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Art Faces Oil Painting Painting People Portrait Self Portrait

Getting Wiggy

Selfie with Wig, oil on paper, 10×7“

My social media feeds kept showing me wigs (how do they know my formerly boisterously curly hair was getting thin, grey and wimpy?) The influencers looked so cute in their (probably very expensive) wigs that I decided to try one.

A dog park acquaintance who always wears a wig recommended I order one from Temu. It was cheap, hideous, huge, hanging over my eyes and shedding. It quickly went back to Temu, a store I’m not a fan of.

Then a friend pointed me to some higher-quality inexpensive wigs on Amazon. I bought the one I’m wearing in the picture because it reminded me of what my hair looked like in my 20s: long, thick, wavy, chestnut color.

Unfortunately, not being anywhere close to my 20s anymore, I looked ridiculous in it close up. But it was fun to take a selfie wearing it and then paint a self-portrait before returning the wig.

About Painting: I recently watched an online painting video with Carol Peebles. Her guidance about comparative measuring in portrait drawing clarified so many things I’d been confused about. It helped me to get a likeness with much less struggling.

Painting is so much more fun when starting with a good drawing! I’m really happy with how this turned out. I think it’s my favorite self-portrait ever and I’ve done at least 50 of them over the years.

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Art Gouache Painting People Portrait Self Portrait Sktchy

Gouache Self Portrait and Sktchy Portrait

Gouache selfie sketch in Strathmore Mixed Media journal, 8.5 x 11 inches
Gouache selfie sketch in Strathmore Mixed Media journal, 8.5 x 11 inches

It cracks me up how selfies end up making noses even more prominent than in real life, including the one above of me. I’m still finding my way with gouache but enjoying the immediacy of it and the easy clean up. It doesn’t allow for reworking forever the way oil painting does, which is helping me to focus more on getting it as close to right as I can with each brush stroke and color mixture.

Below is a gouache sketch from a photo in the Sktchy app of Farah W.’s mother.

Gouache painting of Farah W.’s mom from Sktchy in 8.5 x 11 inches
Gouache painting of Farah W.’s mom from Sktchy in 8.5 x 11 inches
Categories
Faces Oil Painting Painting People Portrait Self Portrait

Six Self-Portrait Studies

2017010-Self-Portrait_#6, oil on Arches Oil Paper, 15x11"
Winter Self-Portrait #6 (but really 7), oil on Arches Oil Paper, 15×11″

Painting quick self-portraits seemed like a good way to work through my feelings while supporting my elderly mother in hospice, especially with my limited studio time and energy. The most recent, #6 above, is my favorite so far because I focused on finding light, beauty and strength rather than darkness (and because I omitted my frown lines). I used a limited palette of titanium white, yellow ochre, venetian red, cobalt blue and a little Gamblin Asphaltum and a cool white light bulb.

Studio set-up with mirror
Studio set-up with mirror

Here’s my funky set up with the big mirror  propped up on a dresser drawer. In all six of these self-portraits (above and below) I focused on capturing something of what I was feeling in a short session (3- to 4-hour studies) without worrying too much about getting a true likeness.

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Faces Oil Painting Painting People Self Portrait Studio

Alla Prima Self-Portrait in Oil with Steps in Progress

Self-Portrait, Zorn Palette, oil on Mylar, 12x9 inches
Self-Portrait, Zorn Palette, oil on Mylar, 12×9 inches

I might look grumpy or serious from concentrating, a little cross-eyed (eyes drawn too close together), big-nosed and scrawny, but I’m really happy with this painting because it was fun to do! The hardest part was lighting my face without blinding myself with the glare.

Below you can see the setup I used in the studio, with the giant mirror I got for $10 (!) at Home Depot; it was half priced and had a few scratches so they took off another $5. I had a hard time supporting the mirror so that it was tall enough to see myself. Finally I found a solution: propped it up on an open drawer, held in place with two bungee cords wrapped around the studio chest of drawers.

Inspired by Myriam Yee (be sure to check out her amazing series of Zorn palette self-portraits here), I used the “Zorn” limited palette of Ivory Black, Cadmium Red Medium, Yellow Ochre and Titanium White. Myriam uses Williamsburg Cold Black instead of Ivory Black, which has some Ultramarine Blue mixed in and provides a wider range of colors. I bought a tube and am experimenting with it now.

I painted on Dura-Lar Matte Film again but this time (see previous post) I did the drawing on one sheet and then imposed a second sheet over it to paint on. This way, if I wanted to try a second painting of the same drawing or just want to save the drawing I still have it.

Categories
Faces People Self Portrait Sketchbook Pages Watercolor

EDIM 11: Headgear (Self Portrait with Ice Wrap)

EDIM 11 Headgear (Migraine Ice Pack Wrap) graphite and watercolor, 10x7 in
EDIM 11 Headgear (Migraine Ice Pack Wrap) graphite and watercolor, 10×7 in

I had a migraine on May 11 and wore my jaunty blue migraine ice pack/wrap over a green scarf until the  meds kicked in. If I wear the ice pack without a scarf under it, the pain of my head freezing only makes the migraine feel better by comparison. The weight of the pack made my ears stick out which made it fun to draw them.

I should have left the pencil drawing unpainted. I think the color took away from the dimensionality I’d gotten with just pencil and white paper and now the shading looks like I’m growing a beard.

Categories
Drawing Faces Self Portrait Sketchbook Pages

End of Journal Self Portrait

End of Journal Self Portrait, graphite, 8x5"
End of Journal Self Portrait with New Glasses, graphite, 8×5″ 11/2014

I’ve been doing more oil painting than sketching lately so it’s taken longer than usual to fill my journal and get to the last page that I always save for a self-portrait (above). It’s interesting how each sketch in the collection below shows a progression upwards in age and (occasionally) in skill and how only bits of them resemble me at all. Also interesting how many of them were done on days I was feeling grumpy and/or tired (probably wisely choosing to sketch myself instead of working on something that “mattered” when I felt that way).

Below is a little gallery of self-portrait end-of-journal sketches since 2009. You can click on any image to see it larger, if you must.

Categories
Faces Flower Art Gardening Ink and watercolor wash Outdoors/Landscape Plants Rose Self Portrait Sketchbook Pages

Spring Things and not so Spring-y Things (Self-Portrait)

Figgie 2014, ink and watercolor, 8x5.5 in
Figgie 2014, ink and watercolor, 8×5.5 in

This little fig tree has survived so much: being transplanted, then a killer frost, and then transplanting again after sewer line work. As soon as leaves sprouted this year so did two figs. Sadly the crows or squirrels (or the toddler next door?) took them before I could even post this.

Little Rose Studies, ink and watercolor, 7.5x5.5 in
Little Rose Studies, ink and watercolor, 7.5×5.5 in

I sat in the driveway and quickly sketched some roses but had to stop when the shadow of the house took away the light.

End of Journal Self-Portrait, graphite, 5x7.5 in
End of Journal Self-Portrait, graphite, 5×7.5 in

And then there’s my not so spring-y self, frowning into the mirror, with hat-head and something wrong with the mouth. And yes, it’s intentionally buried at the bottom of this post. It feels good to be drawing again, after what seems like months away from it. It’s also a little frustrating feeling rusty at it. But the only fix for that is more drawing!