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Art supplies Bookbinding Ink and watercolor wash Sketchbook Pages Still Life

Off to New York: New Sea Monkey Journal and New Stuff

New Makeup for New York, ink and watercolor, 7.5" x 11" spread
New Makeup for New York, ink and watercolor, 7.5″ x 11″ spread

I’m off to New York City for a fun week of art adventures. I’ll be sketching and visiting art museums with New York art bloggers Shirley, Pat and Carol and the New York City Urban Sketchers. Berkeley artist friend Micaela will be joining me in NY on Friday for a 3-day slumber party and sketching marathon before she takes off to Europe.

As I was preparing for the trip I had fun doing a little shopping when I realized my clothes and makeup were long overdue for a refresh. Above is a sketch of my pretty new cosmetics. If I have time in the morning before I leave (unlikely) I’ll sketch my clothes before I pack them.

I finally bound my own journal again and am thrilled to have exactly the paper, size and format I like. What a treat to paint on real watercolor paper! As always happens as I’m binding a journal, it named itself: “Sea Monkey.”

Sea Monkey Journal Cover, 8x6"
Sea Monkey Journal Cover, 8×6″

I Googled what sea monkeys really look like but they were too creepy so I drew a sort of monkey face on a sea-horse body. Then I decorated it with gold and pink pens and drips from a white paint pen (accidental, but liked it so kept going).

As you can see, I don’t take my journals too seriously. It helps to mess them up (journal abuse I call it) right away so they don’t feel precious. An imperfect journal gives me the freedom to sketch playfully (and imperfectly). This one has a major flaw: the text block slipped when I was casing it in and there’s a big wrinkle in the lavender end papers. Oh goodie!

Categories
Building Ink and watercolor wash Sketchbook Pages

Toot’s Saloon, Crockett

Toot's Bar, Crockett, Close Up, Ink/watercolor, 8x5"
Toot’s Bar, Crockett, Close Up, Ink/watercolor, 8×5″

I struggled sketching the building containing this rundown bar on site (below) in downtown Crockett. The many bay windows were especially challenging. Despite my love for detail, I realized I needed to crop my view. So later I worked from a photo and did the better sketch above. I actually liked the version below before I added watercolor to the ink drawing.

Toot's Bar in Crocket - Second Try , ink/watercolor, 5x8"
Toot’s Bar in Crockett; ink/watercolor, 5×8″

And below, another sketch where I struggled: first to find something to draw in the short time remaining after a plein air watercolor demo at St. Mary’s College. Then I struggled with using another artist’s watercolor palette that had way too many colors. I couldn’t tell which colors were which and ended up with a lot of mud. 

St. Mary's College Student Union Detail, ink & watercolor, 5x8"
St. Mary’s College Student Union Detail, ink & watercolor, 5×8″

Since I always seem to get behind on posting I’m tempted to just post my best work and keep the funky ones to myself. But my journal is the record of my journey and each sketch is a stop along the way.

Categories
Berkeley Building Ink and watercolor wash Sketchbook Pages Urban Sketchers

Elmwood Theater, Berkeley

Elmwood Theater, Ink & Watercolor, 8x5"
Elmwood Theater, Ink & Watercolor, 8×5″

The Elmwood Theater was originally named The Strand and was built in 1914 in an Art Nouveau architectural style. Admission was ten cents for adults and five cents for kids. It closed in 1941 and reopened as the Elmwood in 1947 with a new “zigzag Moderne” decor.

All the zigzags and neon made for a fun drawing challenge. I sat on my stool on College Avenue, sheltered from the wind in the doorway of a shop closed for the evening, while people went in and out of the Korean restaurant next door carrying their fragrant food to go.

Halfway through the drawing a man climbed up a ladder and started changing the movie titles. I considered including him in the sketch but couldn’t figure out a way to make it work. By the time I finished drawing it was time to meet up so I added color at home. My favorite part of the sketch is the pigeons.

Categories
Emeryville Ink and watercolor wash Landscape Places Sketchbook Pages

Closed and Open: New and Old Bay Bridges

New and Old Bay Bridges, ink & watercolor, 5x8"
New and Old Bay Bridges, ink & watercolor, 5×8″

They closed down the old Bay Bridge over the long Labor Day weekend to disconnect it and open the new Bay Bridge that took twenty years to plan and build. After breakfast in Emeryville on Monday morning, we walked to Ikea, which is near the start of the bridge, and climbed up to their rooftop parking structure to get a look at the two bridges, which were both still closed.

It’s kind of weird seeing them piggy-backed together like that. We could see where the old bridge had been cut off and barricaded which brought back memories of the big earthquake in 1989 that broke the bridge, leaving a car dangling. I was home sick with the flu when that happened, and remember lying in bed feverish, watching the video of the bridge breaking, the car sliding off, over and over.

The new bridge opened to traffic Monday evening. On Tuesday they opened the bike and pedestrian lanes. You can only walk from the East Bay side to the central tower now, since they have to tear down the old bridge before they can complete the bike/pedestrian lanes all the way to San Francisco.

I’m plan to walk the 5-mile round trip soon, and sketch from the bridge. For this one I had to work from a photo because my breakfast buddy didn’t want to wait while I sketched, especially since we still had a long walk back to our car at the Doyle Street Cafe.

Categories
Berkeley Building Drawing Ink and watercolor wash Life in general Sketchbook Pages Urban Sketchers

Seeing Is Believing or Drawing Is Seeing? Zach’s Snacks on Berkeley’s North Side

Zach's Snacks on Berkeley's Northside, ink & watercolor sketch, 5x7"
Zach’s Snacks on Berkeley’s North Side, ink & watercolor, 5×7″

They say, “Seeing is believing.” I say, “Going through life without drawing is like being nearly blind. Only when I stop to look in order to draw, do I really see!”

Berkeley’s Euclid Avenue ends at the north side of University of California’s Berkeley campus (the greenery on the right, above). This block has everything you’d expect for a street abutting a college: shops with pizza, beer, coffee, burgers, snacks, and oh yeah, books.

There is some great architecture in this neighborhood too, including this apartment building with a snack shop tucked away in a little basement room. I’ve probably walked past here a hundred times and never noticed the interesting features of this building, with porches, pillars, carved wood decorations, fancy brickwork, and cool old lanterns.

Only when I stopped to draw and started really looking did I see what was there all along.

Categories
Building Ink and watercolor wash Life in general Shop windows Sketchbook Pages Urban Sketchers Watercolor

Happy Face? Donuts?

Dream Fluff Donuts, ink and watercolor, 5x7.5"
Dream Fluff Donuts, ink and watercolor, 5×7.5″

Do you have a happy face right this moment? I didn’t until I received a blog comment/email from a German blogger whose email and blog name is happyface313. It made me wonder what it would be like to be that committed to a happy outlook.

She inspired me to lose the grumpyface I’ve had the past few days while working on helping a loved one with difficult challenges, and to try out being Ms. HappyFace instead. I put on a smile, made the mental shift from grumpy to grateful, and surprise! It worked!

Happy Donuts, watercolor painting (sold)
Happy Donuts, watercolor painting, 15×22″ (sold)

What does all that have to do with donuts? Well, “Happy Face” made me think of Happy Donuts and my old painting of their shop (above), which reminded me I needed to post my recent sketch of Dream Fluff Donuts (at top). And donuts used to be my shortcut to happiness but I stay far away from those deep-fried, greasy sugar bombs now.

Categories
Berkeley Ink and watercolor wash Outdoors/Landscape Sketchbook Pages Urban Sketchers

Top of the Top of Solano Avenue, Berkeley

Top of Solano Ave, Berkeley, Ink & watercolor, 5x7.5"
Top of the Top of Solano Ave, Berkeley, Ink & watercolor, 5×7.5″When we

When Cathy said, “Let’s sketch at the top of Solano Avenue Tuesday night” I chose to  literally sketch the top of Solano: looking up and drawing the tops of streetlights, buildings and trees.

It’s common here to refer to the “top” and “bottom” of streets when they’re on a hill, and 2-mile long Solano is on a slight incline as it runs from the start of the Berkeley Hills at The Alameda (just a street, but for some reason called “The Alameda”), down almost to the bay. I sat at a table outside a café and sketched the view at sunset. There are so many beautiful trees in Berkeley!

 

Categories
Bay Area Parks Ink and watercolor wash Landscape Oil Painting Outdoors/Landscape Plein Air Sketchbook Pages

Sunny Landscapes, Summer, Spring, and Smelly

Briones Park, Sunny Afternoon, oil on panel, 10x8"
Briones Park, Sunny Afternoon, oil on panel, 10×8″
Briones Park Sunny Afternoon available for purchase here

I didn’t realize until I saw these two pictures together, that it was easy to tell that I painted one in summer (above) and the other in the spring (below), just by their color palette, even though they were both painted on warm, sunny days. I started the painting above plein air, but only got halfway done before it was time for the group critique. I finished it from memory and a photo but didn’t touch areas I already loved, like the yummy turquoise color in the background.

Briones Park (above) is gorgeous, but dogs are allowed off-leash there so the grasses along this beginning stretch of the trail are littered with stinky dog poo, thanks to irresponsible dog owners. But like bugs, wind and weather, smells are part of the plein air experience too.

Castle Rock Park and Mt. Diablo, Spring, 8x10"
Castle Rock Park and Mt. Diablo, Spring, 8×10″

I painted this watercolor view of Mt. Diablo in my 8×10 Moleskine. I didn’t have time to set up for oils because although we’d planned a day at Borges Ranch we learned on arrival that a 4-H club had reserved the area and we had to leave. The ranger suggested we go to Castle Rock Park down the road.

I parked at the Borges entrance for a while, catching others as they arrived and directing them to Castle Rock. Finally I left a big note on a brown paper bag taped to the Borges entrance sign, hoping latecomers would see it and know where to find us.

After the drive to Castle Rock and a hike to the top of a hill I only had time for a watercolor sketch. The bright yellow-green grassy field was beautifully spotted with lavender wild flowers. In the summer everything would be pretty much the same color of golden brown. This time it didn’t smell like dog poo; it was the pungent odor of the cows that graze there that accompanied the view.

Categories
Faces Ink and watercolor wash Oil Painting Painting People Self Portrait Sketchbook Pages

End of Journal Self Portraits

Self Portrait, Oil on panel, 6x6"
Self Portrait, Oil on panel, 6×6″

I wasn’t satisfied with the two ink and watercolor end-of-journal self-portraits (below) that completed the 8×10″ Moleskine I was working in back in June. Rose Frantzen had told me during my workshop with her that I had wonderful skin to paint and should be doing lots of self-portraits from life in oil. So I decided to give it a try.

I only had couple of hours left in the day for painting so chose a small 6×6″ panel that already had a dark background from wiping off a previous failed painting. I turned off most of the lights in the studio except for one pointing at my face from the left and one overhead light behind me. I clamped a mirror to the easel and started painting. What a surprise: after a couple of hours I’d made my most favorite self-portrait ever.

I know it’s not perfect but I don’t think it calls for perfecting; it’s just a moment in time and a record of a very enjoyable but short painting session.

Below are the two in my sketchbook. I was in a really grumpy mood and struggling with the drawing on the first one and it shows (below):

Grumpy Strained Self-Portrait, ink & watercolor, 10x8"
Grumpy Strained Self-Portrait, ink & watercolor, 10×8″

A few days later I tried again:

Self-Portrait with Birthday Bouquet
Self-Portrait with Birthday Bouquet, ink & watercolor, 10×8″

I was in a much better mood. I put my birthday bouquet on the table between me and the mirror and started drawing. It was confusing trying to combine what was real and what was mirror image. It’s a dorky drawing of me but I like the flowers.

Isn’t it amazing how emotions and mood show in a drawing or painting? It’s like there are two different people in these two sketches: mean, tense, bossy-lady and sweet, flowery, dorky girl.

Categories
Art business Oil Painting

Invite and Sneak Peak of Art Show Reception Friday August 9

My wall in the group show at the Collector
My wall in the group show at the Collector

Here is a peek at my wall in the Collector Gallery in Berkeley’s Elmwood district showing 12 oil paintings. I have more small paintings displayed off the wall in the gallery. The largest painting on the wall (Happy Boy Farms Tomatoes) is 12×12 inches and the smallest is 6×6 inches.

If you’re in the area please stop by for music, refreshments and to see these and the interesting work by the other four artists in this show. And for further enticement, it doesn’t hurt that Berkeley’s most popular ice cream shop is right next door.

August 9 2013 reception flyer
August 9 2013 reception flyer

Above is the postcard for the reception Friday night from 6-8 at the The Collector Gallery in Berkeley at 2950 College Avenue.  (Download Collector reception flyer pdf).