Art Faces People Portrait

A Family Tree of Noses and More Noses

More practice drawing features. Above my family tree of noses with various relatives. Do you see anything in common? Below random famous and not famous noses.

Art theory Drawing Every Day Matters Ink and watercolor wash Painting Sketchbook Pages

Sweat, Salt and Scissors

My Lemon Pepper and Salt Shaker, ink & watercolor, 5.5"x7.5
My Lemon Pepper and Salt Shaker, EDM #104, ink & watercolor

Drawing is the foundation of most picture making and it’s a skill that requires regular practice and study. I’m determined to improve my drawing skills and the Every Day in May drawing challenge came at just the right time to inspire this daily practice.

All The Scissors I Own, ink & watercolor, 5.5x7.5"
All The Scissors I Own, EDM#105, ink & watercolor, 5.5x7.5"

I’ve long enjoyed just starting somewhere on the page and letting the details and story expose themselves in my sketch as my eyes explore the subject. I like the “just see what happens” approach. That is a lot of fun. But it doesn’t work well when I’m trying to fit a scene onto a page, or realistically capture a place or people or both.

My Exercise Corner, ink & watercolor
My Exercise Corner (drawn sleepy and without using the strategies described below so it's wonky and didn't fit on the page). EDM# 103

That requires some comparing, measuring, careful checking of angles, drawing imaginary (or penciled) “plumb lines” to see what lines up with what, noting where the top, bottom, sides and midlines are in the subject vertically and horizontally, and marking those same spots on the page so that it all fits. And of course there are lots more…perspective, line quality, etc.

I just wasn’t willing to do most of that before, but now I am. Even more surprising than my willingness is how enjoyable it is and how it’s starting to become second nature.

I don’t want my drawing to be pefect—I love imperfect wonky drawings—they’re so much more interesting and lively than perfectly realistic ones.  I just want the darn picture to fit on the page and the proportions to be at least almost right, and to be able to draw more quickly and accurately when I need to.

Berkeley Drawing Ink and watercolor wash People Places Sketchbook Pages Urban Sketchers

Second Line Parade: Treme New Orleans Brass Band

Treme Brass Band sketches, ink & watercolor
Treme Brass Band sketches, ink & watercolor

To celebrate their 50th anniversary, Arhoolie Records held a “second line parade” led by the New Orleans-based Tremè Brass Band. The parade started with a fantastic concert at Berkeley’s Civic Center Park

In the video below you can see and hear the band (and me trying to sketch them, looking like a bobble-head doll as I look up at the band and down at my sketchbook. I’m at top right of the screen, starting around 30 seconds in, wearing bright green.)

After they played 20 minutes or so, we danced (and sketched) along behind the band to the Berkeley BART station, with many people twirling handkerchiefs or parasols in the air as is the tradition in second line parades. They performed another brief concert, and then more people joined in the parade as we moved along Shattuck Avenue.

Playing by the BART station
Playing by the BART station (note guy recording sound with mic on boom)

The parade ended at Freight & Salvage on Addison Street where we were again treated to more great Dixieland music. By then I was pretty far back in the crowd so gave up trying to draw the band but noticed these guys on the roof videotaping the event as we arrived.

Gathering at Freight and Salvage
Gathering at Freight and Salvage

This was one of those “It doesn’t get any better than this” experiences: Fantastic live music, sunshine and sketching! I knew the sketching would be challenging because of the constant movement, so only had as my goal to have fun and give it a try. I definitely had fun!