Categories
Drawing Ink and watercolor wash Life in general Mexico Painting People Photos Sketchbook Pages

Dia de los Muertos Celebration (Day of the Dead) Oakland

Aztec Dancer wearing animal head, fur and feathers
Aztec Dancer waiting; wearing animal head (coyote? wolf?),  fur and feathers, ink & watercolor, 8×5″ (drawn from Micaela’s photo, not on site)

LOUD DRUMMING! Brilliant Colors! Aztec Dancers! Smoke from sage (and other “herbs”) and grilling meat! LOUD Bands! Dancers! LOUD Spanish radio stations broadcasting live! Sugar skulls! Costumes and painted faces! Marigolds everywhere!

I followed the man in the sketch above after he finished dancing, trying to get a photo or a sketch of him and failed, meanwhile losing my fellow sketchers in the crowd. Micaela managed to get a photo which she let me use for this sketch.

Blessing with sage smoke and feathers, ink & watercolor, 8x5"
People of all descriptions lined up to be blessed with sage smoke and feathers, (drawn from my photo, not onsite) ink & watercolor, 8×5″

It was the Dia de Los Muertos celebration in East Oakland and I felt like I was in Mexico. Spanish was the  language heard everywhere. Families came to celebrate and honor their loved ones who had passed on with beautiful altars filled with marigolds, fruit, religious imagery and mementos of loved ones.

1948 Chevy Decoto Fleetline,  ink & watercolor, 5x8" (drawn on site, painted at home)
1948 Chevy Fleetline, drawn in ink on site, painted at home (5×8″)

I was finding it difficult to sketch at the festival since it was so LOUD my ears hurt and so crowded we kept losing each other. Being tall, I didn’t want to stand in front of someone’s booth or altar and block the view. Then I found the wonderful old low rider car show at the edge of the event which was much quieter and less crowded. I set up my stool and started sketching directly with a Micron Pigma pen.

People stood behind me and watched me draw. They said nice things about my sketch, including the owners of the car, Jose and Denise, even though my sketch turned their meticulously restored, beautiful work of art into a jalopy.

My first car when I was in high school was a ’49 Plymouth (it was already an antique) and looked a lot like this sketch. To get to school in the morning my sister would have to push it until I could “pop the clutch” to start it. Then she’d run after me and hop in. I was afraid to tell my dad that it wouldn’t start on its own—I thought I’d broken something but it just needed a new battery. I was sad when the motor died.

Boy who likes to draw cartoons watched me sketch
Boy who likes to draw cartoons watched me (in blue hat) sketch

This young man stood behind me and watched me draw so I offered him a notebook to try his hand at sketching the car but he declined. He said he didn’t know how to draw cars but liked to draw cartoons. I said I didn’t know how to draw cars either, but just did it anyway.

There were booths selling decorated skulls made of sugar, beautiful little skeletons in fancy dress, paper cut-outs, hats, jewelry and even paintings on black velvet of Marilyn Monroe and Elvis as skeletons.

Aztec Dancers, brush pen ink
Aztec Dancers, brush pen ink
Sugar skulls, little skeleton ladies and a view looking down from BART tracks when we were departing
Sugar skulls, little skeleton ladies and a view looking down from BART tracks when we were departing
Painted faces everywhere
Painted faces everywhere
Sugar candy skulls
Sugar candy skulls; they added your name on top for free
Pretty skeleton dolls
Pretty skeleton dolls
Aztec Dancer
Aztec Dancer
One of the amazing altars at the festival
One of the many amazing altars at the festival
Categories
Landscape Painting Photos Plein Air Sacramento

Edgar Payne’s Paintings and His Plein Air Ford

Edgar Payne's Ford, ink & watercolor, 4x6"
Edgar Payne's Ford, ink & watercolor, 4x6"

On our sketching trip to Sacramento we visited theEdgar Payne painting exhibit at the Crocker Museum. Above is my sketch of the beautiful old Ford he used to get to plein air painting sites. According to the brief video they showed he also frequently traveled by mule. I only had a few minutes to sketch the car so I painted it when I got home.

You can see the photo of the car and some of my favorite paintings from the show below. His compositions (he wrote the book  Composition of Outdoor Painting) and his use of warm and cool colors to create a sense of light and depth are fantastic to see in person.

Categories
Art supplies Interiors Photos Studio

My New Remodeled Art Studio Tour (at last!)

Looking out to the deck
View from inside looking out to the deck

Hi! Come on in and let me show you around my new studio. The concept for the studio began in 2000 when I bought my cottage, a 1940s duplex. I planned to use the front unit as my home and the rear unit as my studio while still working at my “day job.” When the time came that I could leave to paint full time, I planned to rent out the back apartment for extra income and convert the 400 square foot garage to my studio.

The rear unit studio was wonderful and I spent many happy hours painting and teaching there. But the new studio is even better! Even though it’s near my house, it’s completely separate so the distractions of laundry, dishes and computer; the nagging of cats for dinner; email and phone calls disappear and painting time flows uninterrupted.

Before the tour, here are “before” pictures of its former life as a grease-monkey garage where my son worked on cars.

The 1970 Firebird Cody was restoring in my garage
The garage before it was transformed and the 1970 Firebird Cody was (still is) restoring

The bare garage walls had 40 years of grease and grime and Bondo dust and the concrete floor was badly stained and cracked. The only electricity came in from an extension cord.

Huge Chevy engine and garage full of tools (and grease)
Huge engine under construction
Backyard before door and deck
Backyard before door and deck

The only entrance was the heavy and awkward sliding barn doors on the driveway side of the garage. Now I’ve transformed the old garage from a place for pursuing a passion for pistons to a passion for paint.

Deck and door to studio
Deck and door to studio

I added the doors and deck (though the contractor’s mistakes led to it not being a two-steps up raised deck as planned–but it is level unlike how it seems in the photo). The high-maintenance funky grass is gone, replaced by gold fines which makes it feel like a beach. Now it’s a great place to set up a still life and paint outdoors and I love eating lunch and reading out here too.

Here is a 6 minute video tour, and below that, pictures with more detail.

In the video and photos below, you can see that I love good art tools. I have collected this studio equipment and supplies over many years of painting. Much of it I bought secondhand or long ago. 

Categories
Building Drawing Ink and watercolor wash Landscape Life in general Painting Photos Places Sketchbook Pages

Port Costa Post Office and Bikers

Port Costa Post Office, ink and watercolor, 5x7"
Port Costa Post Office, ink and watercolor, 5x7"

Port Costa is a strange, tiny, rundown town and a popular destination for motorcyclists out riding the winding roads in herds on noisy Harleys. At the end of  town, by the railroad tracks and behind their cracked and crumbling Post Office I sketched above, is the Warehouse Cafe, a seedy bar in a ramshackle warehouse with cheap, stiff drinks, a funky outdoor deck, and a surly female bartender (perfectly described in this collection of hilarious Yelp reviews).

Port Costa Bikers Saddling Up
Port Costa Bikers Saddling Up in Front of Post Office

The bikers roar into town, have themselves a breakfast beer or two and ride out. While they seemed like a bunch of  tough, old burn-out guys with beer guts and women who looked “rode hard and put away wet,” they were very polite when I asked them questions about their (very expensive) bikes.

Bikers Lining up to Leave (Arrow is where I was sitting to sketch)
Bikers Lining up to Leave (Arrow is where I was sitting to sketch)

It turned out that the corner where I was sketching (red arrow in photo) is where they line up before tearing out of town in a caravan of ear-splitting noise, leaving behind a cloud of flying dust and gravel from the barely paved road. I had to pull my sweatshirt over my face and plug my ears every time a group tore off. My friend Beth Bourland posted some great pics of the day here including one of me so focused sketching I didn’t even know she took the picture.

Besides the bikers, it’s a fun place to paint so my plein air group meets there once a year. And then same thing always happens: we set up for our critique on the patio at the Warehouse Bar and just as we start to talk about the day’s work, they crank up the music on the outdoor speakers so loud that we can’t hear a thing and have to move all our stuff down the street to a quieter spot. Is it a coincidence? Does their music always go full blast at 1:15? Or are they trying to keep away the wrong sort of customers (us)?

Categories
Bay Area Parks Berkeley Drawing Gouache Ink and watercolor wash People Photos Places Sketchbook Pages Urban Sketchers

Golden Gate Live Steamers Train Meet at Tilden Park

Steam Train Medley from multiple sketches
Steam Train Meet Medley from multiple sketches

A few weeks ago Cathy and I were sketching guests at the Spring Meet of the Golden Gate Live Steamers Club in Berkeley’s Tilden Park. The train people were as curious about us as we were about them, and they wanted to see what we were doing. I usually don’t care when people look at my sketches, but I was drawing their trains that they had lovingly built from scratch, designing and engineering everything from the wood-burning boilers to the screws that held them together. It was like drawing their children—one thing out of place and they would know it.

Train guys
Train guys

Many of their members maintain and operate trains that their fathers or grandfathers built and they are now apprenticing their sons in the craft. Over the years the club has built a complete course of tracks with trestles, tunnels, and small buildings to match the 1.5″-to-the-foot scale of the trains. You can see photos and videos on their website including this one below of me sketching at the meet (much to my surprise!)

Categories
Art theory Oil Painting Outdoors/Landscape Painting People Photos Places

Sit Stay Cafe Girl Sketch in Oils

Sit Stay Cafe Girl, oil on panel, 10x8"
Sit Stay Cafe Girl, oil on panel, 10x8"

When I painted this oil sketch I had three inspirations: First was the Peggi Kroll Roberts video focusing on designing value patterns by simplifying and grouping values, even when the colors are different (e.g. the red umbrella and green trees above are very different colors but approximately the same values).

Curan: Afternoon in the Cluny Garden
Curran: Afternoon in the Cluny Garden

My second inspiration was the Curran painting above that I saw at the Impressionists show at the DeYoung Museum. I fell in love with this painting because of the colors, strong values and abstract qualities and brought home a print. Charles Courtney Curran was an American artist who studied with the Impressionists in Paris in the 1880s and then returned to the U.S. His other work I’ve seen online doesn’t appeal to me at all, too sugary and romantic.

Original photo reference with face blurred for anonymity
Original photo reference with face blurred for anonymity

I was also inspired by my reference photo (above) that I took at the Sit Stay Cafe at Pt. Isabel’s dog park where I was lunching, sketching and taking photos to test a new camera last summer.

The tired young woman was very kind about allowing me to sketch and take photos of her. She told me she also liked to paint. Since I didn’t ask for permission to post her picture online I blurred her face in Photoshop first.

Categories
Landscape Oil Painting Outdoors/Landscape Painting Photos Places Plein Air Sonoma

Viansa Vineyard: Final Touches on Final Plein Air 2010

Viansa Vineyard, 11/2010-1/2011, Oil painting, 9x12"
Foggy Morning at Viansa Vineyard, 11/2010-1/2011, Oil painting, 9x12"

My plein air group had our last meeting of the season in November at Viansa Winery in Sonoma. I’d made a good start on the painting plein air, but it needed work. Today I got tired of looking at the unfinished painting and completed it (above), using both brushes and palette knife.

I’d set up my easel at the edge of the parking lot and had a great view of the vineyard. But there were so many interesting things to see that I included all of them in my original painting below (except maybe the cars and the birds and bees—that’s some progress I suppose).

Viansa Vineyard, unfinished plein air
Viansa Vineyard, unfinished plein air

There are some passages in the painting I liked, especially the top fourth, but there were some problems too: the strong yellow diagonal line leading you out of the painting, the bright gold triangle top right, the green line of bushes beside the purple road, both of which weren’t needed even though they were there in real life.

Viansa photo reference
Viansa photo reference

This is the photo I took at the beginning of the painting session. The sun and fog and clouds kept changing but the overall impression I had of the day was sunny.

A previous Viansa painting can be seen here. It’s nice to see the progress I’ve made since then.

 

Categories
Drawing Oil Painting Painting Photos Sketchbook Pages Still Life

Painting a Painted Pumpkin Until….Ewww!

Painted Pumpkin Painted, oil on panel, 8x10"
Painted Pumpkin Painted, oil on Gessobord panel, 8x10"

On Halloween I got inspired to paint a pumpkin but the only pumpkins left in the grocery store were huge warty-looking ones and two smaller ones with cartoon faces painted on them. I chose one of the painted pumpkins whose paint was peeling and asked if they’d sell it at ordinary pumpkin price, which they did.

I took it home, washed off the silly face, cut it open and set it on a black plate on my drawing table to make a preliminary sketch:

Halloween Pumpkin sketch, ink on paper
Halloween Pumpkin sketch, ink on paper

Then I set it up on the table by my easel inside a box made of black foam core with a strong light shining in from one side. I sketched the composition on my Gessobord panel, mixed some colors, and began painting with the intention to work quickly and directly.

But after three hours I gave up and scraped off the panel. I just couldn’t get a clean orange and everything looked chalky, horrible and dead. I emailed my friend Kathryn Law, a brilliant painter who gave me some excellent advice about mixing colors (including that orange was tough to mix from cadmium yellow and red with oils), along with inspiration and encouragement.

The next day, unwilling to accept defeat, I attempted the painting again, this time draping an olive-green cloth over the black foam core. Everything went so much more easily; what had felt like work the day before felt like fun. At Kathryn’s suggestion I used larger brushes and was more generous with the paint. I tried to put down a stroke and leave it. I kept in mind the way I enjoy sketching, and tried to keep that sense of adventure and freedom. I finished the painting and went to bed happy.

The next day I saw a few things I wanted to fix but had to go to work. I left my pumpkin still life set up for three days while I went to work. When I came back to the pumpkin today it was smelly, collapsing, gross and growing stuff:

Gross pumpkin photo
Gross pumpkin photo

Ewww! Tossed the pumpkin in the recycling bin and washed the plate. I guess the painting will have to be done as is, though I’m tempted to work on the plate a bit to try to make it look shiny.

Categories
Landscape Oil Painting Outdoors/Landscape Painting Photos Places Plein Air

Fairmead Park, Richmond, Suburban (?) Oil Painting

View from Fairmead Park, Oil on Gessobord, 9x12"
View from Fairmead Park, Oil on board, 9x12"

Sometimes painting in a pretty park with views leads to painting surrounding suburbia (or is it “urbia”?)  instead of the park.  The scene I wanted to paint (a picnic area between big eucalyptus trees) was occupied by teenage boys smoking pot and I decided to leave them alone. I didn’t think they’d appreciate me setting up my easel and staring at them, and they were there first.

Fairmead Park in Richmond is a little, hidden gem of a park. It is almost at the top of a hill with interesting views, the sounds of birds and squirrels, and the wonderful scent of eucalyptus. I got a good start to the painting while I was there and took some photos so I could finish it at home. I tried to focus on values, color and getting the paint down and leaving it alone and I really like the way it turned out.

Here is the photo I used, taken from the edge of the park which goes up the hill behind where I stood:

Fairmead Park photo reference
Fairmead Park photo reference

So is this Suburbia or Urbia — it’s on the edge of a very urban area in the town of San Pablo but it looks pretty suburban, doesn’t it?

Categories
Building Drawing Ink and watercolor wash Landscape Life in general Painting People Photos Places Sketchbook Pages

Workshop, Weddings, Wheels at Legion of Honor, SF

Legion of Honor, SF, Ink & watercolor
Legion of Honor, SF, Ink & watercolor

My plein air painting group held a workshop today at the beautiful Legion of Honor in San Francisco’s Lincoln Park at which Ed Terpening demonstrated.  After an hour some people set up and started their own painting but I watched the full demo so had only enough time for this quick sketch. At the critique Ed pointed out the problem with the size of the guys in the foreground compared to the cars which made me laugh.

Ed is one of those rare artists who can paint while at the same time explaining the how, and why of what they’re doing. I learned so much! I’ve enjoyed following Ed’s blog, Life Plein Air for years and it was a real pleasure to meet him in person.

Afterwards I tried to walk over to the museum to see the Impressionists in Paris show (wonderful!) but was prevented by this craziness:

There were about a hundred noisy, smoky mopeds, coming up the hill and then circling around and around, more and more of them. Finally they left and I made it across the street and directly to the museum’s café for a much-needed latte. While I sipped I sketched the view out the cafe’s french doors (except they didn’t have Ed’s name above them):

Cafe view under my notes about the workshop in sketchbook
Sketch under my notes about the workshop in journal

I took notes during the demo on a page in my journal that had an unfinished sketch done with green pen which is what that green mark is under Ed’s name.

Apparently the Legion of Honor is a place people go to take wedding and Quinciaños photos (even though their ceremonies weren’t actually held there). I noticed five different groups being photographed and took my own photos of a few. Since I used a zoom lens you don’t see the tourists and museum goers that were all around them:

Wedding #1, Very serious and stoic
Wedding group #1, So formal and serious
Getting the flower girls ready
Wedding Group #2: Flower Girls
The Quincianera and her court of honor
Quincianera and her court of honor getting ready for photos

The Quinciañera is a Latin American tradition for celebrating a girl’s 15th birthday. Formerly a religious celebration, it has become an obscenely expensive event that can match weddings in cost and extravagance, including ball gowns, banquets, limos, huge parties, photographers, bands and more. I wish they’d save their money for college.

After their photos they left in a huge stretch limo as long as a bus but made out of a Hummer.

Priceless expression (great hat, too)
What is he thinking?

Nobody looked like they were enjoying themselves much in any of the groups. Except maybe the photographers, but they were getting paid to do their art.