Last week the Urban Sketchers Flickr group had lighting as their theme so our Urban Sketchers group focused on lighting too. When I walked into Picante the first thing I noticed was the way the wall sconces shined up at wonderfully bizarre masks all around the room.
Picante Mask Lights, ink & watercolor
Along with the great masks, the ceiling is festooned with row after row of vibrantly colored hanging Mexican cut-paper art work.
Several different diners and children stopped at our table to complement our sketches. The children were particularly enthusiastic. And (as usual) everyone told us they can’t draw. And as usual we told them that anyone can draw if they just practice and that it doesn’t have to be good, just fun.
Spengers was decorated with green shamrocks when our Urban Sketchers group met there on a Tuesday before St. Patrick’s Day. Other than all the green, it was business as usual. I love the way cellphones keep people engaged and posing like this guy at the bar, even when drinking.
Sea Witch Ship Model, ink & watercolor
Spengers has a huge collection of ship models and other sea-themed objects on every wall, ceiling and in every corner. I drew this standing in front of the display case, trying to stay out of the waiters’ path. And as usual I incorrectly labeled the sketch “Brennan’s” — a nearby bar and restaurant that I always get mixed up with Spengers.
My favorite two sketches the night we met to sketch at Fat Apples Restaurant in El Cerrito were the two “pots” on the left hand page above. The guy was the first thing I drew, the coffee pot the last. I wasn’t in great shape, having had little sleep the night before. I just couldn’t get into the drawing zone, turn off the inner critic or relax into seeing, drawing, and enjoying the adventure.
Underneath the watercolor apple above are lots of messed up lines and the word “Grrrr” written all over the things that frustrated me. The waitress on the right kept returning to her spot and standing in exactly the same position each time and the counter beside her was even more stationary but I just couldn’t draw it.
Fat Apples BLT, ink & watercolor
When I added m ore watercolor at home to the BLT (left page above) I must have closed the book too soon because the pages glued themselves together. When I tried to separate the pages, part of my sandwich stuck to the other side. Not only did that ruin the sandwich but also a small ink drawing I’d liked on the other page.
I’d repainted the sandwich because when we showed our sketches at the end of the evening and I said it was my dinner, one of the sketchers innocently asked “what was it?” And she was right — it was so loosely drawn and painted that it wasn’t recognizable as a sandwich.
To celebrate their 50th anniversary, Arhoolie Records held a “second line parade” led by the New Orleans-based Tremè Brass Band. The parade started with a fantastic concert at Berkeley’s Civic Center Park
In the video below you can see and hear the band (and me trying to sketch them, looking like a bobble-head doll as I look up at the band and down at my sketchbook. I’m at top right of the screen, starting around 30 seconds in, wearing bright green.)
After they played 20 minutes or so, we danced (and sketched) along behind the band to the Berkeley BART station, with many people twirling handkerchiefs or parasols in the air as is the tradition in second line parades. They performed another brief concert, and then more people joined in the parade as we moved along Shattuck Avenue.
Playing by the BART station (note guy recording sound with mic on boom)
The parade ended at Freight & Salvage on Addison Street where we were again treated to more great Dixieland music. By then I was pretty far back in the crowd so gave up trying to draw the band but noticed these guys on the roof videotaping the event as we arrived.
Gathering at Freight and Salvage
This was one of those “It doesn’t get any better than this” experiences: Fantastic live music, sunshine and sketching! I knew the sketching would be challenging because of the constant movement, so only had as my goal to have fun and give it a try. I definitely had fun!
Sketching at Brennan’s Bar and Hoffbrau in Berkeley is always fun. When we met there for Tuesday night sketching last month Cathy had just returned from her sketching workshop that was held at Disneyworld in Florida so the first part of the evening was her amazing show and tell. You can see her Disneyworld sketches on our Urban Sketchers blog here and here and Micaela’s Brennan’s sketches are here.
Muffin-top guys at the bar
If you’re unfamiliar with the term “muffin-top,” it’s the bulge protruding above the belt from wearing too-tight jeans, especially widespread [pun intended] a few years ago when fashion dictated ever lower waistlines on pants with shorter tops).
Warm-up sketch at Brennan's
This was my first sketch of what I saw in front of me, just trying to do something simple to warm up before tackling more complicated stuff.
Le Bateau Ivre is a cafe I used to visit often when I first moved to Berkeley so it was great to rediscover it with my Tuesday night sketch group. The food is wonderful and the atmosphere warm and inviting. Le Bateau Ivre is in an old house on Telegraph Avenue and each room has its own charming personality and decor.
Details of the room and music and my drawing mistake
I fell in love with the classical music playing in the cafe and was holding up my iPhone to the speaker, hoping that the Shazam or Soundhound apps could guess the recording. The owner of Le Bateau Ivre saw me and asked if the music was too loud. I explained what I was trying to do and she ran to get the CD and showed it to me. I took a photo of the cover which I later pasted on to this page. The CD was Heinrich Ignaz Franz van Biber: Sonatae a Violino solo of 1681.
You can imagine my glee when this gentleman in full Mohawk sat down across from me on BART. Entranced by his cell phone, he never noticed me sketching and held perfectly still. It must have taken him a long time to get his hair to stand up so perfectly–and why? Especially first thing in the morning? I awarded him a sticker (on his page) from National Geographic.
When I painted this oil sketch I had three inspirations: First was the Peggi Kroll Roberts video focusing on designing value patterns by simplifying and grouping values, even when the colors are different (e.g. the red umbrella and green trees above are very different colors but approximately the same values).
Curran: Afternoon in the Cluny Garden
My second inspiration was the Curran painting above that I saw at the Impressionists show at the DeYoung Museum. I fell in love with this painting because of the colors, strong values and abstract qualities and brought home a print. Charles Courtney Curran was an American artist who studied with the Impressionists in Paris in the 1880s and then returned to the U.S. His other work I’ve seen online doesn’t appeal to me at all, too sugary and romantic.
Original photo reference with face blurred for anonymity
I was also inspired by my reference photo (above) that I took at the Sit Stay Cafe at Pt. Isabel’s dog park where I was lunching, sketching and taking photos to test a new camera last summer.
The tired young woman was very kind about allowing me to sketch and take photos of her. She told me she also liked to paint. Since I didn’t ask for permission to post her picture online I blurred her face in Photoshop first.
On my first day back to work after being sick for weeks we had a staff meeting. I wanted to put my head down on the table and nap so doodled to stay upright and awake. Later I pasted the page in my sketchbook with the added note about antibiotics.
Sketching Sketchers #1
Then my first night back at Tuesday night sketching (at the Bread Workshop) after I drew my food I sketched the sketchers at my table. I had to add that shading to the right of Amy’s face to “erase” the splotch I made by her nose that looked like a booger.
Sketching Sketchers #2
I added one too many lines, which lead to more lines to try to fix them, in Sonia’s hair which had been perfect until I did that. I made a note to remind myself to STOP at “good enough” and not keep going.
Handsome Guy at Peet's; Lamy Safari pen, Carbon Platinum Ink in Med. Watercolor Moleskine
I could have reached out and touched his face. But he was so absorbed in his computer he didn’t notice me drawing him at the next table, our knees almost touching. The lady at the table on my other side was watching me and said I captured his likeness perfectly and should show him. I didn’t though, just in case he might not find it flattering. Our own ideas of our appearance often don’t match others’.
Older Guy at Peet's, same tools as above
This gentleman was sitting at the table after the guy above. I think he might have noticed me sketching but didn’t seem to mind. I think he needed the coffee as he dozed off reading his newspaper at one point. I missed on the shape of his head and just redrew it taller. And then in drawing his large ear lobes I’m afraid my shading there might have made it look like a big hole.
Some fashion victims actually do have big holes in their ear lobes that they intentionally create by inserting devices that gradually stretch them so they look like this. What a weird fad. There are many websites like this one that sell such devices. Why would anyone want to do that?
Jana Bouc, Artist 