Pyramid Brewery Tanks and Tipplers, ink & watercolor 7x5"
We’d sketched at Pyramid in the evening before, (here and here) but this was the first time it was light in the brewery area. We could see the network of pipes and vessels where they brew the beer through the giant windows.
I’m not sure why I decided to do two sketches on one page that night. I guess I was feeling a little stingy with the paper. I did a couple more scribbly sketches of people that weren’t worth posting.
Our waitress was so kind and patient, not minding that four of us took over a large booth for two hours only ordering a few things. We left a good tip and thanked her. She said she was a musician herself and understood.
Richmond Plunge (AKA Municipal Natatorium), ink & watercolor 5x7"
It was so cold, cloudy and windy the morning my plein air group met to paint in Pt. Richmond I decided to start out by sketching from my car. The old Richmond Plunge, now completely and beautifully restored, is the first thing you see when you drive into Pt. Richmond. After I finished the sketch I crossed the street and explored the building and pool. Wow! I’m inspired to start swimming again.
Little Louies, Pt. Richmond, Ink & watercolor, 7x5"
After my tour of the Natatorium, I headed to the main street of this little town, looking for a spot out of the wind to sketch. But I was seduced indoors by seeing my friend Sonia sketching at a table sipping a warm cup of tea. I joined her at the window table with a huge tray of apples on it and ordered a cup of coffee.
I started by drawing the apples on our table and then just kept going, drawing each next thing I saw. I was a little worried about getting the wonderful patterned floor tiles right, but took it slowly and they came out ok.
I liked Little Louie’s so much I returned the next morning with a friend for breakfast. I had a fabulous spinach, mushroom, bacon and cheddar omelet that was so big I had to take half of it home for lunch.
I’ve been trying to eat a healthier diet and choosing produce and meat that has been sustainably grown. Unfortunately, while the farming may be sustainable, often the prices aren’t.
I bought one dozen eggs from a Marin County farm at the local farmers’ market. The vendor explained how the chickens were totally free-range and so got to eat greens and bugs along with their organic vegetarian feed.
“In fact,” he bragged as he took my money, “the chickens follow the cows around and eat the maggots from their dung!” Yum! Protein!
Despite their fine, buggy diet, these eggs seemed neither fresher nor tastier than the free-range organic eggs I get at Trader Joes for less than half the $8.00 I paid for this dozen.
To try to get a little more value out of my investment, I made one of the pretty light blue eggs pose for a still life. I like the way that the lighting coming from below gives the painting a slightly spooky look.
Barbara's Chickens All Grown Up, ink & watercolor 7x5"
The first time I got to sketch Barbara’s chickens they were these cute little chicks. Now they’re full-grown laying ladies and hilarious to watch as they run about with their tiny bird brains. Barbara has built the most amazing Chicken World for them in her yard, where they can run free and eat bugs and organic greens, safe from predators (raccoons are a big problem here), or snuggle in their cozy nesting house.
Gertie the Dog and Tate the Bunny
The last time we sketched in her garden I sketched Gertie from the front. Here she is from the back. She is a wonderful, loving, and very furry pooch. Then I started trying to sketch the bunny Barbara was babysitting for her daughter. The bunny was so twitchy, didn’t hold still and so fluffy as to be seemingly amorphous. But I knew there were some basic shapes in there somewhere so I kept trying to find them.
In the sketch above I finally did find the basic shape of a bunny. In the first attempts below, not so much. (I love that phrase “not so much” even though I’m sure it’s become passé by now, along with “Really?”, “You think?”, “How’s that working for you?” and “Meh.” Don’t know where those came from but I still like them for their sarcastic yet humorous tone.)
Bunny first attempts; completely at a loss
Above are the first attempts at the bunny, in which I became totally frustrated but didn’t give up. I’m glad I got to draw him since shortly after our sketch night he passed away from a recurrence of a serious illness he’d fought several times before. I hope he has found a home in bunny heaven as nice as the one he had with Barbara’s family.
Blowsy. [Adjective: (of a woman) Coarse, untidy, and red-faced.] That’s just what these roses were when I picked them from my poor neglected rose bush: brightly colored but messy and past their prime; yet they were just fine as my model.
It seems like once I gave myself permission to work on a painting as long as I wanted to, I’ve started being able to finish them more quickly. And it’s not just the small size; I’ve spent hours and days on other 6×6″ paintings in the past.
It could have gone even more quickly than the three hours I spent on it, had I left some of my earliest brushstrokes alone. I just find it hard to believe they were right the first time, even though that was my goal with this painting: to put down the right strokes with the right color, temperature and value and then leave them alone. (Or scrape off the stroke immediately if it’s wrong and replace it with the “right” one, rather than adding more and more paint, which eventually leads to making mud.)
I also tried to focus on using warm and cool colors to shape the form, along with the dark and light values. I’d also like to cite my inspiration for this painting, Kathryn Townsend, whose flower paintings mesmerize me.
When Cathy and I visited the Marin County Fair to sketch I was experimenting with sketching on pieces of paper instead of in my sketchbook as I wrote about here. Later I pasted the sketches into my journal. Above is a medley of chickens of various kinds along with one of the 4-H girls sitting at the “pet a chicken” table.
Boy with his chicken: matching hairstyles?
I asked this sweet boy if he intentionally styled his hair to match his chicken and he looked at me like I was nuts and said, “No.” The best part of the fair for me is seeing the kids who show their animals and win prizes for how well they present them.
Cow Parts
I made numerous attempts to draw cows, trying to figure out their shapes, and finally sketched one I liked plus a few parts (head and butt). I had no idea their feet had two toes(?). Amazing what you don’t see when you don’t really look.
Shangri-La Chinese Acrobats
It got really hot so we went into the air-conditioned theater on the fair grounds to see the Shangri-La Chinese Acrobats perform. I tried sketching in the dark, adding color later. They were amazing. The sketch, not so much.
Hanging Teddy Prizes and Tilt-a-Whirl
For the last sketch of the day we sketched from the midway. I sat on a ledge on the back of one of the game booths in the shade of the hanging teddy prizes. I cooled off a little more than I expected: I didn’t realize until it was too late that I was sitting in a puddle of water.
I’d heard that saying before, “Little Pitchers Have Big Ears,” but without giving it any real consideration, assumed it had something to do with Little League baseball pitchers. Wrong. According to The American Heritage New Dictionary of Cultural Literacy, “Adults must be careful about what they say within the hearing of children. The saying refers to the large handles (ears) sometimes attached to small vessels…” like this little pitcher.
I was looking for flowers to paint and this little lavender hydrangea was hiding at the bottom of the bush all by itself. I did the value/composition sketches above and set about painting, completely forgetting the first step that I usually find helpful: doing a quick and simple 2-value block in using thinned paint in one color (usually Ultramarine Blue) first.
I think it worked out OK anyway, and in the next painting I did (still waiting to get photographed) I remembered to do that.
Randy Craig Trio at Caffe Trieste, ink & watercolor, 7x5"
On a rainy Tuesday night (in June! it never rains in June here!) we met at Caffe Trieste, a small very “North Beach” coffee house in Berkeley. The place was packed, but Micaela arrived early and saved a great table for us. Soon the wonderful Randy Craig Trio squeezed their equipment into a corner and started playing, accompanied by a woman singer.
Gelato at Trieste, ink & watercolor
I loved getting to sketch accompanied by live music! The musicians were great and their choice of songs was really interesting and brought back memories of the records my dad used to play, including a great rendition of Twisted, made famous in the 50s by Lambert, Hendricks and Ross (seen here playing with Count Basie at the Playboy Club):
and later by Joni Mitchell. We ended up staying later than our usual Tuesday night 6:30-8:30 because we didn’t want to leave while the band was playing (and we probably couldn’t have squeezed out between the crowded tables anyway).
Warm up sketches, the singers and the audience
So I used the extra time to add to the warm-up sketches page above. They’re nothing special, but as my boss often says, “Good enough for jazz!”
Strauss Family Creamery is a Marin County dairy that produces organic dairy products served in old-fashioned glass bottles from happy cows that graze on sweet grass in the hills by the sea. I enjoy their bottles as much as their cream in my coffee.
I started this painting with a goal to complete it from life in one 3-hour session, as so many plein air artists and daily painters do. I had somehow come to believe that I “should” be painting that way too. But while I met my time goal, I didn’t like the results (see original version below). And that’s when I finally accepted that it’s better to take as much time as a painting needs, and relax and enjoy the process rather than try to rush to keep up with someone else’s “rules.”
If you’re interested in seeing how I got here from there, click “keep reading” and stick around.
Along with an end of journal self-portrait, I always put an “If Found” notice and silly self-portrait at the beginning of each book (phone number erased for privacy). I started doodling something I was carrying under my arm that turned into a very fat cat (or is it a pig?) And yes, I do wear Pippi braids and bright green shirts sometimes.
Newly bound journal; cover from old tablecloth
Above is my new journal, covered in a piece of cloth cut from an old tablecloth, stacked on top of the last journal, now complete. I temporarily added the silly butterfly sticker as a reminder of what I intended as the front and bottom of the book. And then in my usual Jana way, I accidentally ignored it and started sketching from the opposite direction. And it doesn’t make a bit of difference.
Even though I’ve gotten the binding process down to a 6-hour project per book (when done one at a time; haven’t tried batching them yet), I was looking for a way to save time and be able to sketch without having to bind my own journals. I have yet to find a store-bought journal I like as much as my own, so I wasn’t considering that option.
I came up with the idea of using an aluminum form holder filled with individual sheets that I could later put in an inexpensive art presentation binder in order, as if in a journal. I liked the idea I could keep different types of paper in the holder and set it up to use with my little watercolor kit.
As used, with sketch on left; palette & water container velcroed on rightClipboard for drawing on left, velcroed spots for palette on rightInterior of section that holds paper
While I like this nifty system, and have used it a few times, it just felt weird not carrying a journal containing a little history of what I’ve been seeing, doing and thinking (I don’t share the “thinking” pages here). So now I’m doing both, always carrying the journal above, and when I want a variety of paper, individual sheets, and/or a convenient surface for sketching and painting, I also bring the lightweight Form Holder. Mine is a small size, but a larger one might be really super as a laptop desk.
Page window template
Above is another nifty tool I had made at my neighborhood Tap Plastics for about $3.00: a little template made of very thin plastic with rounded corners that I trace around with a pencil to pre-draw borders on my journal pages. It helps me to have a window to draw within (which I sometimes ignore or erase if I want to work across the spread). Once I finish a sketch I go over the pencil line with black ink.
I drew the black lines on the template with a wet-erase marker so it can also be used as a viewer to see how and where what I’m looking at “should” fit in the drawing (though I rarely use it for that).
I neither know why, again in typical spatially challenged Jana fashion, I wrote “Top” on the template (why would it matter?), and even more perplexing, why I wrote “Top” at the bottom of the template. But it makes me laugh when I see it so I haven’t wet-erased it.
Jana Bouc, Artist 