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Flower Art Glass Oil Painting Rose Still Life

Wedding Bouquet (Finished or Fix?)

Wedding Bouquet, oil on linen panel, 10x8"
Wedding Bouquet, oil on linen panel, 10×8″

I started this painting of my daughter-in-law’s wedding flowers soon after the wedding in January 2014 but wasn’t thrilled with the way it turned out so set it aside. I began reworking it again recently, and after several times reaching a point of saying, “Finished” and then working on it some more, I remembered the saying, “Art is never finished, only abandoned” and decided it was simply time to stop.

But there’s still one thing that bugs me in this painting: the pink rose on the right just feels too Barbie pink to me. Every time I look at the painting it irks me. But I’ve repainted it 5 times and perhaps because the photo I’m working from isn’t very good, especially of that rose, it keeps turning out the same. I may try one more time. What do you think? Leave it or try again? Or maybe find another photo of the set up with a different view of that rose and try again from that photo?

My challenge in painting is always how to maintain the freshness of my original inspiration, color choices and brush strokes while holding back my inner perfectionist who wants to keep noodling around forever. Another challenge with returning to an older painting is that the fresh flowers are long gone and only a so-so photo remains to work from. Likewise all my new fresh ideas about painting have to be set aside to work on something from the point of view of a year ago.

Categories
Flower Art Oil Painting Painting Rose Still Life

Stealing Roses Again

Stolen Roses, oil painting on panel, 8x8"
Stolen Roses, oil painting on panel, 8×8″

There’s a mysterious house on my block that has been empty but well maintained for several years. The mailman delivers mail and the gardening service keeps things nice and neat but I never see anyone go in or out.

Their roses and fruit trees are blooming but there’s nobody home to enjoy them. So I stopped by with my scissors to give the roses a little respect by painting them, even if it means stealing them (as I’ve done before). These were yummy fun to paint!

Categories
Art supplies Drawing Flower Art Ink and watercolor wash Life in general Painting Rose Sketchbook Pages Watercolor

Will You Accept This Rose? (War of the Roses Part II)

Will You Accept This Rose? Yes, Finally. Watercolor, 7x5"
Will You Accept This Rose? Yes, Finally. Watercolor, 7x5"

After all the struggles of the previous day, I was determined to succeed in painting a rose and decided to give myself a break. First I rearranged the colors in the palette, putting them in my prefered, mostly color-wheel order instead of helter skelter as they were, and replaced several colors (see below for color chart).

Revised Schmincke Palette chart
Revised Schmincke Palette chart

(WN=Winsor Newton, S=Schmincke, DS= Daniel Smith, H=Holbein):

Top Row: WN Transparent Yellow, S Cadmium Yellow Light, DS New Gamboge, S Cadmium Red Light, WN Permanent Alizarin, WN Permanent Rose.

Middle Row: WN Violet, S Ultramarine, WN Cobalt Blue, H Cerulean Blue, WN Winsor Blue, DS Indanthrone Blue.

Bottom Row: S Thalo Green, WN Sap Green, S Yellow Ochre, WN Burnt Sienna, DS Indigo, S Titanium White (the latter will probably be removed since I’ve never successfully been able to incorporate white into watercolors).

Second to Last Rose Test, ink & watercolor
Second to Last Rose Test, ink & watercolor

The other thing I did to give myself a break was that after I made the second to last rose sketch above from life, I decided to work from a photo of the rose.

Categories
Art supplies Drawing Flower Art Glass Ink and watercolor wash Painting Plein Air Rose Sketchbook Pages Still Life Watercolor

War of the Roses, Part I: Schmincke Watercolor Review

Schmincke Rose Saga #1, ink & watercolor
Schmincke Rose Saga #1, ink & watercolor

On the next test run of my new Schmincke palette that Roz introduced here, I painted some roses on a tablecloth in the sun on the deck. While the Schmincke pan paint is lovely to use, and the palette a good size and design, the colors frustrated me. Their version of rose called Permanent Carmine (PV19) is much redder than the Winsor Newton (PV19) Permanent Rose I rely on for pinks and several other colors didn’t appeal to me.

In the color chart below, the top and bottom rows are the original Schmincke colors that came with the set. I added the colors in the center row by filling empty half-pans from tube paint in the space designed for adding extra pans.

Schmincke palette original colors plus added middle row
Schmincke palette original colors plus added middle row

The colors (abbreviated above) are:

Categories
Art theory Flower Art Oil Painting Painting Rose Still Life

Blowsy Rosies

Blowsie Roses, oil on Gesobord panel, 6x6"
Blowsy Roses, oil on Gessobord panel, 6x6"

Blowsy. [Adjective: (of a woman) Coarse, untidy, and red-faced.] That’s just what these roses were when I picked them from my poor neglected rose bush: brightly colored but messy and past their prime; yet they were just fine as my model.

It seems like once I gave myself permission to work on a painting as long as I wanted to, I’ve started being able to finish them more quickly. And it’s not just the small size;  I’ve spent hours and days on other 6×6″ paintings in the past.

It could have gone even more quickly than the three hours I spent on it, had I left some of my earliest brushstrokes alone. I just find it hard to believe they were right the first time, even though that was my goal with this painting: to put down the right strokes with the right color, temperature and value and then leave them alone. (Or scrape off the stroke immediately if it’s wrong and replace it with the “right” one, rather than adding more and more paint, which eventually leads to making mud.)

I also tried to focus on using warm and cool colors to shape the form, along with the dark and light values. I’d also like to cite my inspiration for this painting, Kathryn Townsend, whose flower paintings mesmerize me.

Categories
Art theory Flower Art Oil Painting Painting photoshop Rose

White Roses in Creamery Bottle (and painting process stuff)

White Roses in Creamery Bottle, oil on linen, 8x8"
White Roses in Creamery Bottle, oil on linen, 8x8"

(Available)

Strauss Family Creamery is a Marin County dairy that produces organic dairy products served in old-fashioned glass bottles from happy cows that graze on sweet grass in the hills by the sea. I enjoy their bottles as much as their cream in my coffee.

I started this painting with a goal to complete it from life in one 3-hour session, as so many plein air artists and daily painters do. I had somehow come to believe that I “should” be painting that way too. But while I met my time goal, I didn’t like the results (see original version below). And that’s when I finally accepted that it’s better to take as much time as a painting needs, and relax and enjoy the process rather than try to rush to keep up with someone else’s “rules.”

If you’re interested in seeing how I got here from there, click “keep reading” and stick around.

Categories
Drawing Flower Art Ink and watercolor wash Painting Rose Sketchbook Pages Still Life

The First Cut is the Deepest (Or Is It The Sweetest?)

First Cut Rose, gold gel pen and watercolor
First Cut Rose, gold gel pen and watercolor

This was the first rose I cut from my rose bushes this year which led to the first cut on my hands from the rose thorns (likely not the last). And it was the first sketch I did of the first rose.  My intention was get the essence of the delicate rose with as few lines and as few washes as possible. I drew it with a gold gel pen, painted directly in one layer and stopped.

Happy!