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Berkeley Drawing Ink and watercolor wash Other Art Blogs I Read Painting People Photos Places Sketchbook Pages

Jana and Casey Do Berkeley

4th Street Jazz Festival- by Jana
4th Street Jazz Festival- by Jana
4th Street Jazz Festival by Casey
4th Street Jazz Festival-by Casey

Casey Toussaint and her son Paul are visiting from France and I had the pleasure of spending Sunday with them. After a quick visit to my house and studio, we headed down to the Berkeley Marina to cool off on an unseasonably hot day.

Casey & Paul on Berkeley Pier
Casey & Paul on Berkeley Pier

We walked to the end of Berkeley’s long pier on San Francisco Bay with views of the Golden Gate Bridge (which Paul wanted to see) and there was a wonderful cool breeze coming in off the ocean. Then we had a delicious lunch at Skates on the Bay, where we had a window seat and watched birds nesting under the eaves and sailboats tacking back and forth on the choppy bay.

Casey & Jana @ Skates
Casey & Jana @ Skates

On the way to our next stop (Dick Blick Art Supplies to pick up a large sketchbook to bring to the afternoon session of the  figure drawing marathon sponsored by the Bay Area Models Guild at Merritt College in Oakland) we passed Berkeley’s Fourth Street boutique/foodie shopping area. We saw that the street was blocked off with a sign, “Fourth Street Jazz Festival” and decided to nix the figure drawing and sketch at the festival instead.

Casey sketching at Peets Fourth Street
Casey sketching at Peets Fourth Street

We strolled the street and then settled at Peets Coffee for coffee and sketching where we did the two sketches at the top of the post. Casey works quickly, with wonderfully expressive lines, and got in a few more sketches from Peets:

4th Street people by Casey
4th Street people by Casey
More 4th St people by Casey
More 4th St people by Casey

After an hour or two we connected with Paul again, walked over to Blick’s for Casey’s art supply shopping and then headed to Telegraph Avenue and the University of California campus. Casey and I found a spot we wanted to sketch on campus so Paul headed back down Telegraph to Amoeba Records, a huge used CD/record store.

UC Campus building by Jana
UC Campus building by Jana
Jana's sketch and building
Jana's sketch and building
Casey's sketch of the building
Casey's sketch of the building

When we met Paul back at Amoeba a couple hours later, I was hungry and we decided to head out for dinner. We all felt like Mexican food so I took them to Solano Avenue’s Cactus Taqueria. Paul was quite impressed by the size of the burrito he was served, and took photos of it. I learned that servings are much smaller in French restaurants and that it takes 5 or 6 years of serious study before someone can become a baker. He was surprised that here all one need do to beome a baker is to open a bakery and start baking.

Casey at UC Berkeley
Casey at UC Berkeley

As the sun was setting I drove them back to San Francisco. The fog had rolled in, ending the heat wave, and as we traveled across the Bay Bridge we had amazing views of San Francisco rising up out of the fog bank, sillouhetted by the setting sun. I drove really slowly across the bridge so Paul could take pictures and he got some great ones.

Categories
Berkeley Drawing Faces Ink and watercolor wash Life in general Painting People Sketchbook Pages Subway drawings

A Sketchbook Celebration & Definition of Inspiration

First, a quick note that I was interviewed for the fascinating Tools Artists Use website. Although it often ends up sending me shopping, I love to see the tools other people use to make their art. If  you’d like to read the interview about my favorite art supplies and tools, just click here.

OK, so to celebrate the return of the my sketchbook, here are a few sketches from the past couple weeks that are happily no longer lost forever.

Old Sailor Man on BART, ink & watercolor, 6x8"
Old Sailor Man on BART, ink & watercolor, 8x6"

He looked like an old sailor man to me, wishing he was on a boat, not the subway.

While I was waiting for the ear, nose, throat doctor I copied the information from his wall chart and sketched the assortment of stuff on his shelf. I became fascinated with the names of the parts of the mouth and throat (I’m easily amused).

Waiting at the Doctor's Office, 4x6"
Waiting at the Doctor's Office, 4x6"

Defining Inspiration:

I noted in particular the “Epiglottis” and wondered if the word had anything to do with the word ” Epicurean.” Even more interesting was a depiction of an open throat, described on the chart as “Inspiration” which I supposed means “breathe in.” It made me think about inspiration in art and how, when feeling uninspired we try to force something to come out when perhaps it’s more a matter of simply opening and allowing it to come in, instead.

I had my sketchbooks out to share with my painting group buddies at the end of a nice Friday night dinner together at Jimmy Beans in Berkeley…

Judith at Jimmy Beans, ink & watercolor, 8x6"
Judith at Jimmy Beans, ink & watercolor, 7x6"

so I added one more sketch (above).

Entranced by his cellphone
Entranced by his cellphone on BART, 3x2"

And one more subway drawing. He was mesmerized by his cellphone but I see now that the sketch looks like he’s playing with his beard or rolling or a joint. (Are they still called joints?) I heard American Idol judge Randy Jackson call a song a joint on the show tonight, so maybe not.

I’m so happy to have my sketchbook back!

Categories
Art theory Ink and watercolor wash Oil Painting People Sketchbook Pages

Painting Demo at El Cerrito Art Association

Watching the Demo, Ink & watercolor in 6x8" sketchbook
Watching the Demo, Ink & watercolor in 8x6" sketchbook

Monday night Randall Sexton did a still life demo at the El Cerrito Art Association meeting. It was my first time attending an ECAA meeting but my second time with Randy, as I’d taken a weekend figure painting workshop with him last summer. He is an excellent painter and a gentle teacher. He was ready to start painting right on time and waited patiently for at least half an hour while the friendly group took care of business matters and announcements.

Randy Sexton demonstrating, Ink & watercolor in 8x6" sketchbook
Randy Sexton demonstrating, Ink & watercolor in 8x6" sketchbook

I’d been struggling with a still life painting that day so the demo came at a perfect time and I left knowing exactly where I’d gone wrong with the painting. Some days, just  knowing where I’ve gone wrong is as good as it gets.

(To read my notes from the demo, click the image to enlarge it.)

Categories
Animals Cartoon art Gouache International Fake Journal Month People Sketchbook Pages

More Fake Journal: “Who Am I” (Clues from Snoop Dog)

Who Am I According to Snoop Dog #1, Ink & Gouache
"Who Am I" according to Snoop Dog #1, Ink & Gouache

Continuing with International Fake Journal Month, and my (fake) search for my identity by listening to lyrics of songs titled “Who Am I.” Today my clues come from Snoop Doggy Dog’s (unlistenable, disgusting) song “Who Am I: What’s My Name.” According to his lyrics:

Now just throw your hands in the xxx  air
And wave the xxxs like ya just don’t care.

I step through the fog and I creep through the smog
cuz I’m Snoop Doggy (what?) Doggy (what?) Doggy [Dog].

The Biggest Nuts, Ink & Gouache
The Biggest Nuts, Ink & Gouache

Then he says:

“…with the biggest nuts and guess what?
He is I, and I am him, slim with the tilted brim.”

I listened to samples of Snoop’s catalog on Amazon while I was sketching and decided that he has an awful potty mouth, doesn’t make sense and therefore must discard his clues. Clearly, despite his claims, I am neither the one with the biggest nuts nor a dog.  But I loved throwing my hands in the air and waving ’em like I just don’t care.

Categories
Faces Flower Art Gouache Ink and watercolor wash International Fake Journal Month Life in general Other Art Blogs I Read People Sketchbook Pages

Who Am I? (Fake Journal Month)

Who Am I, Sepia Micron Pigma Ink & Gouache, 5.5x7.5"
Who Am I, Sepia Micron Pigma Ink & Gouache, 5.5x7.5"

This is the beginning of my contribution to International Fake Journal Month (read on for more about this). To participate, I’m filling a journal this month as a woman who doesn’t know who she is and is trying to find out. (Maybe she’ll learn how she lost her memory too.) I started by Googling “Who Am I” and clicked the first link, a YouTube video by Casting Crowns which inspired the rose and waves besides my pondering self.

Then I checked iTunes and found more than 100 songs named “Who Am I.” I shall play detective, listening to each song, reading the lyrics looking for clues to who “I” am. I’m looking forward to Snoop Dogg’s “Who Am I” day. As I write and draw what I learn, I’ll fill the journal and by the end of the month may have discovered my true identity.

International Fake Journal Month

Roz Stendahl of Roz Wound Up and The International Fake Journal Month blogs is one of my favorite artist bloggers. This month she introduced a quirky and wonderful concept: The Fake Journal. The idea is to create a journal for a month, where you take on a new persona, and fill that journal with the writings and sketches of that person as he or she evolves. To learn more about Fake Journal Month and Roz..

Categories
Gouache Ink and watercolor wash People Sketchbook Pages Subway drawings

Subway Sketches: Pigeons, People, Shoes

Shoes on subway, ink & watercolor in sketchbook
Shoes on subway, ink & watercolor in sketchbook

I’m really enjoying sketching anywhere and everywhere lately. Here are a few sketches with watercolor added later from BART stations and trains this week.

In His Own World, ink & gouache in sketchbook
In His Own World, ink & gouache in sketchbook

These pigeons were doing the Romeo and Juliet thing in the BART station. BART put up mean wire pigeon preventers everywhere that makes it hard for them to perch anywhere. But these two found a dark corner to bill and coo. I know next to nothing about birds, but Romeo was puffing up his (?) neck as he made his croohoo noise and canoodled with Juliet who kept sticking her feathered hiney up in the air.

BART Station Pigeons, ink & gouache in sketchbook
BART Station Pigeons, ink & gouache in sketchbook

I added the gouache on the last two at home, not on BART, since I usually only have a few minutes for each sketch.

Categories
Drawing Dreams Ink and watercolor wash Painting People Sketchbook Pages

Dream: Dancing Nude at the Office Party

Dancing Nude at the Office Party, Ink & watercolor, Moleskine sketchbook, 5x7"
Dancing Nude at the Office Party, Ink & watercolor, Moleskine sketchbook, 5x7"

I dreamed that I was at an office party where dancing was to be done nude. I was having fun, and surprised that I wasn\’t the most embarassed person there. There was a woman who was so self conscious she\’d wrapped herself in a gauzy fabric trying to (unsuccessfully) hide beneath it. The dream was fun but it was even more fun to draw it and just see who appeared beneath my pencil.

I usually like to draw directly in ink but I wasn\’t sure where I was going with this one so started with pencil and then inked over it.

Oh…I guess I should also mention that while my office does have nice parties, dancing nude has never been an option at any of them and, I\’m quite certain, never will be.

Actual sketchbook page:

Nude Party Dream - full page
Nude Party Dream - full page
Categories
Drawing Faces Life in general People Sketchbook Pages

Sketching in the Rain; Fingerpainting with Coffee

Potted Palm, Ink & coffee in sketchbook, 8x6"
Potted Palm, Ink & coffee in sketchbook, 8x6"

I’ve been desperate to get back to sketching and was determined to do some today while I was out for a walk doing errands. Just as I sat down to sketch, cup of coffee in hand, it started raining.  I didn’t care. Little drops of rain splattered on my paper, making interesting texture where they met the ink.

I’d forgotten my watercolor kit at home and was annoyed until I looked at the cup of coffee in my hand and thought of how much I liked sepia washes that Pete Scully sometimes adds to his sketches. I dipped my finger in the coffee and began finger  painting.

Then it was time to head home and get ready for a special 10-year-old’s birthday party. I’m the antithesis of a party girl these days, preferring quiet time alone or in one-on-one time with friends. But last night’s dinner party and today’s birthday party were both “command performances” so I gave myself the push I needed to show up.

The intimate, sophisticated dinner party for 6 last night was a joy; the other diners brilliant, funny intellectuals beside whom I felt like a peanut brain. But I adore them all and it was an absolute delight. What a contrast to the non-stop activity and noise of kids loaded up on sugar and then cooped up  indoors because of the rain today.

Mariah's Birthday Guests, pencil drawing, 8x6"
Mariah's Birthday Guests, pencil drawing, 8x6"

I spent the last hour of the 4-hour birthday marathon trying to sketch the jumping-bean children. They were nice kids; a junior United Nations representing as many nationalities as there were guests (and there was a dozen of them, I think).

I’m happy to be home now with no plans for the next couple days besides painting and sketching.

Categories
Drawing Faces Ink and watercolor wash Life in general People Sketchbook Pages Subway drawings Watercolor

It’s All in My Head

Cat-Tail Aloe, Ink & watercolor in sketchbook
Cat-Tail Aloe, Ink & watercolor in sketchbook

My artwork, that is.  I’ve been doing a lot of thinking and planning for my next art projects, but other obligations have taken up my art time and energy. All I’ve done the past few days is the watercolor sketch from a trip to the U. C. Berkeley Botanical Gardens (above) and the BART subway sketches below. The aloe was drawn and a bit of wash added on site; then I messed with it some more at home. There were so many wonderful options for sketching there, but my companions weren’t interested in sketching so I didn’t want to make them wait for me.

Backpacking on BART, ink in sketchbook
Backpacking on BART, ink in sketchbook
Big Feet & Big Glasses, ink in sketchbook
Big Feet & Big Glasses, ink in sketchbook

I’m quite sure this woman knew I was drawing her and I think she intentionally held her pose for me. I started with her feet because they interested me and  I didn’t think I’d have time for anything more. But because she held still I continued on up her legs and eventually ran out of room when I got to the top of her head. She gave me a big grin when I got off and I gave her one back. It was a cool little acknowledgment between us.

I’m going to start keeping my “business cards” handy when I subway sketch (those cute little Moos with bits of my artwork and blog address on them) and hand them to people I’ve drawn as I get off the train (if I have the nerve).

Taking Notes, ink in sketchbook
Taking Notes, ink in sketchbook

These two women weren’t really  seated this close. I just used the space on the page that way.

Sometimes I forget that people from my “day job” read my blog. I was in a meeting last week and one of the participants began the meeting by mentioning that she’d seen my sketches from the previous meeting we’d attended and immediately recognized some of the people in the sketch. What a compliment that was! (Thanks A. B.!)

Categories
Art theory Colored pencil art Drawing Landscape Life in general Oil Painting Outdoors/Landscape Painting People

Hannah’s Reflection Revised

Hannah's reflection, oil on Gessobord 12x16"
Hannah's Reflection, oil on Gessobord 12x16"

After I posted this painting a few weeks ago I realized I’d left off the foamy bubbles on top of the water. Last weekend I worked on the painting some more, at first planning to just add the bubbles but ended up adding a whole new layer of paint. I gave Hannah another haircut and slimmed down her dress a bit. I felt a little afraid to go back in and start messing with things, but told myself to just have fun and see what happens.

I don’t think I quite got the essence of the foam, it looks more like rose petals floating on the surface, but I decided I liked that idea and left it alone.

I’m wondering if there is a problem with the grasses behind the rust colored reeds on the middle right that sort of point towards her head. Should that patch of yellow-green grasses have less texture, be cooler and more blurry so that they recede more? I think so.

Here’s what it looked like before in the original post:

Hannah's Reflection, Oil on Gessobord, 16x12
Hannah's Reflection, Oil on Gessobord, 16x12

I’m trying to get over the idea that paintings need to be completed in one painting session or in one day. Alla prima and plein air painting is great,  but so is letting layers dry and adding more more until the painting says it’s done. Sometimes it forgets to say “When” though, and then it’s overdone.

I have the same trouble with steaming vegetables. I lose my concentration and before I know it my broccoli has turned to mush. So is the revision mushy broccoli or an improvement? Do you think I should soften those grasses or move on?

Thinking about painting and broccoli reminds me of this poster I made a long time ago:

Listen to Your Broccoli, Colored Pencil, 24x18"
"Listen to Your Broccoli and It Will Tell You How to Eat It," Colored Pencil, 24x18"