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Definitions Drawing Ink and watercolor wash Life in general Painting Sketchbook Pages Still Life

1.1.11: Going Analog* in 2011

New Years Day Still Life #1
New Years Day Still Life #1

All those 1’s in today’s date: 1 a good number for beginnings. So even though I’m still under the weather, it felt important to focus on my goals for the new year, the accomplishments of the past year, and to start the year right with a little sketching.

I grabbed some of my new best friends to pose for me: tissues, Vitamin C, Sudafed and my Neti pot with which I have a love/hate relationship. It really helps, but it’s weird (leaning over the sink you pour salty water in one nostril and it flows out the other).

New Years Still Life #2
New Years Still Life #2
New Years Still Life #3
New Years Still Life #3
New Years Still Life #4
New Years Still Life #4

I’m very grateful to have finished the year with a clear understanding of where I want to go with my art, how to get there, and a feeling that it is a reachable destination. A couple of months ago that seemed impossible but thanks to the advice and encouragement of our wonderful community of online (and in person) artists who have supported me through my questioning, frustration, and struggles I seem to have found my way.

2011 Goals
2011 Goals

I wrote in my journal about the year past (not shown), and more or less doodled my goals for the new year, appropriate since they’re all about being more playful and in the moment. Being in that doodling, right-brained place, I wrote “goles” and thought wait, that’s wrong, tried golse, wrong, is it golze? No! Oh yeah, GOALS! Sheesh! I used to be a champion speller.

I want to be a more analog* person in 2011, less digital*. I want to move my body, not my mouse; I want to draw and paint with intention, a sense of adventure, and playfulness; I will spend less time on the computer. I want to slow down and appreciate each moment instead of rushing because “there’s not enough time.”

I want to experience the feeling of abundance that comes from “enough-ness” which you get by wanting what you have and not wanting what you don’t have. And I will practice being gentle: to myself, the earth, and others.

*Analog vs. digital makes sense to me, but technically really doesn’t in this context:

Analog describes a continuous system like a clock in which the hands move continuously around the face. Such a clock is capable of indicating every possible time of day. In general, humans experience the world analogically. Vision is an analog experience because we perceive infinitely smooth gradations of shapes and colors.

In contrast, a digital clock is capable of representing only a finite number of times (every tenth of a second, for example).  Computers are digital because they consist of discrete units, a series of zeroes and ones, called bits that are either on or off. (from Webopedia).

Categories
Lighting Oil Painting Painting Still Life Studio

Pomegranate Pom-apalooza

Pomegranate Revealed, oil on board, 9x12"
Pomegranate Revealed, oil on board, 9x12"

Happy New Year! Thanks for hanging out with me this past year! Even though I’ve had a nasty cold all week I managed to get in some pomegranate painting between nose blowing, naps, and chicken soup breaks, but not nearly as much as I’d hoped to do over my year-end vacation.

Pomegranate value study in oils
Pomegranate value study in oils, 8x5"

I only had enough energy to be in the studio for a couple of hours a day but fortunately the pom waited nicely for me. I started by doing a value study in oils (above), trying to sort out where the darkest darks and lightest lights are and just how dark and light they are.

Pomegranate quick study, oil on board, 5x7"
Pomegranate quick study, oil on board, 5x7"

I did a small study next since I knew I didn’t have more than an hour or so of painting energy. I had fun with this and feel like I’m starting to find a way to get loose and sketchy with oils.

Pom photo under Reveal bulb
Pom under Reveal bulb

I used a GE Reveal light bulb in my lamp which gave everything a pinkish-lavender cast and that’s why I named the painting “Pomegranate Revealed.” GE says they are “specially made to filter out the dull yellow rays produced by standard incandescent bulbs.” I’d bought it originally thinking it would simulate daylight but it doesn’t at all. I usually use a fluorescent 5000K bulb 40 watt bulb (equal to 150 watts) which does a better job of producing clean light.

Pomegranate Revealed - Cropped to 8x10"
Cropped in Photoshop to 8x10"

When I compared the final painting and the studies I realized I liked the original composition with less background better so I experimented with cropping the painting in Photoshop. It’s not hard to cut the board down if I decide to crop it for real.

What do you think? Do you like this cropped version or the “final” version at the top of the post better?

Categories
Drawing Faces Ink and watercolor wash Life in general Painting People Self Portrait Sketchbook Pages

Nose-pons: How to stop a runny nose

 

Nose-Pons: How to Stop a Runny Nose
Nose-Pons: How to Stop a Runny Nose

 

Yesterday, despite feeling otherwise perfectly fine, my nose turned into a broken faucet that wouldn’t stop running. I was trying to paint and it was becoming impossible to work for more than a few seconds without sneezing, wiping, or blowing my nose.

Necessity is the mother of invention: the only solution was to stop the flow. So I made little nose “tampons” by tearing a sheet of Kleenex into about thirds and then folded and rolled it into a size that would fit my nostrils and I was set. I could paint for at least 10 minutes before it was time to replace the nose-pons.

Today it’s turned into a real cold with the full range of symptoms which is sad because it’s a rare sunny day and I’d planned to paint outdoors. Instead I’ll be indoors bundled up, drinking tea and chicken soup.

Categories
Drawing Food sketch Ink and watercolor wash Painting Places Sketchbook Pages

Ranch 99 Asian Market Sketches

Soak Squid on Ice, ink & watercolor
Soak Squid on Ice, ink & watercolor

Ranch 99 Asian Market is a great place to sketch on a dark rainy night. The delicate pink of these cleaned whole squids on crushed ice was the first thing to grab my attention. I Googled “soak squid” to see if it was a variety of squid but from what I read, I think it was pre-soaked in milk or buttermilk for several hours to tenderize it.

Hanging fowl, ink & watercolor
Hanging fowl, ink & watercolor

Even though I’ve sketched their hanging fowl before, there were a greater variety this time including one on the right that I thought looked like a rabbit.

Eggplant and Bitter Melon, ink & watercolor
Eggplant and Bitter Melon, ink & watercolor

I enjoyed the juxtaposition of the similar shapes but different colors piled beside each other. I was running out of time before we were to meet but still tried to draw each individual shape as they appeared rather than generalize.

Dragon fruit, ink & watercolor
Dragon fruit, ink & watercolor

The Dragon Fruit again grabbed my attention and one of these days I’ll get around to eating one. I fought the temptation to shop instead of sketching so didn’t bring anything home this time.

Categories
Albany Life in general Oil Painting Painting Places

Santa and Christmas Sleeping Rough in the Park

Santa version 6, oil on panel, 8x6
Merry Christmas Santa (version 6), oil on panel, 8x6

People are living in the park known as the Albany Bulb again. On a walk we saw more than a dozen homemade shelters, tree houses and tents hidden away in the brush, this one (below) complete with Christmas tree.

Christmas at the Bulb
Christmas at the Albany Bulb

Although I no longer celebrate Christmas with trees and gifts myself, I always like to get out my Santa (at top of post) that was given to me by a wonderful former student who died not long after in a motorcycle crash. The funny, cheery Santa always reminds me of the value of generosity and the transitory nature of life.

I hope Santa finds the homeless families living in the park and makes their Christmas bright. It can’t be much fun camping out in the mud, pouring rain and wind we’ve been having.

And I hope all of you are having a wonderful winter holiday too!

Categories
Art theory Oil Painting Painting Still Life

Christmas Teapot Still Life

Christmas Teapot, oil on Gessobord, 8x8"
Christmas Teapot, oil on Gessobord, 8x8"

My favorite parts of this painting are where I put the paint down and left it alone (like in the little white dish and teabag). I don’t know what comes over me at the end of a painting session when I start adjusting things that don’t need it. The spoon had been fabulous but after a “teensy” fix that wasn’t, and led to repainting, it lost it’s zing.

One of the many things I’ve learned from the Peggi Kroll-Roberts videos is to use a mirror to look at the painting to check for problems. You stand with your back to the painting and hold up the mirror as if to look at yourself. I’d heard of this technique before but didn’t really “get it” until now. Problems with values, perspective and unequal sides of an object really stand out when you see your work backwards in the mirror.

View from the easel of the set up
View from the easel of the set up

The teapot was my gift at my office’s “Silly Santa” gift exchange. Everyone brings one wrapped gift, we draw numbers and select from the pile in the order of the numbers drawn. You can pick a new gift or steal from someone who has already opened one. It’s always fun with much laughter and misbehavior.

Categories
Berkeley Drawing Ink and watercolor wash Interiors Painting People Places Sketchbook Pages Urban Sketchers

Sketching in the Bar at Spenger’s Fish Grotto

Spengers Bar #1, ink & watercolor
Spenger's Bar (beer & a cellphone), ink & watercolor

Last week two new members joined our Tuesday night sketch group and we had a great time sketching in the bar at Spenger’s, an old, formerly family-owned seafood restaurant filled with ship-themed objects including giant mounted fish trophies (which we learned are just plastic), models of old ships, steering wheels, ropes, etc.

Sonia Sketching at Spengers, Ink & watercolor
Sonia Sketching at Spenger's, Ink & watercolor

I tried several times to draw some of the mounted fish but mostly failed except for the one on the back wall above.  Then I drew the lanterns hanging from the ceiling (below), interested in the perspective and how they overlapped as they receded in space.  Then I used the rest of the page for a different view.

Lanterns, Martini & a Cellphone at Spengers, Ink & watercolor
Lanterns, Martini & a Cellphone at Spenger's, Ink & watercolor

I was drawing the guy in the foreground with the hat, cellphone and martini, when I noticed the man behind him kept smiling at me when I looked up. I wondered aloud whether it might be a bad idea to stare at men at the bar—would they think we were flirting with them?

Everyone around our table laughed as it turned out we were all intently drawing the same foreground guy. He was a good sport and when we all finished we showed him his many portraits.

You can see Cathy’s and Sonia’s sketches on our Urban Sketchers blog.

Categories
Art supplies Art theory Oil Painting Painting Still Life

My Oil Painting Breakthrough: Striving Pears and Peggi Kroll-Roberts

Striving Pears, Oil on Gessobord, 6x6"
Striving Pears, Oil on gesso board, 6x6"

My friend Kathryn Law wrote on her blog about the workshop she took with Peggi Kroll-Roberts and about Peggi’s instructional DVDs. The videos focus on the things I most wanted to learn, especially creating strong value patterns and making rich painterly brush strokes, along with loosening up and having fun. I ordered the videos and watched them. Wow!

The Buddhist proverb, “When the student is ready the teacher will appear” is so true. I had to have tried and given up on so many other approaches to oil painting to become very clear on what I didn’t want, what I did want (working with the freedom and looseness I have when I sketch) and what I needed to get there (all the things Peggi teaches).

Watching Peggi demonstrate and explain what she’s thinking and doing as she does it is such a rare ability in painting teachers in my experience. Her videos answered many questions I’ve had for so long. I’ve read dozens of books and gotten great advice from artist friends, but until I watched Peggi’s videos, I just didn’t get it.

I’d almost given up oil painting in frustration but now… Yippee! Oil painting is fun again!

About the painting:

While bosc pears aren’t as pretty or colorful as other types, when I saw the way they were sitting in their container, one seeming like it was “striving” to reach, copy, or catch up with the other, I had to paint them. I used the techniques/tools I learned in Peggi’s videos and really enjoyed the painting process (and the results).

Categories
Drawing Ink and watercolor wash Places Sketchbook Pages Urban Sketchers

Sketching at Pastime Hardware, El Cerrito

Wire Winding & Measuring Machine, Ink & Watercolor
Wire Winding & Measuring Machine, Ink & Watercolor

The crew at Pastime Hardware remembered us from our previous night there last year and treated us like honored guests. Cathy tackled the wall of spooled wires (see our Urban Sketchers site) but I fell in love with this ancient machine (above) for measuring long lengths of wire. Nobody there knew what it was called. Behind it is a rack of copper tubing.

Orion Key Grinding Machine, ink & watercolor
Orion Key Grinding Machine, ink & watercolor & collaged piece of Ace brown bag

While I sketched the key grinding machine, an employee swept nearby, preparing for closing. He showed me his dustpan full of gold dust, explaining it falls from the key machine. I’m still battling the stupid landscape-format Moleskine that makes drawing and painting standing up difficult (for me, anyway). I had to completely surrender to wonkiness on this one but was glad for the handy nearby stool I sat on for drawing the wire winder.

I’m also glad for some upcoming vacation during which I will bind a new journal and sketch like crazy to finish this one.

Categories
Drawing Faces Ink and watercolor wash Life in general Painting People Self Portrait Sketchbook Pages

End of Journal Self-Portraits

End of Journal Self-Portrait #1
End of Journal Self-Portrait #1

Some day I’ll sketch a flattering self-portrait. Some day I’ll follow the “rules” of portraiture and get features the right sizes in the right places. But not today. Today I just look and draw and see what happens.

I always save the last few pages of my journals to do a self-portrait and look back over the pages and write an index of what they contained.  I look in mirrors as little as possible, so it’s weird to spend quality time with my reflection and seeing what’s wrinkled since last time I looked.

End of Journal #2 (Ick!)
FAIL: No Likeness

When I woke up I had a curl standing straight up on top of my head which fell onto my face as the day progressed. That reminded me of this poem my grandmother used to recite to tell this curly-haired, often naughty granddaughter:

There was a little girl who had a little curl
Right in the middle of her forehead;
When she was good, she was very, very good,
And when she was bad she was horrid.

End of Journal Self Portrait #3
End of Journal Self Portrait #3

The best part of drawing this one was using the Black Pentel Color Brush Pen (not waterproof) for my curls and sketching the puffy down vest. I have tidier eyebrows than I drew but it’s ink so there you go.