It cracks me up how selfies end up making noses even more prominent than in real life, including the one above of me. I’m still finding my way with gouache but enjoying the immediacy of it and the easy clean up. It doesn’t allow for reworking forever the way oil painting does, which is helping me to focus more on getting it as close to right as I can with each brush stroke and color mixture.
Below is a gouache sketch from a photo in the Sktchy app of Farah W.’s mother.
Painting quick self-portraits seemed like a good way to work through my feelings while supporting my elderly mother in hospice, especially with my limited studio time and energy. The most recent, #6 above, is my favorite so far because I focused on finding light, beauty and strength rather than darkness (and because I omitted my frown lines). I used a limited palette of titanium white, yellow ochre, venetian red, cobalt blue and a little Gamblin Asphaltum and a cool white light bulb.
Here’s my funky set up with the big mirror propped up on a dresser drawer. In all six of these self-portraits (above and below) I focused on capturing something of what I was feeling in a short session (3- to 4-hour studies) without worrying too much about getting a true likeness.
I might look grumpy or serious from concentrating, a little cross-eyed (eyes drawn too close together), big-nosed and scrawny, but I’m really happy with this painting because it was fun to do! The hardest part was lighting my face without blinding myself with the glare.
Below you can see the setup I used in the studio, with the giant mirror I got for $10 (!) at Home Depot; it was half priced and had a few scratches so they took off another $5. I had a hard time supporting the mirror so that it was tall enough to see myself. Finally I found a solution: propped it up on an open drawer, held in place with two bungee cords wrapped around the studio chest of drawers.
Inspired by Myriam Yee (be sure to check out her amazing series of Zorn palette self-portraits here), I used the “Zorn” limited palette of Ivory Black, Cadmium Red Medium, Yellow Ochre and Titanium White. Myriam uses Williamsburg Cold Black instead of Ivory Black, which has some Ultramarine Blue mixed in and provides a wider range of colors. I bought a tube and am experimenting with it now.
I painted on Dura-Lar Matte Film again but this time (see previous post) I did the drawing on one sheet and then imposed a second sheet over it to paint on. This way, if I wanted to try a second painting of the same drawing or just want to save the drawing I still have it.