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Art supplies Drawing Flower Art Gouache Oil Painting Plants Product Review Sketchbook Pages Watercolor

Loads ‘o Lillies and Winsor Newton Cotman watercolor review

"Lily White on White," oil on Gessobord panel, 8x8"
“Lily White on White,” oil on Gessobord panel, 8×8″
(AVAILABLE on DailyPaintworks Auction: CLICK IMAGE to visit auction)

I spent some time sketching and painting a calla lily that sprouted in my garden and while I was at it, tested a palette of Winsor Newton Cotman paints. Several of my friends have this clever, inexpensive Winsor & Newton Cotman Sketchers Palette and I thought it was worth a try so I ordered one.

I started by testing the colors, listing the pigments to match them to artists’ quality pigments I normally use (click to see larger with pigment numbers) and making notes about which ones to swap out (at that point assuming I’d continue using the others).

Test of WInsor Newton Cotman pan paints (FAIL)
Test of WInsor Newton Cotman pan paints (FAIL)

I was very frustrated with the results I was getting when painting and in the end, took ALL the Cotman pans out of the palette and replaced them with pans filled with artist quality paints from tubes. I put the Cotman pans in a large jar of water to soak so that I could empty and reuse the empty pans. After dumping and refilling the jar many times I ended up with a jar of tinted water with a lot of white sandy junk at the bottom: the nasty fillers and binders added to the pigments to make it cheap.

I know that for the same $17 that this palette AND crappy paint costs, you can only buy one or two tubes of full strength, high quality paint. But I’d rather have only a few colors than use junk. Most of the following sketches lack vibrancy, richness in color, and paint application was difficult and unattractive. Here they are in reverse order of completion:

Lily sketch #6, watercolor, 8x10"
Lily sketch #6, watercolor, 8×10″

I liked the drawing above, but not the grayed colors.

Lily sketch #5, ink & watercolor, 8x10"
Lily sketch #5, ink & watercolor, 8×10″

I liked the shape of the leaf above.

Lily sketch #4?, gouache, 8x10"
Lily sketch #4?, gouache, 8×10″

I painted over an awful sketch with gouache (above), just loosely trying to get the shape of the flower.

Lily sketch #3-4, watercolor, 8x10"
Lily sketch #3-4, watercolor, 8×10″

Two previous attempts at the leaf, on 2 other kinds of paper I taped into the 8×10″ Moleskine.

Lily sketch #1 with Snail, watercolor, 8x10"
Lily sketch #1 with Snail, watercolor, 8×10″

The first sketch. I like the composition but the colors and application were yuck.

I’m still using the Cotman Palette. I think it’s a great for sketching because it’s light,  compact and holds enough colors (12). And at $17 I don’t mind the price, even after throwing away the colors it cane with. It’s handy to have the now-empty, extra half-pans which usually cost about 50 cents each. So really, I got the palette for $11, and 12 empty pans for $6. Not too bad.

Categories
Art supplies Flower Art Gouache Ink and watercolor wash Sketchbook Pages

Flowering Crab Apple Blossoms on First Day of Spring

Flowering Crab Apple Branch, left page, ink, watercolor & gouache, 8x11"
Flowering Crab Apple Branch, left page, ink, watercolor & gouache, 8×11″

Happy spring (or autumn if you’re on the other side of the world)! Despite it being a rainy, grey day here, perfect for spending indoors in jammies (which I did since I was a bit under the weather) spring has definitely arrived in the Bay Area with blossoming trees and green things sprouting everywhere.

Out walking in Berkeley on a Sunday morning in a nice neighborhood, I spotted a beautiful flowering tree between two homes. I was debating with my walking buddy  whether to knock on the door and ask if I could take a cutting to sketch and paint from. He thought not, since people might still be sleeping, and suggested I take a photo. But I wanted to draw from the real thing. I was trying to figure out which house actually owned the tree and he was trying to figure out how to get me to keep walking.

Flowering Crab Apple Branch, right page, ink, watercolor & gouache, 8x11"
Flowering Crab Apple Branch, right page, ink, watercolor & gouache, 8×11″

Just then I heard people chatting, coming towards us on the sidewalk from around the corner. It was the homeowners who’d also been out for a walk. I asked if I could take a branch to paint and they said yes. This is the first of several pieces (two oil paintings and another sketch) I created from their branch.

I wish I’d thought to take their address so I could send a thank you card with the image on it. Maybe my friend will remember what street we were on since he chose our route.

Flowering Crab Apple Branch, 2-page spread, ink, watercolor & gouache, 8x22"
Flowering Crab Apple Branch, 2-page spread, ink, watercolor & gouache, 8×22″

This is the full 2-page spread in the giant Moleskine Watercolor A4 sketchbook I’m using now. It’s 8.5 x 23 inches when opened so rather unwieldy when sketching outside the studio but I’m enjoying it anyway. I drew directly with a sepia Sakura Micron Pigma Pen and then painted with watercolor and a bit of gouache.

I used gouache for the background on this sketch because I wanted a fairly smooth/flat background which I couldn’t get with watercolor because of the way the paper buckles and doesn’t lie flat because of the seam. My favorite part is the enlarged pure watercolor blossoms in the white circle on the left hand side, visible if you click and then click again on the top image. I’m craving some “real” watercolor painting on good paper.

Categories
Food sketch Gouache Ink and watercolor wash Painting Plants Sketchbook Pages

From Tree to Table: Fig Bruschetta, Fig Tree and the Book

Grilled Fig Bruschetta table card, ink & gouache, 5x7"
Grilled Fig Bruschetta table card, ink & gouache, 5x7"

At the book publication party for my friend Barbara’s wonderful new book, From Tree to Table: Growing Backyard Fruit Trees in the Pacific Maritime Climate I decided to make one of the recipes in the book: Grilled Fig Bruschetta. But first I sketched a few of the figs (above) before cooking them. I used a blank note card because I wanted to stand it on the table with the food. But since it wasn’t watercolor paper, the paint just sunk in. I switched to gouache which worked great and was huge fun.

Fig Bruschetta on the table
Fig Bruschetta on the table

I’m not a confident cook, but the recipe sounded simple and very delicious: figs tossed in olive oil and fresh thyme and broiled, then set atop a toasted baguette spread with gorgonzola dolce cheese (soft, sweet blue cheese), and then drizzled with a bit of honey and a sprinkle of thyme.

They were fabulous! A perfect combination of flavors and everyone loved them. I’m glad I took a picture (above) before they were all gone. I served them on plates I made many years ago when I was a potter.

Baby Fig Tree Growing Bigger, ink & watercolor & rubber stamp, 7x5"
Baby Fig Tree Grows, ink & watercolor & stamp, 7x5"

This is the baby fig tree that Barbara gave me last spring. I’ve sketched its progress from stick, to growing three leaves to now (above) with three skinny trunks. I’m going to use the pruning section in From Tree to Table (and a little help from Barbara) to learn how to prune it so it just has one trunk, once it drops its leaves for the winter….if winter ever comes…we’re still having warm summer-like weather half the time and fruit trees are so confused.

Categories
Gouache Landscape Oil Painting Outdoors/Landscape Painting Places Sketchbook Pages

Here Comes the Fog

Here Comes the Fog, Oil on Panel, 5x7"
Here Comes the Fog, Oil on Panel, 5x7"

“Here Comes the Fog” is an all too common saying around here. It can be a hot, sunny day like this one at Linda Mar Beach in Pacifica. Then the fog comes rolling in, the sun disappears, and you need your jacket instead of your bathing suit. It was one of the first things I learned when I moved to the Bay Area: never leave home without a jacket, no matter what. (Painting available here).

Watercolor & Gouache preliminary study
Watercolor & Gouache preliminary study

This was a quick study in my sketchbook from the photo I took when I visited the beach in June. I used watercolor and gouache to ease back into that day at the beach.

Original photo reference
Original photo reference
Categories
Animals Berkeley Drawing Gouache Ink and watercolor wash Painting Places Urban Sketchers

Sketching at the Teddy Bear Fountain

Teddy Bear Fountain, ink & watercolor on hot press paper, 6"x4"
Teddy Bear Fountain, ink & gouache on hot press paper, 6"x4"

Teddy bears hold hands in a circle in this wonderful, historic fountain* in North Berkeley on Marin Circle. We sketched there on a warm Tuesday evening as the sun was setting.

I did the one above very quickly at the end of the evening when just as I was about to pack up a worker came and switched on the fountain’s lights and adjusted the water so it sprayed up from the top. I had to give it one more try.

Teddy Bear Fountain, ink & watercolor, 5 1/2 x6 1/2"
Teddy Bear Fountain, ink & gouache, 5 1/2 x6 1/2"

This one was done first and I spent a longer time with it—more than I should have probably, as it began to get overworked. My friend Cathy did several wonderful sketches while we were there, which you can see here.

*An interesting bit of history about the fountain: In 1908, a real estate developer came up with the idea to make Berkeley the state capitol and lobbied hard for his proposal. The Circle and the fountain were to be part of a grand entry to the new capitol building to be built nearby. The California Legislature passed the proposal and the governor signed the bill, but Berkeley was a dry city and the liquor lobbyists were successful in convincing the voters to narrowly defeat the bill.

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Bay Area Parks Berkeley Drawing Gouache Ink and watercolor wash People Photos Places Sketchbook Pages Urban Sketchers

Golden Gate Live Steamers Train Meet at Tilden Park

Steam Train Medley from multiple sketches
Steam Train Meet Medley from multiple sketches

A few weeks ago Cathy and I were sketching guests at the Spring Meet of the Golden Gate Live Steamers Club in Berkeley’s Tilden Park. The train people were as curious about us as we were about them, and they wanted to see what we were doing. I usually don’t care when people look at my sketches, but I was drawing their trains that they had lovingly built from scratch, designing and engineering everything from the wood-burning boilers to the screws that held them together. It was like drawing their children—one thing out of place and they would know it.

Train guys
Train guys

Many of their members maintain and operate trains that their fathers or grandfathers built and they are now apprenticing their sons in the craft. Over the years the club has built a complete course of tracks with trestles, tunnels, and small buildings to match the 1.5″-to-the-foot scale of the trains. You can see photos and videos on their website including this one below of me sketching at the meet (much to my surprise!)

Categories
Animals Digital art Drawing Gouache Sketchbook Pages

Herding Elephants? Rallying Rats?

Elephant & Rider, Ink & Gouache
Elephant & Rider, Ink & Gouache

I drew this elephant to illustrate an interesting blog post for my job last week. The post is about change and uses the analogy of an elephant and a rider. The “Rider” is our rational, analytical side and the “Elephant” is our emotional side and the author explains why you have to work with both to make a change.

Elephant, ink drawing painted in Photoshop
Elephant, ink drawing painted in Photoshop

I drew the elephant in my sketchbook, scanned the line drawing and painted it in Photoshop. That’s the one I used for that post. Later I painted the line drawing at top with gouache in my sketchbook. Which do you like better?

Rats Rally the Herd, Ink & Gouache
Rats Rally the Herd, Ink & Gouache

I did this illustration for the same article, but it got rejected, theoretically because two pictures were too many for the one post, but I suspect it was because rats are a little too creepy, even though it is the acronym of a group that was highlighted in the post (RATS: Reading Apprenticeship Teachers and Supporters).

RA Rats, ink drawing recomposed & painted in Photoshop
Rats Rally the Herd, ink drawing recomposed, painted in Photoshop

I used the same line drawing for the final illustration above, but cloned/altered some of the rats and painted and sketched more in Photoshop. This is the one I proposed for the post and got rejected. I didn’t mind, it was fun to do.

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Drawing Flower Art Gouache Ink and watercolor wash Life in general Painting Places Rose Sketchbook Pages

When you forget how to draw…

Hillside Gardens Apartments, ink & watercolor
Hillside Gardens Apartments, ink & watercolor

…keep drawing! After feeling so rusty sketching at the county fair I was determined to get my drawing juju back. I knew the only way to find it was to draw more.

I tried sketching at the El Cerrito 4th of July festival (see below) but was all thumbs again. Since I couldn’t make a decent sketch myself, I bought a really nice one at the festival’s art show from my friend Ikuko who had a booth there.

I decided to try again on the walk  home. The Hillside Garden Apartments (at top of post) is an ongoing renovation project and labor of love by the owner to convert an old rundown motel into beautifully landscaped apartments. He and the apartment manager were driving by and saw me standing on the corner sketching. They parked and came  to see what I doing and we had a nice neighborly chat with much mutual admiration.

Can't Draw; Ink, watercolor, colored pencil
Can't Draw; Ink, watercolor, colored pencil (click to enlarge)

Back home I continued drawing. I was happy with this sketch of a rose from my garden (below) but lost focus and overworked the watercolor. So the next day I played around with adding gouache, not worrying about getting the colors “right” since the rose had completely changed anyway.

Love the (Artist) You're With; Ink, gouache & watercolor
Love the (Artist) You're With; Ink, gouache & watercolor

Then I wrote myself a little pep talk around the rose, concluding that even if my drawing wasn’t all I wanted it to be, I could at least stop being so self-critical and, to re-phrase the old Crosby, Stills & Nash song: “If you can’t (yet) be the artist you love, then love the one you’re with!”

Categories
Animals Drawing Gouache Painting Sketchbook Pages

Crow Planet

Crow on the fence, ink & gouache
Crow on the fence, ink & gouache

Ever since I saw a crow repeatedly drop a walnut onto the street from its perch on a wire above, fly down to check it, pick it up and drop it again, I wanted to learn more about them. So I’m reading Crow Planet: Essential Wisdom from the Urban Wilderness, a sort of “how to” for amateur naturalists who want to explore nature where it lies (or flies) without having to journey out to Nature with a capital “N.” I learned that crows drop nuts on the road, hoping a car will drive over it and crack it open.

The crow in the sketch above had been hanging out with some crows and a few squirrels on a neighbor’s front porch. This odd group was bickering over who got the peanuts and who got the walnuts that my nutty (pun intended) neighbor lady puts out daily (hourly?). When I showed up he took this  more watchful stance.

I used to dislike crows because  they seemed to overwhelm the landscape when they showed up and their noisy caws drowned out the softer, sweeter sounds of smaller birds. But I’ve learned to appreciate these fascinating birds.

Crows mate for life, have strong communities who help care for the young and sick members, and are quite smart. They play games with each other, can recognize individual human faces, can reason and use tools as this video demonstrates:

Crows are helpful too, since as omnivores, along with plants, they eat insects considered as pests by gardeners, and enjoy fresh roadkill, thus tidying up the neighborhood. They are well-suited to our increasingly urban, concrete jungle, which is why their population has increased. It is estimated that in the U. S. there are as many crows as households—about one crow per family.

If you want more information about crows, there is a good Crow FAQ here by a Cornell University professor who also seems to find them endearing, despite their usually undeserved bad reputations.

Categories
Food sketch Gouache Ink and watercolor wash Painting Places Sketchbook Pages

Sketching at the Louise Stanley Journals Exhibit

Sketching Lulu's Display, ink & gouache
Sketching Lulu's Display, ink & gouache

We began last Tuesday night’s sketchcrawl at Louise Stanley‘s journal exhibit at the California College of Art in Oakland. Lulu’s paintings and sketches are amazing. She combines classical subjects and a great sense of humor with images of modern women on a grand scale in her paintings and in brilliant ink and goauche in her handbound journals. If nothing else, visit her website to read her bio for a peek into her studio and funny writing, and be sure to check out “Lulu’s Rules for Sketchbooks.”

Her journals are full of travel sketches, copies of  museum paintings, and lists of things like pen preference rankings, and titles for paintings. I loved the list “Paintings that Matter” that included titles like ‘When Hell Freezes Over,’ ‘Routine Inspection,’ ‘Unintended Consequences,’ ‘Road to Ruin’ and ‘Dressing the Turkey.” The show at CCA will be up through March 5 and on February. She will also give a talk at the Berkeley Art Center on Saturday, February 20, 2010 at 4:00 p.m.

Next we headed down College Avenue for more sketching.

Dinner at Cactus Taqueria, ink & watercolor
Dinner at Cactus Taqueria, ink & watercolor

It was nearly 8:00 p.m. and I was hungry,  having skipped dinner, so I voted to sketch indoors at Cactus Taqueria. After eating (and sketching) some black beans, grilled veges and a tiny salad I made at the salsa bar from their coleslaw salsa (?!), I was ready to tackle the cactus (well, on paper anyway) that sat on a shelf above my table.

Cactus Basket, ink & watercolor
Cactus Basket, ink & watercolor

Then it was back out to College Avenue where we were both inspired by the display at Annie’s Vintage Rack.

Annie's Vintage, ink & watercolor
Annie's Vintage, ink & watercolor

Cathy liked the old suitcases and I liked the old clothes. I probably should have skipped that unfortunately placed sign that seems to be projecting from the skirt. I think it was supposed to look like a megaphone and said “Back to School Sale” on it (though it was just as nearly unreadable as in the sketch).