In each of Bill Perkins’ New Masters Academy Color Boot Camp courses, he introduces one aspect of color (e.g. Value, Saturation, Complements, Temperature), demonstrates and explains further with a quick oil study of the same model in different color/lighting situations. I tried this one twice (second version above, first below) because even though he emphasizes these assignments are NOT meant to be portraits, I’m as interested in learning to capture a likeness as I am color. I did a better job on the positioning of her head and getting a likeness in the second one, above. (See bottom of post for reference photo and teacher’s rendition.)
Mr. Perkins uses the concepts of Major Key and Minor Key for each color topic. In Saturation, the Major Key describes the Level of saturation—how intensely saturated the colors are in the greater proportion of the image. The Minor Key represents the Range of contrast between neutral gray and the most saturated color in the image. This first study in saturation is supposed to represent a Low Major and Minor Key.
I was confused at first by how highly saturated the model’s face seemed to be with her very rosy cheeks and golden skin. But after getting some valuable feedback from the teacher, I now understand that the Major Key is Low because the proportion of saturated color (her cheeks) to neutral areas (the rest of the painting) is small; and the Minor Key is Low because the range of saturation from neutral to the moderately-saturated pink in her cheeks is also fairly low.
Below are the photo reference, my paintings, and the teacher’s study. He painted her skin tones much darker than I did. Maybe I need more study with value? I can see how I could have gone a little darker but not as dark as he did. Coming up next, Study 2 with very saturated High Major and Minor Keys; just the opposite of this one.
When my art friend Chris Beaven commented on the previous version of this post that it would be interesting to see my studies compared to the black and white versions of the photo references, I did a virtual dope slap (Of course! What a perfect way to see if I got the values right!) and then decided to redo this blog post to show that comparison (above).
While I often convert color photos to black and white to see the values, when I did these studies from Bill Perkins’ Color Boot Camp on New Masters Academy I wanted to try to do the conversion in my artist brain instead of using technology. But putting my studies next to the converted photos gives me just the reality check I needed. I can see that I did pretty well in painting the values from the color photos.
In the lesson he set up one model in four different lighting situations and then demonstrated doing a 30-minute painting of each in black and white. He recommends doing the studies in no more than 30 minutes, emphasizing that it’s more important to do many starts, without worrying about getting a likeness or making finished paintings. I have to admit spending longer than 30 minutes, probably up to 3 hours on some, and in retrospect, the longer I worked the less effective the study was.
If you want to see Bill Perkin’s studies and mine in greater detail, click the “read more” link below.
Being a member of the New Masters Academy is like having a treasure chest of jewels to explore, with new art classes added all the time. The only downside is that I have to assess my own work and be my own teacher since NMA doesn’t offer feedback to the video lessons’ assignments.
I revised this post by publishing a new version of it so I’ve deleted the content here. Please see the next post for the rest of the content from this post.
I wanted to improve my people-drawing skills, learn about anatomy and be able to quickly sketch a head with some degree of accuracy and fluency. I was looking for information, instruction, and explanation of how the skull, features, and muscles all work together to make each of us look like individuals.
I began exploring resources for learning online and I found one that met all of my requirements: New Masters Academy. It is affordable ($19 to $29/month), has excellent teachers, an abundance of classes in portrait and figure drawing and painting and more, plus great resources for artists including thousands of high-resolution artist model reference photos and timed portrait and figure drawing sessions.
What initially convinced me to become a member on New Masters was the free, 3-hour YouTube video below by one of their many excellent teachers, Steve Huston. This is just a small part of his Structure of the Head course in which he explains in great detail about the planes of the face, the shapes and functions of the muscles, and each of the features (eyes, nose, etc.) in a very user-friendly way.
The YouTube video by Brandwynn Jones (below) introduced me to the Reilly Method Abstraction, an interesting way of conceptualizing and constructing the head. Mr. Jones is a student at the Watts Atelier, another online artist training program.
Before I found New Masters, I regrettably signed up for an expensive month ($99/month) at Watts Atelier Online, based on what I saw and heard in Mr. Jones’ videos and on fellow artist Chris Beaven’s blog, who was trying out the Watts program too. But after watching the head drawing course “taught” by Mr. Watts, I requested and received a refund for the remaining half month. The course consists of videos of him drawing, while he talks on and on–what he calls “bantering”–with very little actual instruction or explanation and it just didn’t meet my needs. Chris later wrote this review of Watts Atelier Online.
Another great source of figure drawing instruction videos (for free) can be found at Stan Prokopenko’s website, Proko.com and on his on YouTube channel. His sense of humor and high production values makes them fun to watch but I find they fly by too quickly for me to retain the information. He offers expanded versions at reasonable cost. In the video below he clarifies and summarizes the Andrew Loomis approach to drawing the head.
Over the past year I’ve watched several good instructional videos on Craftsy.com but I prefer the comprehensive courses on New Masters. One plus for Craftsy is that the videos you “buy” are always yours to stream on demand; on New Masters they’re available to stream as long as you’re a paying member.
Sadie Valerie offers both in person classes, video and online classes at Sadie Valerie Atelier in San Francisco. Sadie is an amazing teacher, very kind, positive, generous and detailed in her approach. I’ve studied with her and her associate Elizabeth Zanzinger in person and via Sadie’s videos and highly recommend them as teachers.
For quick and detailed anatomical information where you can switch from skin, muscles, skeletal or even organ views, I go to Innerbody.com, where I found the resource for the drawing below. I wanted to know more about the muscles that we see through the skin.
Croquis Cafe on YouTube offers free figure drawing sessions with artist models (mostly nude) posing in real time, just like you are in a figure drawing session with timed poses and music. They also have reference photos to work from and some paid classes, which I haven’t explored.
Pixelovely.com is another source for figure drawing practice that provides timed photo references of nude and costumed models in interesting and unusual poses as well as instruction and tips on figure drawing.
PoseManiacs.com also offers thousands of digital images of figures in motion or still, without skin so all the muscles are visible.
Glen Orbik was another master figure and portrait drawing teacher. Free clips from videos of his lectures are available on YouTube here. The full course is available at Zarolla Academy but is expensive.
Fred Fixler was another of the great drawing and painting teachers who has passed on but on this site you can download his Reilly method handouts and some great drawing and gouache painting tips.
To find figure drawing classes, workshops and open studios in your area, visit ArtModelBook.com.