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Acrylic Painting Art supplies Landscape Life in general Outdoors/Landscape Painting Sketchbook Pages Virtual Paint-Out Watercolor

Virtual Paint-Out: Hawaii & Marathon Garage Clean Up Continued

Hawaii Virtual Paint-Out, Watercolor
Hawaii Virtual Paint-Out, Watercolor

I’m back on the blog after an intense week spent alternately deep in the bowels of a massive garage clean up/reorganization, and obsessively fighting the acrylic version of the watercolor sketch above. After finishing the garage on Saturday afternoon it was time to clean up in the house and studio and prep for my Sunday morning watercolor class (which went great with a terrific group of artists who left me feeling inspired).

Virtual Paintout: Hawaii

For the Virtual Paintout we went to Hawaii this month via the very cheap Google Air (just kidding—to participate you use Google Maps’ Street View feature to find your painting spot and all travels are virtual). Here’s the original scene:

Hawaii - near West Maui Forest Reserve
Hawaii - near West Maui Forest Reserve

The painting got off to a good start with Golden Open Acrylics. I was trying to work from both my watercolor sketch above in which I’d changed the colors, warming up the scene, and also from the Google photo which just has a blur for the foreground. I first painted the gate purple for fun, but nearing completion realized the gate was too prominent and acting as roadblock into the painting so I repainted it green.

Then I started fighting the foreground. Over and over I painted, repainted, scraped, repainted. Here it is in its current state with the foreground (and some of the fence) scraped off again .

Hawaii with Scraped Off Foreground
Hawaii with Scraped Off Foreground, Acrylic, 11x14"

Part of the problem may be the Utrecht Masters canvas panel that I was experimenting with. The canvas texture is too coarse and too absorbent so first I painted a layer of regular acrylic to smooth it out and reduce the absorbency (which is OK to do according to Golden). But then I had a paint adhesion problem, easily peeling off several layers where I’d painted thickly or repainted over not quite dry paint.

Since I wasted so much time messing with this painting and because I really love the top half of it I just didn’t want to give up. But to enjoy the second half of my vacation I’ve banished it to the closet and have gone back to working on a big watercolor of a tulip that is going great and makes me happy when I paint, not frustrated. I’m becoming convinced that I’m meant to be a watercolor painter and should forget about oils and acrylics.

The Garage

At the dump
Cody unloading and saying "Bye" to his junk at the dump

When I bought my house 10 years ago it had been a rental for many years before that and the standalone garage probably hadn’t been cleaned forever. Then for 9 years my son used it to dismantle and rebuild his 71 Firebird, leaving grease, car parts, tires, miscellaneous junk, and bondo dust on top of years of grime, cobwebs, and worse (we found a literal rats’ nest made of fluffy chewed up shop towels in one corner behind a piece of plywood but no sign of recent rodents).

After moving most of his stuff out and the initial trip to the dump above, the real clean up began. I hired the smart, hardworking 15-year old boy next door to help me clean and we worked together most of Friday and Saturday. He vacuumed the wood walls and concrete floors after cleaning out the Bondo-filled ShopVac, removed and cleaned all my storage bins from the shelving units and then cleaned the shelving too. Meanwhile I sorted my junk and took a carload to the recycling/donation center and made another pile for the dump.

Finally the garage is ready for its new life as studio annex and multipurpose room. And I’m ready for my last week of vacation which I will fill with art fun, rest and recreation!

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Bay Area Parks Berkeley Drawing Ink and watercolor wash Landscape Life in general Outdoors/Landscape Painting Places Sketchbook Pages

Indian Rock Park, Berkeley, Sketches

View from Indian Rock, ink & watercolor
View from Indian Rock, ink & watercolor

For our Tuesday night sketching we met at Indian Rock Park in North Berkeley. It was so cold, windy and foggy at my house that I put on a turtleneck, a sweater, a down vest, and my winter jacket before leaving the house. I live in the fog belt but just a few miles away, the weather at Indian Rock was lovely with no wind or fog.

My first sketch was of the giant rocks (below), a favorite site for rock climbers and sunset watchers. For the non-climbers there are stairs carved into the rock, and I climbed halfway to do the second sketch (above) where I was entranced by the idea of dining on that wonderful deck complete with white tablecloth and spectacular view.

A new trend for rock climbers is to carry a huge, specially designed backpack that looks like a giant suitcase. It is actually a folded cushion they put on the ground below where they will be climbing. I find it fascinating how there is an endless amount of specialized stuff to buy for every possible interest.

Watching the Sun Set at Indian Rock, Ink & watercolor
Watching the Sun Set at Indian Rock, Ink & watercolor

I really enjoyed drawing the rocks but why did I make the stupid drinking fountain so prominent? Oh well.

There were quite a few people enjoying the park, including a multi-generation Japanese-speaking family who all climbed the stairs, some hippies smoking pot behind the rock, young sturdy rock climbers doing the spiderman thing, and some girlfriends and couples who like me, perched on the rock to enjoy the sunset. Everyone seemed to be appreciating the quiet, peaceful, night and awesome view all the way across the bay to San Francisco.

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Animals Art theory Landscape Outdoors/Landscape Painting Photos Places Sketchbook Pages Watercolor

Watercolor Study & Watercolor Class Openings

Study for Kaiser Garden II, watercolor, 6.5" x 4.5"
Study for Kaiser Garden II, watercolor, 6.5" x 4.5"

There are still openings in my watercolor class starting Sunday, June 27; click here for all the information. Ok, business done, now on to the painting above, another study from photos I took at the Kaiser garden.

I learned the hard way to do a study first, after time and again putting hours, days or weeks into a painting that was doomed from the start.

No matter how skillful the painting technique is, if the composition is bad (the viewer’s eye goes to a bright corner and then right off the painting), or you’re trying to work from a photo that doesn’t have enough information, or your colors or values are uninteresting, the painting isn’t likely to succeed. Sketching exactly what you see is great fun, but sometimes nature requires editing to make it a painting.

What made me want to paint this scene was the water feature and the bird sculpture but when I looked at my photo I saw big problems with the composition:

Original photo, Kaiser garden
Original photo, Kaiser garden

There is way too much going on, the two big succulent plants on the bottom left dominate, a big stem above them leads the eye out of the frame, and the composition seems divided right down the middle, vertically. You barely notice the water.

So I spent some time in Photoshop cropping, rearranging and revising things:

Revised Photo Reference, Kaiser Garden II
Revised Photo Reference, Kaiser Garden II

Before cropping off the left side, I cut out the bird, moved it to the right, tilted it and gave it legs. Then I darkened the remaining succulents on the left and bottom to use them as a frame for the water feature instead of competing with it. When I started sketching the composition in my journal I decided to get rid of the messy tree branches poking in from the right too.

Although Photoshop is great for preparing a photo reference, so are the scissors, glue, sketches and notes that I used pre-Photoshop. Along with learning Photoshop, I’m also trying to become a better photographer and compose more carefully. I can do that with my digital SLR because it has a viewfinder but my carry-everywhere little Panasonic doesn’t. In the bright sun it was impossible to see anything on the LCD screen, so I guess I’m lucky that I got something I could work from at all.

My notes for the painting are in my journal opposite the study, with reminders about colors and things that worked (or didn’t). I’ve transferred the drawing to the canvas and it’s just waiting for its turn at the easel. I have a feeling it’s really meant to be a watercolor, not an acrylic painting, so may do it both ways.

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Art theory Flower Art Landscape Painting Photos photoshop Places Sketchbook Pages Watercolor

Study for Tulip Painting in Watercolor

Kaiser Hospital Tulip painting study, watercolor, 4.5" x 6.5"
Kaiser Hospital Tulip painting study, watercolor, 4.5" x 6.5"

I accidentally arrived an hour early for a doctor’s appointment at one of Kaiser Oakland’s medical offices that has an amazing hidden garden. The building is an architectural treasure, built around a courtyard in 1912 by Julia Morgan as a hospital and home for unwed mothers (or so I’ve been told). Instead of reading old, germy magazines, I spent the hour in the courtyard sketching, wandering and taking photos.

After working out the composition and colors, I’ve got two paintings ready to start: a full-size watercolor sheet of the above image and a slightly smaller canvas of another garden scene.

Before starting a large painting I like to do a study first, getting to know the image more intimately, and experimenting with pigments and techniques so when I start the real painting I have a plan of action or at least a sense of direction.

Tulip study and notes for painting, journal spread
Tulip study and notes for painting, journal spread

Since I only recently began experimenting with opaque watercolor pigments after years of using only transparents, I made some discoveries with this study and took notes as I worked. Here are a couple that might be of interest:

  • Opaque pigments (Cadmiums, Cerulean, Yellow Ochre) are great when putting down an area of strong color and leaving it (such as when painting in my journal). But they lift too easily when adding layers over them, and become thick and unattractive when trying to mix darks. As I learned in oil painting, darks/shadows are best when thin so they don’t draw attention to themselves with texture.  Seems to be the case in watercolor as well: better to use staining, transparent darks that won’t lift or get thick. For the dark green areas in the painting I’ll use Sap Green with Sepia and vary with a bit of Indigo, Winsor Violet and/or Alizarin.
  • The Legion/Utrecht 100% rag watercolor paper I’m using in my journal lifts incredibly easily. This is great when you actually want to lift paint but not so good when you just want to soften an edge and a bunch of paint lifts off instead!

Here are the original reference photo and the Photoshopped version. As you can see I got rid of some distractions and changed the proportions a bit.

Original reference photo of tulip in garden
Original reference photo of tulip in garden
Photoshopped tulip reference photo
Photoshopped tulip reference photo

Photoshop CS5 has some great new composition tools, such as “Content-Aware Fill” which I used to fill in the windows, white at top right corner and a tulip on the right margin. You just select and delete sections you want to replace and PS fills them with information from the surrounding area. I also narrowed the image to fit the proportions of the 22×30 watercolor paper using Content-Aware Scaling which preserves the proportions of the important stuff while squeezing in (or stretching) the other stuff.

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Bay Area Parks Berkeley Drawing Flower Art Ink and watercolor wash Landscape Outdoors/Landscape Painting Places Plein Air Rose Sketchbook Pages

Berkeley Rose Garden

Berkeley Rose Garden & Rose Practice, Ink & Watercolor
Berkeley Rose Garden & Rose Practice, Ink & Watercolor

When my plein air group met at the Berkeley Rose Garden last Saturday I arrived even later than usual: at noon, only an hour before the session was to end. I found a spot to sit and quickly sketched and painted the complicated, terraced rose garden, finishing just in time for the 1:00 critique.

Berkeley Rose Garden, Ink & Watercolor
Berkeley Rose Garden, Ink & Watercolor
Rose Grid, Ink & Watercolor
Rose Grid, Ink & Watercolor

After the critique I took some photos of the roses that most intrigued me, while guys set up white chairs for a wedding there later in the day. Once home I made a grid in my journal, and displaying the photos on my monitor, tried to understand their design and draw them.

I’ve bound my next journal and named it “Rosie” and want to decorate her with a rose design so this was practice for the rose I’ll draw on the cover. I’ve finished my journal “Froggie” but still have a bunch more pages to post.

I’ve updated my blog template. What do you think of the new design?

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Animals Berkeley Drawing Gardening Ink and watercolor wash Landscape Outdoors/Landscape Painting Places Plants Sketchbook Pages

Barbara’s Baby Chicks and Garden

Auracana chicks, 9 days old, ink & watercolor
Auracana chicks, 9 days old, ink & watercolor

My best friend Barbara ordered baby chicks by mail. She’d built a little hen house from scrap lumber and had it all ready for them. So she was surprised when the bundle of chirping chicks arrived with instructions to keep them indoors at 90°F for several weeks. Instead of being in the garden when we came to sketch they were living in the upstairs guestroom/studio in a big box with a heat lamp.

We were greeted at the garden gate by Gertie, her big, old, sweet Sharpei/Mutt.

Gertie the Garden Greeter
Gertie the Garden Greeter

I tried to get her to pose for me but she was a bit unclear on the concept.

Garden path with cactus, ink & watercolor
Garden path at sunset with cactus sculpture. Ink & watercolor

Barbara’s garden (photos from previous post) is abundant with flowers, vegetables, fruit trees, wild birds, her ceramic sculptures (the 3′ tall cactus above is actually made of glazed ceramic), her mosaics and the fabulous scent of healthy growing things. It’s a small garden in North Berkeley, but feels like a visit to the country far from urban stress. Her next door neighbors are musicians and so our sunset sketching was accompanied by birdsong and live music playing softly next door.

Elephant, sun/moon plate and potted bamboo
Elephant, sun/moon plate and potted bamboo

One of Barbara’s many garden still lifes. Every few steps in her garden (and in her jewel of a cottage) there is another such treasure, but she is the best treasure of them all!

Categories
Acrylic Painting Albany Art supplies Landscape Painting Places

Church on the Corner

Church on the Corner, Acrylic on canvas, 8"x8"
Church on the Corner, Acrylic on canvas, 8"x8"

On Solano Avenue in Albany to do an errand I looked up and saw the bell tower of this church against the very blue sky and was sorry I’d accidentally left my sketchbook and paints at home. Fortunately I did have my little camera and took a few photos I could paint from.

The title of the painting is actually the name of the church. According to their website this 100-year old church community changed their name from “First Baptist Church of Albany” to “Church on the Corner” in 2005 because “many people in the community refer to it that way.”

I can’t stop pondering the implications of this: like what if other businesses started dropping their identities and brand names and Apple Computer became “Big Corporation in Cupertino” or Starbucks became “That Coffee Place on Every Corner.”

Golden Open Acrylics and Utrecht Masters Panels

This painting had been nearly finished when I tried glazing over the sky and it failed miserably, lifting off some of the previous layer. So I painted the sky again. Not sure if it was something I did wrong or that the Open Acrylic Gloss Medium doesn’t work well for glazing over layers.

For this painting I used an archival-quality Utrecht Masters panel which is medium-textured canvas on MDF (medium density fiberboard). The surface seemed too absorbent and coarse for the soft Golden Open Acrylics so I applied a first layer of regular acrylic.

That solved the absorbency problem but the texture is still a little too rough for the way I like to paint in thin layers. I have several more of these panels so will continue to experiment with them, using paint more abundantly so the texture isn’t as problematic.

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Drawing Ink and watercolor wash Landscape Life in general Outdoors/Landscape Painting People Places Plein Air Shop windows Sketchbook Pages Sketchcrawl

Worldwide Sketchcrawl 27: San Francisco

Sketchcrawl 27: Getting There & Getting Started
Sketchcrawl 27: Getting There & Getting Started

For Worldwide Sketchcrawl 27 today I headed to San Francisco on BART  for a 10:30 meetup at the Ferry Building, sketching along the way. The couple at the top of the picture seemed to be on an unsatisfactory date. The woman seemed passive-aggressive: she’d gone along with bringing her clunky bike on BART and her stupid, ancient, ill-fitting helmet, but wasn’t going to have fun. Her date adjusted her helmet straps for her but while he kept his on all the way to the city (complete with duct tape patch), she wouldn’t put hers on.

The guy in the middle above is Pete Scully, sketched outside Peets’ Coffee at the Ferry Building. I had a great time sketching with him and my friend Sonia and other sketchcrawlers wandering the Financial District of SF.

Waiting for Sketchcrawl to Start at Ferry Building, ink & watercolor
Waiting for Sketchcrawl to Start, ink & watercolor

There were too many people at the Ferry Building, shopping at the upscale foodie shops, being annoying tourists, and/or waiting for ferries. I waited in a line of 20 women for the restroom and didn’t even bother trying to get a cup of coffee at Peets. While we waited for Enrico to give us the “Go,” we sketched the scene. Yes, I exaggerated the crowds and the closeness of the Bay Bridge.

There’s a clarinetist (see Sketchcrawl 21 sketch) who is a permanent fixture at this spot, playing annoying screechy “music” that he segues into “Mary Had a Little Lamb” or “Popeye” whenever a kid approaches. Moms and their tots stop and dance while dads take photos and stuff money in his case.  I couldn’t wait to get away from the crowds.

View of Ferry Building from Atop Hyatt Regency
View of Ferry Building from Atop Hyatt Regency

Pete had the brilliant idea of going to the top of the nearby Hyatt Regency Hotel to sketch the view from above. We tried to go to the top floor (17) but the elevator would only take us to 14. We met a bellman on 14 and he said you had to have a key card to get there. I brazenly asked if he had one and he said yes. “Could you take us there?” I asked. He opened the door and swiped his card and sent us on up. What a sweetie! I wish I’d thought to tip him.

When we got off the elevator a gentleman informed us that the 360 degree-view-Regency Lounge was only for Regency Members and asked if we were members. I said no, but asked if we could just look at the view and draw pictures. He asked “For how long?” and I said “Oh, about 10-15 minutes” and he said OK. We were there for nearly an hour and nobody bothered us. We did tip him when we left and he invited us to help ourselves to any of the complimentary food and beverages but we declined.

Cable Car Turnaround, Drumm & Market
Cable Car Turnaround, Drumm & Market

Sonia and I were hungry so while Pete started sketching a cable car we bought lunch at a deli across the street. We ate sitting at a bus stop, the only seats around. People kept coming up to us and asking about buses. Then I tried sketching the cable car and the hill it goes up and down. I was doing pretty good until I somehow planted a street light in the path of the street car.

Pete Sketching in front of McDonalds
Pete Sketching in front of McDonalds

Heading north, Pete sketched an old German hofbrau that didn’t inspire me (though his sketch did, which I will link to when he posts it) so I drew him from across the street, sitting on his stool in front of McDonalds.

Victoria's Secret Window, Embarcadero
Victoria's Secret Window, Embarcadero

I was tired and about ready to call it a day but managed one more sketch. I was more interested in the almost spiral staircase, the shadows, and odd architecture than the mannequins in their jungle print undies. I’m not a fan of the Victoria’s Secret brand or their ads and I think maybe it shows in the way I subconsciously made the mannequins look like they were giantesses, trapped in the store window and trying to get out.

It was 4:00 and although the end-of-Sketchcrawl meetup was happening at 4:30 in Union Square I decided to just go home and relax rather than head towards more crowds. It was a great day!

Categories
Drawing Ink and watercolor wash Landscape Outdoors/Landscape Painting Places Plein Air Sketchbook Pages

Sketching at the BoilerHouse Restaurant, Richmond

Boiler, Sanguine Ink & Watercolor
Old Boiler in the restaurant, Sanguine Ink & Watercolor

Last Tuesday evening we sketched at the BoilerHouse Restaurant in Richmond’s Craneway Pavillion on the San Francisco Bay. The building had been a Ford automobile factory until World War II when it was converted to military use. Now it holds a restaurant and a huge venue for dance, music and other events and is on the Bay Trail, a walking and bike path around the SF Bay.

BoilerHouse Restaurant, ink & watercolor
BoilerHouse Restaurant, ink & watercolor

The architecture is really complicated and the big smoke stack was very tall so after a false start (the black lines still visible) I switched to a brown pen and started over on the same page. I marked the top of the stack and the bottom of the building so I could get it all on the page. I also used the “plumb line” technique (where you imagine a line straight down from one thing to see what lines up along that line below it).

Sunset View from Craneway Pavillion, ink & watercolor
Sunset View from Craneway Pavillion, ink & watercolor

It was getting cold and windy as the sun was starting to set. The boat at the end of the pier is the restored Red Oak Victory Ship which served in World War II, Korea and Vietnam and was built by the Kaiser Shipyards in Richmond.  That’s the Golden Gate Bridge peeking out from behind the hills.

Tree at Dusk, ink & watercolor
Tree at Dusk, ink & watercolor

At dusk we moved inside the restaurant to warm up and sketch and this huge tree filled my view through the wall of windows. The window panes provided a convenient grid for drawing the tree.

I’d read reviews saying the service was slow (which is perfect for sketchers) but our water was very nice and conscientious and my salad was good. Other reviews said the restaurant serves strong cocktails and that seemed true: While we were outside sketching a couple of different departing diners (drinkers?) stopped to say alcohol-fueled “funny” things to us and once inside there were occasional bursts of uproarious laughter and the sound of crockery falling to the floor and smashing.

P.S. This Saturday, May 15 is the 27th International Sketchcrawl and I’m planning to attend the San Francisco event. If you’re going too, I’d love to meet up with you there so let me know to look for you!

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Bay Area Parks Landscape Marin County Outdoors/Landscape Painting Places Plein Air Sketchbook Pages Watercolor

Wow! Was it Windy! Pt. Bonita, Marin Headlands

Pt. Bonita Lighthouse, Marin Headlands, watercolor
Pt. Bonita Lighthouse, Marin Headlands, watercolor

Sketching at Point Bonita in the Marin Headlands yesterday it was so windy that I could barely hold my sketchbook and all my photos were blurry because my camera was being blow around so much. At one point my watercolor palette blew right off the ledge on the old fort where I perched while another painter’s table blew away from her. I wore several layers of clothes, and had my head wrapped in ear warmers, a hoodie, a jacket hood and over that tied a bandana over most of my face so only my eyes were peeking out.

View from Pt. Bonita, Marin Headlands
View from Pt. Bonita, Marin Headlands

I didn’t even try to set up an easel although others did, finding shelter in one of the old forts. I wasn’t thrilled with these or my other sketches but I was pleased that I’d made the effort to go and enjoyed the gorgeous scenery. I’d love to come back some time when it’s not windy, but I’m not sure if there is such a time.

The area is fascinating:
One of the most unique areas in the Golden Gate National Recreation Area, the Marin Headlands covers various types of histories from the Miwok Indians to the Military. Included are historic Fort Barry and Fort Cronkhite, the NIKE Missile site and other military installations and fortifications, dating from 1776 through the Cold War, and the 150 year-old Point Bonita lighthouse. Other attractions include varied hiking trails, dog friendly Rodeo Beach, and astonishing views of the coast and San Francisco. The explosion of wildflowers in the spring and raptor migration in the fall fill the headlands with year round excitement.