Category: Watercolor

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Art theory Flower Art Landscape Painting Photos photoshop Places Sketchbook Pages Watercolor

Study for Tulip Painting in Watercolor

Kaiser Hospital Tulip painting study, watercolor, 4.5" x 6.5"
Kaiser Hospital Tulip painting study, watercolor, 4.5" x 6.5"

I accidentally arrived an hour early for a doctor’s appointment at one of Kaiser Oakland’s medical offices that has an amazing hidden garden. The building is an architectural treasure, built around a courtyard in 1912 by Julia Morgan as a hospital and home for unwed mothers (or so I’ve been told). Instead of reading old, germy magazines, I spent the hour in the courtyard sketching, wandering and taking photos.

After working out the composition and colors, I’ve got two paintings ready to start: a full-size watercolor sheet of the above image and a slightly smaller canvas of another garden scene.

Before starting a large painting I like to do a study first, getting to know the image more intimately, and experimenting with pigments and techniques so when I start the real painting I have a plan of action or at least a sense of direction.

Tulip study and notes for painting, journal spread
Tulip study and notes for painting, journal spread

Since I only recently began experimenting with opaque watercolor pigments after years of using only transparents, I made some discoveries with this study and took notes as I worked. Here are a couple that might be of interest:

  • Opaque pigments (Cadmiums, Cerulean, Yellow Ochre) are great when putting down an area of strong color and leaving it (such as when painting in my journal). But they lift too easily when adding layers over them, and become thick and unattractive when trying to mix darks. As I learned in oil painting, darks/shadows are best when thin so they don’t draw attention to themselves with texture.  Seems to be the case in watercolor as well: better to use staining, transparent darks that won’t lift or get thick. For the dark green areas in the painting I’ll use Sap Green with Sepia and vary with a bit of Indigo, Winsor Violet and/or Alizarin.
  • The Legion/Utrecht 100% rag watercolor paper I’m using in my journal lifts incredibly easily. This is great when you actually want to lift paint but not so good when you just want to soften an edge and a bunch of paint lifts off instead!

Here are the original reference photo and the Photoshopped version. As you can see I got rid of some distractions and changed the proportions a bit.

Original reference photo of tulip in garden
Original reference photo of tulip in garden
Photoshopped tulip reference photo
Photoshopped tulip reference photo

Photoshop CS5 has some great new composition tools, such as “Content-Aware Fill” which I used to fill in the windows, white at top right corner and a tulip on the right margin. You just select and delete sections you want to replace and PS fills them with information from the surrounding area. I also narrowed the image to fit the proportions of the 22×30 watercolor paper using Content-Aware Scaling which preserves the proportions of the important stuff while squeezing in (or stretching) the other stuff.

Categories
Bay Area Parks Landscape Marin County Outdoors/Landscape Painting Places Plein Air Sketchbook Pages Watercolor

Wow! Was it Windy! Pt. Bonita, Marin Headlands

Pt. Bonita Lighthouse, Marin Headlands, watercolor
Pt. Bonita Lighthouse, Marin Headlands, watercolor

Sketching at Point Bonita in the Marin Headlands yesterday it was so windy that I could barely hold my sketchbook and all my photos were blurry because my camera was being blow around so much. At one point my watercolor palette blew right off the ledge on the old fort where I perched while another painter’s table blew away from her. I wore several layers of clothes, and had my head wrapped in ear warmers, a hoodie, a jacket hood and over that tied a bandana over most of my face so only my eyes were peeking out.

View from Pt. Bonita, Marin Headlands
View from Pt. Bonita, Marin Headlands

I didn’t even try to set up an easel although others did, finding shelter in one of the old forts. I wasn’t thrilled with these or my other sketches but I was pleased that I’d made the effort to go and enjoyed the gorgeous scenery. I’d love to come back some time when it’s not windy, but I’m not sure if there is such a time.

The area is fascinating:
One of the most unique areas in the Golden Gate National Recreation Area, the Marin Headlands covers various types of histories from the Miwok Indians to the Military. Included are historic Fort Barry and Fort Cronkhite, the NIKE Missile site and other military installations and fortifications, dating from 1776 through the Cold War, and the 150 year-old Point Bonita lighthouse. Other attractions include varied hiking trails, dog friendly Rodeo Beach, and astonishing views of the coast and San Francisco. The explosion of wildflowers in the spring and raptor migration in the fall fill the headlands with year round excitement.

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Berkeley Outdoors/Landscape Places Sketchbook Pages Virtual Paint-Out Watercolor

Tie-Dye on Telegraph: Virtual Paintout Berkeley

Telegraph Avenue Tie-Dye, ink & watercolor
Telegraph Avenue Tie-Dye, ink & watercolor, 4.5x6"

This month the San Francisco Bay Area is the locale for the Virtual Paintout (we paint from a Google Maps street view image). At first I was disappointed; I live in the Bay Area so I wouldn’t get to explore new territory like last month when we painted Corsica.

It seemed a little silly to paint from a map picture instead of from life but having just spent the afternoon on Telegraph Avenue, it seemed a natural subject. This tie-dye T-shirt stand is practically a permanent fixture on the corner of Telegraph and Bancroft.

Although it’s right across the street from the University of California Berkeley campus, I don’t think I’ve seen a student wearing tie-dye since around 1975. Even old hippies don’t wear tie-dye anymore. So who buys these things?

I felt like painting in oils, but watercolor seemed a better medium for this subject. So I printed out the image (which I cropped from the original Google snapshot) and then sketched and painted the scene in my sketchbook. Here’s the original map and image on Google.

Categories
Berkeley Flower Art Food sketch Interiors Life in general Places Sketchbook Pages Still Life Watercolor

Lunch at Chez Panisse & 911 on Telegraph Ave., Berkeley

Chez Panisse Still Life, watercolor
Chez Panisse Still Life, watercolor

I had a wonderful afternoon with Casey (of art blog “rue Manuel bis”), her charming husband and delightful daughter on Friday when they were in San Francisco for a brief visit. Casey’s husband was interested in visiting Berkeley so we started our tour of Berkeley at Chez Panisse where we were lucky enough to get lunch reservations.

Although we brought our sketchbooks to share with each other, we didn’t sketch, focusing instead on delicious food and great conversation. I took a photo of this scene in the restaurant as we were leaving. Here is the way it appears in my sketchbook, drawn from the photo on my computer screen:

Chez Panisse still life as it appears in sketchbook
sketchbook pages

The design at top left is from the lunch menu which I photocopied smaller and glued in the sketchbook. I discovered that my souvenir Chez Panisse postcard is the perfect size to trace around to create a nice margin in this book. To keep it handy I stuck it in the glassine envelope I’d glued in the back of the sketchbook. Things were looking so messy in this sketchbook as I tried to find my way with the new paper and size of sketchbook. Now I’ve found the solution to the messy pages: draw the margins first and stay within them instead of painting to the edge of the page.

911 on Telegraph Ave.

Despite my warning that Berkeley’s Telegraph Avenue is pretty funky, everyone wanted to see the University of California, Berkeley campus and visit the used record and book stores on Telegraph. We walked on campus and then down to the shops where I bought an old Busby Berkeley CD (in honor of my cat of the same name).

On Telegraph I noticed two women who looked like prostitutes wearing outlandish makeup and mini-skirts. We also passed a soapbox preacher ranting (positively) about sex, a lone hare Krishna, sad clumps of young junkies with their pit bulls, the requisite tables of political bumper stickers, a super-stinky homeless guy, a bathing products store, a “head shop” selling hookahs, and someone handing out flyers for a tanning booth.

Heading back to my car we heard shouting. Those same whorish women we’d seen were running from Telegraph towards us on Durant, pursued by several coeds and everyone was screaming. The ho’s were screaming “Don’t touch me! Get away from me!” The coeds were screaming “Give me back my purse! Give me back my sweater!”

We stood there as if watching TV, trying to make sense of it all. The two ho’s jumped into a shiny black car parked right in front of us and slammed the door. The girls continued screaming while a slight young man stood at the driver’s window, saying, “Just give her the purse back.” Finally someone yelled, “Call the police!”

That snapped us out of our confusion and while I dialed 911, Casey had the presence of mind to note the license number of the car and was repeating it over and over. I told the 911 operator what was going on and handed the phone to Casey who gave the license number.

The ho’s threw the empty purse out the car window, revved their engine, and although the girls tried to block them from driving off, managed to speed away. I sure hope they got caught via the license number but I’m guessing the car was just as stolen as the purse, and probably ditched quickly. It was weird and scary, but fortunately nobody was hurt.

It was a more comprehensive tour of Berkeley than I’d intended. We went from the pinnacle of fine dining, to the campus at the center of the city, to the ugly underside of my dear Berzerkeley.

Categories
Flower Art Life in general People Sketchbook Pages Subway drawings Watercolor

Innocent Vixens

First Camellia of Spring; watercolor, painted directly without drawing first
First Camellia of Spring, Watercolor

Yesterday’s rainy-day post was a bit dreary so I wanted to post something bright and cheery today. When the first camellia on the bush bloomed I painted her directly in watercolor, without drawing in pencil or pen first. This little vase looks as intended; it is nearly flat in really life, probably intentionally squished by the potter, with just a sort of slot in the top.

I think this sketch makes good use of the watercolor paper in “The Mutt” (the name I’ve stenciled on the outside of the sketchbook I bound with watercolor paper.) I named it that because it’s a little homely and imperfect but still perfectly lovable.

Innocent Vixens, the full page
The full page

Here is the page where the above sketch resides. I like to make good use of my sketchbook pages. Lately I’ve been grateful for messed up sketches because they become pages that I use for journaling right over the bad sketch. More about that in another post.

Innocent Vixens(?), BART riders, sepia pen
Innocent Vixens, BART riders, sepia pen

And if you were wondering about the post title “Innocent Vixens,” it was from something I heard on the radio. Someone said “innocent victims” and for some reason my mind wandered to “innocent vixens.” It seemed like a concept that might be fun to sketch someday and I wanted to remember it, so into the journal it went, above these innocent (though a bit dorky) BART subway rider guys.

Categories
Drawing Food sketch Ink and watercolor wash Painting Sketchbook Pages Watercolor

Catching up with Carrots

Carrot, ink & watercolor
Carrot, ink & watercolor

Did you know that organic carrots with the greens still attached are sweeter than the big chunky ones in the grocery store without tops or the little shaved ones known as baby carrots? They’re also more fun to draw. Except for the feathery greens which confused me when I tried to draw them.

Carrots in cellophane, ink & watercolor
Carrots in cellophane, ink & watercolor

And they’re even more challenging to draw when wrapped in a cellophane bag (above).

Carrot greens and label
Carrot greens and label

And they felt even harder because I was feeling tired, spaced out, catching a cold, and needing to go to bed. So despite really wanting to figure out how to capture the feathery greens in ink and wash, I gave up, glued the label in the book instead, and went to bed.

I’ve been sketching the several days, but have been too tired and/or too busy with or from my day job to post so now I have a bunch of catching up to do, starting with carrots.

Categories
Life in general Painting Sketchbook Pages Still Life Watercolor

Decorative Squash Doing Their Job

Decorative Squash Being Decorative
Decorative Squash Being Decorative, watercolor

Most of their decorative squash buddies had grown unsightly fuzz and gone off to the compost bin. But these three were still pretty and when I looked around for something to sketch last week, they cried out “Choose Me! Choose Me!” So I did.

I wanted to paint today. And I didn’t. I had a headache that wouldn’t go away and a bunch of boring, annoying chores to do. I had to return a jacket to Costco that was so wonderfully, fuzzy green but unfortunately, also oddly misshapen). The gas tank “empty” light in my car had been on for days (my least favorite chore, second only to dragging the trash cans out to the street, which I pay a neighbor boy to do).

I needed to go to Target for cat litter (and since Fiona only recently decided to start using the litter box again for ALL of her needs and not just some, I didn’t want to discourage her with a dirty box.)  And I wanted to take a walk before the predicted week-long deluge of rain started.

So I sacrified a day in the studio that probably would have been a struggle anyway, feeling crummy as I did, and took off on a long walk to Radio Shack in Albany to buy new ear bud covers for my iPhone since one had disappeared.

Hints of tobacco and toilet?
Hints of tobacco and toilet?

On the way home, I stopped at Peet’s Coffee to sip and sketch. I saw this sign from across the room and thought “that can’t be right!” It was advertising their new coffee, Sumatra Blue Batak, claiming in fancy script that it was “Smooth and full-bodied” and had (what I thought I read) “…hints of tobacco and toilet…” . Huh!? I squinted and looked more closely and saw it said “hints of sweet tobacco and toffee” Even with the toffee though, I’m not sure I’d want to drink coffee that tasted like tobacco. Ick.

I completed all my errands, the headache is almost gone, and with Monday and Tuesday off, I still have two days to paint and enjoy being cozy in the studio while it rains.

Sorry to bore you with my stupid day and list of chores. Maybe I should have just posted the picture and then shut up?

Categories
Art supplies Food sketch Painting Sketchbook Pages Watercolor

Rubber Mallet $5.95 and Tangerines

Mallet and Tangerines, watercolor & graphite
Mallet and Tangerines, watercolor & graphite

After a lifetime of not even knowing rubber mallets existed outside of cartoons, twice in the past year while working on projects I read directions to “tap with a rubber mallet.” I thought to myself, “Who has a rubber mallet? Not me.” And then used a regular hammer which didn’t work out too well to put it mildly.

So when I was shopping for bookbinding supplies at my local Dick Blick art store and I saw a rubber mallet sitting on a nearby shelf for only $5.95 I couldn’t resist. It was just so funny looking. I have no idea why they were selling it at Blick’s and what artists would be using it for, or how it could sell for less than a toilet plunger at the hardware store.

So I found a good use for it in the studio—as a still life subject—and it fits right in, don’t you think? Tangerines, rubber mallets, why not? Maybe my next still life will be of smashed fruit and a juicy mallet. But that will have to wait for a sunny day. No way I’m smashing fruit in the studio. It’s messy enough as it is.

Meanwhile I thought I’d check out what rubber mallets are really for and I found this on About.com‘s Home Renovation tools page:

“Admittedly, the rubber mallet is not the first thing on your tool list. But once you have a rubber mallet, you begin to discover many uses. Here are some common uses:

  • For ceramic tile, it helps gently tap tile into place.
  • Laminate flooring: great for this brittle material.
  • Tap carpeting onto tacking strips.
  • A “sounding device” if you need to hear what is behind a wall or in a pipe.
  • PVC pipe work.
  • Two tight-fitting sections of drywall.”

I can’t help picturing cartoon versions of each of these uses, especially with me behind the mallet accidentally tapping something into smithereens. And how funny is it that my blog’s spell checker thinks “smithereens” is spelled correctly but that the word “blog’s” is not.

Categories
Flower Art Painting Plants Published work Watercolor

Becoming Begonias (third painting for the book)

Becoming Begonias, Watercolor, 9x12"
Becoming Begonias, Watercolor, 9x12"

I finished my third painting for the book Must Paint Watercolor Flowers (above). This one was fun and not a struggle like the orchid painting. Since the lighting in the photo reference was flat with no obvious source of light I pretended there was one coming from the upper right and tried to exaggerate it a bit in my painting to give it some life.

Now I just have to write up my process and the materials and techniques I used for the publisher and I’ve completed my three-painting commitment. There are some really fine artists contributing to the book and I am honored to be included with them.

Below are my steps in getting to the final version.

Tracing the enlarged photo onto watercolor paper using blue Saral Transfer Paper
Tracing the photo print-out onto watercolor paper using blue Saral Transfer Paper

I printed the photo on my printer and sandwiched the Saral Transfer paper between the print and the watercolor paper.

The transfered drawing on Arches 140 lb watercolor block
The transfered drawing on Arches 140 lb watercolor

Normally I would use a much lighter line, but the publisher requests we make the drawing dark so that it photographs well. At least the blue Saral transfer erases easily with a kneaded eraser.

Painting the first layer of yellows, oranges and reds
Painting the first layer of yellows, oranges and reds
First layer of flowers painted
First layer of flowers painted

I like the sort of botanical illustration look of this phase.

Beginning to paint the blues and greens in the leaves
Beginning to paint the blues and greens in the leaves

When this brightly painted leaf dried I glazed over it with Viridian so it would stay in the background but I enjoyed these pretty colors together.

First layers of flowers and leaves painted
First layers of flowers and leaves painted
After adding the darks between leaves and additional glazing on leaves
After adding the darks between leaves and additional glazing on leaves
Adding details to the flowers
Adding details to the flowers

I had a good time glazing on the lines and shadows on the flowers. Then it was just a matter of adding a few more shadows here and there and signing my name.

Categories
Art theory Drawing Flower Art Painting Plants Watercolor

Magnified Teensy Flowers

Magnified teensy flowers
Magnified teensy flowers, ink & watercolor 8x6

The teensy bouquet was still holding up and the complicated shapes in these flowers intrigued me. So I stuck them under my magnifying lamp and drew them again in sketchbook opposite the bouquet side. The California poppy had opened up and wanted to play too so I stuck him in behind the little flowers after I painted them. It’s fun drawing what’s under the magnifying glass and getting to see all the neat details.

Then it was back to work on the third painting I’ve been asked to do for the book, Must Paint Watercolor Flowers. This time it’s a peach colored begonia with really interesting veiny leaves.

Begonia leaf colors
Begonia leaf color tests

My first step was to test colors and try to find the pigments that will mix to the right values, colors and textures. On the tests above I experimented with glazing with different yellows, blues and greens, and tried lifting color for the veins in the leaves to see which worked best for that.

Begonia petal test colors

I found just the right mixture of colors for the petals with a color I’ve rarely ever used because it is more opaque than I usually prefer: Naples Yellow. When mixed with combinations of Cadmium Orange, Permanent rose, and Quinacridone gold, it looks like it will give me perfect petals. But now it’s back to “day job” work for the rest of the week. That will give me time to focus more on how I will approach the painting so once I have brush in hand I’m ready to go.

I don’t always plan things out so carefully, but it can help prevent wasted time and do-overs which becomes more important when I’m also photographing each step and writing about it for the book.