And we have more morning sketches. I was really trying to force myself to stick to 3 values for each object. My glass-topped table is so great with its frosted glass square design elements and reflections.
Category: Quick Sketch
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Okra!
Getting back to daily sketching….yay! Some lovely and odd-looking produce from the local organic grocery. I hope to paint it too, before I cook it but I’m not sure how long it will last.
Wildcat Canyon trail trash can, ink in pocket Moleskine notebook
Dog on wheels at the dog park, ink in pocket Moleskine
Meeting Stuff, sketches in pocket Moleskine
Sketch during Father Keating movie, ink in pocket Moleskine
Wildcat Canyon Wildflowers, ink, colored pencil, gouache in pocket Moleskine
Here are some random sketches from hikes and walks with my dog, sitting in meetings, a movie shown in a library and at the dog park. These are all in my pocket Moleskine that I carry with me all the time. Hover over images to read captions or click on them to see them larger.
Bay Area Urban Sketchers took a little field trip by train to Sacramento to see some art, connect with another Urban Sketcher and have some good sketching fun. We arrived early to sketch the Emeryville Amtrak station (above) and then it was “All On Board!”
Once we got underway I experimented with doing VERY quick watercolor sketches of the scenery as we traveled, with about 30 seconds to capture each lovely view flying by:
Once we arrived the weather was perfect so we walked the 6 blocks to the Crocker Art Museum to see the Wayne Thiebaud “Homecoming” retrospective show (ends November 28). One of the great things about the show was seeing that at almost 90, Thiebaud is still painting and innovating. The work in his show range from the 1960s to 2010.
We explored both the Crocker’s permanent collection and the Thiebaud show. I was a bit perplexed by the way the shows were curated. Works seemed to be hung randomly, in no particular order that I could discern. I would have really liked to see Thiebaud’s paintings arranged by date to see the progression of his work.
In the permanent galleries I had the sense that they had tried to just hang everything they had, regardless of quality, condition or style. There was something both amateurish and charmingly small-town about the museum and even the demeanor of the guards who were refreshingly friendly, enthusiastic and proud of the work they protect. The Crocker has paintings by many of my favorites from the Bay Area Figurative Movement of the 1970s and I enjoyed seeing those “old friends” again.
Next post tomorrow will be Part II of the trip…meeting up with Pete Scully for a sketching visit to Old Town Sacramento.
