Categories
Animals Art theory Landscape Outdoors/Landscape Painting Photos Places Sketchbook Pages Watercolor

Watercolor Study & Watercolor Class Openings

Study for Kaiser Garden II, watercolor, 6.5" x 4.5"
Study for Kaiser Garden II, watercolor, 6.5" x 4.5"

There are still openings in my watercolor class starting Sunday, June 27; click here for all the information. Ok, business done, now on to the painting above, another study from photos I took at the Kaiser garden.

I learned the hard way to do a study first, after time and again putting hours, days or weeks into a painting that was doomed from the start.

No matter how skillful the painting technique is, if the composition is bad (the viewer’s eye goes to a bright corner and then right off the painting), or you’re trying to work from a photo that doesn’t have enough information, or your colors or values are uninteresting, the painting isn’t likely to succeed. Sketching exactly what you see is great fun, but sometimes nature requires editing to make it a painting.

What made me want to paint this scene was the water feature and the bird sculpture but when I looked at my photo I saw big problems with the composition:

Original photo, Kaiser garden
Original photo, Kaiser garden

There is way too much going on, the two big succulent plants on the bottom left dominate, a big stem above them leads the eye out of the frame, and the composition seems divided right down the middle, vertically. You barely notice the water.

So I spent some time in Photoshop cropping, rearranging and revising things:

Revised Photo Reference, Kaiser Garden II
Revised Photo Reference, Kaiser Garden II

Before cropping off the left side, I cut out the bird, moved it to the right, tilted it and gave it legs. Then I darkened the remaining succulents on the left and bottom to use them as a frame for the water feature instead of competing with it. When I started sketching the composition in my journal I decided to get rid of the messy tree branches poking in from the right too.

Although Photoshop is great for preparing a photo reference, so are the scissors, glue, sketches and notes that I used pre-Photoshop. Along with learning Photoshop, I’m also trying to become a better photographer and compose more carefully. I can do that with my digital SLR because it has a viewfinder but my carry-everywhere little Panasonic doesn’t. In the bright sun it was impossible to see anything on the LCD screen, so I guess I’m lucky that I got something I could work from at all.

My notes for the painting are in my journal opposite the study, with reminders about colors and things that worked (or didn’t). I’ve transferred the drawing to the canvas and it’s just waiting for its turn at the easel. I have a feeling it’s really meant to be a watercolor, not an acrylic painting, so may do it both ways.

Categories
Art theory Flower Art Landscape Painting Photos photoshop Places Sketchbook Pages Watercolor

Study for Tulip Painting in Watercolor

Kaiser Hospital Tulip painting study, watercolor, 4.5" x 6.5"
Kaiser Hospital Tulip painting study, watercolor, 4.5" x 6.5"

I accidentally arrived an hour early for a doctor’s appointment at one of Kaiser Oakland’s medical offices that has an amazing hidden garden. The building is an architectural treasure, built around a courtyard in 1912 by Julia Morgan as a hospital and home for unwed mothers (or so I’ve been told). Instead of reading old, germy magazines, I spent the hour in the courtyard sketching, wandering and taking photos.

After working out the composition and colors, I’ve got two paintings ready to start: a full-size watercolor sheet of the above image and a slightly smaller canvas of another garden scene.

Before starting a large painting I like to do a study first, getting to know the image more intimately, and experimenting with pigments and techniques so when I start the real painting I have a plan of action or at least a sense of direction.

Tulip study and notes for painting, journal spread
Tulip study and notes for painting, journal spread

Since I only recently began experimenting with opaque watercolor pigments after years of using only transparents, I made some discoveries with this study and took notes as I worked. Here are a couple that might be of interest:

  • Opaque pigments (Cadmiums, Cerulean, Yellow Ochre) are great when putting down an area of strong color and leaving it (such as when painting in my journal). But they lift too easily when adding layers over them, and become thick and unattractive when trying to mix darks. As I learned in oil painting, darks/shadows are best when thin so they don’t draw attention to themselves with texture.  Seems to be the case in watercolor as well: better to use staining, transparent darks that won’t lift or get thick. For the dark green areas in the painting I’ll use Sap Green with Sepia and vary with a bit of Indigo, Winsor Violet and/or Alizarin.
  • The Legion/Utrecht 100% rag watercolor paper I’m using in my journal lifts incredibly easily. This is great when you actually want to lift paint but not so good when you just want to soften an edge and a bunch of paint lifts off instead!

Here are the original reference photo and the Photoshopped version. As you can see I got rid of some distractions and changed the proportions a bit.

Original reference photo of tulip in garden
Original reference photo of tulip in garden
Photoshopped tulip reference photo
Photoshopped tulip reference photo

Photoshop CS5 has some great new composition tools, such as “Content-Aware Fill” which I used to fill in the windows, white at top right corner and a tulip on the right margin. You just select and delete sections you want to replace and PS fills them with information from the surrounding area. I also narrowed the image to fit the proportions of the 22×30 watercolor paper using Content-Aware Scaling which preserves the proportions of the important stuff while squeezing in (or stretching) the other stuff.

Categories
Animals Emeryville Gardening Ink and watercolor wash Painting Sketchbook Pages

Ground Squirrel and Mysterious Hole

Emeryville Marina Ground Squirrel, ink & watercolor
Emeryville Marina Ground Squirrel, ink & watercolor

After a delicious breakfast on the patio at Rudy’s Can’t Fail Diner in Emeryville last Sunday, my friend Michael and I walked around the Emeryville Marine. He’s very patient with my need to stop and pet dogs and to take photos of things when I can’t sketch (can’t because he doesn’t have that much patience). I loved this cute little guy’s Joe Casual pose. When I got home I sketched him and his portrait now has the place of honor as the first page in my new journal.

Rudy's Can't Fail Cafe, Emeryville, color photo
Rudy's Can't Fail Cafe, Emeryville, color photo (I so wanted to sketch the scene when I was there, but also wanted to socialize so I took a photo and made a note to come sketch at Rudy's on a Tuesday night with my sketch buddies.)

Mysterious Hole

Meanwhile something dug a 6″ wide hole and tunnel under the grass in my backyard. I searched online, trying to find out what kind of animal dug the hole. I found this website that tells you, based on the diameter of the hole and the mounding of the dirt around it. According to that site and this one, the most likely options were armadillo, fox or badger.

Except I live in urban northern California where we definitely don’t have armadillos, badgers or foxes. We do have opossums and raccoons, but possums live in trees, not burrows, and both raccoons and possums have soft hands so their only digging is for grubs just under the sod.

Worried that it could be some huge kind of rat, I called the county’s Vector Control Department (love the euphemism “vector” for nasty critters that spread disease). A very nice gentleman came out this morning but he couldn’t figure it out either, although he mumbled something about skunks but then said not.

I followed his instructions to dig up and fill in the hole, lay a board next to it, sprinkle the board with baby powder and check it mornings looking for footprints in the powder. If the critter comes back he’ll leave his footprint and then we’ll know what it was. Maybe it’s a very small heffalump.

Categories
Drawing Ink and watercolor wash Painting People Self Portrait Sketchbook Pages

Self Portraits to End the Froggie Journal

Self Portrait B-1, ink & watercolor
Self Portrait B-1, ink & watercolor

At the end of each journal I like to do a self portrait or two and write a little wrap up about my life during the period that journal was active. I blurred some of the writing so I could say what I wanted without worrying about “over sharing” personal stuff.

Self Portrait B-2, ink & watercolor
Self Portrait with Froggie Journal B-2, ink & watercolor

I was inspired by Raena’s wonderful self-portraits to try sketching standing in front of a mirror instead of just sitting down and drawing my face. While I didn’t get a real likeness I did get two images that capture how I felt and saw myself that day. And even better, I was willing to take a chance, draw in ink, leaving the “mistakes” and accept that while my sketches weren’t as “good” as I wanted them to be, I was OK with letting them exist as a point on a journey.

Categories
Drawing Ink and watercolor wash Life in general Richmond Annex Sketchbook Pages

Ripping It Up for New Beginnings: Two Johns

John Deere & Porta John, Ink & watercolor sketch of tractor
John Deere & Porta John on my corner, Ink & watercolor

They’re tearing up all the streets in my neighborhood which were already horrible. There are so many potholes I often drive with one wheel on the center double yellow line since that is the only part of the road not in shreds.

The city had deferred maintenance for the past couple years, waiting for funds to replace the water lines (requiring street demolition) and then finally to pave them. The federal money finally arrived (thanks Obama!) and now the workers are out in force ripping up all the streets (in between their lengthy breaks every hour to stand around, smoke, snack and shoot the bull).

This seemed a fitting image for one of the last few pages of my journal since I’d done some tearing up and rebuilding of my own (figuratively) during the months it was in use. (More about that next time.)

I was sitting on a corner near my house sketching this near sunset when a nice, ordinary, family man who lives on that block (with a perennially messy front yard), wandered over to see what I was doing, reeking of marijuana. He showed me a wooden burl bowl he’d just carved and we talked briefly about the joy of creativity and then he wandered off again.

P.S. Not that anyone cares, but I was curious what this tractor thingee was called so I looked it up. It’s a backhoe-loader, a fun word to say out loud. It sounds like a line in a country western song.

Categories
Bay Area Parks Berkeley Drawing Flower Art Ink and watercolor wash Landscape Outdoors/Landscape Painting Places Plein Air Rose Sketchbook Pages

Berkeley Rose Garden

Berkeley Rose Garden & Rose Practice, Ink & Watercolor
Berkeley Rose Garden & Rose Practice, Ink & Watercolor

When my plein air group met at the Berkeley Rose Garden last Saturday I arrived even later than usual: at noon, only an hour before the session was to end. I found a spot to sit and quickly sketched and painted the complicated, terraced rose garden, finishing just in time for the 1:00 critique.

Berkeley Rose Garden, Ink & Watercolor
Berkeley Rose Garden, Ink & Watercolor
Rose Grid, Ink & Watercolor
Rose Grid, Ink & Watercolor

After the critique I took some photos of the roses that most intrigued me, while guys set up white chairs for a wedding there later in the day. Once home I made a grid in my journal, and displaying the photos on my monitor, tried to understand their design and draw them.

I’ve bound my next journal and named it “Rosie” and want to decorate her with a rose design so this was practice for the rose I’ll draw on the cover. I’ve finished my journal “Froggie” but still have a bunch more pages to post.

I’ve updated my blog template. What do you think of the new design?

Categories
Drawing Food sketch Ink and watercolor wash Life in general Painting Sketchbook Pages

How to Make Yogurt, Illustrated

Making Yogurt, ink & watercolor
Making Yogurt, ink & watercolor

After much trial and error I figured out just the right steps and ingredients to make delicious yogurt and so of course had to sketch the process. I wanted to make my own yogurt so that I could get the mild, creamy flavor I like without adding more plastic to the landfill; I already have a lifetime supply of empty yogurt containers.

Ingredients for 7 cups:

48 oz. Organic 1% Milk
6 oz. yogurt at room temperature (I like Clover 1.5% Plain Yogurt) or use 1 cup from previous batch
2 T. Organic powdered low-fat milk (optional)

Quick-read Thermometer
1 Quart measuring cup
2 Quart Pyrex casserole dish
Whisk

Directions:

Pour 48 oz. of milk into Pyrex casserole dish, or pot (if using stove)

Cook until 180° F. (almost boiling, 15 minutes in my microwave)

Remove from microwave and allow to cool until 110° F. or room temperature. If skin forms on top, use a fork to skim it off.

Turn on the yogurt maker* and put the jars in place so they can pre-warm.

Pour a cup or so of the milk into the 1 quart measuring cup.

Whisk the 6 oz. container of yogurt (should be at room temperature) and the powdered milk (optional) into the milk in the measuring cup.

Pour the milk/yogurt mixture back into the big bowl of milk and whisk all until completely blended.

Pour the mixture into the individual jars.

Put the dome lid on the yogurt maker and set timer for 8 hours.

When it turns off, place lids on jars and put in the refrigerator to cool.

When cold, eat as is or add fresh fruit.

Yum.

*The Waring Pro Yogurt Maker comes with reusable plastic containers but I replaced them with 1 cup glass canning jars which are more appealing. I eat the yogurt right out of the jars, wash them and use them again. The Waring helps to make the process simple: it has a timer and holds the yogurt at the right temperature for the number of hours you set it to run and then it turns off. The longer it “cooks” the more tart it becomes. But you don’t really need equipment to make yogurt; you can use a thermos, an oven pilot light or even a crock pot, but for consistent results the Waring is great.

Categories
Berkeley Drawing Ink and watercolor wash Interiors Painting People Places Sketchbook Pages

Picante Restaurant Sketching on a Rainy Berkeley Night

Picante Peach Iced Tea and Bar, ink & watercolor
Picante Peach Iced Tea and Bar, ink & watercolor

Another rainy Tuesday night, another indoor sketching session for the Tuesday Night Sketchers. We emailed back and forth today, negotiating for an agreeable place to sketch. Finally Picante came to mind and everyone agreed it was perfect, with their great food and friendly neighborhood feel.

Usually we move around sketching from different viewpoints, even within a restaurant. But with four of us tonight ( Micaela joined Sonia, Cathy and I) we parked ourselves in a comfy booth to eat and ended up staying in the same spot all evening. I started by drawing the iced tea in front of me and then turned to the right and drew the bar 10 feet away, putting it behind my tea. In reality, Sonia was sitting across the table from me and she was behind my tea.

Everyone else made several sketches but I spent the whole evening on just one. It felt luxurious to take my time and savor each visual discovery, line and color. But then I felt a bit sheepish when I realized it was 9:00 and everyone else was done and waiting for me to finish so we could do our end of evening show and tell and go home.

Categories
Animals Berkeley Drawing Gardening Ink and watercolor wash Landscape Outdoors/Landscape Painting Places Plants Sketchbook Pages

Barbara’s Baby Chicks and Garden

Auracana chicks, 9 days old, ink & watercolor
Auracana chicks, 9 days old, ink & watercolor

My best friend Barbara ordered baby chicks by mail. She’d built a little hen house from scrap lumber and had it all ready for them. So she was surprised when the bundle of chirping chicks arrived with instructions to keep them indoors at 90°F for several weeks. Instead of being in the garden when we came to sketch they were living in the upstairs guestroom/studio in a big box with a heat lamp.

We were greeted at the garden gate by Gertie, her big, old, sweet Sharpei/Mutt.

Gertie the Garden Greeter
Gertie the Garden Greeter

I tried to get her to pose for me but she was a bit unclear on the concept.

Garden path with cactus, ink & watercolor
Garden path at sunset with cactus sculpture. Ink & watercolor

Barbara’s garden (photos from previous post) is abundant with flowers, vegetables, fruit trees, wild birds, her ceramic sculptures (the 3′ tall cactus above is actually made of glazed ceramic), her mosaics and the fabulous scent of healthy growing things. It’s a small garden in North Berkeley, but feels like a visit to the country far from urban stress. Her next door neighbors are musicians and so our sunset sketching was accompanied by birdsong and live music playing softly next door.

Elephant, sun/moon plate and potted bamboo
Elephant, sun/moon plate and potted bamboo

One of Barbara’s many garden still lifes. Every few steps in her garden (and in her jewel of a cottage) there is another such treasure, but she is the best treasure of them all!

Categories
Drawing Ink and watercolor wash Landscape Life in general Outdoors/Landscape Painting People Places Plein Air Shop windows Sketchbook Pages Sketchcrawl

Worldwide Sketchcrawl 27: San Francisco

Sketchcrawl 27: Getting There & Getting Started
Sketchcrawl 27: Getting There & Getting Started

For Worldwide Sketchcrawl 27 today I headed to San Francisco on BART  for a 10:30 meetup at the Ferry Building, sketching along the way. The couple at the top of the picture seemed to be on an unsatisfactory date. The woman seemed passive-aggressive: she’d gone along with bringing her clunky bike on BART and her stupid, ancient, ill-fitting helmet, but wasn’t going to have fun. Her date adjusted her helmet straps for her but while he kept his on all the way to the city (complete with duct tape patch), she wouldn’t put hers on.

The guy in the middle above is Pete Scully, sketched outside Peets’ Coffee at the Ferry Building. I had a great time sketching with him and my friend Sonia and other sketchcrawlers wandering the Financial District of SF.

Waiting for Sketchcrawl to Start at Ferry Building, ink & watercolor
Waiting for Sketchcrawl to Start, ink & watercolor

There were too many people at the Ferry Building, shopping at the upscale foodie shops, being annoying tourists, and/or waiting for ferries. I waited in a line of 20 women for the restroom and didn’t even bother trying to get a cup of coffee at Peets. While we waited for Enrico to give us the “Go,” we sketched the scene. Yes, I exaggerated the crowds and the closeness of the Bay Bridge.

There’s a clarinetist (see Sketchcrawl 21 sketch) who is a permanent fixture at this spot, playing annoying screechy “music” that he segues into “Mary Had a Little Lamb” or “Popeye” whenever a kid approaches. Moms and their tots stop and dance while dads take photos and stuff money in his case.  I couldn’t wait to get away from the crowds.

View of Ferry Building from Atop Hyatt Regency
View of Ferry Building from Atop Hyatt Regency

Pete had the brilliant idea of going to the top of the nearby Hyatt Regency Hotel to sketch the view from above. We tried to go to the top floor (17) but the elevator would only take us to 14. We met a bellman on 14 and he said you had to have a key card to get there. I brazenly asked if he had one and he said yes. “Could you take us there?” I asked. He opened the door and swiped his card and sent us on up. What a sweetie! I wish I’d thought to tip him.

When we got off the elevator a gentleman informed us that the 360 degree-view-Regency Lounge was only for Regency Members and asked if we were members. I said no, but asked if we could just look at the view and draw pictures. He asked “For how long?” and I said “Oh, about 10-15 minutes” and he said OK. We were there for nearly an hour and nobody bothered us. We did tip him when we left and he invited us to help ourselves to any of the complimentary food and beverages but we declined.

Cable Car Turnaround, Drumm & Market
Cable Car Turnaround, Drumm & Market

Sonia and I were hungry so while Pete started sketching a cable car we bought lunch at a deli across the street. We ate sitting at a bus stop, the only seats around. People kept coming up to us and asking about buses. Then I tried sketching the cable car and the hill it goes up and down. I was doing pretty good until I somehow planted a street light in the path of the street car.

Pete Sketching in front of McDonalds
Pete Sketching in front of McDonalds

Heading north, Pete sketched an old German hofbrau that didn’t inspire me (though his sketch did, which I will link to when he posts it) so I drew him from across the street, sitting on his stool in front of McDonalds.

Victoria's Secret Window, Embarcadero
Victoria's Secret Window, Embarcadero

I was tired and about ready to call it a day but managed one more sketch. I was more interested in the almost spiral staircase, the shadows, and odd architecture than the mannequins in their jungle print undies. I’m not a fan of the Victoria’s Secret brand or their ads and I think maybe it shows in the way I subconsciously made the mannequins look like they were giantesses, trapped in the store window and trying to get out.

It was 4:00 and although the end-of-Sketchcrawl meetup was happening at 4:30 in Union Square I decided to just go home and relax rather than head towards more crowds. It was a great day!