Except for doing these sketches while watching the NBA Basketball Finals last week, it was a pretty rough week, with no energy for art or blogging. I kept putting the TiVo on pause to sketch, enjoying drawing with a Pilot fountain pen and then adding a bit of water to make the line bleed and turn into an ink wash.
NBA Finals: Aiming for a free throw, ink
Then I started trying to capture a little more action, drawing in pencil.
NBA Finals pencil sketch
I enjoy watching basketball playoffs and seeing these 7 foot tall, extremely buff, and mostly really cute guys with charming smiles, maneuver their massive bodies like ballerinas, leaping through the air, dodging and dancing around each other, or just storming down the court like a locomotive, charging the hoop, hanging from it when they dunk the ball in, or tossing the ball from across the court and watching it swish right in (or not).
I took so long with pausing the game to sketch that I had to fast forward to the last five minutes to see who won so that I could go to bed before midnight.
The first hydrangeas of the season provided an opportunity to try out ink and watercolor in the Fabriano Venezzia sketchbook I posted about yesterday. First I drew directly in ink and then tried painting the flower on the right by wetting the paper there, and painting into it. I didn’t like the results and tried lifting off the paint with a tissue and was pleased and surprised that it came right off, leaving only a slight stain. Then I painted back into the damp area and got the results I wanted and completed the rest of the painting working very loosely.
The painting was easy compared to trying to get the image in the sketchbook scanned or photographed for posting. The image above was the result of clamping the edges of the sketchbook to photograph it (see below) and then using Photoshop’s Clone Stamp tool to “erase” the clamps and then using the Levels and Dodge tools to clean up the shadows caused by the paper buckling and some reflections from the light source.
Ready to photograph
I also tried scanning the page in the sketchbook but encountered the same problems I had yesterday with severe blurring plus shadow from the seam. I (want to) like this sketchbook, but preparing the images for posting is really a hassle. Even if I wasn’t working across the spread and just painted on one page I’d still have the problem with the shadow and blurring since it happens on the righthand page.
Scanned version, after major touch-up
Have you had this problem and solved it? I’d be so grateful for suggestions!
When I saw this woman reading on BART I had to draw her. She seemed to express the essence of dignity to me. She was carefully dressed and groomed, all in white, grey and black, with her hair covered in a white crocheted net and that wrapped with a perfectly ironed bandana, tied in a tiny bow in front.
This was my first drawing in my new Fabriano Venezia sketchbook that Roz had tested and praised and that I bought in a couple of sizes from Wet Paint. This is in the 9×6″ size. I left the first page blank to serve as a title page/table of contents later and did this drawing on the next page. I was totally in love with the sketchbook, writing a little rave review on the page of this first sketch about how wonderfully smooth and thick the paper was, and how nicely it worked with the Micron Pigma .01.
I was a little concerned about how much larger and heavier to carry around it is than the Moleskine watercolor notebooks I’ve been using, but thought it would be worth it. BUT when I tried to scan my drawing and the book didn’t quite fit on the scanner, cropping off part of the image, and the middle seam caused half the image to blur and have a dark shadow, no matter what I tried.
Then tonight I tried adding a watered down ink wash to her jacket, which had been black. The paper acted very strangely, not at all like I’d expected. I knew it wasn’t watercolor paper, and thus wasn’t sized, but now I’m now worried how these books will react with watercolor. I guess I’ll find out soon.
Here’s the same image with the ink wash that went all splotchy.
Less Dignity with ink wash
She was so carefully groomed, with everything perfectly ironed and smooth and now she looks much less dignified with her splotchy jacket. I don’t think the ink wash added anything positive to the drawing, do you? And I don’t think adding more ink to try to make it smoother or darker would be a good thing either.
Pacific May Lilly at Tilden Botanical Garden, ink & watercolor, 4x6"
My plein air group met at Tilden Regional Parks Botanical Garden this cold and foggy morning. Since I wasn’t familiar with the park I explored a bit and then decided to sketch instead of trying to drag my painting gear around the hilly, pebbly paths. Since I only had my large Moleskine and a Micron Pigma .01 pen with me, I added watercolor later at home. The May Lilly above was so sweetly but delicately scented that drawing beside it was like breathing in a dessert.
Bridge & Creek, ink & watercolor, 5x7"
This bridge and creek was the first thing I sketched when I arrived, still arguing with myself about whether to go get my painting cart, whether to go home because it was too cold, whether to go home because I arrived late, how I should have brought my watercolors, how the scene was so complicated and so maybe I should just go home.
But as I drew, I started noticing interesting details, how dark and light shapes lined up, where one puzzle piece fit against the next, the design the water was making as it poured over rocks and down the creek, the sound of frogs and birds, and before I knew it that busy, chattering mind had shut off and I was having fun.
Manzanita Tree, Ink & watercolor, 5x16"
As I sketched this spectacular Manzanita, I began noticing how much like strong lean muscles the branches were, with their smooth, polished red surface. Then I found other human attributes: the knotholes looked like eyes while the bends in the branches looked just like elbows. This led me to consider the oneness of all things and I felt very connected to all the nature around me. During our critique at the end of the paint-out, we each take a turn showing our work and talking about our process. When I shared these thoughts someone laughingly asked what I’d eaten for breakfast! I was high on drawing, not Cheerios!
Cat Napping in the Buckwheat, Ink & watercolor, 4x6"
Walking to our critique, I spotted this garden kittie, having a nice nap in the buckwheat section of the garden and had to stop and sketch it. Nothing bothered this plump pussy who slept amidst the plants, little signs, wood chips and stones near the garden entrance. I added the whiskers with white gel pen.
As second place winner in the International Fake Journal Month contest, I won this amazing t-shirt from Roz Stendahl, the inventor of IFJM. I tried to sketch myself sketching myself myself wearing it. I didn’t do the t-shirt (or myself) justice, but I do like the way the bird and I both seem to have the same expression! THANK YOU ROZ! I love it! (My IFJM posts are here and here.)
I’ve been having one of those crises of artistic self-confidence in my drawing the past couple weeks. I’m not sure if the drawing difficulties are real or I’ve just somehow allowed that nasty internal critic out of his cage and back on my shoulder.
Boris the Dragonly Critic, ink & watercolor
I know the cure though: put him back in his cage and do a whole bunch of drawing until he is so bored he falls asleep for a nice long summer nap. And I’ll start by drawing HIM! Here he is now, safely back in his cage and starting to get very sleepy….
Stripey Still Life with Lemon, 10x8", oil on Gessobord
Getting the drawing right before beginning to paint is so important when trying to paint realistically. Although it’s theoretically easier to correct drawing errors with oil paint than watercolor, it’s still a lot less fun than painting with a good drawing. As you can see from the start of this painting below, I hadn’t quite nailed the elipse on the top of the pitcher before I started painting.
Stripey Still Life start
I wanted to get started with the painting quickly because I knew the leaves from the lemon tree were going to change wilt, even though I had inserted the stems in a little florist tube with water (and they did!). But by not getting the elipse on the top of the pitcher drawn correctly, I ended up redoing it over and over and finally giving up. I am happy with the way the fabric under the pitcher turned out, as well as the lemon and didn’t have to do any repainting on those areas, although I did change some of the fabric as I painted.
Stripey still life photo of set up with wilted leaves
On my next still life, I’m going to sketch the composition on tracing paper first, and then transfer it to the painting panel, rather than trying to sketch it on the panel. Maybe that will make the painting more fun and less of a struggle.
4th Street Jazz Festival- by Jana4th Street Jazz Festival-by Casey
Casey Toussaint and her son Paul are visiting from France and I had the pleasure of spending Sunday with them. After a quick visit to my house and studio, we headed down to the Berkeley Marina to cool off on an unseasonably hot day.
Casey & Paul on Berkeley Pier
We walked to the end of Berkeley’s long pier on San Francisco Bay with views of the Golden Gate Bridge (which Paul wanted to see) and there was a wonderful cool breeze coming in off the ocean. Then we had a delicious lunch at Skates on the Bay, where we had a window seat and watched birds nesting under the eaves and sailboats tacking back and forth on the choppy bay.
Casey & Jana @ Skates
On the way to our next stop (Dick Blick Art Supplies to pick up a large sketchbook to bring to the afternoon session of the figure drawing marathon sponsored by the Bay Area Models Guild at Merritt College in Oakland) we passed Berkeley’s Fourth Street boutique/foodie shopping area. We saw that the street was blocked off with a sign, “Fourth Street Jazz Festival” and decided to nix the figure drawing and sketch at the festival instead.
Casey sketching at Peets Fourth Street
We strolled the street and then settled at Peets Coffee for coffee and sketching where we did the two sketches at the top of the post. Casey works quickly, with wonderfully expressive lines, and got in a few more sketches from Peets:
4th Street people by CaseyMore 4th St people by Casey
After an hour or two we connected with Paul again, walked over to Blick’s for Casey’s art supply shopping and then headed to Telegraph Avenue and the University of California campus. Casey and I found a spot we wanted to sketch on campus so Paul headed back down Telegraph to Amoeba Records, a huge used CD/record store.
UC Campus building by JanaJana's sketch and buildingCasey's sketch of the building
When we met Paul back at Amoeba a couple hours later, I was hungry and we decided to head out for dinner. We all felt like Mexican food so I took them to Solano Avenue’s Cactus Taqueria. Paul was quite impressed by the size of the burrito he was served, and took photos of it. I learned that servings are much smaller in French restaurants and that it takes 5 or 6 years of serious study before someone can become a baker. He was surprised that here all one need do to beome a baker is to open a bakery and start baking.
Casey at UC Berkeley
As the sun was setting I drove them back to San Francisco. The fog had rolled in, ending the heat wave, and as we traveled across the Bay Bridge we had amazing views of San Francisco rising up out of the fog bank, sillouhetted by the setting sun. I drove really slowly across the bridge so Paul could take pictures and he got some great ones.
Two of my favorite sketchers, Martha and Cathy, joined me for an evening of sketching and dinner at Kensington Circus Pub. The image above was my view out the window just after sunset. Next I sketched a window across the street (below), and then used the page to total my portion of the bill. When I scribbled out a mistake it turned into a creature.
Alchemy, dusk; ink & watercolor
Martha brought her fountain pen collection for us to try out, along with a bottle of Platinum Carbon ink. I was especially interested in her Namiki Falcoln pen, which I’d heard good things about. The two images below were my fooling around with her pens. The Namiki was a little clogged so I switched to using it as a dip pen. It’s a fabulous pen, very flexible and a ton of fun to use, but I found the line to be thicker than I prefer. I was happy to return to my favorite .05 Micron Pigma when I did the first two sketches above.
Ketchup bottle, Namiki Falcoln pen & ink
Cathy gave me a Pilot Varsity pen. It doesn’t have permanent ink so you can use it for ink & wash techniques. I used more ink than was needed to make a good wash so next time I’ll be more restrained when I use it.
Ink bottle, drawn w/Pilot Varsity pen & water wash
We discovered we are all huge fans of the HBO series The Wire which we’re working through on DVD and Cathy shared a few other favorites on DVD that I noted on the page.
I was really tired because I’d been painting all day and then went home afterward and painted until midnight, working on a project I’ll post about soon. But now, back to painting again (with a quick break for watching Adam’s performance on American Idol).
First, a quick note that I was interviewed for the fascinating Tools Artists Use website. Although it often ends up sending me shopping, I love to see the tools other people use to make their art. If you’d like to read the interview about my favorite art supplies and tools, just click here.
OK, so to celebrate the return of the my sketchbook, here are a few sketches from the past couple weeks that are happily no longer lost forever.
Old Sailor Man on BART, ink & watercolor, 8x6"
He looked like an old sailor man to me, wishing he was on a boat, not the subway.
While I was waiting for the ear, nose, throat doctor I copied the information from his wall chart and sketched the assortment of stuff on his shelf. I became fascinated with the names of the parts of the mouth and throat (I’m easily amused).
Waiting at the Doctor's Office, 4x6"
Defining Inspiration:
I noted in particular the “Epiglottis” and wondered if the word had anything to do with the word ” Epicurean.” Even more interesting was a depiction of an open throat, described on the chart as “Inspiration” which I supposed means “breathe in.” It made me think about inspiration in art and how, when feeling uninspired we try to force something to come out when perhaps it’s more a matter of simply opening and allowing it to come in, instead.
I had my sketchbooks out to share with my painting group buddies at the end of a nice Friday night dinner together at Jimmy Beans in Berkeley…
Judith at Jimmy Beans, ink & watercolor, 7x6"
so I added one more sketch (above).
Entranced by his cellphone on BART, 3x2"
And one more subway drawing. He was mesmerized by his cellphone but I see now that the sketch looks like he’s playing with his beard or rolling or a joint. (Are they still called joints?) I heard American Idol judge Randy Jackson call a song a joint on the show tonight, so maybe not.
Marine World Critters, ink & watercolor in 6x8" sketchbook
Sunday I took Mariah to Six Flags Discovery Kingdom (formerly known as Marine World) for her 10th birthday. After the dolphin show I saw a poster of Quilson the Porcupine and said I hoped we’d get to see him. An exuberant and joyful young lady, Mariah’s enthusiasm paled next to mine when we sat in on animal show and there was Quilson, just as cute as in his picture. It turns out they can’t shoot their quills at enemies (they’re just for display).
Also in the show was an adorable anteater, a cute coatamundi, a jittery chinchilla who shed a pile of fur on her handler, and a desert fox with gigantic ears “used as air conditioners” according to the show’s corny young announcer. He never explained exactly how they work as air conditioners, though. Do they flap them? Do they sweat? Do they just create shade? Who knows?
I was so thrilled to get to see and sketch these critters that I apparently took leave of my senses and unfortunately also my sketchbook. When I next reached for it to sketch the flamingos in another area of the park (“I thought they were extinct” said Mariah), sadly so was my sketchbook. Gone! We backtracked looking for it, filled out a form at Guest Relations, and then I just tried to focus on having fun with Mariah.
After 7 hours and 6 miles (I was wearing my pedometer) and seeing the crowning event of the day, the Killer Whale Show, we headed for the exit and the Lost and Found office. I told the woman what I’d lost and she asked me to describe the first picture in the sketchbook. I said, “I have no idea what the first picture is but I know what the last one is: a PORCUPINE!” so she handed it over and I literally jumped up and down with glee (looking pretty stupid, and not caring!)
I’ve never lost a sketchbook before and while not disastrous, it was most unpleasant, especially because I use mine not only for drawing, but also to write notes or sketch out ideas for art projects and techniques to try, and information about art events, etc.
I’ll blame it on my sensory overload at Six Flags, with no escape from the speakers placed every 20 feet throughout the park playing loud rock music interspersed with DJ blather and commercials for Six Flags (?!), the crowds, trying to find our way from one “kingdom” to another, and all the other sights and sounds of a large amusement park. They even have a jumbotron screen at the killer whale show, which displays the same show you’re watching only gigantic (with more loud music). They actually interrupt the show and play a COMMERCIAL for Six Flags and more commercials play on large TV screens around the park. Hello Six Flags, we’re already here! Why are you interrupting our fun to tell us about the fun we could be having if we were here?
Jana Bouc, Artist 