Category: Drawing

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Animals Art supplies Drawing Every Day Matters Illustration

Ostrich with Hole in the Sand (How I Get My News)

Ostrich with Hole in the Sand, ink on Stonehenge paper
Ostrich with Hole in the Sand, ink on Stonehenge paper

One of the Everyday in May drawing cues is “Draw How You Get Your News.” The image that immediately came to mind was an ostrich with its head in the sand. I am the opposite of a news junkie. I cancelled my newspaper subscription years ago when I realized it made me cry nearly every day. TV news is even worse, with “If it bleeds, it leads” as the guiding principle.

So I just stick my head in the sand instead of consuming all the fear-based media, and do what I can to create better news. Avoiding the news means I can continue to believe that most people are mostly good and that it’s great to be alive.

About the paper: Stonehenge just started making their wonderfully soft drawing paper in this color called “Kraft” except unlike regular Kraft paper it’s archival 100% cotton. It’s fun to draw on with black ink and white gel pen.

About ostriches: They don’t really bury their heads in the sand. When frightened they try to hide by lying low and pressing their long necks to the ground which could look like they have buried their heads in the sand.

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Berkeley Building Drawing Ink and watercolor wash Interiors Painting Places Sketchbook Pages Urban Sketchers

Inside Berkeley’s Maybeck-Designed First Church

First Church of Christ Scientist, Berkeley
First Church of Christ Scientist, Berkeley

The American Institute of Architects named this church one of the three finest uniquely American churches. I saw a picture of the spectacular interior and knew we had to sketch it. I contacted the architectural heritage group, Friends of First Church (see photos on their site), and one of their members was generously willing to open the church for our Tuesday night Urban Sketchers group.

She graciously gave us a tour and told us a little about the history and architecture and then we picked our spots and started drawing. The interior is sweeping and complicated, with “a pair of great crossed trusses spanning the central pace overhead.”

Interior photo from where I sat, First Church Christ Scientist
Interior photo from where I sat, First Church Christ Scientist

I tried to envision how I would get everything I wanted onto my page and then just started drawing in the left corner, working my way across the page, drawing directly in ink. I drew up until the last minute so had to add the watercolor at home.

That’s a pipe organ behind the choir loft. They’re trying to raise funds to restore it.  Everything is embellished with gilt so the room has a golden glow. The architecture and design includes many styles and periods, including Gothic, Romanesque Byzantine and Arts and Crafts.

Spending the evening in that beautiful, quiet, exquisite space was so special and we are very grateful to the Friends of First Church for so graciously sharing this jewel with us.

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Drawing Flower Art Painting Sketchbook Pages Watercolor

Relaxing With Calla Lillies

Calla Lilly 1, Ink and watercolor
Calla Lilly 1, Ink and watercolor

After a weekend of making paintings, scraping the canvas and starting over (with nothing to show for it but some learning) I accidentally knocked a 12 oz latte off the table, splattering the studio with milky coffee, requiring a major cleanup job. So tonight I thought it might be nice to stare at a pretty calla lilly that popped up in the garden, sketch it a couple of times and just calm down.

I drew the one above first, starting with a little pencil to get the shape right and then drawing with a Micron .03. When I finished I wished I’d skipped the ink.

Calla Lilly 2, ink & watercolor
Calla Lilly 2, ink & watercolor

With this second one I drew directly with the pen, but I liked the scratchy line even less (I think the pen is running low on ink or doesn’t like the paper) so went over it with a Pentel Brush Pen afterwards.

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Art theory Drawing Every Day Matters Ink and watercolor wash Painting Sketchbook Pages

Sweat, Salt and Scissors

My Lemon Pepper and Salt Shaker, ink & watercolor, 5.5"x7.5
My Lemon Pepper and Salt Shaker, EDM #104, ink & watercolor

Drawing is the foundation of most picture making and it’s a skill that requires regular practice and study. I’m determined to improve my drawing skills and the Every Day in May drawing challenge came at just the right time to inspire this daily practice.

All The Scissors I Own, ink & watercolor, 5.5x7.5"
All The Scissors I Own, EDM#105, ink & watercolor, 5.5x7.5"

I’ve long enjoyed just starting somewhere on the page and letting the details and story expose themselves in my sketch as my eyes explore the subject. I like the “just see what happens” approach. That is a lot of fun. But it doesn’t work well when I’m trying to fit a scene onto a page, or realistically capture a place or people or both.

My Exercise Corner, ink & watercolor
My Exercise Corner (drawn sleepy and without using the strategies described below so it's wonky and didn't fit on the page). EDM# 103

That requires some comparing, measuring, careful checking of angles, drawing imaginary (or penciled) “plumb lines” to see what lines up with what, noting where the top, bottom, sides and midlines are in the subject vertically and horizontally, and marking those same spots on the page so that it all fits. And of course there are lots more…perspective, line quality, etc.

I just wasn’t willing to do most of that before, but now I am. Even more surprising than my willingness is how enjoyable it is and how it’s starting to become second nature.

I don’t want my drawing to be pefect—I love imperfect wonky drawings—they’re so much more interesting and lively than perfectly realistic ones.  I just want the darn picture to fit on the page and the proportions to be at least almost right, and to be able to draw more quickly and accurately when I need to.

Categories
Drawing Every Day Matters Ink and watercolor wash Painting

Soap: Every Day in May

My Favorite Soap from Trader Joes, Pentel Brush Pen & watercolor
Trader Joe's Lemongrass Soap, Pentel Brush Pen & watercolor, 5.5 x 7.5"

Well, yes, of course I’ll use soap every day in May…but that’s not what this post is about. I read that the Every Day in May group was doing a daily sketch from the Everyday Matters (EDM) list. I had so much fun with EDM in 2006 when I first started art-blogging so despite being in the middle of a dozen different things I decided to join in.

They started with #101 – Draw a bar of soap. I searched the house and had no bars of soap so I drew my favorite liquid hand soap from Trader Joes. It’s Lemongrass-Sage and it smells wonderful!

I hadn’t used my Pentel Brush Pen in a long time and I thought I remembered that it doesn’t bleed when you add watercolor. No such luck. Or maybe I didn’t wait long enough for it to dry?  Just for fun, here’s my original EDM #101 bar of soap, just for fun.

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Albany Drawing Ink and watercolor wash Interiors Painting Places Sketchbook Pages

The Pub/Sketchcrawl Continues: The Pub, Albany

On Pub Time, ink & watercolor
On Pub Time, ink & watercolor

The Pub in Albany was originally an old house and though long ago it was (minimally) converted to a pub, it is as comfy as hanging out in my living room (except a lot more interesting). People come to drink beer or espresso, play card or board games and sit around in big overstuffed chairs to chat. There are interesting collections of objects in every room.

The Pub: Like a Living Room, ink & watercolor
The Pub: Like a Living Room, ink & watercolor

Until we started sketching in pubs I had no idea that there was so much game playing going on. Beer drinking aside, it just seems so wholesome the way groups of friends meet in person to play games instead of playing digital games alone or with virtual friends online.

A note about the picture above–the white shape above the bottom right chair is the head of the bald guy who was sitting there. I liked how it looked even though you can’t tell what it is.

Categories
Drawing Flower Art Ink and watercolor wash Painting Rose Sketchbook Pages Still Life

The First Cut is the Deepest (Or Is It The Sweetest?)

First Cut Rose, gold gel pen and watercolor
First Cut Rose, gold gel pen and watercolor

This was the first rose I cut from my rose bushes this year which led to the first cut on my hands from the rose thorns (likely not the last). And it was the first sketch I did of the first rose.  My intention was get the essence of the delicate rose with as few lines and as few washes as possible. I drew it with a gold gel pen, painted directly in one layer and stopped.

Happy!

Categories
Berkeley Drawing Ink and watercolor wash Interiors Painting People Places Sketchbook Pages Urban Sketchers

Sketchcrawl and Pubcrawl: The Albatross Pub

Albatross Pub Berkeley: the bar, ink & watercolor
Albatross Pub Berkeley: the bar (painted in near darkness), ink & watercolor

The past couple of weeks our Tuesday night sketch group has met at pubs to draw and sample the beer. First stop was the Albatross, Berkeley’s oldest pub. It’s a very friendly and comfortable place with several different rooms. I left the group sitting at a big table in the back and moved up front near the bar.

Albatross Pub, couple with hat, ink and watercolor
Albatross Pub, couple with hat, ink and watercolor

The Albatross stocks a variety of board and card games for its patrons. There were some men playing chess nearby and a couple on a date playing a card game while talking about their travels. I felt comfortable sitting by myself drawing and painting. Nobody bothered me. The only difficulty was seeing the colors I was painting.

Dart players, ink
Dart players, ink

Tuesday nights The Albatross hosts dart tournaments. These two guys didn’t actually overlap like this, they took turns approaching the line and throwing their dart. Each player has his own style of aiming and throwing, and they repeat it exactly the same each time. I drew them in stages capturing a little more with each throw. The short guy on the left leaned way forward, held the dart by his forehead, then tossed it with his left foot  coming off the ground. His much taller partner stood upright and very still, and just tossed the dart without moving his body.

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Art supplies Bookbinding Drawing Ink and watercolor wash People Self Portrait Sketchbook Pages

The End of Harlequin

Harlequin cover, Sketchbook 2011 A
Harlequin cover, Sketchbook 2011 A

When I finished the journal above I decorated the cover and sketched a self-portrait as I do for the last page of each sketchbook. This journal is called Harlequin (theoretically because of the multi-colored cover–the back is turquoise, the front is lavender with black spine covering). I know the word “harlequin” has nothing to do with patching together leftover bits of bookcloth to make a cover, but I let my sketchbooks name themselves and this one wanted to be called Harlequin.

I used (expensive, oil-based) Sharpie Paint markers for the color on the cover but they didn’t show up at all on the black and required several layers on the lavender. Despite the art store clerk’s recommendation, Sharpie Paint markers are not meant to be used on fabric. Annoyed with the markers, I switched to a gold gel pen for the words and lines.

End of sketchbook self portraits, ink & watercolor
End of sketchbook self portraits, ink & watercolor

These are the two journal-ending self-portraits sketched on the last spread of the book above. I don’t know why I refuse to try for accuracy when I sketch self-portraits. I just draw and see what happens instead. The first one (on the left) feels like me, even though the proportions are wrong. The one on the right is wrong in so many ways I might as well have been drawing a completely different person.

Newly bound journal
Newly bound journal

I’d planned to experiment with dying my own bookcloth for the new journal like Shirley does, but when I went to the store to get the Wonder-Under (iron-on stuff to fuse fabric to paper backing) I fell for this linen fabric and used it instead. My adventure on the previous journal was figuring out how to patch the bookcloth together. This one was figuring out how to fuse the fabric to the Thai Mulberry paper per Shirley’s instructions (the hardest part was figuring out how to peel the almost invisible paper backing off the Wonder-Under). Maybe next time I’ll dye fabric.

I’ve also updated my file How to Bind a Watercolor Journal (as I do each time I bind a journal and learn more) and it’s available to download on the Comments & Resources page of my website, JanaBouc.com.

Categories
Berkeley Drawing Flower Art Ink and watercolor wash Painting Places

Wisteria Hysteria in Berkeley

Cathy's Wisteria, ink & watercolor
Cathy's Wisteria, ink & watercolor

It’s become an annual tradition for our sketch group that when Cathy’s wisteria explodes into bloom she invites us to spend the evening in her serene Berkeley backyard garden sketching and painting. This year it was a cool, foggy evening so we bundled up and drew until our fingers were too cold and the light was gone.

Wisteria close up, ink & watercolor
Wisteria close up, ink & watercolor

Then we went indoors and shared our work while snacking on ginger cookies and pistachios.

Our excellent online Berkeley newspaper, Berkeleyside, published this wonderful photo essay “The Hanging Gardens of Berkeley” with pictures of wisteria in brilliant bloom all over Berkeley, in some cases completely hiding the buildings.

Sharing art with other sites is fun (and as it turns out profitable). Berkeleyside features my sketches of Berkeley from time to time (linked here) and I’m always honored when they do. Then a few months ago a natural foods specialist asked if she could use some of my paintings on her website. I’m glad I said yes. One of her readers just bought three of those paintings. It’s good to share!