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Art facebook people Faces Oil Painting Painting People Portrait Series

Facebook Thinks I Should Know Him Portrait #8

Facebook Thinks I Should Know Him #8
Facebook Thinks I Should Know Him #8, Oil on Arches Oil Paper, 11×14″

Facebook was right, this handsome guy is the wonderful European artist and art teacher, Martinho Correia, who I follow on FB now. This painting taught me (again!) how important the initial drawing is to the outcome of a portrait. I tend to start with much gusto and hubris* and just go for it. Then I reach a point where the portrait is nicely painted but something isn’t quite right.

L: Traced photo on top of painting, R: FB photo
Left: Traced photo on top of painting, Right: Original Facebook photo

In this case, as you can see above, when I used Procreate on the iPad to layer a tracing of the photo over my painting, the right eye, mouth and ear were slightly out of place and I’d made the t-shirt neckline too low. However, I was also delighted that given the sloppy drawing start, I’d gotten as close as I did (see below).

Initial drawing in thinned burnt umber paint
Initial drawing in thinned burnt umber paint

Of course I should have checked my drawing way back in the beginning, not after I’d so carefully rendered that misplaced right eye. If I’d been painting digitally it would have been so easy! But there’s no “select” and “move” commands in oil painting so I repainted and adjusted over and over until I reached the point of “good enough” (aka “I’m so done and over this it!”).

Embarrassing video of the process created from photos taken at the end of each afternoon's painting session.
Embarrassing video of the process created from photos taken at the end of each afternoon’s painting session.

*Hubris is from Greek, where it meant “excessive pride, violating the bounds set for humans” and was always punished by the gods. We no longer have the Greek gods, so in English it just refers to over-the-top self-confidence.

Categories
Art Flower Art Glass Oil Painting Painting Rose Still Life

Roses with Blue Cloth

Roses with Blue Cloth," oil on Arches Oil paper, 12x9"
Roses with Blue Cloth,” oil on Arches Oil paper, 12×9″

I made a good start with the drawing and getting the first rose blocked in on my first painting day but sadly, overnight the roses completely changed color and shape, as you can see in the reference photos below.

Clockwise from top left: Photo of roses day 1, Photo of same roses day 2, finished painting, WIP day one with setup.
Clockwise from top left: Photo of roses day 1, Photo of same roses day 2, finished painting, WIP day one with setup.

I had to finish the painting using the reference photo and rediscovered how much fun it can be working from close-up enlarged photos of flowers and glass, looking for all the little nuances and details.

Clockwise from top left: Reference photo, WIP: initial drawing and block-in, second rose added, leaves added.
Clockwise from top left: Reference photo, WIP: initial drawing and block-in, second rose added, leaves added.

I chose the background cloth rather spontaneously. While it appealed to me on the day I set up the still life, I began to regret how intense the color was. I experimented with changing it, but decided it would be better to just finish this painting and make another painting than to try to reinvent the background colors and keep messing with this one.

Working on the background and vases, retouching the flowers
Working on the background and vases, retouching the flowers

Perhaps for my next flower painting I will paint one as a portrait, enlarged, close-up as if I was painting a head and shoulders of a person (like the portrait I’m working on right now). 

Categories
Art Flower Art Oil Painting Rose Still Life

Mr. Grumpy’s Cheery Roses

“Mr. Grumpy’s Cheery Roses”, painted from life, finished from photo after flowers died, oil on canvas, 12x9”
“Mr. Grumpy’s Cheery Roses”, painted from life, finished from photo after flowers died, oil on canvas, 12×9”

After taking cuttings from my neighbor’s yard (with permission this time) I painted these from life but had to finish them from a photo after the flowers died. I experimented with starting with an acrylic underpainting but I’m so unskilled with acrylics that it didn’t really create a useful value-study underpainting as you can see below.

Clockwise from top left: Photo of flowers when I started, acrylic underpainting, getting started with my focal rose, then some darks and leaves
Clockwise from top left: Photo of flowers when I started, acrylic underpainting, getting started with my focal rose, then some darks and leaves

I’m still trying to find my way with roses. I’m quite attracted by simplified, more abstract ways of painting flowers, but my own tendencies towards detail always seems to override my intentions. Maybe if I painted really large, I could put in all the details, turning them into abstract shapes? Hmmmm….. 

Flowers and leaves blocked in, background and glass and stems added, darks and lights restated, final.
Flowers and leaves blocked in, background and glass and stems added, darks and lights restated, final.
Categories
facebook people Faces Oil Painting People Portrait

“What, Me Worry?” (People Facebook Says I Should Know #7)

"What, Me Worry?” (People Who Facebook Says I Should Know #7). Oil on Arches Oil Paper first covered with acrylic matte medium to reduce absorbency, 10.5 x 10.5 inches
“What, Me Worry?” (People Who Facebook Says I Should Know #7). Oil on Arches Oil Paper first covered with acrylic matte medium to reduce absorbency, 10.5 x 10.5 inches

It was fun to get back to this series of portraits of people who Facebook thinks I should know. I have no idea why Facebook suggested this nice, young British chap since we don’t seem to have any “friends” or interests in common. 

What Me Worry? Image of Mad Magazine's Alfred E. Neuman
What Me Worry? Image of Mad Magazine’s Alfred E. Neuman

The whole time I was painting I kept thinking of Alfred E. Neuman (“What, Me Worry?)” from Mad Magazine, which made me laugh. And now, comparing the photos (you can see reference photo on easel below), I can see this young man’s face should actually be rounder, more like Alfred’s. 

Sketch and value structure underpainting in burnt umber and beginning of adding paint
Sketch and value structure underpainting in burnt umber and beginning of adding paint

Above are some steps in the process from the initial sketch through the beginning of adding color. Below is the set up with the reference photo on my iPad on the easel and my paint mixed up and ready on the palette.

iPad with photo reference and palette and WIP including taming his ears
Photo reference, palette and work in progress including taming his ears