Two Survivors, oil painting on linen panel, 7×5 in
Persistence, patience, perseverance, determination, curiosity, courage, confidence, wonder…these are all qualities needed to become a better painter. Another essential is learning to really see and understand the subject. I titled this painting (available here) Two Survivors because only these two survived from the big bouquet during the week I struggled with two previous sunflower “studies” (aka failed paintings). Sometimes it takes a while before the “blinders” fall away so that I can see the shapes, colors, and values instead of the named bits (e.g. petal, leaf, or nose) that interfere with seeing as a painter.
I was inspired by artist Chris Beaven (whose sunflower painting I purchased and love) by his Session Detail charts that he embeds at the end of each post (sample). I modified his chart to create one for myself to focus my goals and intentions for each session and the painting as a whole. Completing the chart at the end of each painting session with image, results and plans/goals for the next session is making a big difference in my process and helps me avoid random, unfocused messing about with paint.
Below is the chart I used for this painting. If you’d like to see all three session charts for this painting with my notes about goals, composition mistakes and corrections, and corresponding images, click here to open 3-page PDF file.
Session 1 Detail Chart (Click image to enlarge or click PDF link above to see all 3 sessions)
I loved the original painting of the vase in Session 1 above, with wonderful warm highlights and cool shadows created by the new LED lightbulb I’m experimenting with. My intuition told me to leave the vase alone but instead I started adding the pattern from the actual vase. After a few strokes I realized I didn’t like it and tried to wipe the pattern off the still wet paint. Then I tried to return to the original shapes of color, temperature and value.
I revised the chart layout after this painting. In my next post (another sunflower still life) I’ll include the completed chart for that painting’s 6 sessions and a blank template for anyone who wants to experiment using or modifying it for their own artwork sessions.
I had so much fun painting these dirty old baseballs my dog found at the dog park next to the batting cage at Albany High School. It felt like fun and play, not work while I was painting it and I’m really happy with the results. I’d been struggling to find my way with oil painting the past couple months, so it feels good to get my confidence back. Playing Dirty Ball is available on my DailyPaintworks site here.
The first baseball Millie found and tore apart had a computer chip, wires and a tag with different speeds on it deep inside. Is that normal for baseballs? She loved shredding that ball, gradually tearing off the leather, then unwinding the yards of tightly wrapped black twine until she finally got down to the wonderfully bouncy little black ball inside that she played with for weeks. At one point it rolled under the gate so she started digging a hold trying to get to it. I was surprised by the hole, worried she was trying to escape, until I found the ball on the other side of the gate.
Now that I’ve painted these dirty balls I can give them to Miss Millie for her shredding pleasure.
Dahlias: Shower Flowers, oil on panel, 10×8 in (Click image to enlarge)
I brought these amazing dahlias home from my daughter-in-law’s baby shower and had fun painting them. (The painting is available here.) The baby shower happened just in time as our beautiful baby girl came a month early (so exciting!). Below are some of the steps in the process. I always seem to like the earliest stages of a painting best; my biggest challenge is to stop painting sooner than I usually do. I have a new system for setting an intention and goal for each painting and each painting session and documenting the results and I’ll be sharing more about that in my next post.
Dahlias-Shower Flowers Work in Progress, oil on panel, 10×8 in
Dahlias-Shower Flowers Work in Progress 2, oil on panel, 10×8 in
Found on the Street #1, Candlestick and Apples, oil painting on panel, 8×8″ (Click image to enlarge)
This is one in a series of paintings of free stuff and things found on the street during my walks in the Berkeley, California area. The little apples had fallen from a neighbor’s tree and the candlestick was in a free box on the curb. Below are photos of some steps in the work in progress of this painting (which is available to purchase from my Daily Paintworks gallery here) and a couple of cool studio tips too.
Apricots and Butter Jar, oil on panel, 10×10 inches
I like to spend New Years Day reflecting on the past year and looking ahead to the new one. While last year’s review post was full of artistic accomplishments, 2013 was a mixed year. It started off about art and ended with diversions, digressions and Dog. And in the middle I spent the summer studying Flemish oil painting technique with Alex Zonis, resulting in the painting above. (I took photos of each step along the way in this painting and will post about the process very soon.)
January 2013: Urban Sketchers show and painting dogs
Cocoa: Dog Portrait, oil on panel, 8×8″I
The year began well. I completed this commissioned dog portrait (one of five I did in December/January) and my Urban Sketchers group had an exhibit of our sketchbooks and hosted a sketchcrawl for the community.
February and March 2013: Sketching and Painting
Waiting and Watching at Peets, ink, 5×8″
I continued having fun sketching and completed several oil paintings (a decent portrait and some mostly unsuccessful sunflowers).
Poultry Panorama (2-page spread in my sketchbook).
April 2013: Spring sprung; creativity flowed
Crab Apple Paired, Oil on Archival Panel, 10×8″
April was a creative month, with several oil paintings completed including my favorite above. I started sketching in an 8 x 11 Moleskine (see bus sketch below) and attended a sketchcrawl, several museum shows, and the Codex Book Fair.
El Volado the Mexican Bus, ink & watercolor, 8×11″
May 2013: Every Day in May
May was the best month of the year because of the Every Day Matters “Every Day in May” project. I had so much fun doing daily sketching!
A UK publisher asked to include a couple of the May sketches in a 2014 book on sketching.
June 2013: Started Flemish painting class and more dog portraits
Sam, A Dog Portrait in Oils, Oil on Panel, 8×8″
After completing another commissioned dog portrait I began studying the Flemish oil painting method with Alex Zonis over Skype. The result was the Apricot painting at the top of this post, with more than 10 layers of paint, and three months work. I will post about the process soon.
July 2013: Hosted First West Coast Sketchcrawl
Coit Tower, from Levi Plaza, SF Sketchcrawl 40, ink & watercolor 7×5″
My Urban Sketchers group worked hard for much of July to prepare for hosting the first 3-day West Coast Urban Sketchcrawl in San Francisco and Oakland which was a great success with nearly 75 people each day. Meanwhile, I continued working on the apricot painting.
August 2013: Show at the Collector Gallery
My wall in the group show at the Collector
August was a month of many successes: after a lot of prep work for the show at the Collector gallery, I sold 5 paintings and a print (4 at the show, 2 from my website, 3 of which went to France and Switzerland). I continued working on the Flemish method apricot oil painting with Alex; still the only oil painting in progress in the studio.
September 2013: New York Art Adventure!
New Makeup for New York, ink and watercolor, 7.5″ x 11″ spread
I bound a new sketchbook and shopped for things I needed for my trip to New York City after deciding my funky, frumpy Berkeley visage wouldn’t cut it in NY. FINALLY finished the Flemish method oil painting of apricots!
Battery Park, Statue of Liberty, Ellis Island, ink and watercolor, 5.5×7.5″
The NYC trip was fantastic! I had a blast, visiting with New York artist friends, going to museums and sketching the city. I didn’t want to come home!
October 2013: A sketchcrawl and the flu
Jack London Cabin and Wolf Statue, ink and watercolor, 10×7 in
I did very little sketching or painting in October as I was sick nearly the entire month from a bug I caught traveling that lasted three weeks and finally required antibiotics. I did manage to get to a sketchcrawl at Jack London Square.
November: Thanksgiving and surgery
Thanksgiving Centerpiece, ink and watercolor, 5×7.5 in
I recovered from the October illness just in time to have a planned surgery on Halloween to correct a long-standing problem. The supposed 2-3 week recovery time took nearly 5 weeks. I was very grateful to be well enough to attend Thanksgiving dinner, my first real outing all month. I did very little sketching and no painting in November, due to limited mobility and energy.
December: It’s all about the DOG
My new dog Millie sketched from life, ink and watercolor, 5×5 in
I’ve wanted a dog for years and finally, just as I recovered from surgery I found my perfect pup. I’ve had 5-month old Millie for one month and she is so much fun. We’ve been walking 3 to 7 miles in nature every day. She’s a 20 pound Formosa Mountain Dog, who was rescued with her litter in Taiwan and shipped here by a rescue group for adoption. When I met her it was love at first sight.
Millie in a silly winter sweater
I’ve done very little artwork or blog posting while working out a routine with the dog and my two cats in December, recovering from surgery in November and October’s flu bug. Now it’s a new year and I’m finding my way back to painting and sketching again (and hopefully more regular blogging)!
Millie and I on adoption day
Looking ahead in 2014
My goal for 2014 is to continue to explore and focus on how (and what) I most enjoy drawing and painting, and then work more consistently with that approach and subject matter. I also want to focus on being more present and connected to nature, the seasons, weather, and the calendar, and reflecting that connection in my art.
Thanksgiving Centerpiece, ink and watercolor, 5×7.5 in
My sister Marcy hosted our Thanksgiving dinner and my niece Sophie made the stunning table centerpiece that my sketch above doesn’t do justice to. We added a new tradition to our Thanksgiving dinner: The thrift-shop Tacky Holiday Sweater Contest (below).
Tacky Holiday Sweater Contest Winners
Mine was no doubt the ugliest but Robin’s (on the right) got extra points for being ill-fitting. It’s too bad you can’t see Nilla the dog’s lovely sweater, complete with jingle bells and ornaments. She only looks like a giant because of being closer to the camera. Britney (center) got extra credit for her Walmart faux-patent-leather skin-tight leggings to go with her Vegas-grandma-style sweater.
I didn’t realize until I saw these two pictures together, that it was easy to tell that I painted one in summer (above) and the other in the spring (below), just by their color palette, even though they were both painted on warm, sunny days. I started the painting above plein air, but only got halfway done before it was time for the group critique. I finished it from memory and a photo but didn’t touch areas I already loved, like the yummy turquoise color in the background.
Briones Park (above) is gorgeous, but dogs are allowed off-leash there so the grasses along this beginning stretch of the trail are littered with stinky dog poo, thanks to irresponsible dog owners. But like bugs, wind and weather, smells are part of the plein air experience too.
Castle Rock Park and Mt. Diablo, Spring, 8×10″
I painted this watercolor view of Mt. Diablo in my 8×10 Moleskine. I didn’t have time to set up for oils because although we’d planned a day at Borges Ranch we learned on arrival that a 4-H club had reserved the area and we had to leave. The ranger suggested we go to Castle Rock Park down the road.
I parked at the Borges entrance for a while, catching others as they arrived and directing them to Castle Rock. Finally I left a big note on a brown paper bag taped to the Borges entrance sign, hoping latecomers would see it and know where to find us.
After the drive to Castle Rock and a hike to the top of a hill I only had time for a watercolor sketch. The bright yellow-green grassy field was beautifully spotted with lavender wild flowers. In the summer everything would be pretty much the same color of golden brown. This time it didn’t smell like dog poo; it was the pungent odor of the cows that graze there that accompanied the view.
I wasn’t satisfied with the two ink and watercolor end-of-journal self-portraits (below) that completed the 8×10″ Moleskine I was working in back in June. Rose Frantzen had told me during my workshop with her that I had wonderful skin to paint and should be doing lots of self-portraits from life in oil. So I decided to give it a try.
I only had couple of hours left in the day for painting so chose a small 6×6″ panel that already had a dark background from wiping off a previous failed painting. I turned off most of the lights in the studio except for one pointing at my face from the left and one overhead light behind me. I clamped a mirror to the easel and started painting. What a surprise: after a couple of hours I’d made my most favorite self-portrait ever.
I know it’s not perfect but I don’t think it calls for perfecting; it’s just a moment in time and a record of a very enjoyable but short painting session.
Below are the two in my sketchbook. I was in a really grumpy mood and struggling with the drawing on the first one and it shows (below):
Self-Portrait with Birthday Bouquet, ink & watercolor, 10×8″
I was in a much better mood. I put my birthday bouquet on the table between me and the mirror and started drawing. It was confusing trying to combine what was real and what was mirror image. It’s a dorky drawing of me but I like the flowers.
Isn’t it amazing how emotions and mood show in a drawing or painting? It’s like there are two different people in these two sketches: mean, tense, bossy-lady and sweet, flowery, dorky girl.
Here is a peek at my wall in the Collector Gallery in Berkeley’s Elmwood district showing 12 oil paintings. I have more small paintings displayed off the wall in the gallery. The largest painting on the wall (Happy Boy Farms Tomatoes) is 12×12 inches and the smallest is 6×6 inches.
If you’re in the area please stop by for music, refreshments and to see these and the interesting work by the other four artists in this show. And for further enticement, it doesn’t hurt that Berkeley’s most popular ice cream shop is right next door.
August 9 2013 reception flyer
Above is the postcard for the reception Friday night from 6-8 at the The Collector Gallery in Berkeley at 2950 College Avenue. (Download Collector reception flyer pdf).
“Lily White on White,” oil on Gessobord panel, 8×8″ (AVAILABLE on DailyPaintworks Auction: CLICK IMAGE to visit auction)
I spent some time sketching and painting a calla lily that sprouted in my garden and while I was at it, tested a palette of Winsor Newton Cotman paints. Several of my friends have this clever, inexpensive Winsor & Newton Cotman Sketchers Palette and I thought it was worth a try so I ordered one.
I started by testing the colors, listing the pigments to match them to artists’ quality pigments I normally use (click to see larger with pigment numbers) and making notes about which ones to swap out (at that point assuming I’d continue using the others).
Test of WInsor Newton Cotman pan paints (FAIL)
I was very frustrated with the results I was getting when painting and in the end, took ALL the Cotman pans out of the palette and replaced them with pans filled with artist quality paints from tubes. I put the Cotman pans in a large jar of water to soak so that I could empty and reuse the empty pans. After dumping and refilling the jar many times I ended up with a jar of tinted water with a lot of white sandy junk at the bottom: the nasty fillers and binders added to the pigments to make it cheap.
I know that for the same $17 that this palette AND crappy paint costs, you can only buy one or two tubes of full strength, high quality paint. But I’d rather have only a few colors than use junk. Most of the following sketches lack vibrancy, richness in color, and paint application was difficult and unattractive. Here they are in reverse order of completion:
Lily sketch #6, watercolor, 8×10″
I liked the drawing above, but not the grayed colors.
Lily sketch #5, ink & watercolor, 8×10″
I liked the shape of the leaf above.
Lily sketch #4?, gouache, 8×10″
I painted over an awful sketch with gouache (above), just loosely trying to get the shape of the flower.
Lily sketch #3-4, watercolor, 8×10″
Two previous attempts at the leaf, on 2 other kinds of paper I taped into the 8×10″ Moleskine.
Lily sketch #1 with Snail, watercolor, 8×10″
The first sketch. I like the composition but the colors and application were yuck.
I’m still using the Cotman Palette. I think it’s a great for sketching because it’s light, compact and holds enough colors (12). And at $17 I don’t mind the price, even after throwing away the colors it cane with. It’s handy to have the now-empty, extra half-pans which usually cost about 50 cents each. So really, I got the palette for $11, and 12 empty pans for $6. Not too bad.
Jana Bouc, Artist 