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Building Drawing Ink and watercolor wash Landscape Outdoors/Landscape Painting People Places Sacramento Sketchbook Pages Urban Sketchers

Urban Sketcher Trip to Sacramento Part II

Tower Bridge over Sacramento River, ink & watercolor
Tower Bridge over Sacramento River, ink & watercolor

Continuing on from yesterday’s post, we left the Crocker and walked a few blocks to Sacramento’s Old Town to meet up with Urban Sketcher Pete Scully who lives nearby in Davis. Then we all stopped to draw this beautiful bridge, which is actually painted with gold metallic paint, unlike the Golden Gate Bridge which is painted a red-orange, and is not gold at all.

Eagle Theater, ink & watercolor
Eagle Theatre, ink & watercolor

Old Town is several square blocks of restored Gold-Rush era buildings with board walks instead of sidewalks, old trains, horse-drawn carriages, and a few people in costume like this woman (who, when I asked if I could sketch her, told me she was just waiting for her husband to come out of the restroom, and indeed left after 5 minutes). It’s very rustic, and while a bit touristy, is not nearly as bad as Fisherman’s Wharf or Pier 39 in San Francisco.

Sacramento Amtrak Station Exterior
Sacramento Amtrak Station Exterior

My last sketch of the day was the exterior of the Amtrak station in Sacramento. The building is very ornate and I would have liked to spend more time accurately capturing some of the details but my eyes were burning from some nearby idling diesel buses so had to go indoors.

There’s a Starbucks at the other end of this block-long building and I ran down there to get a latte for the ride home and then almost missed the train. On the trip back we shared our sketchbooks and relaxed; such a pleasure compared to driving.  I want to plan some more train sketching trips soon!

Be sure to also check out Pete Scully’s sketches of the day on his blog and Cathy and Sonia’s sketches on our Bay Area Urban Sketchers blog.

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Drawing Ink and watercolor wash Landscape Painting Places Quick Sketch Sacramento Sketchbook Pages Urban Sketchers Watercolor

Urban Sketcher Train Trip to Sacramento Part I

Emeryville Amtrak Station, ink & watercolor
Emeryville Amtrak Station, ink & watercolor

Bay Area Urban Sketchers took a little field trip by train to Sacramento to see some art, connect with another Urban Sketcher and have some good sketching fun. We arrived early to sketch the Emeryville Amtrak station (above) and then it was “All On Board!”

Once we got underway I experimented with doing VERY quick watercolor sketches of the scenery as we traveled, with about 30 seconds to capture each lovely view flying by:

Capitol Corridor Views #1
Capitol Corridor Views #1
Capitol Corridor Views #2
Capitol Corridor Views #2
Capitol Corridor Views #3
Capitol Corridor Views #3
Capitol Corridor Views #4
Capitol Corridor Views #4
Capitol Corridor #5
Capitol Corridor Views #5

Once we arrived the weather was perfect so we walked the 6 blocks to the Crocker Art Museum to see the Wayne Thiebaud “Homecoming” retrospective show (ends November 28). One of the great things about the show was seeing that at almost 90, Thiebaud is still painting and innovating. The work in his show range from the 1960s to 2010.

Crocker Art Museum New Building, ink & watercolor
Crocker Art Museum New Building, ink & watercolor

We explored both the Crocker’s permanent collection and the Thiebaud show. I was a bit perplexed by the way the shows were curated. Works seemed to be hung randomly, in no particular order that I could discern. I would have really liked to see Thiebaud’s paintings arranged by date to see the progression of his work.

In the permanent galleries I had the sense that they had tried to just hang everything they had, regardless of quality, condition or style. There was something both amateurish and charmingly small-town about the museum and even the demeanor of the guards who were refreshingly friendly, enthusiastic and proud of the work they protect. The Crocker has paintings by many of my favorites from the Bay Area Figurative Movement of the 1970s and I enjoyed seeing those “old friends” again.

Next post tomorrow will be Part II of the trip…meeting up with Pete Scully for a sketching visit to Old Town Sacramento.

Categories
Building Landscape Oil Painting Outdoors/Landscape Painting Virtual Paint-Out

Rio de Janeiro: Virtual Paintout

Rio de Janeiro, oil on panel, 8x8"
Rio de Janeiro, oil on panel, 8x8"

This month’s Virtual Paint-Out location is Rio de Janeiro, Brazil. Since I seldom travel I find it so much fun to do so virtually via Google Street View. I love being able to wander, exploring roads to see where they go without fear of getting lost (let alone dealing with airports or spending the money).

Here’s the way the scene looked on Google and then the way I cropped and the way I adjusted it in Photoshop.

Original Google Street View, Rio
Original Google Street View, Rio
Rio Photoshopped for painting
Rio Photoshopped for painting

As I do these each month I’ve noticed patterns in the way nicer houses and neighborhoods are near beaches or on top of hills and the poorer neighborhoods are indeed on the wrong side of the tracks.

I’ve also noticed a sense of freedom when painting these since I don’t have so much investment in the outcome. And maybe that’s what led to my liking most of my Virtual Paintout paintings more than the ones I’ve labored over.

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Berkeley Building Drawing Ink and watercolor wash Life in general Painting Places Shop windows Sketchbook Pages

Zut! Undies! Fourth Street at Night, Berkeley

Zut Restaurant, 4th Street Berkeley, Ink & watercolor
Zut Restaurant, 4th Street Berkeley, Ink & watercolor

When I saw that a restaurant named Zut! opened on Fourth Street, I remembered Zut the dog, who lived next door to me in Berkeley in the 70s. Zut and his owner Denny lived in a tiny cottage behind a two-story house owned by a man named Huckleberry that he shared with the Arkansas Sheiks‘ (Karana Drayton’s folk group whose fiddler was Laurie Lewis.)

Denny and Zut were also musical; Denny played piano and Zut sang (howled) along with him. Zut and my dog Kangaroo were good buddies and liked to wander the neighborhood together, usually ending up at Bulky Burgers on the corner, cruising for hand-outs.

So when we were sketching on 4th Street last Tuesday night, I asked the hostess about the name. She showed me their mural that included a wonderful portrait of good old Zut and told me that Denny Abrams was indeed an owner of the restaurant.

A La Folie, Undies on 4th Street, ink & watercolor
A La Folie, Undies on 4th Street, ink & watercolor

I always enjoy sketching manikins in shop windows and this one at A La Folie displaying expensive undies didn’t disappoint.

Fourth Street Holiday Lights, ink & watercolor
Fourth Street Holiday Lights, ink & watercolor

Fourth Street’s holiday lights were hung so we expected they’d also be lit but only these two were. I guess they are waiting to light them until after Thanksgiving when the shops stay open evenings. Even without the grand lighting, we were grateful for the relatively warm evening that allowed us to sketch outdoors at night in November.

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Drawing Ink and watercolor wash Painting People Sketchbook Pages Still Life Subway drawings

Copper Pitcher, Copper People

 

Mom's Copper Pitcher, ink & watercolor
Mom's Copper Pitcher, ink & watercolor

 

I needed to draw and paint something fun and refreshing after the ordeal with the last oil painting. I reached into my still life cabinet and pulled out this fun little pitcher. This gave me the idea to draw my complete inventory of still life items, one at a time. And that gave me the idea to draw everything I own. I wonder….

 

BART Snoozing in Copper, ink & watercolor
BART Snoozing, ink & watercolor

The day before I’d drawn these two guys snoozing back to back on BART. The coppery paint mixture worked perfectly for them too.

 

Categories
Art theory Bay Area Parks Landscape Oil Painting Outdoors/Landscape Painting Places Plein Air

Pointlessly Persistent? It’s Just What I Do

Hills Above Crockett, oil on board, 9x12"
Hills Above Crockett, oil on board, 9x12"

This oil landscape painting started as a poorly drawn, wrongly colored plein air painting which I’ve reworked many times until I am now finally ready to call it done. The painting started on a hot September day when I dragged my painting gear up a trail and set up my easel amidst dried cow pies and weeds near the Bull Valley Staging Area above the hills of Crockett. You can see my learning process below.

First, here is the washed-out reference photo I had to work from back in the studio. It’s really not even an interesting scene and doesn’t at all capture the way the hills were glowing a brilliant end of summer California gold.

Continue reading “Pointlessly Persistent? It’s Just What I Do”
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Berkeley Drawing Ink and watercolor wash Life in general Painting Places Sketchbook Pages Urban Sketchers

Sketching at REI (Recreation Equipment Inc.)

Tango Ski Boot, ink & watercolor
Tango Ski Boot, ink & watercolor

REI Berkeley was our sketching destination last week. The store sells high-tech gear for every kind of outdoor activity along with comfortable clothing and shoes. It turned out to be a fun place to sketch with an overwhelming variety of subject matter.

While drawing the fancy, complicated ski boot above, I reminisced about my attempts at skiing with some fondness and pride. Growing up in sunny San Diego I was a surfer girl, not a ski bunny. Fearless in the ocean, on my first ski trip in my 30s I found I was terrified on the slopes. I challenged myself to go on both downhill and cross-country ski trips with friends, family, and even once on my own. I never bought any fancy equipment; rentals were fine with me.

Gentlemen's Hats, ink & watercolor
Gentlemen's Hats, ink & watercolor

It seems that hats have become quite popular again for guys, a trend that hasn’t seen a comeback (other than baseball caps) since my grandfather’s day. I remember his beige felt fedora and how, when we took my sister and I for a ride in his Buick, he would carefully put the hat on the little ledge above the back seat so “us kids” wouldn’t fool around with it (though we always did anyway). Even my two sons wear those cute pork pie hats now.

Hi-Tech Baby Buggies, Ink & colored pencil
Hi-Tech Baby Buggies, Ink, WC, colored pencil

I liked the original ink sketch of these strollers, but hated the watercolor added at the store.  Everything was brown or dark blue and looked ugly. At home I tried washing off the paint and applying colored pencil over the remains. I tried varying the colors. I erased and tried again. I tried and tried, but finally remembered IT’S JUST A SKETCH, and moved on.

You can see some of my sketch-buddies’ excellent REI sketches on our Urban Sketchers blog here and here.

Categories
Art theory Bay Area Parks Berkeley Landscape Oil Painting Outdoors/Landscape Painting Places Plein Air

Grey Day at Lake Anza

Grey Day at Lake Anza, plein air (mostly) oil on Gessoboard, 10x8"
Grey Day at Lake Anza, plein air (mostly) oil on Gessoboard, 10x8"

Only two of us showed up to paint at Lake Anza in Tilden Park on an almost-drizzly, grey Monday morning last month. The air smelled fresh and clean and it was so quiet there; a wonderful change from the noise of the city just a few miles away.

I painted most of this onsite, with some corrections and clean up later in the studio from the photo below.

Lake Anza reference photo
Lake Anza reference photo

One of the corrections I made was to the little clumps of marsh grasses on the other side of the lake (barely visible in the revised painting). They had been my focal point but I realized when I got home and looked at the photo that I had made them three times bigger than they should have been.

Yesterday I was painting in Sonoma and saw the same problem when I got home: I painted some distant trees way bigger than they should be. It’s interesting to me how as I focus on one element of painting and begin to improve it (like composition, values, color, etc.), I discover another area needing work. Next time I’ll pay attention to measuring/comparing sizes of the things in the painting.

While I’m still miles of canvas away from mastering plein air painting, at least I am beginning to grasp the principles and see that while there are many important concepts to consider out there, the list isn’t endless (as it once seemed). Maybe eventually it will become more automatic like driving; I’ll  still have to pay attention and keep my eyes on the “road,” but I won’t be driving over curbs, crashing into things, or totaling my car/canvas.

Categories
Drawing Ink and watercolor wash Painting Sketchbook Pages Still Life

Thrift Shop Silver Teapot

 

Silver Thrift Shop Teapot, ink & watercolor
Silver Thrift Shop Teapot, ink & watercolor

This was so much fun to draw with all the little details and decoration. I found it at a thrift shop when I was taking a long walk in El Cerrito and stopped in to browse.  I expect to have more fun drawing and painting it again. It’s sitting on my drawing table enticing me to come back and draw.

 

Categories
Drawing Oil Painting Painting Photos Sketchbook Pages Still Life

Painting a Painted Pumpkin Until….Ewww!

Painted Pumpkin Painted, oil on panel, 8x10"
Painted Pumpkin Painted, oil on Gessobord panel, 8x10"

On Halloween I got inspired to paint a pumpkin but the only pumpkins left in the grocery store were huge warty-looking ones and two smaller ones with cartoon faces painted on them. I chose one of the painted pumpkins whose paint was peeling and asked if they’d sell it at ordinary pumpkin price, which they did.

I took it home, washed off the silly face, cut it open and set it on a black plate on my drawing table to make a preliminary sketch:

Halloween Pumpkin sketch, ink on paper
Halloween Pumpkin sketch, ink on paper

Then I set it up on the table by my easel inside a box made of black foam core with a strong light shining in from one side. I sketched the composition on my Gessobord panel, mixed some colors, and began painting with the intention to work quickly and directly.

But after three hours I gave up and scraped off the panel. I just couldn’t get a clean orange and everything looked chalky, horrible and dead. I emailed my friend Kathryn Law, a brilliant painter who gave me some excellent advice about mixing colors (including that orange was tough to mix from cadmium yellow and red with oils), along with inspiration and encouragement.

The next day, unwilling to accept defeat, I attempted the painting again, this time draping an olive-green cloth over the black foam core. Everything went so much more easily; what had felt like work the day before felt like fun. At Kathryn’s suggestion I used larger brushes and was more generous with the paint. I tried to put down a stroke and leave it. I kept in mind the way I enjoy sketching, and tried to keep that sense of adventure and freedom. I finished the painting and went to bed happy.

The next day I saw a few things I wanted to fix but had to go to work. I left my pumpkin still life set up for three days while I went to work. When I came back to the pumpkin today it was smelly, collapsing, gross and growing stuff:

Gross pumpkin photo
Gross pumpkin photo

Ewww! Tossed the pumpkin in the recycling bin and washed the plate. I guess the painting will have to be done as is, though I’m tempted to work on the plate a bit to try to make it look shiny.