I have no connection to or receive no benefit from writing about these products)