Category: Sketchbook Pages

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Drawing Faces Life in general Other Art Blogs I Read People Sketchbook Pages Watercolor

Life: NOT as Seen on TV

NOT as seen on TV

Ink & watercolor (Larger)

“Life is what passes you by while you’re watching TV.” I used to have a little sign on my TV with those words, but back then it was a reminder to my kids, not to me. Now I need it for me.

I was chatting with my friend Lin [View from the Oak] about our struggles to find time for everything. Lin manages to paint or sketch every day, post it on her illustrious blog AND leave wonderfully encouraging comments on countless other blogs, all while working a grueling schedule and making time for her husband, offspring and grandbabies.

It occurred to me later that day: I bet Lin doesn’t watch TV! It turns out I was right. Other than the art videos she watches while on her treadmill, she rarely watches TV. She said that sketching IS her TV, her way to relax.

I used to be like that too but somehow, over time, TV has insidiously infiltrated my life. I turned to it as a way to relax when my brain was tired from thinking hard all day at work. But it puts me in a stupor so I just watch another show instead of doing something more satisfying (or just going to bed when what I really need is sleep).

Now it’s time to pull the plug! I may even cancel my cable and TiVo subscriptions and go cold turkey for a while. I bet that not only will I gain time and save money (on cable and TiVo bills), I might even lose a couple extra pounds, since watching TV often leads to snacking on empty calories while burning none!

Have you successfully quit TV? If you have any tips, I’d love to hear them!

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Gouache Painting Sketchbook Pages Still Life

Vegetable Medley to Celebrate: Taxes Done!

Vegetable medley

Gouache on hot-pressed Arches paper, 7×5” (larger)

To celebrate E-filing my taxes tonight I wanted to paint something bright, cheery (and low calorie to make up for all the chocolate I ate while preparing the return). For years I fueled my tax preparation with a big bag of Mother’s Iced Circus Cookies that I stuck in the freezer and munched on until my taxes were done. I needed all that sugar to be able to do the math, understand the forms, and reward myself for doing such an unpleasant task.

This year I skipped the toxic cookies (loaded with artificial color, flavor and hydrogenated fats but oh so yummy)…and bought organic, fair trade chocolate at my neighborhood health food store, El Cerrito Natural. I waited a week to let the tax returns “simmer on the back burner” to make sure I hadn’t forgotten anything. Then tonight I reviewed everything and clicked “Submit.”

It’s much easier to do taxes these days: Turbotax does the math and I just have to gather and enter all the information. But I still experience all the same old fear and loathing plus resentment at where my tax money goes. But it’s done for another year! Woohoo!

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Art theory Faces Figure Drawing Oil Painting Other Art Blogs I Read Painting People Portrait Sketchbook Pages

Figure Painting Workshop Sketches

20080310_0131-Meri

20 Minute Sketch: Oil on panel 12×9″ Larger

I thought I would scrape off and reuse this panel but when I photographed it I found there was something about the rawness that I liked. It was the second sketch of the first day of my “Weekend Warriors” figure painting workshop with Randall Sexton, a talented and kind teacher. The model, Meri, was the best I’ve worked with…beautiful, voluptious, charming and a real professional. She is originally from Argentina and came to the SF Bay Area after working with artists in New York City for 10 years.

Below is another 20 minute sketch from day one. Again, I thought I’d wipe and reuse but since I kind of like the energy in it (and didn’t like the cheapo Aaron Brothers panel — way too smooth a surface) I think I’ll hang onto it. (Which means it joins the big stack of “learning opportunities” in my closet until I’m ready to dump them).

Oil on panel, 12×9″ (larger)

20080310_0136-Meri

Oil painting from a live model is sort of like plein air painting: time is limited and there are so many elements that need to be right (drawing, color , value, likeness etc.) for the painting to work. There is so much to see, discover, understand and interpret in 20 minute sprints of painting.

The model’s breaks between poses afford an interesting opportunity to walk around the room and see what others are doing. I was struck by how different each artist’s work was. There were some very accomplished local painters in this weekend class. I had the good fortune of setting up beside Iris Sabre, a local painter whose style and technique I greatly admire.

I started the larger painting below at the end of day one, with two 20 minute sessions. When we returned on Day 2 we had 3 more 20 minute sessions to “finish” up. This is nowhere near finished (but I wish I’d at least gotten around to fixing those giant hands!)

Oil on panel, 20×16″ (larger)

20080310_0125-Meri

This was the 20 minute warm up sketch at the beginning of day two:
Oil on canvas panel, 12×9″ (larger)

20080310_0128-Meri

This was the final painting on day two, about 2 hours and again, not close to being finished and suffering from chalkiness and my exhaustion:
Oil on panel, 20×16″ (larger)

20080310_0121-Meri

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Life in general Other Art Blogs I Read Painting People Sketchbook Pages Watercolor

How NOT to Start a Workshop

Coffee spill

Ink & watercolor in Aquabee sketchbook (larger)

I’m taking a figure painting workshop this weekend from Randy Sexton in Crockett, CA. It’s two full days of painting a beautiful model both nude and clothed in exotic gowns. Although I was excited about the workshop, I was also exhausted and stressed after a very difficult week at work, topped off by spending Friday evening doing my taxes (ick!).

Early this morning I packed my oil painting gear into my rolling cart, stuck a big thermos cup of coffee in my backpack, and rushed off to Crockett. As I got out of my car I felt my back suddenly go into spasm. Across the street another workshop participant was unloading her supplies. As I waited for her I tried to stretch my back by doing a sort of Downward Dog yoga pose holding onto the handle of my cart.

I felt a searing hot pain go down my back. At first I thought it was another spasm and then realized it was hot coffee pouring all over my backpack, down the back of my light green shirt, and dripping onto my shoes. I’d forgotten the cup was in my backpack and worse, had forgotten to close it all the way.

I managed to enjoy the class today despite all of the above. We did multiple 20 minute paintings and then a couple 40 minute poses. It’s quite a challenge to do an entire oil painting in 20 (or 40) minutes from a model, but extremely good practice. Most of my pieces today were “scrapers” (scraping off all the paint to reuse the panel) but maybe tomorrow with longer poses I’ll have something worth saving (and posting).

Now to go take a painkiller and rest up for tomorrow’s class — which will start even earlier thanks to stupid daylight savings time!

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Art theory Dreams Illustration Friday Life in general People Sketchbook Pages Watercolor

Leap (year) * Illustration Friday

Leap

Four watercolors, framed together 24×32″ (Larger)

This week’s Illustration Friday challenge is “Leap” in honor of leap year, this February 29, 2008. But the paintings and sketches in this post were actually made twenty years ago. They were inspired by two dreams recorded in a 1988 dream sketchbook (below) and a class in color theory I was taking at the time, based on Joseph Albers work. The images include references to the seasons; times of day/night; the elements of water, fire, earth, and air; and tarot symbols.

The dreams that night were showing me a choice I needed to make in my life. Then as now I was fascinated by computers/technology and art (a perfect combination for an art blogger, no?). But my dreams pointed out how the time and energy I was spending on the computer tied me in knots and stole from my creativity.

Here is the image from the first dream that night: A computer tech “boiler room” full of electronics, miles of wires, computers, monitors, and icky nerds frantically, obsessively, working non-stop at their computers with no time to even look up. It was a nightmare really…full of tension.

Leap-1988

In the next dream I left that scene and I was running free in a field and it felt really good.

Leap-1988-2

And then, from a quote I’d heard somewhere, this image and words.

Leap-1985

When I awoke I knew I had to make the choice for life, freedom, and art, and quit spending so much time at my computer.

I guess like anything else in life, it comes down to a matter of finding balance and making choices about what’s really important. If I remember to ask myself whether I’ll feel happier at the end of the day if I’ve spent my time drawing/painting or working on the computer, I usually know which to choose (Art!).

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Drawing Faces People Sketchbook Pages Subway drawings

Quickie Subway Drawings on BART

20080227-BART1

I liked the earnest, patient look on her face and her Modigliani neck. I just wish she’d stayed aboard a little longer so I could finish her.

Now this guy was great. He went right to sleep, sitting facing me, our knees nearly touching, and mostly stayed asleep until we both got off at the same stop. Once he startled awake and caught me staring at him but dozed right back off. The guy sitting next to me watched me draw and gave me a big grin as I was getting off, acknowledging our secret from my model.
Red-haired sleeper with sideburns:

20080227-BART4

More sleepers:
20080227-BART7

Just waiting:
20080227-BART6

Too many earings:
20080227-BART3

No smoking: (and yes, I know his head’s too narrow but I think it rather suits him)
20080227-BART5

All are Ink on Strathmore Drawing paper

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Berkeley Drawing Outdoors/Landscape Painting Sketchbook Pages Watercolor

Mrs. Dalloway’s Bookstore, Berkeley

Mrs. Dalloway's Book Store

Ink & Watercolor in Strathmore drawing sketchbook, 6×8″ (Larger)

After my dentist appointment today I took a walk up to College Avenue in the Elmwood district of Berkeley, foraging for lunch. I chose Ferrari’s Deli where I had a delicious grilled “Perugia” sandwich (roasted pork sirloin, black truffle butter and Asiago cheese on toasted ciabatta bread). I sat a sidewalk table to eat, with a view of Mrs. Dalloway’s bookstore across the street. Then I got out my sketchbook and started drawing, sad that I’d left my watercolors in my car, half a mile away.

I took a couple photos (fearing I wouldn’t remember all the colors, like the orange reflection of Ferrari’s awning appearing in Mrs. Dalloway’s windows) and then added the watercolor at home tonight. The paper in this sketchbook is not designed for wet media but works fine if you don’t overwork it. I like it because it’s just the right size, the paper is nice, especially for drawing, and quite inexpensive.

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Art theory Berkeley Drawing Outdoors/Landscape Sketchbook Pages Watercolor

North Berkeley Library & Freedom from Junk

North Berkeley Library

Ink and watercolor in 6×8″ Strathmore Drawing sketchbook (Larger)

This sketch is all about pausing in a busy day to sit and draw, taking advantage of a little sun between rainstorms, and enjoying feeling free. Until I began the sketch, I hadn’t realized how beautiful (and extraordinarily complicated) the landmark building (photo) of the North Berkeley Public Library is.

Freedom from stuff

My feeling of freedom came from filling three shopping bags with books I no longer needed and taking them to my favorite used book store, Black Oak Books. They gave me store credit for two-thirds of the books (which I promptly traded for three books I had on hold).

I could have sold the remaining bag of books on Amazon or at another used bookstore, but decided to just let them go. I dropped them off at the library as a donation and walked out empty handed, feeling quite pleased. Instead of rushing on to the next task, I plopped down on a bench and started sketching.

Now I have space on my bookshelves and room in my car (the three bags had been hogging my backseat for two weeks). And I love that wonderful spacious feeling that comes from removing clutter, whether physical or mental, from my life.

About the sketch: As you can see, my study of perspective hasn’t quite paid off yet. (The doors and windows slant the opposite direction from the roofline of the front wall). I drew with a purple Micron Pigma pen and then added watercolor at home. I tried to remember the colors of the walls but realized I didn’t pay enough attention to what was in light and in shadow. To practice using visual memory, I purposely didn’t take a photo or look at one on line.

So now I can see that my visual memory needs work, along with my perspective drawing. How great to know that there is no end to learning as an artist. I never have to worry about getting bored. Painting and learning are my two favorite things in life!

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Drawing Life in general Painting Plein Air Sketchbook Pages Watercolor

Ladies, Stand Up for Your Right to Pee Standing Up!

Pee Standing Up Tools

Ink & watercolor, 7×10″ (Larger)

Plein air painting means spending the day out in nature … but what to do when nature calls and there’s no restroom? The guys can just face away, pee on a tree, and preserve their modesty. But we women have to find somewhere to squat with knickers around our ankles, fannies exposed.

After my first painful experience in this situation (too much coffee, no place to hide) I wondered what more experienced plein air painting women did. My research led me to the devices pictured above that allow women to pee standing up, without having to drop their drawers. All you have to do is unbutton and unzip your jeans enough to slip one of these nifty devices into position and you’re ready to “go” with no body parts exposed.

I practiced first at home, trying out all three of items illustrated above. My favorite is the purple one, called the Whiz. It’s reusable, works perfectly and lets women wee anywhere that men can (just remember not to pee into the wind). WhizBiz’s website recommends it for active women for hiking, snow activities, climbing. It is flexible and can be squished small for carrying. WhizBiz is in Australia but ships internationally. I received my order in about a week.

I also liked the Urinelle, which I ordered from Magellan’s travel supplies. They recommend it for foreign travel when bathrooms are unavailable or too nasty to use. The Urinelle is made from stiff paper and resembles a snow cone cup. They are disposable and can only be used once, which could get expensive since they cost a little over a dollar each (sold in packs of 6). They are very easy to pack or carry since they are flat until you open them for use.

Of the three I tried, the only one I did not like was the Caring Hands TravelMate (the blue one above). It is too small and not at enough of an angle and…well, I’ll spare the details except to say I’m glad I was testing it in the shower. I wrote to the company and asked for a refund but they didn’t respond.

Peeing standing up is so much fun! I keep a Urinelle in my purse and another in my car, just in case. When I go out painting I carry the Whiz in my backpack. It’s saved my fanny several times now.

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Animals Cartoon art Drawing Dreams Gouache People Sketchbook Pages

Dreaming: Beaches, buzzards, buffalo…

A Llama appears

All are ink & gouache in square sketchbook

I started my dreams Friday night (after a really crazy hectic work week) with a strange series of beach scenes. First a llama appeared in the surf and splashed its way out of the water.

Shortly after that a gigantic fat buzzard with white fluffy feathers like a tutu zoomed down and picked at a dead seagull carcass.

Then a buzzard...

Then a herd of huge buffalo chased by hunky hordes of horseback riders goes thundering through the surf: first north then south, then out of the water and up a hill. Then a helicopter (in first image) lands on the water and loads up with my co-workers. Those who don’t fit get into a boat and leave too.

Then horses chasing buffalo

Meanwhile it’s my first day on the job in a different department and I’m trying to print notes for how to use my cellphone and I’m trying to make it 2-sided to keep it in my wallet but I mess up the pages and then discover I have no computer to print from anyway.

Then a woman comes over and says she needs to measure my head size. She tells me how much smaller my head is than hers and says, “that’s just one of those things that happen at our age.” I’m wondering if my head is shrinking* and I also don’t think she’s my age, but then I can’t tell how old she really is.

Head size

* Hmmmm, maybe that last dream is telling me I need a good “head shrinker?” (as psychiatrists are called in the U.S.).

At first I thought there’s no way I can draw these dreams: I don’t know what buffalo and horses and buzzards look like in enough detail to draw them. Then I wondered, if I can see them so clearly in my dream, maybe all I have to do is look at the images I see in my mind when I remember the dream. If I can see it, I should be able to draw it. (Hah!)

I started sketching hesitantly in pencil but quickly realized I needed to just go for it with my pen instead as I usually do. It’s so much more fun to be adventurous and just see what comes out of the pen.

I was able to capture the buzzard, llama and horses close to how I saw them in my dream though not the riders who were all studly stuntmen/Indiana Jones type, not these wimpy riders. But I was hopeless at drawing the buffalo.

Maybe when I finish working on perspective I’ll switch to buffalo (not).