Tag: Faces

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Drawing Faces Other Art Blogs I Read People Portrait Sketchbook Pages Watercolor

More Portrait Swaps: Andy (& Nel again)


Andy

ANDY by JANA
Ink & watercolor, Aquabee sketchbook, 12×9″ (larger)

Andy of “Drawn to Running” emailed me and invited me to do a portrait swap with him. I think he’s quite adorable and looks like someone with a very kind heart. I exaggerated in my sketch of him but had great fun doing the drawing, which was a relief after my struggles in the studio earlier this week.

Here’s his excellent portrait of me: an amazing likeness!:

Andy\'s portrait of me

JANA by ANDY

I’m still working on painting Nel and I’m determined to succeed to capture her image from one particular photo without making her look unattractive, which she most definitely is not! Here is another attempt (3rd of those I did today, the first two not worth posting!).

NEL #6
Ink & watercolor, Aquabee sketchbook, 12×9″ (larger)

Nel 6

Drawing in Sharpie is great fun. You have to move quickly or it starts to bleed; you can’t erase, just have to redraw the lines. I enjoy this kind of “take a chance and go” drawing and quick painting so much more than careful labored work these days.

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Drawing Faces Other Art Blogs I Read People Portrait Sketchbook Pages Watercolor

Portrait Party Pics Part I

1st Sketch of N.

Nel in Sharpie and watercolor in Aquabee 12×9″ sketchbook (larger)

Two art blogger friends and I are swapping portraits for the Portrait Party‘s Happy Birthday Party. You can see there pictures of me here on Nel’s blog and here on Rita’s Flickr page.
Anyone can join in the drawing fun. Just grab a friend and sketch each other; follow the directions here. To be included in the Happy Birthday Party contest, you need to submit your sketch to the Portrait Party by March 31.

1st Sketch of R.

RITA in Sharpie and watercolor in Aquabee 12×9″ sketchbook (larger)

My painting group met at my studio tonight and we finally caught up with each other after a month of way too much busyness to meet regularly. Lea finished illustrating her latest children’s book (which I think is going to become a classic) and shipped the last of the paintings off to her publisher. Susie shared some beautiful watercolors from her trip to Hawaii. Sharon was working on an abstract watercolor and while she painted, Judith surreptitiously sketched her. To get even, Sharon did a quick watercolor of Judith.

Then we uploaded their portrait swaps (below) to the Portrait Party. On the left is Judith’s sketch of Sharon. Sharon’s quick watercolor of Judith is on the right. They both captured each other’s essences in a powerful way.

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(click images to enlarge)

It’s been a while since I’ve sketched with those very unforgiving Sharpies and it was fun and somehow liberating to just start drawing and see where I ended up and then loosely add watercolor. I was working from photos I was sent by N. and R. I’ve never met either of them in person but I find it’s often easier drawing someone I don’t know intimately. One of the photos N. sent me was so intriguing that I plan to attempt a more serious portrait from that image later.

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Drawing Faces Life in general Other Art Blogs I Read People Sketchbook Pages Watercolor

Life: NOT as Seen on TV

NOT as seen on TV

Ink & watercolor (Larger)

“Life is what passes you by while you’re watching TV.” I used to have a little sign on my TV with those words, but back then it was a reminder to my kids, not to me. Now I need it for me.

I was chatting with my friend Lin [View from the Oak] about our struggles to find time for everything. Lin manages to paint or sketch every day, post it on her illustrious blog AND leave wonderfully encouraging comments on countless other blogs, all while working a grueling schedule and making time for her husband, offspring and grandbabies.

It occurred to me later that day: I bet Lin doesn’t watch TV! It turns out I was right. Other than the art videos she watches while on her treadmill, she rarely watches TV. She said that sketching IS her TV, her way to relax.

I used to be like that too but somehow, over time, TV has insidiously infiltrated my life. I turned to it as a way to relax when my brain was tired from thinking hard all day at work. But it puts me in a stupor so I just watch another show instead of doing something more satisfying (or just going to bed when what I really need is sleep).

Now it’s time to pull the plug! I may even cancel my cable and TiVo subscriptions and go cold turkey for a while. I bet that not only will I gain time and save money (on cable and TiVo bills), I might even lose a couple extra pounds, since watching TV often leads to snacking on empty calories while burning none!

Have you successfully quit TV? If you have any tips, I’d love to hear them!

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Art theory Faces Figure Drawing Oil Painting Other Art Blogs I Read Painting People Portrait Sketchbook Pages

Figure Painting Workshop Sketches

20080310_0131-Meri

20 Minute Sketch: Oil on panel 12×9″ Larger

I thought I would scrape off and reuse this panel but when I photographed it I found there was something about the rawness that I liked. It was the second sketch of the first day of my “Weekend Warriors” figure painting workshop with Randall Sexton, a talented and kind teacher. The model, Meri, was the best I’ve worked with…beautiful, voluptious, charming and a real professional. She is originally from Argentina and came to the SF Bay Area after working with artists in New York City for 10 years.

Below is another 20 minute sketch from day one. Again, I thought I’d wipe and reuse but since I kind of like the energy in it (and didn’t like the cheapo Aaron Brothers panel — way too smooth a surface) I think I’ll hang onto it. (Which means it joins the big stack of “learning opportunities” in my closet until I’m ready to dump them).

Oil on panel, 12×9″ (larger)

20080310_0136-Meri

Oil painting from a live model is sort of like plein air painting: time is limited and there are so many elements that need to be right (drawing, color , value, likeness etc.) for the painting to work. There is so much to see, discover, understand and interpret in 20 minute sprints of painting.

The model’s breaks between poses afford an interesting opportunity to walk around the room and see what others are doing. I was struck by how different each artist’s work was. There were some very accomplished local painters in this weekend class. I had the good fortune of setting up beside Iris Sabre, a local painter whose style and technique I greatly admire.

I started the larger painting below at the end of day one, with two 20 minute sessions. When we returned on Day 2 we had 3 more 20 minute sessions to “finish” up. This is nowhere near finished (but I wish I’d at least gotten around to fixing those giant hands!)

Oil on panel, 20×16″ (larger)

20080310_0125-Meri

This was the 20 minute warm up sketch at the beginning of day two:
Oil on canvas panel, 12×9″ (larger)

20080310_0128-Meri

This was the final painting on day two, about 2 hours and again, not close to being finished and suffering from chalkiness and my exhaustion:
Oil on panel, 20×16″ (larger)

20080310_0121-Meri

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Drawing Faces People Sketchbook Pages Subway drawings

Quickie Subway Drawings on BART

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I liked the earnest, patient look on her face and her Modigliani neck. I just wish she’d stayed aboard a little longer so I could finish her.

Now this guy was great. He went right to sleep, sitting facing me, our knees nearly touching, and mostly stayed asleep until we both got off at the same stop. Once he startled awake and caught me staring at him but dozed right back off. The guy sitting next to me watched me draw and gave me a big grin as I was getting off, acknowledging our secret from my model.
Red-haired sleeper with sideburns:

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More sleepers:
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Just waiting:
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Too many earings:
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No smoking: (and yes, I know his head’s too narrow but I think it rather suits him)
20080227-BART5

All are Ink on Strathmore Drawing paper

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Every Day Matters Faces Life in general People Sketchbook Pages Subway drawings

13 minutes, 4 commuters, politics and art books

Ink in 6×9 sketchbook (Larger)

On my way home from work tonight I intended to continue reading Hensche on Painting (about an American Impressionist painter and his teachings about seeing and painting color under the influence of light). But the BART train was full of fascinating faces and I had to sketch instead. There are four stops between my office and home. The person in the seat two rows ahead of me was replaced at each stop, which made for a wonderfully random assortment of models, with 2 to 4 minutes each to draw them.

Tonight my painting group was here and we talked about whether we were going to vote for Hillary or Obama. As I wrote that sentence, I realized that it doesn’t feel right to call her by her last name or to call him by his first name. I wonder what that means and if it’s unconsciously sexist of me? Or is that I didn’t know how to spell Barack and had to look it up, even though I’ve seen it a hundred times already? Or is it because when I think “Clinton” I think of her hubby?

Susie has been reading Obama’s first book, Dreams from My Father: A Story of Race and Inheritance, about his life pre-candidacy and it has convinced her to vote for him. I’m going to download it from Audible.com and listen to it.

Tomorrow night (Thursday) is the California debate between the two of them, and although I don’t get CNN on my TV, they are streaming the debates live on CNN.com so I will watch it on my computer. Then I’ll make my decision and mail in my absentee ballot. (I like pretending that my vote actually matters.)

I’m just looking forward to the end of the Bush era and not having to run to turn off the sound when he’s on the radio or TV.

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Animals Drawing Faces Life in general Other Art Blogs I Read Painting People Sketchbook Pages Watercolor

Noses (catching a cold)


Pencil and watercolor, 8×6 (larger)

Pooh! I’m catching a cold. Here’s a sketch of my nose which is getting a lot of attention right now. I set up my mirror on my drawing table and Fiona hopped up to bask in the warmth under my lamp so I got to draw both of our noses.

Inspired by Laureline‘s recent experiments, I dragged out my ancient, very first watercolor kit of Schmicke watercolors. She’s right — they are more brilliant than any others. Also inspired Laura I tried using a Mars Lumograph 8B pencil I found in my pencil box to draw instead of my usual pen. It was really silky and fun to draw with and nearly as unerasable as a pen.
I wanted to do a painting about a neat flying dream I had the night before but I need to feel better to get into the spirit of that dream. I’m feeling too limp and funky to paint flying and soaring. Noses are about it for today.

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Art theory Dreams Faces Oil Painting Other Art Blogs I Read Painting People Photos Portrait Studio

Dreamt about Jack Nicholson so I painted him

Oil on canvas panel, 12×9″ (Larger)

I had a fun dream that I was on a date with Jack Nicholson so the next day I decided to paint his portrait. (I wouldn’t really want to date him–I think he’s scary but fascinating.) I downloaded some photos from the web, picked this one and set it up on my computer monitor.

In Photoshop I cropped the photo to 12″x9″ to make it the same proportions as my canvas and then set Photoshop’s grid to divided the image into thirds. Then with charcoal I drew the same grid on my canvas panel (dividing it into 9 rectangles). That made it easier to correctly sketch in the shapes that make up the face.

Here’s the set up with the painting nearly done. It so great to be able to work from the monitor instead of a printed photo though it still can’t compare to working from life:
Jack Nicholson portrait in progress
(Larger) (Alison and Pete your artwork is visible on my bulletin board, along with some other inspiring artists’ work)

When I thought I was done, I looked at both images in a mirror and saw a bunch of problems that needed fixing. I flipped the photo 180 degrees in Photoshop and turned the painting upside down too. That made it easier to spot and corrent problems as shapes instead of facial features which is harder. I wasn’t going for a perfect finished portrait, but rather was trying to have fun and continue practicing with oils.

While I was working was listening to a historical novel about Pierre-Auguste Renoir and the making of his famous painting, Luncheon of the Boating Party (my favorite impressionist painting of all time–it made me cry when I saw it in person). I’m enjoying Susan Vreeland’s book of the same name, but I can’t imagine a non-artist enjoying it as much, since it goes into great detail about colors, composition, art theory, and the struggles and joys of painting from life.

Here are a couple of great quotes by Renoir that I really loved:

“I always paint from life and never paint anything I don’t enjoy.”

“I make it a rule never to paint except out of pleasure.”

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Art theory Faces Oil Painting Painting People Portrait

Persistence, Acceptance and Freedom

Don and Robin

Oil on panel, 9×12″
Larger

This is a portrait of my son and his grandfather, Don, from a photo taken 30 years ago. I started working on this painting a few days before he died two weeks ago. Although he was afraid of dying he had tremendous acceptance, from years of regular meditation. Visiting him was a very peaceful experience. Even though he was experiencing so much loss, having been an athlete all his life and now watching his body fail, he was incredibly serene. We brought him some photos to look at, including the one from which this picture was made, and they cheered him up and made him laugh.

The reason I titled this post “Persistence, Acceptance and Freedom” is both because of Don, and also because I’ve had to accept that I don’t yet have the skills to make this a good portrait in oil paint, despite my persistence, and that this painting is as far as it’s going to get and it’s time to let it go. And that gives me much needed freedom, after working on this for way too many days. In the beginning it was a wonderful way to remember Don and think about those early days. I was determined to do the best I could but now by accepting that this is as far as I’m willing to take it, I free myself to move on to something else.

I didn’t spend enough time with the initial drawing, the photo I was working from was old and funky, and the color had faded strangely. Initially there were three generations in the picture, my son, his dad, and his grandad. First the two men were great but the baby was a mess. Then the baby got good but I messed up one of the men. After scraping off and redoing all or some of the people many, many times I decided to eliminate my son’s Dad, paint the background and clothes, and call it done. The thing with oil painting is that you can edit forever but I need to stop.

I’ve read it’s better for learning to paint hundreds of one-hour paintings than to spend hundreds of hours on one painting. I’ve tried the later and it’s not fun. I’m ready for the former and excited about doing timed paintings — more like sketches — one hour apiece.

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Art theory Faces Life in general Painting People Portrait Sketchbook Pages Watercolor

Squinting to See the Light (funny story)

Squinting to see the light

Larger
Watercolor in large Moleskine notebook

Today at work, 10 of us were sitting around the table in the lunchroom eating and chatting. I sat across from our director, facing the picture window and our 27th-story view of Oakland, the San Francisco Bay, Mt. Tamalpais and the huge, cloudy sky. I was thinking about what I learned in my painting class last Sunday about the importance of learning to see color temperatures and value. A good way to do that is to close one eye and squint, which helps to blur the details, so that you can see shapes and values. I decided to practice on a blue house and a large brick building that I could see in the distance. I tried one eye and then the other, curious if it made a difference between my left and right eyes.

Suddenly I realized the conversation had stopped, our director was asking me if I was OK, and everyone was staring at me. I burst out laughing realizing that I was sitting there making weird squinty faces and they were all thinking I had an excruciating headache or had suddenly gone mad. I started trying to explain what I was doing and they looked at me perplexed. They finally realized it was an “art thing” and went back to chatting about work and TV shows and travel.

When I got home tonight, I looked in the mirror to see just how funny I looked and had to do this quickie self-portrait in my sketchbook. Amazingly it actually looks like me!