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Berkeley Drawing Ink and watercolor wash Painting Sketchbook Pages

Sketching at Berkeley Firehouse, Part I

Fire Truck and Parking Receipt, ink & watercolor
Fire Truck and Parking Receipt, ink & watercolor

The Berkeley Fire Station #2 was the scene of our Tuesday night sketchcrawl two weeks ago. Cathy had requested permission for us to visit and sketch and they generously gave us access to the station, the vehicles and equipment. The firemen live at the firehouse during their long shifts and since it was a quiet night they came around to see what we were doing.  They all told us how much they love their jobs and were extremely helpful, earnestly answering all of our questions.

Fire, Flag, Boots Ready, ink & watercolor
Boots & Overalls Ready; Flag Flying

We loved seeing the boots and overalls, ready to jump into, by the doors of each truck (above). I know the requirements are very stringent for becoming a firefighter, but do they also have to qualify as centerfold models? These guys were simply gorgeous: tall, strong, handsome, and really nice too. (If only they would have posed for us!) Firefighters have one of the highest rates of job satisfaction of all careers.

Tiller Truck, ink & watercolor
Tiller Truck, ink & watercolor

This little Tiller Truck caboose steers the back of the fire truck while the steering wheel at the front steers the front wheels. We learned that a Fire Truck is “a big tool box” where they keep all their gear such as Jaws of Life and the Fire Engine carries the water and hoses.

Fire Helmet, ink & watercolor
Lieutenant's Helmet, ink & watercolor

I held off posting these sketches because I’d been really frustrated with the messy, helter-skelter way I laid them out in my sketchbook and the ones not posted that were just ugly (but which I made good use of, writing my notes to self for improvement on top of them). When I looked at Cathy’s sketches I really liked the way she approached the subjects and designed her pages. That set me off on a learning process that I will write about next time when I post her sketches from the evening.

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Berkeley Ink and watercolor wash Shop windows Sketchbook Pages

Love the One You’re With: You! (Happy Valentines Day)

Valentine Window at Sala, Berkeley, ink & watercolor
Valentine Window at Sala, Berkeley, ink & watercolor

I spotted this store window and loved the mannequin’s attitude amidst the cupids, hearts and flowers at “Sala,” a little shop in North Berkeley. I’d parked in front of the shop to go to my son’s Superbowl party. Then I left before halftime because I just couldn’t sit and watch more rude commercials about beer and junk food when I could be in the studio. Before I got in the car, I had to stop and sketch the window.

Love the One You’re With

As the old song goes, “If you can’t be with the one you love, love the one you’re with.” Back in the hippie days the song encouraged us to hookup with whoever was handy. Of course we know how well that era turned out. But there is one person we’re always with who it’s good to love, and that’s ourselves.

I used to dread Valentines Day; afraid I’d be alone, or afraid the “one I was with” would somehow disappoint on that portentous day. Then one year I was alone and I had the best Valentine date ever.

I took myself out for a Valentine’s date. I went to a book store that had a pretty café inside and spent the evening gathering great art books from the shelves and devouring them over a latte and sweet treat at the café, picking one book to buy as a gift for me. I also came across a funny kids book, “Play with your Food,” which I read to a bored little boy who was waiting for his mom to finish shopping. We both had a good laugh and the mom was grateful for some time to herself.

Full page in sketchbook
Full page in sketchbook

Since then I’ve had many other fun dates with myself, when friends or lovers weren’t around. One New Year’s Eve when I’d made no plans because I was supposed to be taking my sons to Yosemite, but it hadn’t stopped raining for two weeks and we’d decided to stay home (which was a good thing because Yosemite flooded and people were stuck there for two weeks without fresh food or working bathrooms) I went to a café that stayed open late and sketched people coming and going all evening. One of those people was a tall, dark, handsome artist who was out doing the same thing. He asked to join me at my table and we had a fun evening of sketching together and then a few months of interesting dating

I imagine this all might sound weird to those who enjoy fancy dinners out and expensive gifts of shiny bling but I guess that’s the point of loving yourself. You get to pick! If you want bling, get yourself some bling. If you’d rather have books or draw in them, make it happen!

Categories
Ink and watercolor wash Life in general Movies People Sketchbook Pages Subway drawings

Rainy Day Plaza and People

Rainy Day Plaza, ink & watercolor
Rainy Day Plaza, ink & watercolor

Despite the rain I had a great walk to the Farmers Market at El Cerrito Plaza last Saturday. When the rain stopped I sketched and painted at an outdoor table at  Peet’s Coffee across the street. Then I continued my walk to do half a dozen errands. One was to pick up the second disk of  “Five Days” from the video store.

I’d rented the first disk from Netflix and couldn’t wait for it to go back and part two to arrive. I had to find out what happened. Five days is an incredibly suspenseful, well-written and perfectly acted British TV mini-series about a woman and her kids who go missing.  I’d had this movie sitting around for two weeks when I finally sat down to watch it and then couldn’t turn it off. If you like suspenseful police procedurals with great character development, this one is great!

Subway rider, ink & watercolor
Subway rider, ink & watercolor

Rainy day, patient, meticulously groomed woman, riding BART.

Susie, ink & watercolor
Susie, ink & watercolor

Didn’t catch a likeness in this quickie sketch, but did catch a bit of her spirit.

Categories
Art supplies Ink and watercolor wash Painting People Places Sketchbook Pages

Signs of Spring

Blossoms, blue ink & watercolor
Blossoms, blue ink & watercolor

Signs of spring were sprouting everywhere on my walk and I couldn’t resist stopping to sketch and paint. But I stopped so many times that before I’d gone half a mile I was so hungry I had to return home for lunch before heading out again.

The sketch above graces the first page of my new sketchbook, bound with Arches 90lb cold press watercolor paper. It’s quite different from the Fabriano Venezia sketchbooks I’ve been using the past year.

Princess flower bush blossoms, ink & watercolor
Princess flower bush blossoms, ink & watercolor

I’m really enjoying the way the book opens flat, it’s size (7.5″ tall x 5.5″ wide) and weight, how comfortable it is to hold and to hold open for working across the spread, the texture of the paper for painting and the way the pages don’t ripple, pill, or show through to the other side. The paper takes a lot of abuse and layering, which is both a good and a bad thing. Good because it holds up, but bad because it allows endless diddling around which isn’t really the point of sketching (but is a bad habit of mine).

Peets people, ink & watercolor
Peets people, ink & watercolor

And what’s a nice walk on a spring-like day without a stop at Peets for a Cappuccino at a sidewalk table and a bit of sketching/painting.  I’m still finding my way with this paper, trying to get a sense of how much paint to use, and which pens work best with it.

One thing I’ve determined for sure is that I prefer painting on site when I go out sketching, as I did with these, and not just drawing on site and adding paint later as I did last week with my sketching group. I just spent the evening painting the drawings from last week’s outing and it just didn’t have the zing that painting from life on site does.

You can make many more sketches and have more control of the paint when you save the painting for later, but then you either have to work from memory (of which I have too little) or photos (which never capture what you really see in person) or by using a pencil to softly write “Y” in areas that are yellow, “B” for blue, etc.) While I loved those “paint by number” kits when I was a kid, I’m not crazy about painting by letter now.

Categories
Drawing Ink and watercolor wash People Portrait Self Portrait Sketchbook Pages Subway drawings

Last Pages of the Old Sketchbook

Last page self portrait. Ink & watercolor
Last page self portrait. Ink & watercolor, drawn from life

In Louise Stanley‘s “Rules for Keeping a Sketchbook,” her rule number two  is “Start on the third page to get your courage up.” Number three is “Go back to the first page and do a self-portrait when you’ve got the nerve.” At her exhibit it was great seeing some of her (often comical) self-portraits from journals spanning decades.

For my own journals, I preferred the idea of making the last page a self-portrait instead. That way it still creates  a record of the YOU that put all that stuff in the journal, but it’s not there staring back at you every time you open the book. So this is my self-portrait on the last page of the Fabriano Venezia sketchbook.

BART Riders, ink and watercolor
BART Riders, ink and watercolor

And this is the second to last page. Just a couple of subway riders with a bit of watercolor added later. I’m about a quarter of the way into the new journal I bound myself and am really loving it. My next posts will be from that journal.

And now it’s Friday night and what has felt like a very long, exhausting work week is finally over and I get to transition back to my art life. But that will be tomorrow. Tonight I’m just interested in a good night’s sleep.

Categories
Food sketch Gouache Ink and watercolor wash Painting Places Sketchbook Pages

Sketching at the Louise Stanley Journals Exhibit

Sketching Lulu's Display, ink & gouache
Sketching Lulu's Display, ink & gouache

We began last Tuesday night’s sketchcrawl at Louise Stanley‘s journal exhibit at the California College of Art in Oakland. Lulu’s paintings and sketches are amazing. She combines classical subjects and a great sense of humor with images of modern women on a grand scale in her paintings and in brilliant ink and goauche in her handbound journals. If nothing else, visit her website to read her bio for a peek into her studio and funny writing, and be sure to check out “Lulu’s Rules for Sketchbooks.”

Her journals are full of travel sketches, copies of  museum paintings, and lists of things like pen preference rankings, and titles for paintings. I loved the list “Paintings that Matter” that included titles like ‘When Hell Freezes Over,’ ‘Routine Inspection,’ ‘Unintended Consequences,’ ‘Road to Ruin’ and ‘Dressing the Turkey.” The show at CCA will be up through March 5 and on February. She will also give a talk at the Berkeley Art Center on Saturday, February 20, 2010 at 4:00 p.m.

Next we headed down College Avenue for more sketching.

Dinner at Cactus Taqueria, ink & watercolor
Dinner at Cactus Taqueria, ink & watercolor

It was nearly 8:00 p.m. and I was hungry,  having skipped dinner, so I voted to sketch indoors at Cactus Taqueria. After eating (and sketching) some black beans, grilled veges and a tiny salad I made at the salsa bar from their coleslaw salsa (?!), I was ready to tackle the cactus (well, on paper anyway) that sat on a shelf above my table.

Cactus Basket, ink & watercolor
Cactus Basket, ink & watercolor

Then it was back out to College Avenue where we were both inspired by the display at Annie’s Vintage Rack.

Annie's Vintage, ink & watercolor
Annie's Vintage, ink & watercolor

Cathy liked the old suitcases and I liked the old clothes. I probably should have skipped that unfortunately placed sign that seems to be projecting from the skirt. I think it was supposed to look like a megaphone and said “Back to School Sale” on it (though it was just as nearly unreadable as in the sketch).

Categories
Drawing Food sketch Ink and watercolor wash Painting Sketchbook Pages Watercolor

Catching up with Carrots

Carrot, ink & watercolor
Carrot, ink & watercolor

Did you know that organic carrots with the greens still attached are sweeter than the big chunky ones in the grocery store without tops or the little shaved ones known as baby carrots? They’re also more fun to draw. Except for the feathery greens which confused me when I tried to draw them.

Carrots in cellophane, ink & watercolor
Carrots in cellophane, ink & watercolor

And they’re even more challenging to draw when wrapped in a cellophane bag (above).

Carrot greens and label
Carrot greens and label

And they felt even harder because I was feeling tired, spaced out, catching a cold, and needing to go to bed. So despite really wanting to figure out how to capture the feathery greens in ink and wash, I gave up, glued the label in the book instead, and went to bed.

I’ve been sketching the several days, but have been too tired and/or too busy with or from my day job to post so now I have a bunch of catching up to do, starting with carrots.

Categories
Animals Ink and watercolor wash People Photos Places Sketchbook Pages

Lion Door Guard and Cathy’s Bike Guy

The Lion Doorguard & Cathy's Bike Guy
The Lion Door Guard

Here is the lion that guards the door at the hotel beside the chubby cherubs on Harrison Street. I love his big nose and stylized fist. I sketched this from the photo on my monitor from across the room, to simulate drawing from life as best I could. I did a complete pencil sketch with shading and then drew over that with my Pentel Pocket Brush Pen and then decided to erase all the pencil shading and paint him with watercolor. Here’s a photo of the building.

Cherubs & Lions on Harrison
Cherubs & Lions on Harrison

A couple weeks ago when I posted my sketches from the library and Peet’s Coffee I mentioned the old man in a weathered, WWII leather aviator cap and his 1940s era bicycle that Cathy sketched. I adored the way she captured this funny old character who was selling bike parts to a young man so I asked her to send me scans. She did, and now I get to post them below.

Cathy's sketch of the bike guy
Cathy's sketch of the bike guy
Cathy's sketch of bike guy's ride
Cathy's sketch of bike guy's ride
Categories
Albany Food sketch Glass Ink and watercolor wash Life in general Painting People Sketchbook Pages Still Life

Sketching Dinner at Zaki’s Kabob House

Jerusalem Lemonade and Lentil Soup, ink & watercolor
Jerusalem Lemonade and Lentil Soup, ink & watercolor

Last Tuesday night we met at Zaki’s Kabob House in Albany for some delicious Mediterranean food and sketching. It was a cold rainy night but the restaurant was busy. Sonia had called ahead to confirm it would be OK for us to spend the evening there sketching. We were further encouraged by the bumper sticker on the door that said “Make Art Not War.”

Condiments & Empty Bread Basket
Condiments & Empty Bread Basket

If you wonder why this sketch has a note saying “Paste Menu Here,” it’s because when I said I’d ruined the composition (pre-watercolor) by adding that glass on the right, Cathy said, “Just paste a piece of the menu over that spot.” I solved the problem by just not painting the glass and leaving the note instead.

Sonia and I painted at the table but Cathy didn’t like the dim restaurant lighting for painting so made many more sketches instead. I was happy that my colors turned out well despite not quite being able to see them while  working.

Diners at Zakis
Diners at Zakis

Usually when we’re sketching in cafes we are unable to avoid eavesdropping on nearby conversations, always a source of amusement or amazement at what people say in public. But shortly after we sat down, Ellen, a member of our plein air painting group, arrived to join her realtor for dinner at the next table. After some introductions, and passing around of sketchbooks (including an invitation by the realtor to show them in their office “gallery” which we declined), we returned to sketching while they dined and chatted.

It was odd eavesdropping on someone we knew. Cathy appreciated it though, since they were talking about sofabed shopping, and Cathy is in the market for one too.

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Faces Ink and watercolor wash Life in general Movies Painting People Sketchbook Pages

The Big Lebowski: I Don’t Get It

In 1998 when the movie The Big Lebowski first came out, my father, who considered himself an intellectual, raved about this movie. So I went to see it on his recommendation but couldn’t figure out what he saw in it.

Now the star, Jeff Bridges, is in a new movie and people are again talking with great reverence about his role as “The Dude” in The Big Lebowski, which some critics rate in their top comedies of the past 25 years. My son even had this movie in his collection, so I borrowed it, thinking if its popularity spans that many generations, I should give it another chance.

I watched it. I still don’t get it. At the end, when “the stranger” (Sam Elliot) who begins the movie with his narration returns to the bowling alley for another sarsaparilla and concludes the narration, I decided to sketch him so at least I had something to show from spending two hours with these morons.

Is it a guy thing? Is this a movie that makes guys feel good because they’re not as bad of losers? Do people really think the Dude’s pothead approach to life known as “The Dude abides,” was worthy of worship (there is actually a church based on his character, called Dudeism)?

I loved the Coen Brothers’ movie Fargo (mostly because of Francis McDormand) but even she couldn’t save their most recent movie, Burn After Reading, which, after renting it accidentally, I thought had to be the most pointless movie I’ve ever seen.

If only the millions of dollars spent on making stupid movies (much of which goes to already obscenely wealthy movie stars) could be spent on feeding people, funding education, the arts, or making the world a better place.