EDiM 5-6-7: Hot, Bristles, Envelope, ink and watercolor, 8×10
May 5 was “Draw Something Hot.” I went for the obvious, a cup of hot tea because I like this cup and I was short on imagination and time due to some “first world problems” (iPhone went bad and required way too many wasted hours to restore it).
May 6 was “Something with Bristles.” I wanted to draw the odd, bristly whiskers under my dog’s chin but she wouldn’t hold still long enough. Instead here’s a bristly bottle brush with a bonus soft cotton tip. I bought it to clean something I apparently no longer own since I haven’t used it in years and can’t remember what it was for. I created the bristles by painting in watercolor and then adding white gel pen.
May 7 was “Envelope” and this is the Mothers Day card and envelope I sent to my mom after I sketched it.
Every Day in May 4: Spice Bottles, ink and watercolor, 8×5 in
I have a whole rack of Penzeys spices but these are my favorites that sit out on the counter for daily use. Their pepper is nothing like the tasteless stuff from the supermarket; it has wonderful flavor and I put it on almost everything. Their cinnamon is sweet and delicious and the Sandwich Sprinkle is great on salads, veggies and meat.
Every Day in May 3: Curtain, ink and watercolor, 8×10 in
I have such a tiny bathroom I had to sit on the sink to draw this. My favorite part was drawing the funny patterns on the glass blocks in the window. When I remodeled the bathrooms in my duplex I requested glass blocks in the shower and a window that opens set inside the glass blocks. The wavy glass was fun to draw and is meant to provide privacy but in reality, it’s not perfect. Good thing the neighborhood doesn’t have a few of the window! Also featured in the sketch is my Black and Decker dog washing shower attachment that makes it super easy to wash my dog and she loves hopping in the tub for her spa treatment.
EDiM 1: Food Food: Defrosting Burger, graphite and watercolor, 8×7.25 in
Day 1 of Every Day in May 2015 is supposed to be a favorite food and although I do enjoy the occasional burger, ground beef isn’t really a favorite eat…but this vacuum-sealed package of defrosting-as-I-drew meat was certainly a favorite to draw.
EDiM 2: Tree (Baby Cherry Tree), ink and watercolor, 4.5×8 in
Day 2’s cue is “A nearby tree” and my next-door neighbor’s adorable little baby flowering cherry called out to be drawn before the puffy flowers fall. I meant to fit the whole tree on the page but I started in ink with the top left branch and drew too big so only the top left side of the tree fit. Oh well.
EDiM 1 and 2: Full page in sketchbook, ink and watercolor, 8×10 in
It felt so good to just draw for fun in my sketchbook again after weeks of working on two commissioned paintings that are finally approaching completion. I needed to get back to playing in my sketchbook again, whether the paintings were finished or not, so EDiM came along just at the right time.
For me, it will probably be more like Every-ish Day… or (Almost) Every Day… or Some Days in May since I have a lot of other things going on this month. However many days it is, any day that I get to draw is a good day!
If you want to join in the fun, check out the Facebook Group or the Flickr Group and click to join. Everyone is welcome to play any time during the month.
I haven’t been doing much urban sketching or dream drawing lately, while I try to complete a couple of commissioned dog portraits (that are taking forever) and attend figure/portrait drawing sessions and do other life stuff. But here’s a quickie from sketch night at the laundromat, a favorite place to sketch. I’m glad I have my own washer and dryer so I don’t have to go there to do laundry, but I do enjoy the perspective challenges and patterns of rows of rectangles, circles and black and white shapes, as well as the little still life of soap and baskets.
These were gouache sketches from a couple of months ago that I’m just now getting around to posting. I’m still loving gouache but have been missing using it.
I’m working on two commissioned dog portraits in oils so have put aside most of my other art projects temporarily. I’m enjoying the difficult challenge of painting two very similar dogs with dark brindle fur for two different owners but I’m missing taking the time to draw my daily dream images, play with gouache and work on painting people portraits.
I really tried to focus on two things with this portrait, getting the drawing right and keeping the gouache colors light (gouache dries darker). For once I managed to keep a tilted head tilted in my drawing–for some reason my brain always wants to make everything upright and symmetrical. It doesn’t surprise me since I learned that the image that comes in from our eyes is upside down and it’s our brains that convert it to right-side up. My brain definitely has a mind of its own…oh wait a minute–it is my mind!
Below is the original pencil drawing over which I painted the gouache. I wish I could show you the photo I worked from, but I think those are only meant to be visible to members of Julia Kay’s Portrait Party, which you can apply to join on Flickr and play too, if you want to.
Whiskey, Portrait of Mini Aussie, oil on Gessobord panel, 8×10 inches
I had so much fun painting Whiskey, a Miniature Australian Shepherd, for her owner Diane. I started with a rough sketch (below) on vellum tracing paper (erases easily and is strong) and that’s when I discovered the heart-shaped spot above her nose. I’m not sure if it’s just a reflection or an actual marking in her fur but it was one of those joyful discoveries that happen when you look closely at things.
Preliminary sketch of Whiskey, graphite on vellum tracing paper, 8×10 inches
After sketching her, I printed out an 8×10″ copy of the photo and traced it onto the Gessobord using a sheet of graphite Saral Transfer Paper between the photo and the panel. Ideally I would work on a drawing until it perfectly matched the photo and then transfer the drawing to the panel, but on commissions I need to work a little more quickly than my imperfect drawing skills allow.
Below are 1) my painting and my reference photos, 2) cropped and 3) original. Isn’t she incredibly adorable!
Whiskey, Portrait of Mini Aussie, oil on Gessobord panel, 8×10 inches
Practicing gouache with found items. The lipstick with purple case I found on the street, the journal at the recycling center’s little “shop” where you leave things you don’t want and take things for free. The pear and jar lid I found in my kitchen so I guess they aren’t officially found items. The cigar box the journal is sitting on was a freebie from the local smoke shop. I love cigar boxes so much! This gouache sketch made me happy…feels like I’m starting to get it.
Susan’s Dinner at Gaumenkitzel, graphite and gouache, 7×9 inches
When we met a Gaumentkitzel for sketch night I’d already had dinner so just ordered a decaf and sketched Susan’s dinner instead. I added gouache when I got home.
Zorn Palette color chart in gouache, 10×8 inches in A4 Moleskine
In trying to learn more about gouache I made a few color charts. I’m using mostly M. Graham gouache which I like much better than the Winsor & Newton and Schmincke I used before. The Graham gouache is creamy and brilliant, rewets well and doesn’t smell (like the W&N). I found that using fresh-squeezed gouache is more fun to work with than rewetting dried paint, but frugality keeps me trying to reuse dried. The best solution is to set up a palette for each session, squeezing out tiny blobs, adding more as needed.
Above is an exploration of the Zorn palette in gouache, a limited palette using only Yellow Ochre, Cadmium Red, White, and Black. The black paint, when mixed with white, is meant to serve as blue since it is a cool color that can look blue next to warm colors. Next I want to try using it in an actual painting.
M. Graham Gouache paint chart, gouache in A4 Moleskine, 10×4 inches
Above is a chart of my gouache colors straight from the tube and mixed with white and each other. Sadly when I removed the masking tape it pulled off some of the paper from the extra large Moleskine watercolor notebook that is my current journal. I don’t recall previous Moleskine WC notebooks having that problem but I’ve switched to low-tack tape now.
Before ordering any new brushes specifically for gouache I wanted to see how the brushes I already had might work so did the test below. I found a few that I liked and ordered a couple of others. I’ll do another post about my gouache palette and brushes I’ve settled on soon.
Jana Bouc, Artist 