Categories
Berkeley Ink and watercolor wash Landscape Life in general Outdoors/Landscape Places Sketchbook Pages

A Tree Saved and How to Decide (Hell Yeah! or Why Not?)

Berkeley Rose Garden Tree, ink & watercolor, 7x5"
Berkeley Rose Garden Tree, ink & watercolor, 7x5"

Trying to sketch while recovering from a migraine and dopey from medication doesn’t always work out well. While everyone else in my plein air group painted the Berkeley Rose Garden on a sunny Saturday morning, I sat on a nearby bench and focused on drawing one tree.

I liked how it looked until I added watercolor, which I thought ruined the effect. So I stupidly added more watercolor. And more. And a bunch of lines. And then I went home and took a nap. Today I washed off as much of the paint as I could, trying to get back to the original line drawing. Then I added some muted blue and grey washes and now I like it again. Tree saved! It was actually a sunny day, just not in my head.

And now for some interesting tidbits on making choices:

Hell Yeah!
On Derek Silver’s blog he explains that as a perpetually over-committed person, if he’s not enthusiastically saying “HELL YEAH!” about something, then he’s saying “NO.”

When deciding whether to commit to something, if I feel anything less than, “Wow! That would be amazing! Absolutely! Hell yeah!” – then my answer is no.

Why the Hell Not?
Sid Salvera counters “Hell Yeah!” with the flip side on his post: Why the Hell Not? He asks:

Does this philosophy lead us to pass up opportunities we really should be saying “yes” to?

The most important thing I’ve learned about making choices is that if the word “SHOULD” appears in my decision-making thoughts (I should do that…) I need to swap it with “want to” or “don’t want to.”

Do you find it easy to make decisions? Do you get stuck in the “shoulds,” or say yes to things you don’t really want to do?

Categories
Bay Area Parks Drawing Ink and watercolor wash Landscape Other Art Blogs I Read Outdoors/Landscape Painting People Places Sketchbook Pages Urban Sketchers

Golden Gate Park with Laurelines and JanasJournal

Conservatory of Flowers, Golden Gate Park, ink & watercolor, 5x7"
Conservatory of Flowers, Golden Gate Park, ink & watercolor, 5x7"

When Laura Frankstone of Laurelines was in San Francisco for a long weekend I had the great pleasure of joining her for an afternoon of sketching in Golden Gate Park. Laura and I had corresponded and participated together in many art blogging activities since 2006, but this was the first time we met in person. She is a brilliant artist, a delightful person and great fun to sketch with.

Below are our sketches of the Conservatory. I added watercolor to mine (above) in the studio later since it was windy, foggy and cold sitting on the grass and so were ready to go explore the (way too hot) conservatory.

Laura's on left, Jana's on right
Laura's on left, Jana's on right (click to enlarge)
Photo of the Conservatory with my sketch
Photo of the Conservatory with my sketch

After getting all steamy inside the Conservatory of Flowers’ jungle-like atmosphere, and touring the Wicked Plants exhibit, we came back out to sketch people on the lawn.

Girls Picnic in Golden Gate Park, ink & watercolor, 7x5"
Girls Picnic in Golden Gate Park, ink & watercolor, 7x5"

We agreed to paint these later too, since time was short and we wanted to keep moving. Below are our two sketches.

Girls in the Park; Laura's above, Jana's below
Girls in the Park; Laura's above, Jana's below

If you click the image above to enlarge it you can see how Laura even captured the girl on the left’s cheek bulging with her snack.

Our last stop was the Tea House in the Japanese Tea Garden. The garden is an absolutely beautiful place with incredible plantings, sculptures, buildings, ponds, trees, moon bridges and more. I wanted to live there.

View from Teahouse in Japanese Tea Garden, ink & watercolor, 5x7"
View from Teahouse in Japanese Tea Garden, ink & watercolor, 5x7"

While our tea was the most delicious jasmine tea we’ve ever had, our experience was not exactly the “meditative cup of tea overlooking the peaceful waters of the garden” because men were doing construction and running a small but loud and smelly bulldozer back and forth on the path behind what I sketched above. The combination of noise and exhaust were less than ideal but unlike me, Laura didn’t complain once.

Moments after we sat down in the Teahouse another woman sat down beside us and pulled out a sketchbook (before we had ours out). She was an art history student visiting from Boston and we all sketched happily together. The waitresses kept coming over to praise our drawings. I said, “You must see people sketching here all the time.” She said no, we were the first she’d seen.

Categories
Art theory Daily Paintworks Challenge Drawing Food sketch Ink and watercolor wash Oil Painting Painting Sketchbook Pages Watercolor

Stacked! (Stacking the Odds in Your Favor)

Stacked, painting of apples and lemon stacked a top each other, oil on Gessobord, 10x8"
"Stacked!" oil on Gessobord, 10x8"

One way to the stack the odds in your favor with most endeavors is to rehearse. So before I attempted the oil painting above, I did a little thumbnail sketch, a full-sized value sketch, and a watercolor sketch (below). I also took photos just in case the paperclips and scotch tape holding it all together failed (but they didn’t–the stack is still standing!)

Stacked, ink & watercolor, 7x5"
Stacked, ink & watercolor, 7x5"

I did the watercolor sketch first with the fruit sitting on my drawing table and the grey studio wall as the background. I love ink & watercolor. So immediate and so fun!

Stacked, value study with Prismacolor cool grey markers, 10x8"
Stacked, value study with Prismacolor cool grey markers, 10x8"

Then I set up the fruit stack by my easel and did this value and compositional sketch. I wanted the sketch to be the same size as the painting so I used the Gessobord as a template, tracing around it on the sketching paper. Once I had the drawing the way I wanted it, I used Prismacolor cool grey markers (30%, 50% 80%) to shade the values. It was easy to transfer the full-sized sketch to the Gessobord with a sheet of blue Saral Transfer Paper between the sketch and the board, then drawing over the sketch with a stylus.

I revised the background by hanging a dark gold/green cloth hung behind the still life hiding the gray wall.  Now I’m wondering whether to repaint the leaves. What do you think? Is it better to leave them kind of soft and blurry so they don’t attract too much attention. Did you notice them before I asked the question?

(Painting available here)

Categories
Berkeley Building Drawing Ink and watercolor wash Interiors Landscape Painting People Places Sketchbook Pages Urban Sketchers

Sketching Oscars Burgers, Berkeley

Oscars Burgers at Sunset, Berkeley, ink & watercolor
Oscars Burgers at Sunset, Berkeley, ink & watercolor

Now that it stays light later we can finally go outdoors for our Tuesday night Urban Sketching sessions. We met at the corner of Shattuck and Hearst in Berkeley and I sketched Oscars Charbroiler from across the street. They’ve been grilling burgers, hot dogs (and now vege burgers) over fire on that corner since 1950. It was sunset by the time I painted it, hence the pink sky.

Eating French Fries and Watching NBA Playoffs
Eating French Fries and Watching NBA Playoffs

When we went inside for one more sketch. There was a big screen TV on the wall tuned to sports. It was the end of an NBA playoff game and people were watching while stuffing their faces with burgers and fries like this guy who never looked at his food, just shoveled in the fries while watching the game.

Another guy came by and complemented our drawings and asked if we came there every week to sketch. Uh, no…maybe once a decade? Though I have to admit I’d skipped dinner, got hungry, and ate one of their burgers. It was good.

Categories
Art supplies Art theory Drawing Food sketch Ink and watercolor wash Oil Painting Painting Sketchbook Pages Still Life

Learning Leaning Apples on Grannie’s Linen

"Leaning Learning Apples", oil on linen, 8x8"
"Learning Leaning Apples", oil painting on linen panel, 8x8"

I’m happier with this painting of apples on a linen tablecloth embroidered by my grandmother. After the mighty fail of my cringe-worthy zombie apple painting, I got really curious. What was I missing? Clearly my drawing hadn’t been careful enough, per my friend Michael’s appraisal of the painting: “Uh, what is it?” And I know it was way overworked.

So before trying to paint these apples again I sat down with my sketchbook, an apple and my Lamy Safari pen. (The note below about Cathy’s special pen was just me grabbing any old page in the sketchbook to try out her strange new pen when she handed it to me.)

Study for "Leaning and Learning Apples," ink & watercolor
Study for "Leaning Learning Apples," ink & watercolor

I sketched one very dark purple delicious apple over and over in ink, trying to understand what I was seeing, where the planes changed, where the darks and lights were, trying not to get tricked by the reflections. That gave me a little more courage to try to paint the apples again in oil.

The painting at the top of the post was the result. This was a new painting surface for me: oil-primed linen on panel, surprisingly inexpensive (for linen), on sale at Jerrys Artarama. It was quite lovely to paint on. It was slippier than I was used to; the Ampersand Gessobord panels I usually use kind of “bite” the paint right off the brush and the oil primed linen allows it glide.

This painting is available on my DailyPaintworks gallery.

Categories
Life in general Other Art Blogs I Read Painting

What She Said

Aletha Kuschan said something wonderful in her post, “There Are Bright Colors in the World”  (and in her painting below). She starts the post by saying:

“I like color. Color is what made me want to be an artist. Just looking at the color….”


Watercolor Painting by Aletha Kuschan
Watercolor Painting by Aletha Kuschan

And she says:

“I paint to look at things.  And if my paintings say things, it is “look at this!” and “look at that!”  The world is so amazing to look at.  We ought to be looking at it all the time.

I read that and said “Yes!” Her artwork always inspires me with it’s freedom of expression and brilliant colors and her writing does the same. Do take a look and a read!

Painting by Aletha Kuschan
Painting by Aletha Kuschan
Categories
Drawing Ink and watercolor wash Painting People Sketchbook Pages

Waiting and Waiting

Waiting at Kaiser, Ink & Watercolor, 5.5x7.5"
Waiting at Kaiser, Ink & Watercolor, 5.5x7.5"

Sketching is such a great way to enjoy time spent waiting. In the sketch above I was waiting for someone during her appointment at the medical center.  The lady on the left was dressed completely in Barbie pink from head to toe, including sweatshirt, purse and shoes. Even her cell phone was bright pink.

The little boy above spent his waiting time enthusiastically “reading” a book. He squealed with delight to his mom over each page.  It was so nice to see a child loving a book even if he was too young to actually read the words.

BART Station Street Light, ink & watercolor, 7.5 x5.5"
BART Station Street Light, ink & watercolor, 7.5 x5.5"

When Casey was here visiting from France, I arrived early at the BART station to collect her and her family. While I waited I tried to find something interesting to sketch from my car but this was as good as got: concrete, pole  and sky.

I spent the previous day visiting with them in San Francisco and was looking forward to showing them around Berkeley, which we capped with a fantastic dinner at Chez Panisse (thanks Casey and Michele!) Since Casey had her family with her, we didn’t get to sketch but I thoroughly enjoyed spending time with them. They are the nicest and most fun people. I wish we lived closer so we could play together more often! I plan to visit them in France within a year or so.

Categories
Painting Still Life

Leftover Lunchroom Apples (AKA the Zombie Apple Painting)

Leftover Lunchroom Apples #2, oil on board, 8x8"
Leftover Lunchroom Apples #2, oil on board, 8x8"

This is one of those zombie paintings that despite my best efforts to kill it, just wouldn’t die. I painted it again and again, changing the background colors, the shapes of the apples, the colors of the apples, the shadow shapes and colors. And in between painting sessions it sat there on my easel taunting me.

I was determined to finish it today no matter what. So I photographed it, imported it into Photoshop and experimented there with colors and shape variations until I found a scheme I liked. Then I applied those changes in paint on my canvas. (I was tired of the actual background colors which were the same as Apples, Delicious.)

Update 6/12:  I asked a friend to be an innocent bystander and give me his honest opinion of the painting still on the easel. He said, “Uh, well…what are they?” When I said apples he said “Really? They don’t look like apples. But I like the red color.” FAIL? Yes.

It’s probably better to make many paintings instead of getting stuck painting the same one multiple times. But I get determined to figure out what is making me unhappy with a painting and to try to resolve the problems. Sometimes I discover there’s a fatal flaw in the composition or drawing that can’t be fixed with paint (and I fear this is one of those?). Then I just try to learn from that mistake for the next time and accept I’ve gone as far as I can.

I’d like to give the apples one more try (on a fresh canvas), to see if after all this practice I can do a fresh, quick painting that flows instead of lurches along in true zombie fashion.

Categories
Berkeley Drawing Ink and watercolor wash Interiors Painting Places Sketchbook Pages Urban Sketchers

Middle East Market, Berkeley

Middle East Market Teapot, Berkeley, ink & watercolor 5.5 x 7"
Middle East Market Teapot, Berkeley, ink & watercolor 5.5 x 7"

When I read this interesting story about the owner of the market, “From Ecuador via war-torn Iran to melting pot Berkeley” on Berkeleyside, I thought it would be a good place to sketch. I was right.

It is bright and colorful with a large variety of Middle Eastern products and freshly made food. It was quiet there on a Tuesday evening so the gentleman manning the shop was fine with us sitting at the cafe tables in the back and roaming the shop to sketch. I got so drawn into the teapot that I only had time to do one sketch before they closed at 8:00. We usually sketch from 6:30 to 8:30 or 9:00 so it was a short evening.

Categories
Benicia Drawing Ink and watercolor wash Landscape Life in general Outdoors/Landscape Painting Places Plein Air Sketchbook Pages Urban Sketchers

Losers, Finders, Keepers: Sketching Benicia

Benicia Waterfront Street Light, ink and watercolor,7x5"
Benicia Waterfront Street Light, ink and watercolor,7x5"

I accidentally overslept so when I finally arrived at our Benicia paintout at 11:00 I was an hour late. I didn’t see any other artists around. The wind was blowing so hard that I sat in my car to sketch, listening to NPR on the radio. Everything was going great, I was drawing with my favorite Lamy Safari Extra Fine Fountain pen and then painted with my watercolors set up on the passenger seat.

Benicia Waterfront, Ink and Watercolor, 5x7"
Benicia Waterfront, Ink and Watercolor, 5x7"

I turned to draw a different view, but when I reached for my pen it was gone. I searched everywhere, inside the car, under the car, nearby on the ground. No pen. I retraced my path when I’d gotten out of the car to look around and take photos. Nothing. I asked people walking by but nobody had seen my pen. I returned to the car and searched every nook and cranny again, twice.

An hour later I gave up and used a Pitt Artist Pen to do the drawing and added watercolor. I was so sad. I’d really come to love that pen. When I finished the sketch I used my iPhone to look up and call all the stationary and art stores in the Bay Area, but nobody had a Lamy with an Extra Fine nib.

Just then fellow painters Carol and Ling drove up and I told them what happened. They insisted on helping me find the pen despite my whining, “It’s hopeless, it’s just gone.” Carol checked under the seats and in the driver’s side door pocket. She told me to check the passenger’s door pocket. It was the one place I hadn’t looked (why I hadn’t looked there I can’t explain) and there it was! Yay! Joy!

I went from a sad loser to a happy finder and now every time I use my pen I get that happy feeling again. Definitely a keeper.