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Acrylic Painting Albany Art supplies Landscape Painting Places

Church on the Corner

Church on the Corner, Acrylic on canvas, 8"x8"
Church on the Corner, Acrylic on canvas, 8"x8"

On Solano Avenue in Albany to do an errand I looked up and saw the bell tower of this church against the very blue sky and was sorry I’d accidentally left my sketchbook and paints at home. Fortunately I did have my little camera and took a few photos I could paint from.

The title of the painting is actually the name of the church. According to their website this 100-year old church community changed their name from “First Baptist Church of Albany” to “Church on the Corner” in 2005 because “many people in the community refer to it that way.”

I can’t stop pondering the implications of this: like what if other businesses started dropping their identities and brand names and Apple Computer became “Big Corporation in Cupertino” or Starbucks became “That Coffee Place on Every Corner.”

Golden Open Acrylics and Utrecht Masters Panels

This painting had been nearly finished when I tried glazing over the sky and it failed miserably, lifting off some of the previous layer. So I painted the sky again. Not sure if it was something I did wrong or that the Open Acrylic Gloss Medium doesn’t work well for glazing over layers.

For this painting I used an archival-quality Utrecht Masters panel which is medium-textured canvas on MDF (medium density fiberboard). The surface seemed too absorbent and coarse for the soft Golden Open Acrylics so I applied a first layer of regular acrylic.

That solved the absorbency problem but the texture is still a little too rough for the way I like to paint in thin layers. I have several more of these panels so will continue to experiment with them, using paint more abundantly so the texture isn’t as problematic.

Categories
Acrylic Painting Bay Area Parks Landscape Oil Painting Outdoors/Landscape Painting Places Plein Air Walnut Creek

Borges Ranch Painted 3 Times in 3 Years: Seeing Progress

Borges Ranch View, Acrylic on canvas panel, 10"x12"
Borges Ranch View, Open Acrylics on canvas panel, 10x12" (studio painting)

It’s springtime in California and those famous “golden rolling hills” are actually a million shades of green right now, thanks to all the rain (which we probably won’t see again until next winter).  When my plein air group went to Borges Ranch in Walnut Creek last month for our paint out, I used the time to hike, sketch and take photos. Then I made the painting above in the studio from my photos memories of the day.

You can see my recent sketches of Borges here. The two Borges paintings below from 2009 and 2008 help me see that I am making progress.

March 2009; Plein air, Oil, 9x12"
Borges Ranch Plein Air, March 2008
March 2008, Plein Air, Oil (Ick!)

I really like going out sketching with the group and experiencing everything about the day without the frustration of trying to make a 2-hour painting as the light and scene changes completely. I’m better suited to doing sketches in the field and paintings in the studio.

Last Sunday I tried again to paint on site. I thoroughly enjoyed the sounds of birds, crickets and frogs in the meadow where I painted in the sun along the bay in Benicia. The painting was a 50-50 flop that might be salvageable but I took some photos which I altered in Photoshop to match my memories, from which I will make a painting

Categories
Acrylic Painting Art theory Blake Gardens Ink and watercolor wash Landscape Outdoors/Landscape Painting Places Plein Air Sketchbook Pages

Blake Gardens: Tulips, Tulip Trees: Sketches and Paintings

Blake Gardens Tulips & Tulip Tree, ink & watercolor, 7x5"

The tulip trees (Saucer Magnolias) and tulips were blooming when we painted at Blake Gardens on a sunny Friday a week ago. Of the multiple sketches and paintings I did of the scene, I think I’m happiest with the one above, done in my journal when I got home, from a combination of memory and photo. I clipped the text from their brochure and pasted it on the journal page.

Here is the final painting and below that are the steps in between:

Blake Tulips & Tulip Tree, Acrylic, 10x8" on Gessobord
Blake Tulips & Tulip Tree, Acrylic, 10x8" on Gessobord

After I picked my spot to paint and set up my easel, I did several thumbnail sketches (left below) to plan my composition. While each thumbnail improved on the one before it, none were great compositions and as a result neither was the plein air painting I did on site.

Journal spread with thumbnail sketches
Journal Spread with thumbnails

I was working with Golden Open Acrylics, my first time trying them outdoors. A Golden expert suggested I put a drop of Golden Open Acrylic Thinner atop each blob of paint to keep them moist when painting outdoors. Instead, thinking I was so clever, I mixed about 25% thinner with 75% water in a spray bottle and misted the paints occasionally.

But I should have taken her advice as my method didn’t work. She’d warned me that adding water to the Open paints will make them dry faster, which it did, and they started getting icky-sticky about the time I needed to quit and head for the critique anyway. Indoors they stay wet all day and in a closed palette, for a week or two.

The plein air painting was so UGLY that I’m glad I only expect my plein air paintings to be learning studies. My plein air painting goal is to fully experience and participate in a scene and embed my memories of color, light, texture, sounds and scents.

Very BAD Plein air study
Plein air study

And there were sounds and scents: not only were the many magnolias overly fragrant, but shortly after I set up, two gardeners fired up a gas-powered industrial-strength chain saw, cut down a huge tree and sawed it to pieces about 20 feet away from me. The sound was horrible and the smell was worse.

Below is a photo taken when I first arrived,  cropped into a more pleasing composition. I like the diagonals and the way shapes of shadows and colors lead the eye into and around the painting.

Photo at Blake Gardens
Photo at Blake Gardens

From my watercolor sketch and the photo above, I started working on a studio version of the painting. Below is the  underpainting with the main shapes and colors blocked in.

Underpainting in acrylic
Acrylic under painting

I liked just as it was and was hesitant to paint over it so I left it for a few days before working on it again until it decided it was finished.