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Berkeley Flower Art Food sketch Interiors Life in general Places Sketchbook Pages Still Life Watercolor

Lunch at Chez Panisse & 911 on Telegraph Ave., Berkeley

Chez Panisse Still Life, watercolor
Chez Panisse Still Life, watercolor

I had a wonderful afternoon with Casey (of art blog “rue Manuel bis”), her charming husband and delightful daughter on Friday when they were in San Francisco for a brief visit. Casey’s husband was interested in visiting Berkeley so we started our tour of Berkeley at Chez Panisse where we were lucky enough to get lunch reservations.

Although we brought our sketchbooks to share with each other, we didn’t sketch, focusing instead on delicious food and great conversation. I took a photo of this scene in the restaurant as we were leaving. Here is the way it appears in my sketchbook, drawn from the photo on my computer screen:

Chez Panisse still life as it appears in sketchbook
sketchbook pages

The design at top left is from the lunch menu which I photocopied smaller and glued in the sketchbook. I discovered that my souvenir Chez Panisse postcard is the perfect size to trace around to create a nice margin in this book. To keep it handy I stuck it in the glassine envelope I’d glued in the back of the sketchbook. Things were looking so messy in this sketchbook as I tried to find my way with the new paper and size of sketchbook. Now I’ve found the solution to the messy pages: draw the margins first and stay within them instead of painting to the edge of the page.

911 on Telegraph Ave.

Despite my warning that Berkeley’s Telegraph Avenue is pretty funky, everyone wanted to see the University of California, Berkeley campus and visit the used record and book stores on Telegraph. We walked on campus and then down to the shops where I bought an old Busby Berkeley CD (in honor of my cat of the same name).

On Telegraph I noticed two women who looked like prostitutes wearing outlandish makeup and mini-skirts. We also passed a soapbox preacher ranting (positively) about sex, a lone hare Krishna, sad clumps of young junkies with their pit bulls, the requisite tables of political bumper stickers, a super-stinky homeless guy, a bathing products store, a “head shop” selling hookahs, and someone handing out flyers for a tanning booth.

Heading back to my car we heard shouting. Those same whorish women we’d seen were running from Telegraph towards us on Durant, pursued by several coeds and everyone was screaming. The ho’s were screaming “Don’t touch me! Get away from me!” The coeds were screaming “Give me back my purse! Give me back my sweater!”

We stood there as if watching TV, trying to make sense of it all. The two ho’s jumped into a shiny black car parked right in front of us and slammed the door. The girls continued screaming while a slight young man stood at the driver’s window, saying, “Just give her the purse back.” Finally someone yelled, “Call the police!”

That snapped us out of our confusion and while I dialed 911, Casey had the presence of mind to note the license number of the car and was repeating it over and over. I told the 911 operator what was going on and handed the phone to Casey who gave the license number.

The ho’s threw the empty purse out the car window, revved their engine, and although the girls tried to block them from driving off, managed to speed away. I sure hope they got caught via the license number but I’m guessing the car was just as stolen as the purse, and probably ditched quickly. It was weird and scary, but fortunately nobody was hurt.

It was a more comprehensive tour of Berkeley than I’d intended. We went from the pinnacle of fine dining, to the campus at the center of the city, to the ugly underside of my dear Berzerkeley.

Categories
Albany Food sketch Glass Ink and watercolor wash Life in general Painting People Sketchbook Pages Still Life

Sketching Dinner at Zaki’s Kabob House

Jerusalem Lemonade and Lentil Soup, ink & watercolor
Jerusalem Lemonade and Lentil Soup, ink & watercolor

Last Tuesday night we met at Zaki’s Kabob House in Albany for some delicious Mediterranean food and sketching. It was a cold rainy night but the restaurant was busy. Sonia had called ahead to confirm it would be OK for us to spend the evening there sketching. We were further encouraged by the bumper sticker on the door that said “Make Art Not War.”

Condiments & Empty Bread Basket
Condiments & Empty Bread Basket

If you wonder why this sketch has a note saying “Paste Menu Here,” it’s because when I said I’d ruined the composition (pre-watercolor) by adding that glass on the right, Cathy said, “Just paste a piece of the menu over that spot.” I solved the problem by just not painting the glass and leaving the note instead.

Sonia and I painted at the table but Cathy didn’t like the dim restaurant lighting for painting so made many more sketches instead. I was happy that my colors turned out well despite not quite being able to see them while  working.

Diners at Zakis
Diners at Zakis

Usually when we’re sketching in cafes we are unable to avoid eavesdropping on nearby conversations, always a source of amusement or amazement at what people say in public. But shortly after we sat down, Ellen, a member of our plein air painting group, arrived to join her realtor for dinner at the next table. After some introductions, and passing around of sketchbooks (including an invitation by the realtor to show them in their office “gallery” which we declined), we returned to sketching while they dined and chatted.

It was odd eavesdropping on someone we knew. Cathy appreciated it though, since they were talking about sofabed shopping, and Cathy is in the market for one too.

Categories
Life in general Painting Sketchbook Pages Still Life Watercolor

Decorative Squash Doing Their Job

Decorative Squash Being Decorative
Decorative Squash Being Decorative, watercolor

Most of their decorative squash buddies had grown unsightly fuzz and gone off to the compost bin. But these three were still pretty and when I looked around for something to sketch last week, they cried out “Choose Me! Choose Me!” So I did.

I wanted to paint today. And I didn’t. I had a headache that wouldn’t go away and a bunch of boring, annoying chores to do. I had to return a jacket to Costco that was so wonderfully, fuzzy green but unfortunately, also oddly misshapen). The gas tank “empty” light in my car had been on for days (my least favorite chore, second only to dragging the trash cans out to the street, which I pay a neighbor boy to do).

I needed to go to Target for cat litter (and since Fiona only recently decided to start using the litter box again for ALL of her needs and not just some, I didn’t want to discourage her with a dirty box.)  And I wanted to take a walk before the predicted week-long deluge of rain started.

So I sacrified a day in the studio that probably would have been a struggle anyway, feeling crummy as I did, and took off on a long walk to Radio Shack in Albany to buy new ear bud covers for my iPhone since one had disappeared.

Hints of tobacco and toilet?
Hints of tobacco and toilet?

On the way home, I stopped at Peet’s Coffee to sip and sketch. I saw this sign from across the room and thought “that can’t be right!” It was advertising their new coffee, Sumatra Blue Batak, claiming in fancy script that it was “Smooth and full-bodied” and had (what I thought I read) “…hints of tobacco and toilet…” . Huh!? I squinted and looked more closely and saw it said “hints of sweet tobacco and toffee” Even with the toffee though, I’m not sure I’d want to drink coffee that tasted like tobacco. Ick.

I completed all my errands, the headache is almost gone, and with Monday and Tuesday off, I still have two days to paint and enjoy being cozy in the studio while it rains.

Sorry to bore you with my stupid day and list of chores. Maybe I should have just posted the picture and then shut up?

Categories
Drawing Food sketch Ink and watercolor wash Painting Sketchbook Pages Still Life

Pomegranate in a Teacup

Pomegranate in a Teacup, ink & watercolor
Pomegranate in a Teacup, ink & watercolor

Randomly grabbing items to sketch, a little still life composed itself:  one of my sister’s teacups, an aging pomegranate and an Adobe user manual (I keep four of their heavy manuals handy as weights to flatten my sketchbook when scanning it).

I’ve spent the past few days making my first hardcover journal (more about that when it’s done being pressed). And now my current sketchbook only has about 20 pages left and then I’ll get to start the new one. I used to treat sketchbooks like they were so precious and couldn’t waste a page. I’m so much happier now that I use them for everything, and enjoy filling them because that means I get to start another one. I even subject them to sketchbook abuse, dragging it everywhere and not worrying if it gets bumped or dirty, sort of the way siblings poke each other as a way of showing sisterly love.

Categories
Animals Drawing Food sketch Gouache Life in general Painting Sketchbook Pages Still Life

Sweet Pears and a Buzz with Busby

Pears on a Blue Plate, ink and gouache
Pears on a Blue Plate, Pentel Pocket Brush Pen and gouache, 7x5"

In the week and half since I gave up sugar and Splenda, pears have become my new treat. Not only are they crispy, sweet and delicious but they come in such pretty colors too. This sketch is a celebration of their gifts.

But meanwhile, giving up coffee didn’t go as well….

Busby and the Coffee Buzz
Busby and the Coffee Buzz

After five days of feeling wiped out, depressed, listless and witless I couldn’t take it anymore and finally had half a cup of coffee.  That’s all it took: within a few minutes I was back to my old inspired self again and the blues were gone. Yay!

Maybe I’ll try to quit caffeine when I’m retired in a few years, but for now, each day is too precious to spend feeling like a zombie.

Categories
Drawing Food sketch Ink and watercolor wash Sketchbook Pages Still Life

Insipid Cuppa

Insipid Cuppa
Insipid Cuppa, ink & watercolor 7x5

I like to use my winter holiday vacation as a time to review my past year and sort out what I did well and what needs work. Since this is also the end and beginning of a whole decade, this process felt even more important this year. One thing that really stood out was that I needed to kick  my caffeine habit and its evil companion, sugar (both fake and real).

So, after a week of being foggy-brained, sleepy and witless, I’m now free of caffeine, sugar, and Splenda* and finally starting to feel good and my inspiration is returning.

Without the sweeteners, decaf coffee and tea were tasting pretty vile to me so I began the search for a flavorful herbal tea with at least a hint of sweetness. I finally found a couple that I like but in the meantime spent a fortune buying seductively-named but ultimately insipid teas that taste like something you might use to clean windows.

Case in point: the tin of “Hot Apple Cider Tea” pictured above. It looks and tastes like hot apple cider about as much as a picture of an apple tastes like an apple. If I’d painted a cup of that tea, it would look like a cup of water. The tea in the cup above is Good Earth Tea and warm milk. It’s not bad. 🙂 But it sure isn’t a latte.  😦

*UPDATE: Just looked up “What is Splenda” and here’s what I found:

Splenda is made from cane sugar by replacing three hydroxyl groups on the sugar molecule with chlorine. The resulting molecule is not recognized as sugar or a carbohydrate by the body and as such, is not digested. Some refer to Sucralose as Chlorinated Sugar. Sucralose does not occur in nature.

Eek! I’m embarrassed to admit how much of that stuff I was consuming!

Categories
Art business Drawing Flower Art Glass Ink and watercolor wash Life in general Painting Sketchbook Pages Still Life Technology

Teensy Bouquet of Tiny Winter Flowers

Tiny Bouquet, ink and watercolor, 9x6"

I was surprised to find a variety of colorful teensy flowers growing along the sidewalks on my walk this afternoon in the cool misty weather. It felt so great to be out walking without the icy cold and then pouring rain of the past week and the bright colors were a great bonus.

I felt a little sheepish about picking flowers that didn’t belong to me, but the they were so tiny and since I only took a sprig or two a few inches in length I didn’t think anyone would mind. Some might even have been volunteers (aka weeds?).

When I got home I stuck them in this little glass container some pricey French yogurt had come in (that I bought for the container). Then I got back to working on my website. When I’d finished it was bedtime but I knew these flowers probably wouldn’t last until tomorrow. And I really needed a little fun so I put on a CD and so enjoyed drawing them and painting them.

If you’d like to take a look at my rebuilt website, I’d love your feedback. Although it’s now cleaner and easier to update, I’m disappointed in a couple of features that really bug me. I’ll either get over my perfectionism or sometime later I’ll rebuild it again.

The problem with technology is that by the time you’ve researched the best gizmo, bought it and learned to use it, it’s already obsolete. Aren’t you glad that not everything in life is like that?

Categories
Art supplies Art theory Flower Art Published work Sketchbook Pages Still Life Studio Watercolor

Refusing to Fail or Quit: It was either me or the orchid…

 

Orchid in watercolor #2, 12x9"
Orchid in watercolor #2, 12x9"

 

On Wednesday night I completed the last page in a sketchbook with some writing about the frustrating process I’d been through with the orchid painting. And then, as I did one last sketch of the orchid in the book (below) I realized how I might be able to actually make the painting I’d originally envisioned. It would be one I could do simply and be able to write about as the six-step process the publishers needed.

When I woke up on at 6:00 a.m. on Thanksgiving morning I realized I had to give it another try. The image above is the happy result.

 

Oh Oh Orchid!
My sketchbook breakthrough

Tonight my watercolor group met for dinner and a chance to share what we’ve been painting this month. When I showed them the two versions of the painting they liked both but Susie said that in the first version they looked like evil man-eating orchids, which is certainly how they felt to me. In the sketch above I thought the orchid looked like it had packed his bags and was running away, suitcases in hand. (Good riddance!)

Here is one of the MANY pages of tests and samples I made in trying to find the right pigment combinations to make this painting work.

Orchid watercolor test page
Orchid watercolor test page

I decided the pigment that gave me the color I wanted was Winsor Newton’s Quinacridone Magenta but like most quinacridones,  it wasn’t very civilized, trying to spread everywhere.

Orchid Painting Steps
Orchid Painting Steps

What finally worked was painting the veins first on dry paper, wetting a petal, painting cobalt blue just inside the perimeter and then dropping in the Quinacridone Magenta in the center, letting it spread and then blotting up a bit of the paint as needed.

Busby relaxing amidst orchid chaos
Busby relaxing amidst orchid chaos

At least someone got to relax in the sun. When I left to make a cup of coffee Busby napped amidst the orchid chaos on my desk. You can see the original reference photo peeking out from under him, with a pile of false starts at the painting behind that.

 

Categories
Art theory Flower Art Painting Still Life Watercolor

Orchid Painting in Watercolor for the book but….

Orchid painting in watercolor, 8.5" x 11.5"
Orchid painting in watercolor, 8.5" x 11.5"

So here’s the frustrating thing: I learned that the publisher wants me to write the text accompanying the step by step photos as instructions (first do this, now do that) rather than a description of what I’ve done. Sometimes watercolors go as planned and that would be simple to do, because what I did is how I would tell someone else to do it.  But with this painting there was just as much taking off of paint as there was putting it on. Some of that was about softening edges with a damp brush and then blotting, but some of it was just removing paint that wasn’t working. I’ve never seen a “how to” book that says paint on a nice wash. Now wipe it off.

My biggest problem with this painting was the photo I had to work from. Like many artistic photos of flowers, it was shot without shadows or directional light and therefore everything was very flat with little dimensionality. Even more difficult, everything except the front center flower was intentionally out of focus. That makes for a lovely photo but not an easy watercolor painting project. And there is no variation in color: they’re all just cotton candy pink with dark magenta veins. And I picked the stupid photo and thought it would be easy. But for me, what is easy is lots of detail and variations in color, shape and value.

I started over four times, each time getting a little further and then abandoning ship. If I was just painting for myself any of those starts would have been fine and enjoyable to paint but I was finding myself exaggerating shapes and colors and losing fidelity with the photo.

Now I’m not sure what to do: Paint this again in order to be able to do write a logical “how to” that doesn’t include undoing previous steps? Write a “how to” and leave out the do-overs? Enjoy my vacation this week and forget about the whole project? (the latter sounds most appealing)

I think I’ll send a photo of the painting to my editor and see if she even likes the painting. My persistent (compulsive?) side really wants to paint the painting again, trying to do it more simply and cleanly. But my (sane?) side says “Go have a bowl of ice cream and watch a movie.” I wonder which side will win and how late the ice cream shop is open?

Categories
Art theory Flower Art Painting Plants Still Life Watercolor

Painting for the book: Part III ~ Finale

"Sunny Serenade", watercolor, 15.5"x10.5"
"Sunny Serenade", watercolor, 15.5"x10.5" (click to enlarge)

The editor requested that I name the finished painting (above). Corny painting names are a pet peeve of mine and so I rarely name them. But as I was uploading the image the name “Sunny Serenade” came to me. I know that’s about as sappy a name as you could try to invent, but since it seemed to name itself, so it shall be.

To finish sharing the steps in the painting, here they are in order, continuing from the previous post.

Painting the green leaves, flowers and stems
Painting the green leaves, flowers and stems

The next step was to work on all of those leaves, stems, buds and little yellow green flowers. Using a variety of mixed greens, some neutralized with Burnt Sienna, I painted the first layers of the leaves. I also glazed details over the yellow green flowers I’d painted previously.

Adding the darks
Adding the darks

I mixed up several puddles of these dark mixtures: Winsor Green, Alizarin Crimson, and Burnt Sienna; Ultramarine Blue and Burnt Sienna; Sap Green and Sepia with a dab of Winsor Red; Winsor Green and Winsor Violet. Then I loaded my brush with one and started painting a section, switching to another one of the puddles as the background colors changed. I was careful to stay within the dark shapes and to negatively paint around lighter shapes. Because watercolor dries lighter, I tried to mix colors that would be dark enough in one layer.

I thought I was finished and signed the painting. The next day I studied the painting with fresh eyes and realized I needed to make some adjustments. I glazed in some more darks on the right of the pitcher and on its handle on the left. I added a middle-dark green mixture to the long leaf that hangs down along the right side of the pitcher and on some other leaves as well. (Compare the pitcher in the top two pictures in this post to see the changes).

While some people have commented that this painting seemed very challenging, in fact an image broken into many small complicated shapes is much easier to paint and more forgiving of “mistakes” than one composed of large simple shapes.

My editor liked the painting and immediately requested the next one, due the end of November. It will be a completely different project: a close up view of some pink orchids with a light background. I will be working much more loosely, mostly wet into wet.