Portrait of Baby Toa, oil on linen panel, 10×8 inches
I really enjoyed making this painting of my friend’s grandson Toa. The biggest challenge was working from a cellphone photo taken in a carseat in the dark where his skin looked dark and bright orange. Fortunately I was able to see some other snapshots with better skin color.
I’ve been taking a new approach to painting; focusing on the joy of creating and letting go of the internal “committee” that demands perfection. I have accepted that my work will never be perfect and that perfect art bores me anyway. A bit of wonkiness, even in a portrait, is ok with me, if I feel I have captured the spark of the subject. I’m painting for myself; if it pleases someone else too that’s a bonus, but not at all a requirement. Giving myself this freedom has completely changed my life.
Below are my initial sketches, a picture of the setup with the photo, and an early stage in the painting.
I’ve been enjoying using my new jumbo iPad Pro 12.9 and Apple Pencil with the Procreate App to sketch interesting characters on TV shows I watch. It’s fun getting back to drawing faces, especially when the actors are emoting. It’s fun and addictive experimenting with what the app has to offer and trying to learn about all the different brushes and features.
Above from Broadchurch — not quite a likeness and lots wrong with the drawing but had to stop sketching and watch the rest of the episode! ( (it’s back for Season 3 on BBC America). All of these sketches are done in Procreate, with Apple Pencil and jumbo IPad Pro. This one used a combination of airbrush and technical pen. The other two below mostly used the 6B pencil.
Red and Green Okra, graphite and colored pencil, 8×10″
Getting back to daily sketching….yay! Some lovely and odd-looking produce from the local organic grocery. I hope to paint it too, before I cook it but I’m not sure how long it will last.
I’ve developed the goofy habit of storing my leftover cucumber in the bell pepper half when I prepare a salad. It always makes me laugh so I decided to paint it. My sister called it veggie porn. I hope it makes you chuckle too.
I’m trying out a new format for my blog posts, a simple list with images of what I’ve been working on, successes, challenges and what else is going on in the studio and my life. Theoretically it will mean less writing and more frequent posting. So here goes…let me know what you think.
CHALLENGES: I’ve been struggling with composition, discovering half way through a painting that the composition sucks and the painting will never be an enjoyable thing to look at.
Veggie Porn Thumbnail sketches
Photo of the set-up
SUCCESSES: I finally got the willingness to begin all paintings with some thumbnail sketches. I realized that COMPOSITION is simply the structure that directs the eye around the painting, creates a feeling of action or stillness and (if done well) delights the eye. Two of my favorite painters, Susan Jane Walp and Giorgio Morandi use composition in unexpected ways, and both delight the eye (or at least my eyes) whether they are following or breaking the “rules” of composition or making their own.
LETTING GO OF A BAD PAINTING: This one started off really happily but ended up in the trash, after scraping and redoing it over and over until I killed it so dead it couldn’t be revived. I just felt there was too much red, that it was too “hot” somehow. A friend suggested adding black. That was the final nail in the coffin. I’m not sure why I’m even sharing it at all.
FAIL: Bad Begonias, oil on panel, 10×8″
SKETCHES: I try to do a sketch from the SKTCHY App at least weekly. Here is a recent one.
Ms. I. T, from Sktchy photo reference, graphite, 12×9″
WHAT I’M READING: “Irresistible: The Rise of Addictive Technology and the Business of Keeping Us Hooked.” Great book about how our devices and apps are designed to keep us using them. I waste way too much time web-surfing on my phone. This book gave me some tools for changing my habits along with a good talking to! I think it’s a must-read for parents especially.
WHAT I’M LISTENING TO: Ed Sheeran and Alicia Keys on Amazon music, which I like much better than Apple music. (If you’re interested, here’s a link to Amazon Music Unlimited 30-Day Free Trial)
Pomegranate, Persimmons, Brick, Oil on Arches Oil Paper, 10×10″
(SOLD) This painting went through so many changes. I started it before I got the awful cold that kept me out of the studio for over a week. I lost my focus while painting the cloth draped in the background and at the end of the day scraped off the afternoon’s work. When I came back the next day, my foam core shadow box had collapsed and was on the floor along with the drapery and the LED light that I’d perched atop on a piece of plexiglass. Fortunately the brick held steady as did the fruit.
That accident gave me the opportunity to try a different background. I removed the white paper I’d been using to cover the black walls of the shadow box and painted the now darker background. I had fun painting the persimmons and the brick and I think I did a good job understanding them; the pom not so much. It should have a more geometric, boxy shape, not be so rounded.
Below are the stages in trying to get this thing painted, along with the set up as it changed. Click on an image to see full picture, scroll over images to read captions.
After I did these two studies on one piece of Arches Oil Paper focusing on values (started with transparent earth color underpainting), I caught a nasty head cold. I feel super lousy and haven’t had the energy to paint but I’ve done a couple sketches, below.
Pomegranate and persimmons on a brick. 2B pencil in 8×10 moleskine.
Drawing helped take my mind off my sneezing and nose running like a river.
FarhooD S via Sktchy app. graphite, 11×8″
I think I made his hand too small. Here’s his photo on Sktchy:
Figs on a Grey Plate, oil on Arches Oil Paper, 9×11″
My fig tree is supplying me with figs that are delicious to look at and to eat. I’m working on simplifying my paintings, aiming from strong values and composition, and trying to stop at “good enough for jazz.” This is so much more fun than trying for perfection and ending up with overworked instead. This painting is available on DailyPaintworks here.
Below are the steps in the progress of this painting and below that some bonus fig
Another quick post of a recent sketch done from an inspiration photo on Sktchy. I love the app and I love drawing people more than just about anything. Pears and bowls and pretty landscapes are great, but nothing can match the joy of drawing people for me. Below is the reference photo. I’d intended to add color but liked the black and white version too much.
I so enjoy the Sktchy App where people post their photos, artists post their sketches of the photos and everybody is so positive and encouraging. Each weekend Sktchy hosts a Weekend Art Extravaganza or “WAX,” which is a cue or art concept to inspire artists to apply to their sketches. Last weekend it was “Candlelight.” I found the inspiring photo below on Sktchy and used it for this painting.
Photo reference for candlelight
Do join in on Sktchy if you have an iPhone and want practice drawing people (and their pets and home/cities) from all over the world, all ages, all lifestyles. It’s so much fun!
I was honored when the East Bay SPCA asked to license my sketch of Jack London Square (in the poster below) for their annual Adopt-A-Thon fund-raiser publicity materials. They kindly offered to pay for the use of the image but I was very happy to donate it for their use. As an animal lover I am grateful for the wonderful work the SPCA does to care for and find homes for animals.
You can click the image to get more information about the event. It will be a lot of fun and if you’re looking for a new family member of the furry variety, be sure to visit the Adopt-A-Thon! My original sketch is and info about it is at the bottom of this post.
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I sketched the scene below at Jack London Square of London’s old cabin and the wolf statue out front on a gorgeous sunny day and the shadows were in just the right place. It was one of those sketches where everything just worked. In the background are the high-rise office buildings of Downtown Oakland.
Jack London Cabin and Wolf Statue, ink and watercolor, 10×7 in