Category: Painting

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Art business Art theory Flower Art Found Oil Painting Painting Still Life

Sunflowers in Old Crock

Sunflowers in Found Crock, oil on linen panel, 8x8 in
Sunflowers in Found Crock, oil on linen panel, 8×8 in. Click image to enlarge.

I found this wonderful old crock set out on the curb, adorned with a “Free” sign so I carried it home for my “Found Stuff” painting series. One handle had broken off but the owner had thoughtfully placed the pieces inside and I glued it back together. I love the way the flowers are reflected and shadowed on the crock. The painting is available here. Below are photos of the work in progress.

It takes two to paint. One to paint, the other to stand by with an axe to kill him before he spoils it. William Merrit Chase 

My biggest painting goal is to stop what I call “unauthorized painting” — I finish part of a painting, like it and write my plan for that area: “Don’t touch it!” Later I decide to just do a little “touching up” and the next thing I know I am wishing for a “REWIND” button as I try to wipe off the “unauthorized” paint. Where’s the guy with the axe when I need him? I need to draw him, axe and all, and stick it on my easel!

If you’d like more details about each session’s goals, my thoughts, missteps and corrections, click Autumn Sunflowers and Found Crock (PDF) to open the chart. As promised in my last post, here is a Session Template (click to DOWNLOAD Word file), for anyone who would like to use or modify it to track their own work. I’ll also post it on my Resources Page.

 

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Art theory Flower Art Oil Painting Painting Still Life

Two Sunflower Survivors with Process Chart

Two Survivors, oil painting of sunflowers and white vase on linen panel, 7x5 in
Two Survivors, oil painting on linen panel, 7×5 in

Persistence, patience, perseverance, determination, curiosity, courage, confidence, wonder…these are all qualities needed to become a better painter. Another essential is learning to really see and understand the subject. I titled this painting (available here) Two Survivors because only these two survived from the big bouquet during the week I struggled with two previous sunflower “studies” (aka failed paintings). Sometimes it takes a while before the “blinders” fall away so that I can see the shapes, colors, and values instead of the named bits (e.g. petal, leaf, or nose) that interfere with seeing as a painter.

I was inspired by artist Chris Beaven (whose sunflower painting I purchased and love) by his Session Detail charts that he embeds at the end of each post (sample). I modified his chart to create one for myself to focus my goals and intentions for each session and the painting as a whole. Completing  the chart at the end of each painting session with image, results and plans/goals for the next session is making a big difference in my process and helps me avoid random, unfocused messing about with paint.

Below is the chart I used for this painting. If you’d like to see all three session charts for this painting with my notes about goals, composition mistakes and corrections, and corresponding images, click here to open 3-page PDF file.

Session 1 Detail Chart (Click image to enlarge or click PDF link above to see all 3 sessions)

I loved the original painting of the vase in Session 1 above, with wonderful warm highlights and cool shadows created by the new LED lightbulb I’m experimenting with. My intuition told me to leave the vase alone but instead I started adding the pattern from the actual vase. After a few strokes I realized I didn’t like it and tried to wipe the pattern off the still wet paint. Then I tried to return to the original shapes of color, temperature and value.

I revised the chart layout after this painting. In my next post (another sunflower still life) I’ll include the completed chart for that painting’s 6 sessions and a blank template for anyone who wants to experiment using or modifying it for their own artwork sessions.

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Oil Painting Still Life

Playing Dirty Ball!

Playing Dirty Ball, oil on Gessobord, 8x8 in
Playing Dirty Ball, oil on Gessobord, 8×8 in

I had so much fun painting these dirty old baseballs my dog found at the dog park next to the batting cage at Albany High School. It felt like fun and play, not work while I was painting it and I’m really happy with the results. I’d been struggling to find my way with oil painting the past couple months, so it feels good to get my confidence back. Playing Dirty Ball is available on my DailyPaintworks site here.

The first baseball Millie found and tore apart had a computer chip, wires and a tag with different speeds on it deep inside. Is that normal for baseballs? She loved shredding that ball, gradually tearing off the leather,  then unwinding the yards of tightly wrapped black twine until she finally got down to the wonderfully bouncy little black ball inside that she played with for weeks. At one point it rolled under the gate so she started digging a hold trying to get to it. I was surprised by the hole, worried she was trying to escape, until I found the ball on the other side of the gate.

Now that I’ve painted these dirty balls I can give them to Miss Millie for her shredding pleasure.

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Flower Art Ink and watercolor wash Sketchbook Pages Still Life

Shower Flowers Sketches: Dahlias, Pansies and Paper Bootie

More Shower Flowers: Pansies, ink and watercolor, 8x5"
More Shower Flowers: Pansies and Paper Bootie, ink and watercolor, 8×5″

My daughter-in-law’s mother (Why is there no name for this important family relationship: “Son’s Mother-in-law” and “Daughter-in-law’s mother” are so awkward!) decorated Brittney’s baby shower so brilliantly. She covered the tables with colorful vases filled with dahlias and a little pot of pansies at each place setting. She decorated the walls with banners hung with pages from all our favorite old Little Golden Books classics.

I took home my pansies to sketch (above) and a vase of dahlias to sketch (below) and paint (see previous post). Each place setting also included a little baby bootie (in sketch below) that she made from different decorative papers and filled with chocolate.

Shower Flowers Sketch: Dahlias, ink and watercolor 2-page spread in Moleskine 16x5"
Shower Flowers Sketch: Dahlias, ink and watercolor 2-page spread in Moleskine 16×5″
Categories
Flower Art Oil Painting Painting Still Life

Shower Flowers

Dahlias-Shower Flowers, oil on panel, 10x8 in
Dahlias: Shower Flowers, oil on panel, 10×8 in (Click image to enlarge)

I brought these amazing dahlias home from my daughter-in-law’s baby shower and had fun painting them. (The painting is available here.) The baby shower happened just in time as our beautiful baby girl came a month early (so exciting!). Below are some of the steps in the process. I always seem to like the earliest stages of a painting best; my biggest challenge is to stop painting sooner than I usually do. I have a new system for setting an intention and goal for each painting and each painting session and documenting the results and I’ll be sharing more about that in my next post.

Dahlias-Shower Flowers Work in Progress, oil on panel, 10×8 in
Dahlias-Shower Flowers Work in Progress 2, oil on panel, 10×8 in
Categories
Art supplies Oil Painting Painting Still Life

Found or Free: Apples and Candlestick

Found on the Street #1, Candlestick and Apples, oil painting on panel, 8x8" (<a href="http://www.dailypaintworks.com/fineart/jana-bouc/candlestick-and-apples-found-on-the-street-1/253915">$110 at my DPW Gallery: click here</a>) (Click image to enlarge)
Found on the Street #1, Candlestick and Apples, oil painting on panel, 8×8″ (Click image to enlarge)

This is one in a series of paintings of free stuff and things found on the street during my walks in the Berkeley, California area. The little apples had fallen from a neighbor’s tree and the candlestick was in a free box on the curb. Below are photos of some steps in the work in progress of this painting (which is available to purchase from my Daily Paintworks gallery here) and a couple of cool studio tips too.

Continue reading “Found or Free: Apples and Candlestick”

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Flower Art Ink and watercolor wash Plein Air Sketchbook Pages Walnut Creek

Lilly Pond at Ruth Bancroft Gardens

 

Water Lilies at Bancroft Gardens, sepia ink and watercolor, 5x8 in
Water Lilies at Bancroft Gardens, sepia ink and watercolor, 5×8 in

It was a gorgeous day at Ruth Bancroft Gardens in Walnut Creek when my plein air group visited. I walked around looking at all the beautiful plants, sculpture exhibit (and buildings in the private area we were given access to, where the 105 year-old Mrs. Bancroft still lives). With less than an hour before our session end I finally settled on sketching at the lily pond.

I painted the old barn the last time I was there and that barn sketch is one of my favorites ever.

Here is my sketch with the scene behind it and artist Catherine Fasciato painting a lily with oil paint. I sat right between her and the sculpture, choosing shade first and subject matter second on this very hot, sunny day.

Water Lillies and their sketch at Bancroft Gardens, ink and watercolor, 5×8 in
Catherine painting in Bancroft Gardens
Categories
Berkeley Ink and watercolor wash Landscape People Sketchbook Pages Sketchcrawl Urban Sketchers

Sketchcrawl #44, UC Berkeley

UC Berkeley Center Street Entrance, ink and watercolor, 5x8 in
UC Berkeley Center Street Entrance, ink and watercolor, 5×8 in

I had a great time at Sketchcrawl 44 on the University of California, Berkeley campus. I missed the starting meet up at 11:00 because I stopped at the entrance to do the sketch above (and to be honest, because I arrived an hour late due to my seeming inability to get out of the house on time in the morning no matter how hard I try). Most of the students are gone for the summer but there were hundreds of visitors from all over the world and families doing campus tours with their high school students and large groups of teens in summer programs on campus.

UC Berkeley Sather Tower Campanile, ink and watercolor 8x5 in
UC Berkeley Sather Tower Campanile, ink and watercolor 8×5 in

At lunchtime I met up with Cathy and some other sketchers, and had lunch sitting on white chairs set up for a wedding in front of the Faculty Club. Then I sketched at our meet up spot, Sather Tower, aka “the Campanile,” a tall clock tower in the center of campus. I rode the elevator up to the top and was going to sketch the panoramic view when I noticed someone looking up at the huge bells just over my head. I would have totally missed that sight (until the bells sounded excruciatingly loudly at 2:00 as I was drawing the one bell above). I skipped drawing the panorama since it took so long to understand and draw the bell. Then I took the slow elevator back down and sketched the tower. I only got the top 3/4 in the sketch on the right so added the base with a statue and stairs on the left.

Gary Amaro, Pete Scully and Me
Gary Amaro, Pete Scully and Me

At our 3:00 meet up time I was delighted to spot my friends and fellow Urban Sketchers Pete Scully and Gary Amaro. It was such a treat to see them again and get a chance to look through their amazing sketchbooks. I told Pete I wish I could live in the world he draws. I so love the light and depth and detail in his sketches! Gary’s gouache and ink sketch of a campus building is really gorgeous in person.

Living Room with 2 Rolls of Shredded Paper Towels
Living Room with 2 Rolls of Shredded Paper Towels (my couch isn’t really that yellow…ick)

I’ve missed going out sketching all the time like I used to. 2014 so far has been the year of the dog. Unfortunately, having been rescued from the streets of Taiwan, Millie is not fond of urban environments, making urban sketching with her rather difficult. She shivers and shakes on busy streets so much that her teeth chatter. Even though she did get into trouble while I was out (see above) in the hour before the dog sitter came to take her to the park, I’ve really enjoyed the time I spend with her and she’s becoming a great studio dog (see below).

Studio Pup Millie
Studio Pup Millie
Categories
Bay Area Parks Berkeley Building Landscape Outdoors/Landscape Painting Watercolor

Brazil Room, Tilden Park, Watercolor Painting Commission (steps in process)

Brazillian Room, Tilden Park, Watercolor, 22 x 30 in
Brazilian Room, Tilden Park, Watercolor, 22 x 30 in

When I received an email from a woman in Switzerland, asking if I’d be interested in a commission to paint the site of her wedding (the Brazilian Room in Tilden Park) as a 10-year anniversary gift for her husband I said an enthusiastic, “Yes!” We agreed I would have the painting completed when she visited the Bay Area a couple of months later so that she could hand carry it back to Switzerland.

Brazillian Room, Tilden Park, Original Photo Reference
Brazilian Room, Tilden Park, Original Photo Reference

I visited the site, took photos and we agreed I would use the one above as reference for the painting. Since I shot the photo in late spring it wouldn’t really match the colors and light of her August wedding so I also used my imagination and memory of the park in summer to capture the warmth and strong light of August in the Bay Area. Below are some of the steps in the painting process.

Continue reading “Brazil Room, Tilden Park, Watercolor Painting Commission (steps in process)”
Categories
Flower Art Ink and watercolor wash Sketchbook Pages Still Life

Hydrangeas and the Last of EDiM 2014 (Fan and Remote)

Hydrangeas in Glass, ink and watercolor, 7x5 in
Hydrangeas in Glass, ink and watercolor, 7×5 in

My hydrangea bush is doing great this year, probably because it’s on the side of the house that is now a dog run and every day I empty the dog’s water bowl on the bush. Also it’s no longer competing with its two siblings that I removed because one never blossomed and the other had annoying teensy flowers that shed all over the table.

EDim 22 Remote Control, ink and watercolor, 5x7 in
EDiM 22 Remote Control, ink and watercolor, 5×7 in

These remotes live in the studio and operate a little combo TV/VCR, a DVD player and the stereo. There are another half-dozen that live in the house. I’m glad remotes were invented but they are ugly and annoying. I so wish I had this remote (a brilliant sketch and concept!)

EDim 23 Fan, ink and watercolor, 5x7 in
EDiM 23 Fan, ink and watercolor, 5×7 in

As I noted in my journal above, drawing a fan seemed like it would be even more boring than drawing the remotes but in fact it was really fun. I was really surprised as I sketch to discover all kinds of interesting design features I’d never noticed before when just turning it on or off (without the using the remote that came with it, which I’ve lost).

So I didn’t make it to every day in May, just 75% of them. I went away for a 3 day retreat and when I came back had lost the momentum. Oh well.