Last week I took advantage of quick sketchers Martha and Cathy being away to spend an hour working on one image instead of constantly moving from one spot to the next. This was a really complex scene and the more I drew the more details appeared to draw.
By the time I finished, Sonia (who did several sketches of different views from the same spot) and I were so cold we decided to head home. I work right across the street from the lake and doing this drawing helped me to see what an amazing resource I have for sketching right outside my door.
Lunchtime Sketching Lake Merritt Birds
The next day at lunch, instead of eating in the kitchen with my colleagues, I took my sketchbook and went for a walk by the lake. My plan was to sketchercize: walk for 15 minutes, do a sketch, and walk 15 minutes back, getting in a 30 minute walk. But 5 minutes from the office I saw a row of Double-Crested Cormorants all lined up drying their wings in the sun as if they were on clotheslines.
(Cormorants are easily identified because they’re the only waterbirds that sit in the sun with their wings spread, hanging their feathers out to dry. They lack an oil gland for preening, so their feathers get waterlogged when they swim under water.)
After I sketched a cormorant and walked a few minutes more, a gaggle of goofy geese were all lined up at the edge of the sidewalk, waiting for someone to decide what to do next, and they needed sketching.
Walking back to the office I came across a foot-high rock with a bronze plaque on it that said “Leon Olsen loved to walk here.” What a great way to honor someone. A memorial walk rock!
Higgins Calligraphy Ink wash added to Palace Hotel sketch
Yesterday I tested some sepia drawing pens and bottled sepia inks to see which I preferred and did the same with an assortment of graphite pencils. To start the process I added some sepia ink washes to last week’s sketch from the Palace Hotel in San Francisco and like it much better now.
The pens I tested were all permanent, waterproof and lightfast:
Copic Multiliner SP.03 which I used in the sketch above
Micron Pigma .01 (my former favorite pen)
Pitt Artist Penswith various sized nibs including a brush pen.
My favorite was the Copic Multiliner SP .03 because of the way the ink and point just glide across the paper, the wide comfortable pen barrel, and the rich sepia color. Because it’s aluminum, refillable and has a replaceable tip, the Copic Muliliner is the most expensive of the three (around $7.00) and I can only get it via mail order which is annoying.
My second favorite was the Pitt Artist Pen with the “S” (superfine) tip. The Pitts are much more readily available in my local art stores and much less expensive (around $2.00). They have a somewhat wide comfortable barrel and a smooth feel when sketching.
The Sakura Micron Pigma .01, my former favorite, now seems a bit sharp and scratchy, but does offer more control because of the finer line. The barrel is narrower which makes it less comfortable to hold for long periods. It’s reasonably priced (around $2.25) and a good pen.
Traditional sepia ink is made from cuttlefish bladders(!) and mixed with a waterproof shellac base for a transparent waterproof satin finish.
The inks I tested were:
Higgins Sepia Calligraphy Ink (label says “non-waterproof” but provides no information regarding permanence). A beautiful warm color that flows beautifully straight or when mixed with water in washes. It is my favorite of the three, but I’m concerned about it’s archival qualities. I’ve sent the company a request for more information and will update this post when I receive it. Since it was recommended to me by an artist I trust who uses it in her fine art, ink and wash work I will continue to use it for now. It comes in a sad, unattractive, square plastic bottle with little self-esteem, and is without an eye-dropper lid.
[update 8/29/2009: Higgins Inks have been purchased by ChartPak and I was able to speak to the delightful woman in charge of their laboratory where the inks are formulated and tested. I was told that this line of inks is considered “student grade” and that testing is still underway (since it’s a new product to their company). However she was able to tell me that the colorants for this ink are dyes rather than pigments so while the ink bonds “permanently” with the paper, the colors are probably not lightfast and would be subject to fading or changing color. ]
FW Acrylic Artists Ink (label says “water resistant, permanent, highly lightfast”). Ugly chalky dark brown that didn’t work well as a wash, got blotchy and almost seemed sedimentary. It’s made using the same pigments that are in paints, so it’s basically very thin acrylic paint designed to be used in pens. This was the only one of the three with an eye dropper built into the lid and comes in a glass bottle.
Winsor & Newton Calligraphy Ink (label says “non waterproof, lightfast”). It was OK. It’s more traditionally sepia colored than the Higgins ink. I think I could make it work, but preferred the Higgins. It comes in a glass bottle without an eye-dropper lid.
Here is the test page on which I drew with the Copic Multiliner and then added washes of pure ink and ink mixed with water from each of the three bottled inks.
Copic Multiliner and Inks (click to enlarge)
On the following page I drew with the Pitt Artist Pens, including the Brush Tip, S, F, and M tips and to match the color, used the Winsor & Newton Calligraphy Ink for the washes. I liked the Pitt S (for Super-Fine I think) and thought all of them were pretty nice. At the bottom of the same page I used the Micron Pigma sepia .01 and the Higgins ink since they seemed a good pairing.
Ink-test: Pitt Pens, Micron Pigma (click to enlarge)
I decided to finally simplify my huge collection of pencils, graphite sticks, mechancal pencils and lead holders and pick one all purpose graphite pencil and one all purpose mechanical pencil. Although I have a full range of drawing pencils from super hard to super soft, I never work in that kind of detail with pencils and they’re just cluttering up my workspace. In the end I settled on these two for my in-studio and in-sketchbag all purpose pencils:
Generals Draughting Pencil went from light to dark easily without getting smeary and erased cleanly with a plastic eraser. I’ll use this one for sketching and planning in the studio, and for doing value studies in the field. (Close second: Sanford Draughting Pencil but it was a little softer/darker, making it more difficult to get a very light shade and it was smearier to erase.)
Papermate Ph.D.0.5m HB#2 Mechanical Pencil. The Papermate Ph.D. has a super comfy barrel that has a rubbery, wide triangular shape “endorsed by physical therapists.” This one is especially good for drawing light outlines before inking or painting in watercolor, although care must be taken to avoid embossing soft paper with the fine point. (Close second: Papermate Titanium .05 Mechanical Pencil. It wasn’t as comfortable and it was harder to get a nice dark.) I like using mechanical pencils because it’s handy having the lead and eraser in one unit.
El Cerrito Natural Grocery, cobalt Copic multiliner and colored pencils
I had to make my morning coffee with the last drops of non-fat milk (yuck, 1% is OK but non-fat in coffee just doesn’t cut it) and there were no peaches or milk for my Cheerios. A trip to the market couldn’t be put off. But I had a full day of experiments in the studio planned and I needed some exercise. Easy solution:
take the long way around, up and down big hills, to my favorite grocery store, El Cerrito Natural Grocery (cardio)
sketch the market using the cobalt Copic Multiliner I wanted to experiment with (I think I prefer the sepia)
shop
carry groceries home in a loaded backpack plus another full bag (weight lifting)
add colored pencil to the sketches to try out the new Polychromos colored pencils (LOVE THEM!)
Quick subway sketches with the cobalt Copic Multiliner and colored pencils
I’m trying to simplify my choices with my art supplies, wanting to narrow down the pens, ink, pencils and colored pencils to keep handy and those I’ll give away. I did tests today on drawing pencils, sepia liquid inks and sepia pens and will post them and my preferences tomorrow.
I’m also working on painting a grid of 16 different acrylic painting techniques to improve my understanding of acrylic techniques and possibilities. It became clear this was needed when I started a series of paintings in acrylic and realized I didn’t have the “chops” to accomplish what I wanted. I was trying to use oil painting techniques and was getting nowhere fast (and ruining brushes with all the scrubbing I was doing with them which seemed the only way to get the smooth transitions I wanted).
Each medium has its own capabilities and pitfalls. Why not make good use of the characteristics of the media instead of trying to force it to be something it’s not? Despite people claiming acrylic can be used like oils and like watercolor, I’m going to try to learn to use it like acrylics instead and have fun with all the crazy stuff it can do. This series of large paintings wants to be in acrylic and so it shall, and soon I hope.
Rush Ranch Horses, Sepia Copic Multiliner and watercolor wash
Mariah, a wonderful young artist, accompanied me to my plein air group’s paint-out today at Rush Ranch in Suisin City. She was immediately inspired by a spot, sat down and started sketching. I faced the opposite direction and sketched these horses in the corral.
Before we’d left my house, I showed her a book on drawing animals that demonstrated how to first find and assemble the basic shapes contained in the animal (rectangles, circles, triangles) and then refine them. I decided to practice what I preached and did that with the horses. I’d never noticed what big knees horses have before. I sketched with my sepia Copic Multiliner .03 and then added watercolor washes.
Rush Ranch Vista, ink & watercolor wash
The views from Rush Ranch were tremendous. I could have sketched for hours more but we’d arrived late and after our second sketches it was time for the group critique and lunch.
We were late because I got lost yet again (missed the turnoff and drove forever before turning around — and this was with GPS!) My mind had wandered to thinking about the people fishing (and the fish) in the slough off the little bridge we’d just passed so I missed the entrance sign and decided that the GPS telling me I’d arrived was wrong. This was especially stupid since the printed directions from my group said to go over that bridge and then turn right in 3/4 mile.
Instead I drove and drove, went over another bridge and THEN started looking for the turnoff. I went miles past that bridge, eventually arriving at the gate to a “youth correctional facility” (jail for teens) and admitted I’d blown it again. When we finally found our way back and I saw the huge “Rush Ranch” sign, I couldn’t believe I’d missed it.
Well actually I could believe it. I think I could get lost just walking from one room to another these days!
Palace Hotel Garden Court detail, Copic Multiliner
After an all day meeting in San Francisco on Wednesday I met art buddy Sonia for some sketching at the Palace Hotel’s Garden Court atrium. It’s a stunning and historical room but detail lover that I am, I chose one tiny spot across the room to draw and then spent an hour on it, while Sonia did 4 or 5 sketches.
Palace Hotel Garden Court
I started with the furthest chandelier and the clock on the wall and just kept discovering more and more fun things to draw. If we weren’t so hungry and tired we could have stayed there all night sketching.
Two Ladies Chatting Over Coffee
The first lady just slid right off my pen, perfectly drawn (as I saw her) but her friend kept moving and I couldn’t get close to a likeness.
Random BART Subway Sketches
More commuter sketches (and one eagle who adorns the top of the Oakland City Hall). My co-workers and I took advantage of a sunny and surprisingly quiet day at the office to walk to Oakland City Center for lunch (ergo the Bean and Cheese sticker) and I even had a moment to pull out my sketchbook.
That messy little boy top right was on a field trip but looked like he should have still been home in bed. And that’s where I should be too. It’s been a rocky week. Glad it’s over.
I combined walking, errands and sketching this morning, and really enjoyed all three, especially using my new sepia Copic Multiliner to draw these sketches. The pen is made of aluminum, is refillable with a replaceable tip. It’s very comfortable in the hand with a wider barrel than my usual Micron Pigmas, and the pen just glides across the page.
First stop was my little local library where I returned “Chasing Matisse”, a lackluster memoir about a guy who gets a book deal to go visit all of the places where Matisse lived. He fancies himself an artist as well as a journalist, but I didn’t think he was much of either. He basically read Hilary Spurling’s excellent two-part biography of Matisse and repeats stuff from her book in between his boring descriptions of his own experiences seeing what Matisse had seen and sometimes even trying to sketch or paint it.
El Cerrito Post Office
Next was another return of an Amazon purchase to the El Cerrito Post Office. I asked the clerk if she’d stamp my sketchbook with her round postmark stamp, just for fun but she said no and gave me some “airmail” stickers to use instead which I didn’t.
When I was a kid my grandfather had a bunch of rubber stamps and pads of old deposit slips from when he’d been a banker before the bank closed during the depression (but why did he still have them?). I used to love going to his house and playing with the rubber stamps.
I’d planned to add sepia ink washes to these sketches at home tonight because I’d ordered a bottle of that ink, but when I looked at the items that arrived in my order I discovered they’d made a mistake and sent me black ink instead. Rats. One more thing to return.
Here’s a few sketches of doors from last week’s North Berkeley sketchcrawl around Euclid and Crystal above the Berkeley Rose Garden. I was really tired and not terribly inspired, but it was a nice evening nevertheless.
Near Berkeley Rose Garden #1, ink & watercolorNear Berkeley Rose Garden #2, ink & watercolorNear Berkeley Rose Garden #1, ink & watercolor
I’ve been testing pens that I have on hand, trying to find one that is permanent or archival but also will bleed when water is brushed across it. I haven’t found it yet, so if you have any suggestions, send them my way. While I was testing I was hungry and annoyed that I was going to have to stop and go cook dinner, and then clean up after dinner.
I’d recently learned that cats don’t need variety in their food (assuming they’re being fed a high quality cat food) and that in fact, switching their food around gives them digestive problems. Cats only have about 500 taste buds compared to our 9,000 so they make their eating decisions based on smell (and how hungry they are), not so much on flavor. When I stopped constantly changing their food, Busby’s chronic digestive problems disappeared and he became much nicer to have to around.
Since veterinary science has determined exactly what nutrients are required for cats, why hasn’t medical science discovered something similar for humans? I’m not saying I’d want to eat kibble 3 times a day (although my beloved Cheerios do look an awful lot like kibble and my cat Fiona has been known to rip open the Cheerios box and eat them) but wouldn’t it be nice to be able to just take a meal replacement pill, beverage or bar and have all the nutrients needed to nourish the body and stave off hunger until the next mealtime? Take the poll at the bottom of the post and tell me if you agree.
I was also thinking about how much more I enjoy sketches and sketching when they’re about something other than making a copy of something, and when there are words included. Pretty pictures are nice, but when something is just about being a pretty picture it feels soul-less to me. I want some meat in my sketches, not just pretty (or at least some kibble, if not meat).
The weather is gorgeous in the S.F. Bay Area today, sunny and warm with a gentle breeze. It inspired me to drag my old bike out of hiding and go for my first bike ride in two years. Of course the tires were completely flat. I got my first bit of exercise pumping up the tires (while managing to get chain grease all over myself working from the wrong side of the bike.) Finally took off down the street and 3 blocks later realized that when the front tire pointed straight ahead, the handles bars were turned to the left.
Rode back home, called bike store, got directions to fix it, used wrong little L-shaped wrench thingee which got stuck in the hole, called bike store again, found the correct metric wrench they said to use in my son’s tools he left behind in my garage, got the stuck one out, tried again, but couldn’t loosen the bolt. Looked around to see if there were any men home on the block who could strong-arm it for me. No men home.
Called sons (both avid cyclists). Son #1 not answering. Son #2 was working from home and was so sweet, came right over and fixed it for me. Finally, two hours after I first planned to leave, I was on my way, down to the Bay Trail.
It was glorious! I rode through Richmond Annex, crossed over the freeway on the pedestrian bridge at Sacramento St., over to Central, down to the Bay Trail, and rode all the way to the Rosie the Riveter Monument and National Park in Richmond. I stopped to paint the ship “Amazing Grace” (above) in the Marina Bay Yacht Harbor.
Sit Stay Cafe at Pt. Isabell, ink & watercolor, 6x9"
My reward on the way home was lunch at the Sit Stay Cafe at Pt. Isabel. I was sitting under a bright red-orange umbrella there when I painted this and so all the colors came out really weird (that’s the bay and SF in the distance on upper right). I loved the body language of the people and the dogs. Pt. Isabel is an enormous dog park along the bay with spectacular views. The cafe is next door to Mud Puppy’s Tub and Scrub dog bathing shop, so the patio and cafe are dog friendly.
What a great day! The views of the bay, the harbors, the city, were spectacular, the sun hot and the breezes cooling. Doesn’t get much better than this! Definitely an Amazing Grace kind of day!
I found this pretty bumblebee in a parking lot yesterday. It was quite dead so I picked it up and carefully brought it home in a napkin to draw. I set it on a few hydrangea blossoms under my magnifying lamp, trying to see all the details but it was really hard to differentiate all the various black fuzzy things. I guess a larger magnifier is needed.
I was thinking about saving it to study it some more, but when I researched preserving insect specimens I got a little creeped out. First you’re supposed to put it in a “relaxing chamber” if they have rigor mortis (ick, just typing that gives me the heebie jeebies) to soften them up a bit so you can spread them out and pin them on a board and then you have to keep them warm and dry (so they don’t get moldy I suppose).
For now I’ll put him (or is it a her?) back in its little jar and think some more about whether I’m really cut out for entomology vs. etymology which I love and is much less messy and gruesome.
Entomology: study of insects (from Greek entomos cut up) + logia “study of’” from logos “speech, oration, discourse, word”
Etymology: study of the history and origins of words (from Greek etumo “true sense” + logia (see above)
Yep, I guess I’d rather “cut up” words than insects! But if you have experience or knowledge about preserving dead bugs for drawing purposes, I’d love to hear your advice.
Jana Bouc, Artist 