Continuing my watercolor relearning journey I’m making progress with each drawing and painting. I watched master watercolor artist Eudes Correia paint this gentleman in a Sktchy class from a photo he provided. You can see his version on Instagram here. I actually like my version better, which is a great feeling.
I used a limited palette: Raw Sienna, Permanent Alizarin, Cobalt and for the sky, Holbein Peacock.
I was happy when I checked my drawing to find that I had almost nailed it. Just had to make a few minor adjustments for his shirt and neck width.
This was one of those rare and wonderful painting experiences where the sketch (below) came together by magic, and I liked it enough to not even check it against the reference photo for accuracy. I didn’t care if it was perfect. The painting just flowed and it was super fun to see and paint all the different colors and textures.
I kept pondering her story while I worked on the portrait. I had all kinds of ideas but settled on a bone-tired factory or sewing shop worker. Then I did a Google image search of the reference photo (below), which was supplied by a Sktchy artist for her class demo and for us to paint from.
The image search took me down a looooong rabbit hole that led to a match for the photo. It turns out the model is a Japanese artist named Serena Motola. Maybe she was just bored and annoyed to be modeling when she wanted to be painting?
Karl Staub (IG link), the teacher who used Nate’s photo for his demo did a very graphic, poster-like rendering (see below). I was tempted to do that too, but decided to just continue with my own style instead.
Above is my original sketch for the portrait. I had fun finding the planes on his face and clothes. Below is a screenshot for the 30 Faces/30 Days – Watercolor & Gouache class on Sktchy displaying the teacher’s work.
This was supposed to be a 30 portraits in 30 days class, but I think I’m now on month three instead. That’s because since last December I started working out every morning, doing indoor cycling, rowing and running classes plus daily core classes and alternating days of weights, yoga, Pilates, and Barre and two hikes a week with friends. I paint in the afternoon.
I’m getting stronger and fitter and having fun. But it’s always a challenge to find balance between all the things that make up a good life. I’m very fortunate and grateful for the luxury of the choices I get to make.
I really enjoyed painting this calm, pleasant young man amidst the trees, seemingly bathing in the cool forest light. You can see his original photo reference on Sktchy here.
I started with a pencil sketch on copy paper. Then to check my drawing, I compared my sketch to the photo by scanning my sketch into Procreate with the original photo. On a new layer I traced the photo with a red line and layered that over the sketch (see below). Using the red lines as a reference, I corrected my original sketch on paper, transferred the sketch to watercolor paper and then painted.
Bennett’s reference photo was part of the Sktchy “30 days in Watercolor and Gouache” class taught by Mike Creighton, one of my favorite Sktchy teachers. I thought it would be interesting to share his painting; such a different feel from mine!
He used a limited palette and did a lot of mark making with his brush. I know the idea of the Sktchy classes is to try to mimic the teachers in order to learn a variety of different approaches and techniques, but I almost always end up taking what I like and then going my own way.
While I worked on the sketch for this painting I listened to a mystery audiobook with a female detective so when it came time to do the painting, I decided to make her a detective in a dark subway or tunnel. Using a limited, complimentary palette of mostly purple and yellow (because of her hair, see reference photo below) I put her in a purple trench coat.
The teacher for this lesson on Sktchy Art School is a big fan of patterned backgrounds, as you can see in this link to her painting. She used “Acryla Gouache” in her demo, which I have tried and don’t like. It’s basically just opaque and matte acrylic, not “real” gouache in my opinion.
In the sketch above you can see that I indicated the divisions between the shadows and light areas. I’m trying to focus on keeping my value families separated, keeping the darks together separately from the lights family.