Categories
Drawing Flower Art Painting Sketchbook Pages Watercolor

Painting Roses in the Hot Dark

White Rose #2, pencil & watercolor 5x5"
White Rose Version #2, pencil & watercolor 5x5"

This morning when I was watering the roses I noticed that the one I sketched yesterday (see below)  had opened and was even prettier today. But it was way too hot to sketch outside so I cut the rose and brought it in. Then it was way too hot in the studio too, even with  all the blinds closed and the lights off.

Trying to ignore the heat, I put the rose in a vase on the drawing table and shined one small light on it, with no light on my sketchbook and tried to really focus on the drawing instead of just approximating the shapes. It’s amazing how focusing on drawing makes the problems and discomforts of the world just drop away. But when the drawing was done, I couldn’t take the heat anymore and dragged the portable air conditioner into the studio. Ahhh relief.

I tried to be more careful with the washes for the shadows than I was yesterday, to keep the white rose white and let the shadows define the form. I’m happy with the way it turned out.

But yesterday, when I drew Rose version #1 below, I really liked my initial pencil drawing. Then I added watercolor on just the rose and liked that too [shoulda stopped]…but then I painted in the background and felt like I lost the definition of the form [shoulda stopped] …

White Rose #1, ink & watercolor 5x5"
White Rose Version #1, ink & watercolor 5x5"

…so then I added some lines with my Micron Pigma which just made it worse. At that point there was nothing I could do but close the sketchbook and look forward to the day when I finally learn the lesson of stopping while I was ahead!

Categories
Albany Animals Drawing Photos Places Sketchbook Pages

Albany Bulb: Art and Ratty Squirrels

Ratty Squirrels at the Albany Bulb
Ratty Squirrels at the Albany Bulb

Officially they’re known as Ground Squirrels but they look more like rats wearing moth-eaten squirrel costumes. After trying to sketch them during a hike around Albany Bulb, a spit of land projecting into the SF Bay in Albany, I can say they have cute little ears and seem to be curious and playful. Their biggest selling point is that they make good snacks for the owls and other birds of prey that hunt in the area.

I’ve written about Albany Bulb before, so won’t go into details about this wonderful place where people make art from found objects washed up from the Bay or from the land’s original use as a dump. New art is created and people add to or decorate pieces already there.

One of the regular artists who create there is writer, artist, civil rights lawyer, Osha Neumann (below, building a new sculpture).

Osha Neumann at Albany Bulb, at work on new sculpture
Osha Neumann at Albany Bulb, at work on new sculpture

I asked him if he documents his work and he said no, but that other people sometimes take photos. I told him I thought that his work was true art, because it was made just for the pleasure of the creating, with no concern about marketing, sales, fame or glory. He just gets out there and creates. I asked what the man he was constructing was meant to be doing and he asked what I thought. It wasn’t until I saw my photo that I realized he was holding a fishing pole (duh!).

My favorite new piece was the artist below, although Osha said that someone else added the palette and pampas grass “paintbrush,” they weren’t part of his original sculpture.

Artist at the Albany Bulb
Artist at the Albany Bulb

When I saw the dog below I asked Osha where the arches with the dog atop them were that I remembered from a previous trip. He said that structure blew down over the winter and was gone.

Dog sculpture at Albany Bulb
Dog sculpture at Albany Bulb

My hiking companion, 10 year old Mariah had a great time playing in the fort someone built, complete with a spiral staircase.  Next time we go there we’re going to bring supplies to make our own art.

Categories
Drawing Flower Art Gardening Gouache Outdoors/Landscape Painting Photos Plants Sketchbook Pages

Botanical Sketches: Proteus

Proteus in Bloom, ink & gouache, Moleskine 5x7 sketchbook
Proteus in Bloom, ink & gouache, Moleskine 5x7 sketchbook

When I was walking to BART last week I ran into Fletch who had just finished shooting photos of an amazing Proteus  a few blocks from my house. I must have walked by this stunning plant a hundred times and never noticed it until he pointed it out to me. I couldn’t stop to sketch that morning but finally got back there this afternoon.

I got as close as I could without trespassing and sketched with my Micron Pigma .01 pen, trying to capture the many different forms the blossoms take along the way to fully blooming. Then I used my mini gouache palette and a tiny brush to paint the details.  Gouache seemed like a perfect medium for doing this kind of detailed botanical sketching.

I also took a bunch of photos of these amazing and diverse flowers. Here are a couple of them:

Photo of Proteus blossom
Photo of Proteus blossom
Proteus in bloom, photo
Proteus in bloom, photo

Note to self: Find proteus at a nursery and plant them! But first I want to do some larger botanical illustrations from my photos (or from life if I can convince the woman who owns the plant to allow me to take some cuttings). Fletch told me she reluctantly allowed him to take one.

And here’s a bit of etymological (word origin) trivia about theProteus:

The Proteus got its name because of its amazing diversity of form: It was named after the Greek sea god, Proteus, who was able to change his appearance at will.  From this comes the adjective “protean,” which means “versatile”, “mutable”, “capable of assuming many forms.” “Protean” has positive connotations of flexibility, versatility and adaptability.

Categories
Animals Drawing Ink and watercolor wash Painting Sketchbook Pages

Barnyard Critters at Old Borges Ranch

Proud Rooster, ink & watercolor in Moleskine 5x7
Proud Rooster, ink & watercolor in Moleskine 5x7"

After our painting session at Old Borges Ranch on Saturday I did a few ink and watercolor sketches of the critters who were roaming around where we sat for lunch and our critique. This rooster was wonderful and actually seemed to pose for me, just long enough to get this much and then he wandered off.

The chickens weren’t as cooperative. I wish I took a photo of the goofy gal at the bottom. She had the funniest, fluffy clown feathers–sort of like 3 sets of beards; one in the usual place and the other two on either side of her face.

Bit's o' chickens, ink & watercolor in Moleskine 5x7"
Bit's o' chickens, ink & watercolor in Moleskine

This goat seemed like such a happy guy (or gal?) chillin’ out in this empty tub. I was very hungry since I’d remembered all my art supplies but forgotten to bring lunch and it was already 3:00. I rushed drawing the tub and I can see that it’s not deep enough and looks a bit like a sardine can.

Goat chilling out in a tub; ink & watercolor in Moleskine 5x7" sketchbook
Goat chilling out in a tub; ink & watercolor in Moleskine 5x7" sketchbook

I’m using a really funky old computer monitor while mine is off for repairs so I have no idea how any of this is going to look on my blog. Hopefully the scans and colors are decent and the sizes of images make sense.

Categories
Drawing Dreams Gouache Life in general Painting Sketchbook Pages

Cereal Dream; Clogged Sink Nightmare

Plink Cereal Dream, ink & gouache, in Moleskine 5x7"
Plink Cereal Dream, ink & gouache, in Moleskine 5x7"

I had a dream last night about a new cereal called “PLINK” that was designed to be eaten at your desk. I think the name of the cereal comes from the sound the computer makes when a new email message arrives.

This morning  when I prepared to do the dishes waiting for me in the sink (OK, not just my breakfast dishes but about three days worth) I discovered it was completely clogged and wouldn’t drain. I poured a teakettle full of boiling water down the drain, thinking that might help, but all it did was fill the sink even more. I left the dishes piled in the mucky water and went to work.

Clogged Drain Nightmare, ink & gouache in Moleskine, 5x7"
Clogged Drain Nightmare, ink & gouache in Moleskine, 5x7"

When I came home I asked my neighbor who knows everything about working on houses, what I should do. He came over with a plunger and spent 15 minutes trying that approach. But instead of emptying the sink, the plunger added what looked and smelled like rusty mud to the water. In a way it was an improvement over the left-over cauliflower scent from last night’s dinner.

After spattering muddy water everywhere he gave up and promised to bring over a drain snake tomorrow night. I tried to look on the bright side: since I couldn’t wash dishes or vegetables, I had a perfect excuse to neither cook nor do dishes.

I had a bowl of cereal for dinner. Not PLINK though,  just Cheerios.

Categories
Drawing Dreams Ink and watercolor wash Painting People Sketchbook Pages

Dream: Dancing Nude at the Office Party

Dancing Nude at the Office Party, Ink & watercolor, Moleskine sketchbook, 5x7"
Dancing Nude at the Office Party, Ink & watercolor, Moleskine sketchbook, 5x7"

I dreamed that I was at an office party where dancing was to be done nude. I was having fun, and surprised that I wasn\’t the most embarassed person there. There was a woman who was so self conscious she\’d wrapped herself in a gauzy fabric trying to (unsuccessfully) hide beneath it. The dream was fun but it was even more fun to draw it and just see who appeared beneath my pencil.

I usually like to draw directly in ink but I wasn\’t sure where I was going with this one so started with pencil and then inked over it.

Oh…I guess I should also mention that while my office does have nice parties, dancing nude has never been an option at any of them and, I\’m quite certain, never will be.

Actual sketchbook page:

Nude Party Dream - full page
Nude Party Dream - full page
Categories
Art theory Drawing Flower Art Ink and watercolor wash Painting Plants Sketchbook Pages Still Life Watercolor

Happy Spring Camellia

Happy Spring Camellia, Ink & watercolor, 7x5"
Happy Spring Camellia, Ink & watercolor, 7x5"

I couldn’t resist drawing this one cutting from my camellia bush instead of going straight to the oil painting I was planning to do of the little bouquet of camellias I was assembling. I wanted to enjoy deeply seeing all the shapes and connections and patterns and reflections and colors in the leaves, buds, and flower.

I realize now that I should have gone a little more slowly when I was drawing the flower petals so that I could really capture the personality of this particular flower, the way I did with the leaves and bud. But I think it was making me dizzy, trying to follow all those different curly shapes and ins and outs of the line so I got a little lazy and generalized instead of paying absolute attention and getting it exactly.

I’m always torn between going for the detailed exactitude of botanical illustration and the way oil painters say to skip the detail, skip the individual petals and paint the mass, the form instead. I see the value in both but combining them in one painting rarely satisfies either goal.

Categories
Drawing Faces Life in general People Sketchbook Pages

Sketching in the Rain; Fingerpainting with Coffee

Potted Palm, Ink & coffee in sketchbook, 8x6"
Potted Palm, Ink & coffee in sketchbook, 8x6"

I’ve been desperate to get back to sketching and was determined to do some today while I was out for a walk doing errands. Just as I sat down to sketch, cup of coffee in hand, it started raining.  I didn’t care. Little drops of rain splattered on my paper, making interesting texture where they met the ink.

I’d forgotten my watercolor kit at home and was annoyed until I looked at the cup of coffee in my hand and thought of how much I liked sepia washes that Pete Scully sometimes adds to his sketches. I dipped my finger in the coffee and began finger  painting.

Then it was time to head home and get ready for a special 10-year-old’s birthday party. I’m the antithesis of a party girl these days, preferring quiet time alone or in one-on-one time with friends. But last night’s dinner party and today’s birthday party were both “command performances” so I gave myself the push I needed to show up.

The intimate, sophisticated dinner party for 6 last night was a joy; the other diners brilliant, funny intellectuals beside whom I felt like a peanut brain. But I adore them all and it was an absolute delight. What a contrast to the non-stop activity and noise of kids loaded up on sugar and then cooped up  indoors because of the rain today.

Mariah's Birthday Guests, pencil drawing, 8x6"
Mariah's Birthday Guests, pencil drawing, 8x6"

I spent the last hour of the 4-hour birthday marathon trying to sketch the jumping-bean children. They were nice kids; a junior United Nations representing as many nationalities as there were guests (and there was a dozen of them, I think).

I’m happy to be home now with no plans for the next couple days besides painting and sketching.

Categories
Drawing Faces Ink and watercolor wash Life in general People Sketchbook Pages Subway drawings Watercolor

It’s All in My Head

Cat-Tail Aloe, Ink & watercolor in sketchbook
Cat-Tail Aloe, Ink & watercolor in sketchbook

My artwork, that is.  I’ve been doing a lot of thinking and planning for my next art projects, but other obligations have taken up my art time and energy. All I’ve done the past few days is the watercolor sketch from a trip to the U. C. Berkeley Botanical Gardens (above) and the BART subway sketches below. The aloe was drawn and a bit of wash added on site; then I messed with it some more at home. There were so many wonderful options for sketching there, but my companions weren’t interested in sketching so I didn’t want to make them wait for me.

Backpacking on BART, ink in sketchbook
Backpacking on BART, ink in sketchbook
Big Feet & Big Glasses, ink in sketchbook
Big Feet & Big Glasses, ink in sketchbook

I’m quite sure this woman knew I was drawing her and I think she intentionally held her pose for me. I started with her feet because they interested me and  I didn’t think I’d have time for anything more. But because she held still I continued on up her legs and eventually ran out of room when I got to the top of her head. She gave me a big grin when I got off and I gave her one back. It was a cool little acknowledgment between us.

I’m going to start keeping my “business cards” handy when I subway sketch (those cute little Moos with bits of my artwork and blog address on them) and hand them to people I’ve drawn as I get off the train (if I have the nerve).

Taking Notes, ink in sketchbook
Taking Notes, ink in sketchbook

These two women weren’t really  seated this close. I just used the space on the page that way.

Sometimes I forget that people from my “day job” read my blog. I was in a meeting last week and one of the participants began the meeting by mentioning that she’d seen my sketches from the previous meeting we’d attended and immediately recognized some of the people in the sketch. What a compliment that was! (Thanks A. B.!)

Categories
Art theory Colored pencil art Drawing Landscape Life in general Oil Painting Outdoors/Landscape Painting People

Hannah’s Reflection Revised

Hannah's reflection, oil on Gessobord 12x16"
Hannah's Reflection, oil on Gessobord 12x16"

After I posted this painting a few weeks ago I realized I’d left off the foamy bubbles on top of the water. Last weekend I worked on the painting some more, at first planning to just add the bubbles but ended up adding a whole new layer of paint. I gave Hannah another haircut and slimmed down her dress a bit. I felt a little afraid to go back in and start messing with things, but told myself to just have fun and see what happens.

I don’t think I quite got the essence of the foam, it looks more like rose petals floating on the surface, but I decided I liked that idea and left it alone.

I’m wondering if there is a problem with the grasses behind the rust colored reeds on the middle right that sort of point towards her head. Should that patch of yellow-green grasses have less texture, be cooler and more blurry so that they recede more? I think so.

Here’s what it looked like before in the original post:

Hannah's Reflection, Oil on Gessobord, 16x12
Hannah's Reflection, Oil on Gessobord, 16x12

I’m trying to get over the idea that paintings need to be completed in one painting session or in one day. Alla prima and plein air painting is great,  but so is letting layers dry and adding more more until the painting says it’s done. Sometimes it forgets to say “When” though, and then it’s overdone.

I have the same trouble with steaming vegetables. I lose my concentration and before I know it my broccoli has turned to mush. So is the revision mushy broccoli or an improvement? Do you think I should soften those grasses or move on?

Thinking about painting and broccoli reminds me of this poster I made a long time ago:

Listen to Your Broccoli, Colored Pencil, 24x18"
"Listen to Your Broccoli and It Will Tell You How to Eat It," Colored Pencil, 24x18"