Categories
Drawing Food sketch Ink and watercolor wash Life in general Painting Sketchbook Pages

When Being Behind Is a Good Thing

Slowing Down With a Latte and Mini-Scone at Peets
Slowing Down With a Latte and Mini-Scone at Peets

Falling behind and worrying about catching up can be stressful when it’s about work not accomplished, tasks not completed. But in the case of my blog, being behind on posting is a good thing. It just means I’ve been doing lots of painting and sketching with less time for the computer (a goal for this year).

I did the sketch above on the day I was preparing to leave for a weekend painting workshop. I reminded myself that I was officially on vacation, which allowed me to slow down enough to stop and sketch while out walking to do errands instead of rushing back home to get packed.

This sketch came in handy last week at work, when I wrote and illustrated a blog post for our literacy organization’s blog. My post’s subtitle was: “Two birds with one stone” (intentionally leaving off  “kill”). Our clever editor suggested changing it to “Feed two birds with one scone.”  So then I needed a sketch of a scone to accompany my two birds. Since I always have my sketchbook with me I was able to scan the scone sketch. You can see the result on our Reading Apprenticeship blog here.

And I will get that backlog of artwork posted soon!

Categories
Drawing Ink and watercolor wash Interiors Other Art Blogs I Read Painting Places Sketchbook Pages Urban Sketchers

Honda of El Cerrito: Sketching Cars

Honda of El Cerrito, Ink & watercolor
Honda of El Cerrito, Ink & watercolor

The El Cerrito Honda dealership was kind enough to allow our Tuesday night urban sketchers group to come and sketch in their showroom. There were chairs and tables for us to sketch and paint in comfort and interesting architecture and cars to draw. I remember boys drawing cars all the time but never thought that someday I’d go out of my way to draw cars too.

The artist Rebeca Garcia Gonzalez told me that she likes including cars in her paintings because they remind her of jewel-like candies. In this post she not only included cars, but got a passerby to stand and pose for her and included him in the painting!

 

Shark Honda, ink & watercolor
Shark Honda, ink & watercolor

I drew this car at the end of the evening and it was so close to me that it got way out of proportion and then started looking like a shark with whatever that thingee was on top. It’s good to develop the ability to see and draw cars because they’re everywhere, and leaving them out of a scene can look strange.

 

Artist Beth Bourland told me a funny story about this car sketch on her blog. She kept working on her drawing after the cars drove away. Some passerbys looked at her sketch and then at the empty street in front of her, and back at the sketch, wondering if she was seeing things.

You can see Cathy’s Honda sketches on our Urban Sketchers blog here.

Categories
Art theory Oil Painting Other Art Blogs I Read Painting Still Life

My Super Bowl (of apples) Sunday

Super Bowl of Apples, oil on panel, 8x8"
Super Bowl of Apples, oil on panel, 8x8"

I don’t really “get” football although I have fond memories of men (my father and others) gleefully yelling at televised games. I didn’t want to feel left out of the Super Bowl Sunday festivities so I celebrated in my own way: painting a Super Bowl of apples.

I love this old “Metlock California Pottery” bowl which I think might have been my grandmother’s. I use it for my big lunch salads nearly every day. It’s also a great popcorn bowl.

Plane Divisions chart, from Hensche Colour Study pdf
Plane Divisions chart, from Hensche Colour Study pdf*

At last weekend’s workshop with Peggi Kroll-Roberts, one important bit of guidance she gave me was that “every plane has a color change and/or value change” and she diagrammed for me how to visual the planes of the cylindrical object I was painting (an old teapot), similar to Fig. C above. She encouraged me to see and paint those changes in value and color and I tried to do that with the apples.

I learned so much at the workshop and hope to return to her next session in March. It was also great finally meeting my friend Kathryn Law in person (she attended the workshop too). Kathryn has already posted her terrific workshop paintings with commentary on her blog. You can see her Workshop Day One here and Day Two here.

*The diagram above was from a  source completely unrelated to Peggi Kroll-Roberts. I extracted it from the lengthy .pdf file “Colour Study,” downloadable from the website, Oil Painting Thoughts and Ideas about Henry Hensche’s approach to color study.

Categories
Berkeley Drawing Food sketch Ink and watercolor wash Interiors Painting Places Sketchbook Pages Urban Sketchers

North Beach Pizza in an Old Berkeley IHOP

North Beach Pizza Berkeley, ink & watercolor
North Beach Pizza Berkeley, ink & watercolor

North Beach Pizza in Berkeley is housed in a former International House of Pancakes. Pizza is a sort of large pancake, I suppose, but I wouldn’t want it served with maple syrup. We had a good time eating, chatting and sketching the night away, six of us in one cozy booth.

North Beach Pizza, ink & watercolor
North Beach Pizza, ink & watercolor

I drew the pizza before sharing it with Cathy and Micaela (her sketch is here on our Urban Sketchers site.)

Categories
Drawing Faces Life in general People Sketchbook Pages Subway drawings Urban Sketchers

Mohawk Fashion Victim: Subway Drawings

Mohawk Fashion Victim, Ink & sticker, 8x5"
Mohawk Fashion Victim, Ink & sticker, 8x5"

You can imagine my glee when this gentleman in full Mohawk sat down across from me on BART. Entranced by his cell phone, he never noticed me sketching and held perfectly still. It must have taken him a long time to get his hair to stand up so perfectly–and why? Especially first thing in the morning? I awarded him a sticker (on his page) from National Geographic.

UPDATE: Larry Hatfield sent me this link to a great Mohawk at a crazy website: People of Walmart where photos of actual shoppers and products at Walmart make you laugh, cringe and/or swear never to go to a Walmart.

Sedate Subway Reader
Sedate Subway Reader

And above, bonus BART rider sketches, people reading actual books, not a cellphone/Kindle, etc.  And below some subway feet sketches.

BART rider feet
BART rider feet

I was amused by the variety of guys shoes, from super point to square toes to waffle soles.

Categories
Art supplies Drawing Food sketch Ink and watercolor wash Painting Still Life Watercolor

Sea Shells: Accidental Watercolor Texture

Shellfish Shells, ink & watercolor, 5x8"
Shellfish Shells, original version, ink & watercolor, 5x8"

A shellfish company saw a previous shell painting of mine and commissioned me to paint one for them to use as a background on their business cards. They shipped me a box of their oyster, clam and mussel shells to use as reference. I created the above sketch in my Moleskine watercolor notebook and sent them the file for their review.

Accidental texture from working on reverse of page
Close up: Accidental texture caused by painting on reverse page

On the next page in my Moleskine, I sketched a landscape and painted it with juicy washes, something I do on the 140 lb watercolor paper in my hand-bound sketchbooks all the time. Without my noticing, the water seeped through the lighter-weight Moleskine paper, wetting the shell painting on the previous page.

Some of the mussels’ paint lifted, creating the wonderful texture (close up above) that I probably couldn’t have achieved if I had I tried. The only downside to this “technique” is that some of the lifted paint printed on the opposite (fortunately blank) page.

I wasn’t worried about the change in the art for my client because I’d already created a high-resolution file of the original. And as it turned out, they asked me to do another version with two different kinds of oyster shells and more clams, apologizing for changing their directions. I’m happy to paint as many versions as it takes since shells are one of my favorite subjects.

Categories
Art theory Oil Painting Painting Still Life

Tea and Butter, Surface Quality Study #2

Tea and Butter, Surface Quality Study #2, oil painting on panel, 8x10"
Tea and Butter, Surface Quality Study #2, oil painting on panel, 8×10″

This is my second study based on Peggi Kroll Robert’s “Surface Quality” video. In order to paint along with her in the video, I tried to use the same elements: a yellow table (or cloth in my case), a cup of tea, a spoon and a cube of butter on a plate. (This time I made sure the cat couldn’t get to the butter!)

I learn so much from Peggi’s videos, whether I’m watching her paint or just listening. Each time I play one of the DVDs I hear or see or understand something I missed the first time. I’m so excited I get to paint with her in person at her studio in Angels Camp, CA.

I’m also excited that I’m going to spend the weekend workshop with fellow artist-blogger Kathryn Law, whose friendship and support over the past couple of years I treasure but whom I will be meeting in person for the first time.  Kathryn has also been working with Peggi’s videos and you can see her “Surface Quality” study here.

Categories
Art theory Oil Painting Painting Still Life

Tea and Lemon, Surface Quality Study #1

Tea and Lemon, Surface Quality Study #1, oil painting on panel 8x10"
Tea and Lemon, Surface Quality Study #1, oil painting on panel 8x10"

This painting is a study based on the exercise in Peggi Kroll-Roberts “Surface Quality” video. I watched the video, then turned it off and painted from my still life set up, trying to incorporate the lesson: paint the darks with thin paint (so that they recede, don’t reflect light that hits lumpy edges, and don’t draw attention to themselves) and paint the light areas with rich, thick paint (and of course mix the correct colors and values).

When Peggi demonstrated this exercise she used a cube of butter (in her still life, not to paint with! though her paint is very buttery). I had to replace the butter with the yellow lemon because while I brewed the tea in the other room, my cat had a little feast, licking my only cube of butter into a misshapen mess.

There are some passages in this painting I like very much, such as the lemon, its leaves and blossom, the tea, and the way the tin in back is kept all in shadow.

I did buy another cube of butter to try the exercise again, and that will post tomorrow while I’m off at Peggi’s workshop.

Categories
Building Ink and watercolor wash Landscape Life in general Outdoors/Landscape Painting Places Sketchbook Pages Sketchcrawl Stanford Urban Sketchers

International Sketchcrawl #30 at Stanford University

Rodin Sculpture Garden Trees, Stanford, ink & watercolor
Rodin Sculpture Garden Trees, Stanford, ink & watercolor

It was fun to meet the South Bay members of our Urban Sketchers SF Bay Area group Suhita and John, and to meet some of the members of Sketchcrawl Silicon Valley at the Stanford sketchcrawl on Saturday. Cathy and I made the hour plus drive down there and met at noon. We started with lunch at the outdoor cafe with a view of the Rodin Sculpture Garden (sketched above at the end of the day after everyone left and it is my favorite because I love those funny, imperfectly groomed trees).

Sculpture of "Faith" in front of Cantor Center
Sculpture of "Faith" in front of Cantor Center

My first sketch was the one above, of a statue called “Faith” in front of the Cantor Center for Visual Arts. Starting with “Faith” seemed good, since it helps to have a little faith that the sketching will go well.  By 1:00 there were about 10 of us and everyone went off to follow their muses with a plan to regroup around 3:00. I followed Cathy who knew her way around, since my muse, like me, has no sense of direction.

Stanford Memorial Arch, ink & watercolor
Stanford Memorial Arch, ink & watercolor

The sign on the building said “Memorial Arch and Court Erected by His Mother, 1898 in Memory of Leland Stanford Jr. Born to mortality May 14, 1868…” I ran out of room to record his year of death but he only lived until age 16 so his mother donated the land Stanford was built on to create a memorial for her son.

Chapel and courtyard
Chapel and courtyard

From a distance the front of the chapel appears to be glowing gold but when you get closer you can see it’s covered with a stunning mural made entirely in mosaic. Coming from an urban environment where things are crowded, noisy and grungy, Stanford was amazing. The Stanford campus is tremendously spread out (over 8,000 acres), with most buildings only one or two stories, but massive nonetheless. Everything is immaculately clean, with amazing gardens, gazillions of trees (well, officially 43,000), and quiet. At $51,000 a year for tuition, room and board I suppose one should expect a lovely environment!

Categories
Art theory Oil Painting Outdoors/Landscape Painting People Photos Places

Sit Stay Cafe Girl Sketch in Oils

Sit Stay Cafe Girl, oil on panel, 10x8"
Sit Stay Cafe Girl, oil on panel, 10x8"

When I painted this oil sketch I had three inspirations: First was the Peggi Kroll Roberts video focusing on designing value patterns by simplifying and grouping values, even when the colors are different (e.g. the red umbrella and green trees above are very different colors but approximately the same values).

Curan: Afternoon in the Cluny Garden
Curran: Afternoon in the Cluny Garden

My second inspiration was the Curran painting above that I saw at the Impressionists show at the DeYoung Museum. I fell in love with this painting because of the colors, strong values and abstract qualities and brought home a print. Charles Courtney Curran was an American artist who studied with the Impressionists in Paris in the 1880s and then returned to the U.S. His other work I’ve seen online doesn’t appeal to me at all, too sugary and romantic.

Original photo reference with face blurred for anonymity
Original photo reference with face blurred for anonymity

I was also inspired by my reference photo (above) that I took at the Sit Stay Cafe at Pt. Isabel’s dog park where I was lunching, sketching and taking photos to test a new camera last summer.

The tired young woman was very kind about allowing me to sketch and take photos of her. She told me she also liked to paint. Since I didn’t ask for permission to post her picture online I blurred her face in Photoshop first.