Categories
Art theory Flower Art Oil Painting Painting Still Life

One Bouquet, 2 Paintings: Generalizing vs. Specifics in Drawing and Painting

Mothers' Day Bouquet #1, oil on linen panel, 8x8"
Birthday Bouquet #1, oil on linen panel, 8×8″

My three wonderful next-door neighbor children bring me flowers every year for my birthday. This year the bouquet lasted so long I got to make two paintings from it. They come to my door, hand me the flowers and then each one shyly gives me a hug and says “Happy birthday.” I love that they’re still doing it at 10, 13 and 16.

When they were little they would come to the studio and make brilliant expressive paintings. Then school got the better of them and they started drawing the archetypical house under a rainbow with 2 windows, a door and smoke coming out of a chimney).

Mothers' Day Bouquet#2, oil on linen panel, 8x8"
Birthday Bouquet #2, oil on linen panel, 8×8″

When I try to work too fast or am tired, I start generalizing, which rarely turns out well, whether in painting or drawing. It’s too easy to do like my neighbor kids and just make a generic house or bunch of flowers rather than these specific ones. I enjoy the process and the results much more when I go for accuracy in drawing, color and value.

Some people are great at simplifying and whipping out gorgeous, impressionistic art. But for me, it’s the individual personality of my subject that interest me; the specifics that make it that particular rose, place or person.

That was the discovery I made when painting these, so they are two more “almost” paintings (see previous post). Each one is just a stepping stone on the long and joyful path that is painting. (And some paintings really are better suited to use as stepping stones in the garden than hanging on the wall!)

Categories
Art theory Oil Painting Painting Still Life

Tea and Lemon, An “Almost” Painting

Tea and Lemon on Lavender, oil on linen panel, 8x8"
Tea and Lemon on Lavender, oil on linen panel, 8×8″

I make a lot of “almost” paintings: they are almost what I intended; I almost like them, if only… (insert painting problem here). I’ve learned to appreciate the learning process and the parts that work and learn from my mistakes. But I haven’t yet learned to leave “almost” paintings alone and start another one.

Instead I keep working them until I reach the point where the underlying problem (e.g. poor composition, icky colors of background or subject, bad drawing, too overworked, or just not enough skill to pull off what I was going for) becomes insurmountable. Then I make a note of what I discover and what went wrong and give myself an assignment of something to study and practice on the next one.

With Tea and Lemon, I was happy with almost everything except the background which I reworked several times. I’m tempted to mess with it some more so I’m posting it to make myself stop.

Categories
Oil Painting Painting Still Life

Apple, Pitcher, Egg: Finding My Way

Apple, Pitcher and Egg; Oil on board, 8x8"
Apple, Pitcher and Egg; Oil on board, 8×8″

With each painting I do I’m getting closer to finding my way, or I should say my way. I am attracted to so many styles and ways of painting, from tightly rendered realism to loose and sketchy and everything in between. Some require more time and patience then I have; others are fun to paint but the results don’t interest me.

I painted this one a couple months ago (I’m so behind on posting!) at the beginning of this honing in period (or is it homing in?). As I catch up on posting the paintings and sketches I’ve done since this one, I’ll be sharing the process and work that has helped me to sort out what and how I enjoy painting and what I don’t; what I do well and what I need to learn to improve.

After chasing so many different approaches, sometimes in circles, it’s exciting to get close to finding my way, which was probably there all along waiting for me to come back to it.

Categories
Oil Painting Painting Still Life

Stumped by Stumpy Carrots

Stumpy Carrot Study 2, oil on panel, 8x8"
Stumpy Carrot Study #2 with Apple, oil on Gessobord panel, 8×8″

A fresh bunch of colorful, stumpy, little carrots with greens still attached: a great still life subject, I thought. But after two days of painting carrots I had my doubts. I was happier with the one above, my second attempt.

Stumpy Carrot study #1, oil on Gessobord panel, 8x8"
Stumpy Carrot Study #1 with Olive Oil Jug, oil on Gessobord panel, 8×8″

After the first try (Study #1) above, I wasn’t so sure. I tried and tried with the first one but it just wasn’t happening. In a rare moment of painting sanity, I decided to abandon the first one and try another composition (Study #2 at top).

I questioned whether to even post the first study since I’m not happy with the carrots. What do you think? Is it interesting or helpful to show the ones I don’t like? Or should I only post my best work that I’m proud of?

I don’t know if it was their hours under the lights or my hours struggling with them, but by the time I finished the carrots were looking an awful lot less appealing to me. I ate them anyway. Sliced and steamed with a little butter. They tasted better than they painted.

Categories
Flower Art Oil Painting Painting Rose Still Life

Stealing Roses Again

Stolen Roses, oil painting on panel, 8x8"
Stolen Roses, oil painting on panel, 8×8″

There’s a mysterious house on my block that has been empty but well maintained for several years. The mailman delivers mail and the gardening service keeps things nice and neat but I never see anyone go in or out.

Their roses and fruit trees are blooming but there’s nobody home to enjoy them. So I stopped by with my scissors to give the roses a little respect by painting them, even if it means stealing them (as I’ve done before). These were yummy fun to paint!

Categories
Flower Art Glass Ink and watercolor wash Oil Painting Painting Sketchbook Pages Still Life

Dandelions and Wine

Dandelions and Wine, Oil Painting on Gessobord, 10x8"
Dandelions and Wine, Oil Painting on Gessobord, 10×8″

It was time to take a break from portraits and do some still life painting after ten failed attempts at painting a friend from a not-great photo. I gathered some dandelions from my neighbor’s yard (I’m sure he didn’t mind) and stuck a few in my favorite old French Cognac bottle (that I found in the street years ago). With the addition of a bottle of Spanish wine, I had a still life ready to paint.

Dandelions & Wine, Watercolor, 7.5"x5"
Dandelions & Wine, Watercolor, 7.5″x5″

But first I did this watercolor sketch. Even if I plan to finish an oil painting in one go, it always helps do a sketch first to get to know my subject. And since I’m eager to get started with the oil painting, I work quickly which keeps my watercolor fresh and not overworked.

It was a relief to turn out something I liked after my frustrating journey with the portrait. But I haven’t given up on it. There are still two failed canvases facing the wall, waiting for me to make them work (or smash them to bits!)

Categories
Ink and watercolor wash Painting Sketchbook Pages Still Life Studio

Last Sketches From My Old Studio

Art supplies and tea on right, ink & watercolor, 4x6"
Art supplies and tea on right side of table & sketchbook, ink & watercolor, 4x6"

These are some of my special drawing table items: my cigar box supply holder, my watercolor brushes and pens, and a coaster under my cup sent to me by illustrator Mick Wiggins in response to a fan letter I sent him about the series of posters he designed for BART, our subway system.

Lamp and squash on right side of table & sketchbook, ink & watercolor, 4x6"
Lamp and squash on right side of table & sketchbook, ink & watercolor, 4x6"

And here’s the left side of the same drawing table with my funky little table lamp for lighting still lifes, the wall grid for hanging supplies with paper towel holder, and the base of two combo lamps at the back — and some squash for sketching that are still (a month later) awaiting cooking.

Table still life, full spread in sketchbook, 4x12"
Table still life, full spread in sketchbook, 4x12"

Here’s the full spread as it appears in the sketchbook. I drew the cup twice because I wanted to practice ellipses. I feel a little sad looking at the pictures because that much loved studio is no more. It’s under construction to become a studio apartment instead.

My new studio is wonderful and almost done. Just need to move in my flat files and painting/canvas storage rack, which hopefully will get done this weekend. Then just a little more work on house, apartment and studio and I’ll be able to get back to my happy rut of living to draw and paint instead of living in topsy-turvy world

Categories
Drawing Food sketch Ink and watercolor wash Sketchbook Pages Still Life

It Ain’t Winter But It’s Squash

Spaghetti Squash and Acorn Squash, ink & watercolor, 8x5"
Spaghetti Squash and Acorn Squash, ink & watercolor, 8x5"

We’re still not having winter, just more lovely sunny days near 70 degrees. I long for the cool rainy weather that makes it so appealing to bake winter squash and simmer hearty soups while painting in the studio. So the squash gets sketched instead of eaten.

Sonia's Squash, ink & watercolor, 5x8"
Sonia's Squash, ink & watercolor, 5x8"

The green squash isn’t really named “Sonia’s Squash” but I always think of my friend Sonia when I see these because of this amazing watercolor she painted of one with hundreds of glazes. (Correction: in reading the title I see that hers isn’t a squash it’s an Australian Blue Pumpkin.)

These squash are actually side by side on a spread in the Moleskine I’m working in (along with two other sketchbooks this month) but since the Moleskine is bound in stupid landscape format it doesn’t fit in my scanner.

Categories
Drawing Food sketch Ink and watercolor wash Rose Still Life

Persimmon & Silly Pseudo Summer Rose

Persimmon-Rose Sketchbook spread, ink & watercolor
Persimmon-Rose Sketchbook spread, ink & watercolor

If we don’t get a real fall or winter this year, maybe I can just draw fall and winter colors in my sketchbook? I got inspired by Apple-Pine’s persimmon sketching obsession to sketch (and eat) some persimmons of my own.

Number One Persimmon, ink & watercolor, 7x5"
Number One Persimmon, ink & watercolor, 7x5"

I really like the way this page turned out with the gold pen over the purple paint on the bottom that I originally added to correct a drawing/design problem, and the way the shadow (from something else on the table) kind of looks like a big number one.

Silly Pseudo Summer Rose, ink & watercolor, 7x5"
Silly Pseudo Summer Rose, ink & watercolor, 7x5"

It was over 70 degrees F today and my roses are so confused. Earlier this week we had a brief shower and a bit of cold but otherwise, it’s still not winter. I know: be careful what you wish for!

Categories
Flower Art Oil Painting Painting Still Life

Cup of Hydrangeas

Cup of Hydrangea, oil on panel, 6x6"
Cup of Hydrangea, oil on panel, 6x6"

I did this a few weeks ago when I needed to do a warm-up sketch in oils to get back in the flow after not using them for a while. I tried to work quickly and not go back over areas. I had fun and like the colors.