When I saw this woman reading on BART I had to draw her. She seemed to express the essence of dignity to me. She was carefully dressed and groomed, all in white, grey and black, with her hair covered in a white crocheted net and that wrapped with a perfectly ironed bandana, tied in a tiny bow in front.
This was my first drawing in my new Fabriano Venezia sketchbook that Roz had tested and praised and that I bought in a couple of sizes from Wet Paint. This is in the 9×6″ size. I left the first page blank to serve as a title page/table of contents later and did this drawing on the next page. I was totally in love with the sketchbook, writing a little rave review on the page of this first sketch about how wonderfully smooth and thick the paper was, and how nicely it worked with the Micron Pigma .01.
I was a little concerned about how much larger and heavier to carry around it is than the Moleskine watercolor notebooks I’ve been using, but thought it would be worth it. BUT when I tried to scan my drawing and the book didn’t quite fit on the scanner, cropping off part of the image, and the middle seam caused half the image to blur and have a dark shadow, no matter what I tried.
Then tonight I tried adding a watered down ink wash to her jacket, which had been black. The paper acted very strangely, not at all like I’d expected. I knew it wasn’t watercolor paper, and thus wasn’t sized, but now I’m now worried how these books will react with watercolor. I guess I’ll find out soon.
Here’s the same image with the ink wash that went all splotchy.
She was so carefully groomed, with everything perfectly ironed and smooth and now she looks much less dignified with her splotchy jacket. I don’t think the ink wash added anything positive to the drawing, do you? And I don’t think adding more ink to try to make it smoother or darker would be a good thing either.
Jana Bouc, Artist 